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Delve Deeper Study Guide Ken Ludwig's Dear Jack, Dear Louise
CREEDE REPERTORY THEATRE Delve Deeper Study Guide Ken Ludwig’s Dear Jack, Dear Louise Directed by Michael Perlman Although nearly 3,000 miles apart, when US Army doctor Jack Ludwig begins writing aspiring actress Louise Rabiner, sparks fly. This engaging and heartwarming comedy tells a story of how connection and relationships unfold while a world apart. Based on the story of his parents’ courtship during WWII, Tony Award-winning playwright Ken Ludwig (Leading Ladies, Moon Over Buffalo, Lend Me a Tenor) explores love, isolation, and hope over great distance. Starring Graham Ward & Caitlin Wise. June 25 – Sept 4 in Seime Park Dramaturgs: Courtney Cauthon & Kate Berry Editor: Kate Berry creederep.org / 719-658-2540 Glossary Manischewitz: A popular kosher wine often consumed on Passover. It is budget friendly, made from labrusca grapes, and is combined with a large amount of residual sugar—its sweetness often making it the fodder of jokes. Malaria: An intermittent and remittent fever caused by a parasite transmitted by mosquitos in many tropical and sub-tropical regions. Norman Rockwell: A well known painter and illustrator who most famously created idealistic and sentimental covers for the Saturday Evening Post. His work was often dismissed by serious art critics, though some of his later work focused on more serious subjects such as racism in a series for Look magazine. Leave: In regards to the Army, leave is time away from duties and training. The Mess: An area where military personnel eat, socialize, and (in some cases) live. Betty Davis at the Stage Door Canteen USO: The United Service Organization. -
Record of the Istanbul Process 16/18 for Combating Intolerance And
2019 JAPAN SUMMARY REPORT TABLE OF CONTENTS EVENT SUMMARY .................................................................................................................................... 3 PLENARY SESSIONS ................................................................................................................................. 7 LAUNCHING THE 2019 G20 INTERFAITH FORUM.......................................................................... 7 FORMAL FORUM INAUGURATION – WORKING FOR PEACE, PEOPLE, AND PLANET: CHALLENGES TO THE G20 ............................................................................................................... 14 WHY WE CAN HOPE: PEACE, PEOPLE, AND PLANET ................................................................. 14 ACTION AGENDAS: TESTING IDEAS WITH EXPERIENCE FROM FIELD REALITIES ........... 15 IDEAS TO ACTION .............................................................................................................................. 26 TOWARDS 2020 .................................................................................................................................... 35 CLOSING PLENARY ............................................................................................................................ 42 PEACE WORKING SESSIONS ................................................................................................................ 53 FROM VILE TO VIOLENCE: FREEDOM OF RELIGION & BELIEF & PEACEBUILDING ......... 53 THE DIPLOMACY OF RELIGIOUS PEACEBUILDING .................................................................. -
Pace Final 26.11.15
Positions, Methodologies and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study Ian Pace1 Since Brian Ferneyhough achieved a degree of public recognition following the premiere of his Transit (1972-75) in March 1975 at the Royan Festival, a range of writings on and reviews of his work have appeared on a relatively regular basis. The nature, scope, style, and associated methodologies of these have expanded or changed quite considerably over the course of Ferneyhough's career––in part in line with changes in the music and its realization in performance––but nonetheless one can discern common features and wider boundaries. In this article, I will present a critical analysis of the large body of scholarly or extended journalistic reception of Ferneyhough's work, identifying key thematic concerns in such writing, and contextualizing it within wider discourses concerning new music. Several key methodological issues will be considered, in particular relating to intentionality and sketch study, from which I will draw a variety of conclusions that apply not only to Ferneyhough, but to wider contemporary musical study as well. Early Writings on Ferneyhough The first extended piece of writing about Ferneyhough's work was an early 1973 article by Elke Schaaf2 (who would become Ferneyhough's second wife),3 which deals with Epicycle (1968), Missa Brevis (1969), Cassandra's Dream Song (1970), Sieben Sterne (1970), Firecyle Beta (1969-71), and the then not-yet-complete Transit. Schaaf’s piece already exhibits one of the most -
