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Sprache Der Heimat.’ Discourses of Dialect and Identity in Modern-Day Cologne
CORE Metadata, citation and similar papers at core.ac.uk Provided by UCL Discovery ‘Sprache der Heimat.’ Discourses of dialect and identity in modern-day Cologne Geraldine Horan 1. Introduction Associating language with Heimat is not a new phenomenon. Heidegger’s lecture ‘Sprache und Heimat’ [Language and Home]1 (1960), for example, articulated the fundamental yet intangeable relationship between dialect as the mothertongue and a sense of ‘home’ (Heidegger 1983: 155–180), and philosophers and linguists alike have attempted to analyse how language can create and represent a sense of belonging in a ‘fusion of language and landscape’ (Hammermeister 2000: 314). This connection is particularly strong with dialect, which in modern times is largely reserved for the familiar, private sphere, or is employed symbolically as a marker of local identity. This chapter analyses discourses about Kölsch, the urban dialect spoken in the German city of Cologne, and about engagement with the dialect by members of a specific community; namely, participants in dialect and dialect-related courses as the Akademie för uns kölsche Sproch [Academy for our Cologne Language].2 Using data from questionnaires completed by participants in these courses, I explore individuals’ attitudes to the dialect, perceived level of proficiency, and the role the dialect plays in the construction of local identity. I shall argue that the externalisation of this personal, emotional link between dialect and identity that takes place through participation in dialect or dialect-related courses is part of an identity building process – it is about filling perceived ‘gaps’ in the individual’s identity, and/or extending and enhancing identity, in forging and maintaining membership of a community that is defined by its language and geographical location. -
Global Recorded Music Industry Revenues 2001-2020
GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 3 CONTENTS STATE OF THE INDUSTRY Global Music Market 2020 in Numbers 04 Introduction 05 Global Charts 06 Global Market Overview 2020 10 Our mission to put creators Our continuing commitment The universe of opportunities 2020 Figures by Format 12 first has been more important is to harness our collective for artists and labels is than ever in the past year. talents and resources to diverse, vast, and fast Hits can now come from shape culture through the expanding. There’s strong 2020 Figures by Region 14 anywhere and artists are power of music and the growth in both subscription empowered by future-focused artistry and creativity at its and ad-supported streaming, Record Companies, Driving Global Opportunities for Music 16 insights, tools and resources core. When, in collaboration with plenty of runway to reach global audiences. with our artists, we come around the globe. At the Breaking down barriers and together as a company and same time, the pandemic Partnering with Artists, Delivering for Fans 24 borders of language, culture as a community, what we can has accelerated consumer Case Study: Chen Li Nong 28 and genre around the world, achieve is truly remarkable. adoption in areas like gaming, Case Study: Travis Scott music has made an incredible That mission is especially live streaming, social media 30 impact over the last year, important now, as the world and in-home fitness. Music Case Study: Dua Lipa 32 bringing communities has never needed music more. is a fundamental driving SIR LUCIAN GRAINGE together to tackle the Chairman & Chief Executive force in the success of these Officer, Universal Music Group Beyond the Music 34 challenges facing all of us. -
Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration?
