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THE ROYAL TENENBAUMS” Ari Tenenbaum
Touchstone Pictures’ ADDITIONAL CAST “THE ROYAL TENENBAUMS” Ari Tenenbaum. GRANT ROSENMEYER Uzi Tenenbaum . JONAH MEYERSON CAST Young Chas Tenenbaum. ARAM ASLANIAN-PERSICO Young Margot Tenenbaum. IRENE GOROVAIA GENE HACKMAN Young Richie Tenenbaum . AMEDEO TURTURRO as Dudley Heinsbergen. STEPHEN LEA SHEPPARD Royal Tenenbaum Young Eli Cash. JAMES FITZGERALD Peter Bradley . LARRY PINE ANJELICA HUSTON Detective . DON MCKINNON as Hotel Manager. FRANK WOOD Etheline Tenenbaum Walter Sherman. AL THOMPSON Rachael Tenenbaum . JENNIFER WACHTELL BEN STILLER Hotel Clerk . DONAL WARD as Farmer Father/Tex Hayward. ANDREW WILSON Chas Tenenbaum Doctor . DIPAK PALLANA GWYNETH PALTROW Sanjay Gandhi. SANJAY MATHEW as Chas’ Secretary. MARY WIGMORE Margot Tenenbaum Sing-Sang . SONAM WANGMO Neville Smythe-Dorleac . PAWEL WDOWCZAK LUKE WILSON Yasuo Oshima . PETER LEUNG as Franklin Benedict . WILLIAM STURGIS Richie Tenenbaum Reporter in Blue Cardigan . LIAM CRAIG Eli’s Aunt . SHEELAGH TELLERDAY OWEN WILSON Cote d’Ivoire Attendant . MAX FAUGNO as Cote d’Ivoire Radio Operator . GUIDO VENITUCCI Eli Cash Frederick (Bellboy) . EBON MOSS-BACHRACH Elderly “Baumer” Fan #1 . BRIAN SMIAR BILL MURRAY Elderly “Baumer” Fan #2 . JAN V.E. AUSTELL as Raleigh St. Clair Cemetery Maintenance Man . RONY CLANTON Anwar . SALIM MALIK DANNY GLOVER Judge . TOM LACY as Royal’s Lawyer . KEITH CHARLES Henry Sherman Gypsy Cab Driver . GREG GOOSEN Nurse . SADIAH ARRIKA EKULONA SEYMOUR CASSEL Sanchez . VIC MATA as Irish Longshoreman . MICHAEL CONTI Dusty Parisian Girl . TATIANA ABBEY New Guinea Tribesman . KALANI QUEYPO KUMAR PALLANA Punk Rocker . MEL CANNON as Eli’s Egyptian Friends . LEO MANUELIAN Pagoda AMIR RAISSI ROGER SHAMAS Narrator Father Petersen. PHILIP DENNING ALEC BALDWIN Police Officer . GARY EVANS Mr. Levinson . REX ROBBINS Elaine Levinson . -
Presents Written & Directed by Gary Lundgren
Presents BLACK ROAD Written & Directed by Gary Lundgren (81 min. USA 2016) Press Contact Joma Films, Anne Lundgren c: 310-463-8619 f: 866-697-7485 [email protected] High-res images: blackroadmovie.com/pk A FUTURISTIC NOIR THRILLER from the writer-director of Redwood Highway & Calvin Marshall Set in the autonomous, rebel State of Jefferson in 2029, an ex-military cyborg risks his life to protect a mysterious woman from her dangerous ex. He's aided by his A.I. implant “Clyde” who proves partner and friend. THE STORY Set in the autonomous, rebel State of Jefferson in 2029, this futuristic thriller stars Sam Daly (The Office, Daly Show) as cyborg drifter Dylan Grant – a failed military experiment. He’s 100% human but is assisted by his artificial intelligence implant, “Clyde” (voiced by Andrew Wilson). Aimless and broke, Dylan urges Clyde to help him find work and a new beginning on the reckless but “free” Jefferson coast. After saving a mysterious woman's life outside a night club, Dylan is sucked into her dark world becoming her lover and accomplice. Going against Clyde’s wishes, Dylan and Lisa (Leilani Sarelle) plot to negotiate a financial settlement with her maniacal ex-husband Sterling (Simon Templeman) – a tech tycoon who’s developing unregulated warfare technologies and testing (on unsuspecting subjects) the hypnotic, addictive properties of the black root plant he grows on his private compound. If only Dylan can keep Lisa and Sterling from killing each other, he may just walk away with a small fortune and a new life – with or without Clyde’s help. -
Bottle Rocket Production Information