D4.2 BIC Annual Forum and IAG Meeting
D4.2 BIC Annual Forum and IAG meeting Grant Agreement 258655 number: Project acronym: BIC Project title: Building International Cooperation for Trustworthy ICT: Security, Privacy and Trust in Global Networks & Services Funding Scheme: ICT Call 5 FP7 Project co-ordinator: James Clarke Programme Manager Waterford Institute of Technology Tel: +353-71-9166628 Fax: + 353 51 341100 E-mail: [email protected] Project website http://www.bic-trust.eu address: Revision: Final Project co-funded by the European Commission within the Sixth Framework Programme (2002-2006) Dissemination Level PU Public up to and including Annex III RE Annex IV (IAG meeting minutes) Building International Cooperation for Trustworthy ICT: Security, Privacy and Trust in Global Networks & Services 1st Annual Forum 29th November 2011 Brussels, Belgium BIC Partners BIC is a Coordination Action Project within the European Commission, DG INFSO Unit F5, Trust and Security Jan. 2011—Dec. 2013 http://www.bic-trust.eu Page 2 / 103 Table of Contents EXECUTIVE SUMMARY ......................................................................................5 INTRODUCTION ..................................................................................................6 MISSION AND OBJECTIVES OF THE ANNUAL FORUM ...................................6 AGENDA...............................................................................................................7 RESULTS OF THE ANNUAL FORUM..................................................................8 Panel session 1. Other INCO-related -
Flight Plans and Rescues: Using Math to Explore the World War II Strategic Bombing Campaign
Activity: Flight Plans and Rescues: Using Math to Explore the World War II Strategic Bombing Campaign Guiding question: How does the military use math and map skills to perform important duties? DEVELOPED BY JARRED STEWART Grade Level(s): 6-8, 9-12 Subject(s): Social Studies, Math Cemetery Connection: North Africa American Cemetery Fallen Hero Connection: Captain Walter C. Swarner, Jr. Activity: Flight Plans and Rescues: Using Math to Explore the World War II Strategic Bombing Campaign 1 Overview Using maps of the Mediterranean region, primary sources, and interactives from the American Battle Monuments Commission, students will identify important places and “The crews of the bombers ventured over large swaths individual contributions to the Allied effort in World War II. of continents searching for After reading a primary source document, students will write precise points; however, a response to a discussion question. With maps superim- precision was rarely posed with a graph, students will utilize algebraic functions attainable. Finding bombing to find specific locations that follow the story of Captain locations, paths home, and Walter Swarner and other bomber pilots. rescue coordinates required many calculations in the air and on the ground. It is Historical Context important to celebrate the The early American bombing campaign in Europe focused bravery of the crews and the on destroying Axis infrastructure and industrial capacity as mathematical skills needed well as softening up Sicily for the coming Allied invasion, for their jobs.” — Jarred Stewart codenamed Operation Husky. Captain Walter C. Swarner, Jr. was part of Operation Tidal Wave which directed American Stewart teaches at Lebanon Trail High bombers against the Axis oil refineries in Ploesti, Romania. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.Thc sign or "target" for pages apparently lacking from the document photographed is "Missing Pagc(s}". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed cither blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame* If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Downloads of Technical Information
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Nuclear Spaces: Simulations of Nuclear Warfare in Film, by the Numbers, and on the Atomic Battlefield Donald J. Kinney Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES NUCLEAR SPACES: SIMULATIONS OF NUCLEAR WARFARE IN FILM, BY THE NUMBERS, AND ON THE ATOMIC BATTLEFIELD By DONALD J KINNEY A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Donald J. Kinney defended this dissertation on October 15, 2018. The members of the supervisory committee were: Ronald E. Doel Professor Directing Dissertation Joseph R. Hellweg University Representative Jonathan A. Grant Committee Member Kristine C. Harper Committee Member Guenter Kurt Piehler Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Morgan, Nala, Sebastian, Eliza, John, James, and Annette, who all took their turns on watch as I worked. iii ACKNOWLEDGMENTS I would like to thank the members of my committee, Kris Harper, Jonathan Grant, Kurt Piehler, and Joseph Hellweg. I would especially like to thank Ron Doel, without whom none of this would have been possible. It has been a very long road since that afternoon in Powell's City of Books, but Ron made certain that I did not despair. Thank you. iv TABLE OF CONTENTS Abstract..............................................................................................................................................................vii 1. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/4527 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. God and Mrs Thatcher: Religion and Politics in 1980s Britain Thesis submitted for the degree of Doctor of Philosophy September 2010 Liza Filby University of Warwick University ID Number: 0558769 1 I hereby declare that the work presented in this thesis is entirely my own. ……………………………………………… Date………… 2 Abstract The core theme of this thesis explores the evolving position of religion in the British public realm in the 1980s. Recent scholarship on modern religious history has sought to relocate Britain‟s „secularization moment‟ from the industrialization of the nineteenth century to the social and cultural upheavals of the 1960s. My thesis seeks to add to this debate by examining the way in which the established Church and Christian doctrine continued to play a central role in the politics of the 1980s. More specifically it analyses the conflict between the Conservative party and the once labelled „Tory party at Prayer‟, the Church of England. Both Church and state during this period were at loggerheads, projecting contrasting visions of the Christian underpinnings of the nation‟s political values. The first part of this thesis addresses the established Church. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
1207Wave.Pdf
Tidal Wave It took sheer courage, and lots of it, for each bomber crew to press on into a huge cloud of flak at Ploesti. By Walter J. Boyne he Aug. 1, 1943 air raid on Only the indomitable bravery of the a carefully thought out charge into the Ploesti, Romania, had an ambi- Ploesti airmen under fire rescued the mouth of almost certain death. tious goal: Shorten World War attack from failure. What might have In wartime, heroism is often over- TII by knocking out much of Germany’s been an utter disaster was turned into looked in the press of events. That was petroleum production in a single blow. an admittedly costly American vic- not so with Ploesti, for a cascade of Called Operation Tidal Wave, the attack tory that established new standards for decorations proved how much the AAF by five United States Army Air Forces combat initiative, aggressiveness, and leadership understood the risks and ap- bomber groups on Ploesti was well- tenacity. preciated the sacrifice. planned and well-rehearsed. The raid called forth thousands of acts Five Medals of Honor were awarded It was undermined by an incorrect of heroism, most of them unrecorded, from the mission that day, more than in premise and faulty intelligence. The lost in the fiery crashes of B-24s disin- any other single air action. There was a American forces operated under the tegrating under the heavy German fire. profusion of other medals as well, but the illusion that a single strike could do ir- There was one common denominator, most important accolade shared by the reparable damage to a major target. -
What Was Margaret Thatcher's Legacy for Women, Purvis
WHAT WAS MARGARET THATCHER’S LEGACY FOR WOMEN? June Purvis, University of Portsmouth, UK Published in Women’s History Review, Vol 22, No 6, December 2013, pp. 1014-1018, http://dx.doi.org/10.1080/09612025.2013.801136 ABSTRACT This article considers the legacy for women of Margaret Thatcher (1925-2013), Britain’s first and to date only Prime Minister. It is suggested that although Thatcher had to struggle against many of the sexist prejudices of her day to achieve her political ambitions, she was no feminist. The hard ladder up which she had climbed was drawn up and not extended to other women. Yet for some women, such as the Spice Girls, she was the pioneer of their ideology of girl power. Overall, it is concluded that Thatcher was a polarising figure whose legacy is one of much divisiveness in which the divisions between women is only one strand. BIOGRAPHICAL DATA June Purvis is Professor of Women’s and Gender History at the University of Portsmouth, UK. She is the Founding and Managing Editor of Women’s History Review. She has published extensively on women’s education in nineteenth-century Britain and on the British suffragette movement in the Edwardian era. Her most recent book, co-edited with Francisca de Haan, Margaret Allan and Krassimira Daskalova is Women’s Activism: global perspectives from the 1890s to the present (Routledge, 2013). Correspondence to: June Purvis, School of Social, Historical and Literary Studies, University of Portsmouth, Burnaby Road, Portsmouth PO1 3AS, UK. Email: [email protected] The death of Margaret Thatcher, Britain’s first and to date only female Prime Minister, on Monday 8th April 2013, was widely covered in the British and international media.