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration? Erik Abbott Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/157 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] COLOGNE CARNIVAL’S 'ALTERNATIVE' STUNKSITZUNG: CARNIVALIZATION? META-CARNIVAL? OR BAKHTINIAN RESTORATION? by ERIK ABBOTT A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 ERIK ABBOTT All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Marvin Carlson _________________________ ________________________________________ Date Chair of Examining Committee Jean Graham-Jones __________________________ ________________________________________ Date Executive Officer Frank Hentschker Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract COLOGNE CARNIVAL’S 'ALTERNATIVE' STUNKSITZUNG: CARNIVALIZATION? META-CARNIVAL? OR BAKHTINIAN RESTORATION? by ERIK ABBOTT Advisor: Professor Marvin Carlson In the 1820s, Carnival in Cologne, Germany, underwent a series of reforms, ostensibly to bring the festival back to the people. Among the traditions that developed was the Sitzung, a theatrical variety-show event, with music, comic speeches and sketches, dance troupes, and various additional Carnival-related entertainments. -
ARSC Journal
A SIR THOMAS BEECHAM PANORAMA 1910-1959 SIR THOMAS BEECHAM, Bart., C.H. (1879-1961) - A MUSICAL BIOGRAPHY. EMI World Records SHB 100 - Eight 12-inch Discs with book: Jefferson, Alan: Sir Thomas Beecham - A Centenary Tribute; Macdonald and Jane's, London, 1979; 256 pp. with foreword by Sir Robert Mayer; 24 pp. ill. + 2 jacket photographs. SH 1001 - The Early Years (1910-1928). J. STRAUSS II: Die Fledermaus - Overture (abridged), recorded 7/28/10; D'ALBERT: Tiefland - Selection, recorded 8/31/10; MISSA: Muguette - Entr'acte, recorded ca. 1912; STRAVINSKY: The Firebird - Dance of the Firebird; Scherzo; Infernal Dance, recorded 1916; GERMAN: Have you news of my boy Jack? (Kipling) with Dame Clara Butt (contralto), recorded Feb/Mar 1917. Beecham Symphony Orchestra. OFFENBACH: Tales of Hoffmann - The Doll's Song, Caroline Hatchard (soprano), Beecham Opera Company, recorded 7/27/10. ATTERBERG: Symphony No. 6 in C Major, Op. 31. Royal Philharmonic Orchestra, recorded 8/12/28. SH 1002 - Shorter Works (1933-1948). BERLIOZ: Roman Carnival Overture, Op. 9, recorded 11/27/36; HANDEL (arr. Beecham): The Origin of Design - Ballet Suite (Bourrle, Rondeau, Gigue, Musette, Battle and Finale), recorded 1/5/33; HANDEL: Solomon - Arrival of the Queen of Sheba, recorded 5/6/33; WEBER: Oberon - Overture, recorded 7/18, 10/3/38; BORODIN (arr. Rimsky-Korsakov & Glazunov): Prince Igor - Polovstian ~. with Leeds Festival Choir, recorded 10/34. London Philhar monic Orchestra. HAYDN: Symphony No. 40 in F Major. Royal Philhar monic Orchestra, recorded 4/20/48. SH 1003 - The Post War Years (1947-1956). DVO&\K: The Golden Spinning Wheel - Symphonic Poem, Op. -
The World Drinks One Language
Interested? Contact your importer The world drinks one language. Interesting facts about Cologne, Kölsch Privatbrauerei Gael Becker & Co. OHG Brewery site: Ursulaplatz 1 50668 Cologne (Altstadt-Nord) Tel.: +49 (0)221-160 06 0, Fax: +49 (0)221-160 06 196 Porz site: Welser Str. 16, 51149 Cologne (Porz-Gremberghoven) Tel.: +49 (0)221-160 06 545, Fax: +49 (0)221-160 06 575 Filling and logistics centre: Robert-Perthel-Str. 18, 50739 Cologne (Bilderstöckchen) Tel.: +49 (0)221-160 06 282, Fax: +49 (0)221-160 06 275 sonnenhopfen.com, mammanero.com Kölsch is the only language you can drink. This is because “Kölsch” (a German dialect) is spoken as well as drunk in Cologne. The top-fermented beer speciality Kölsch is only allowed to be brewed by breweries in Cologne and is protected by law. Ga el is the most popular Kölsch served in bars and restau- rants. Every third Kölsch tapped is a Ga el and is brewed by the private brewery of the Becker family in its fourth genera- tion. What’s more, Ga el is an ambassador for the culture Kölsch comes from Cologne, the oldest German city with of Cologne, because Ga el Kölsch is enjoyed as a speciality a history dating back more than 2,000 years. The name throughout Germany and around the world. The premium- Cologne (or “Köln” in German) stems from the Roman word quality beer can be found in Beijing, New York, London, Rio “Colonia”. The Romans established the city in 38 B.C. and Moscow. Besides Kölsch beer, the landmark of Cologne is Cologne Cathedral, the world’s largest Gothic church. -