Bottle Rocket Production Information Anthony (Luke Wilson) has been discharged from the mental hospital where he was treated for "exhaustion." To accommodate the fantasies of his lifelong friend Dignan (Owen C. Wilson), he gets permission to climb down a bed sheet rather than simply walk out the front door. Thus begins the story of three Texas boys whose lives show that loyalty, friendship and commitment are not always virtues but collectively can sometimes begin to resemble stupidity. These three friends -- inextricably, if unconventionally, linked -- are searching for something. Something they often can't articulate or even identify, but they know it's special. Anthony seeks true love. Bob (Robert Musgrave) yearns for family. Dignan (Owen C. Wilson) pursues a distinguished position amongst thieves and con-artists. Anthony, Bob and Dignan will get what they want but in ways they never expected. Bottle Rocket tells the gently comic story of three devoted, would-be thieves who prove the importance of friendship, honor and duty as they ineptly pursue a life of crime. Directed by Wes Anderson, Bottle Rocket is written by Owen C. Wilson and Wes Anderson. In addition to Owen C. Wilson, Luke Wilson and Robert Musgrave, the film also stars Andrew Wilson, Lumi Cavazos and James Caan as Mr. Henry. Polly Platt and Cynthia Hargrave are the producers. The executive producers are James L. Brooks, Richard Sakai, Barbara Boyle and Michael Taylor. Robert Yeoman is the director of photography; David Wasco is the production designer; David Moritz is the editor. The film is co-produced by Ray Zimmerman and L.M. -
The Caan Film Festival: a Twelve-Film Celebration of James Caan
FOR IMMEDIATE RELEASE THE CAAN FILM FESTIVAL: A TWELVE-FILM CELEBRATION OF JAMES CAAN May 19–28, 2017 Astoria, New York, April 27, 2017—For two glittering weekends at the end of May, the world turns its attention to the movie event of the year: The Caan Film Festival at Museum of the Moving Image. In celebration of the Bronx-born, Sunnyside-raised, and Sanford Meisner-instructed actor, the film series revisits twelve of James Caan’s greatest performances, from May 19 through 28, with nearly all films presented in 35mm. The films feature performances for such great directors as Francis Ford Coppola, Howard Hawks, Michael Mann, Sam Peckinpah, Mark Rydell, Norman Jewison, Wes Anderson, and James Gray. “For over half a century, James Caan has lent his incomparable magnetism to a wide spectrum of films, playing both tough guys and punching bags, talkers and mumblers, charmers and monsters,” said Associate Curator of Film Eric Hynes. “With his broad- shouldered athleticism and a granite-cut jaw, Caan brings a frank physicality to the screen, making even mild-mannered performances seem subtly threatening. Yet he also freights a deep reserve of emotion, exemplifying a post-war American masculinity that is reinventing itself one mission, one conflict, one heartbreak at a time.“ The son of Jewish immigrants, James Caan could have taken over the family’s meat delivery business, but instead wound his way through competitive sports (he played football at Michigan State) before alighting upon acting, which he pursued during the explosion of New York talent in the early 1960s. He appeared on TV and in bit parts in films throughout the decade, but received his biggest break via legendary director Howard Hawks—first by taking a lead role in the much-maligned Red Line 7000, and then supporting John Wayne in El Dorado (1966). -
Wes Anderson: Contemporary Auteurism and Digital Technology
WES ANDERSON: CONTEMPORARY AUTEURISM AND DIGITAL TECHNOLOGY by Thomas Dorey B.A. (Hons.) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario July 30, 2009 2009, Thomas Dorey Library and Archives Bibliothgque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'Edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A0N4 Canada Canada Your Ko Votna reference ISBN: 978-0-494-60302-4 Our file Notre reference ISBN: 978-0-494-60302-4 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliothgque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriety du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thdse. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimis ou autrement printed or otherwise reproduced reproduits sans son autorisation.