German and Dutch in Contrast Konvergenz Und Divergenz
German and Dutch in Contrast Konvergenz und Divergenz Sprachvergleichende Studien zum Deutschen Herausgegeben von Eva Breindl und Lutz Gunkel Im Auftrag des Leibniz-Instituts für Deutsche Sprache Gutachterrat Ruxandra Cosma (Bukarest), Martine Dalmas (Paris), Livio Gaeta (Turin), Matthias Hüning (Berlin), Sebastian Kürschner (Eichstätt-Ingolstadt), Torsten Leuschner (Gent), Marek Nekula (Regensburg), Attila Péteri (Budapest), Christoph Schroeder (Potsdam), Björn Wiemer (Mainz) Band 11 German and Dutch in Contrast Synchronic, Diachronic and Psycholinguistic Perspectives Edited by Gunther De Vogelaer, Dietha Koster and Torsten Leuschner Die Open-Access-Publikation dieses Bandes wurde gefördert vom Leibniz-Institut für Deutsche Sprache, Mannheim. Redaktion: Melanie Kraus ISBN 978-3-11-066839-1 e-ISBN (PDF) 978-3-11-066847-6 e-ISBN (EPUB) 978-3-11-066946-6 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019956272 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Gunther De Vogelaer, Dietha Koster and Torsten Leuschner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Typesetting: Joachim Hohwieler, Ann-Kathrin Lück Printing and -
Music and Migration: Cologne Carnival As a State of Mind
MUSIC AND MIGRATION: COLOGNE CARNIVAL AS A STATE OF MIND Birgit Ellinghaus, Monika Salzbrunn, Translator Katherine Booth, Alexandra Poméon O’Neill Université de Poitiers | « Revue européenne des migrations internationales » 2019/3 Vol. 35 | pages 33a à 40a ISSN 0765-0752 ISBN 9791090426658 © Université de Poitiers | Téléchargé le 26/11/2020 sur www.cairn.info via (IP: 195.220.223.38) Article disponible en ligne à l'adresse : -------------------------------------------------------------------------------------------------------------------- https://www.cairn.info/revue-europeenne-des-migrations- internationales-2019-3-page-33a.htm -------------------------------------------------------------------------------------------------------------------- Distribution électronique Cairn.info pour Université de Poitiers. © Université de Poitiers. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit. © Université de Poitiers | Téléchargé le 26/11/2020 sur www.cairn.info via (IP: 195.220.223.38) Powered -
Shoah Germany Daniela Kranz Phd Thesis Submission Date
Shades of Jewishness: The creation and maintenance of a liberal Jewish community in post- Shoah Germany Daniela Kranz PhD thesis Submission date: 1 Abstract This PhD thesis focuses on the creation and maintenance of the liberal Jewish community in present day Cologne, Germany. The community has the telling name Gescher LaMassoret, which translates into ‘Bridge to Tradition.’ The name gives away that this specific community, its individual members and its struggles cannot be understood without the socio-historic context of Germany and the Holocaust. Although this Jewish community is not a community of Holocaust survivors, the dichotomy Jewish-German takes various shapes within the community and surfaces in the narratives of the individual members. These narratives reflect the uniqueness of each individual in the community. While this is a truism, this individual uniqueness is a key element in Gescher LaMassoret, whose membership consists of people from various countries who have various native languages. Furthermore, the community comprises members of Jewish descent as well as Jews of conversion who are of German, non- Jewish parentage. Due to the aftermaths of the Holocaust and the fact that Gescher LaMassoret houses a vast internal diversity, the creation of this community which lacks any tradition happens through mixing and meshing the life-stories and other narratives of the members, which flow into the collective narrative of the community. On the surface, the narratives of the individual members seem in conflict, they even contradict