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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Edition 2 | 2018-2019
WHAT’S INSIDE Anastasia | 13 Cast | 14 Musical Numbers | 16 Who’s Who | 17 Staff | 23 At A Glance | 26 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. peace center 3 peace center 11 STAGE ENTERTAINMENT BILL TAYLOR TOM KIRDAHY HUNTER ARNOLD 50 CHURCH STREET PRODUCTIONS THE SHUBERT ORGANIZATION ELIZABETH DEWBERRY & ALI AHMET KOCABIYIK CARL DAIKELER WARNER/CHAPPELL MUSIC 42ND.CLUB/PHIL KENNY JUDITH ANN ABRAMS PRODUCTIONS BROADWAY ASIA/UMEDA ARTS THEATER PETER MAY DAVID MIRVISH SANDI MORAN SEOUL BROADCASTING SYSTEM LD ENTERTAINMENT/SALLY CADE HOLMES SERIFF PRODUCTIONS VAN DEAN TAMAR CLIMAN in association with HARTFORD STAGE present Book By Music By Lyrics By TERRENCE McNALLY STEPHEN FLAHERTY LYNN AHRENS Inspired by the TWENTIETH CENTURY FOX MOTION PICTURES LILA COOGAN STEPHEN BROWER JASON MICHAEL EVANS JOY FRANZ TARI KELLY EDWARD STAUDENMAYER BRIANNA ABRUZZO VICTORIA BINGHAM RONNIE S. BOWMAN, JR. ALISON EWING PETER GARZA JEREMIAH GINN BRETT-MARCO GLAUSER LUCY HORTON MARY ILLES FRED INKLEY KOURTNEY KEITT BETH STAFFORD LAIRD MARK MacKILLOP KENNETH MICHAEL MURRAY TAYLOR QUICK CLAIRE RATHBUN MICHAEL McCORRY ROSE MATT ROSELL SAREEN TCHEKMEDYIAN ADDISON MACKYNZIE VALENTINO Scenic Design Costume Design Lighting Design Sound Design ALEXANDER DODGE LINDA CHO DONALD HOLDER PETER HYLENSKI Projection Design Hair/Wig Design Makeup Design Casting by AARON RHYNE CHARLES G. -
Twelfth Night Study Guide — 2 Twelfth Night a Support Packet for Studying the Play and Attending the Shakespeare Theatre of New Jersey’S Main Stage Production
a study guide compiled and arranged by the Education Department of The Shakespeare Theatre of New Jersey The Shakespeare Theatre of New Jersey Twelfth Night study guide — 2 Twelfth Night a support packet for studying the play and attending The Shakespeare Theatre of New Jersey’s Main Stage production General Information p3- Using This Study Guide p16- Sources for this Study Guide (and Additional Resources) William Shakespeare p4- Shakespeare: Helpful Tips for Exploring & Seeing His Works p5- The Life of William Shakespeare p5- Shakespeare’s London p6- Are You SURE This Is English? About The Play p7- Twelfth Night: A Synopsis p8- Sources and History of the Play p10- Commentary and Criticism Studying Shakespeare’s Twelfth Night p9- Shakespeare’s Common Tongue p9- Terms and Phrases found in Twelfth Night p11- Aspects of Twelfth Night p12- Twelfth Night: Food For Thought p13- Additional Topics for Discussion Classroom Applications p13- Follow-Up Activities p14- What Did He Say? p14- Who Said That? p15- Meeting the Core Curriculum Content Standards p16- “Who Said That?” Answer Key About the Shakespeare Theatre of New Jersey p17- About The Shakespeare Theatre of New Jersey p17- Other Opportunities for Students... and Teachers The Shakespeare Theatre of New Jersey is an independent, professional theatre located on the Drew University campus. The Shakespeare Theatre of New Jersey’s programs are made possible, in part, by funding from the New Jersey State Council on the Arts/ Department of State, a Partner Agency of the National Endowment for the Arts, as well as funds from the National Endowment for the Arts. -
Erie Gay News People Show Their Pride at Picnic
July 2006 October 2003 EGN Erie Pride weekend pages 9-12 Erie Gay News People Show their Pride at Picnic By Bob The picnic also benefited the Second Harvest Under bright blue skies with a cool breeze blow- Food Bank. A total of 91 pounds of food was col- ing off Lake Erie, some 270 people attended this year’s lected. Gay Pride Community Picnic at Presque Isle State Park Several organizations and businesses were rep- on June 10. The festive environment help foster friend- resented at the picnic, including PFLAG of Erie/Craw- ships as people of all ages enjoyed hot dogs, hamburg- ford County, Liberty PA, Green Party, Erie County De- ers and a host of excellently prepared side dishes. partment of Health, SHOUT Outreach/Gaudenzia, Matt’s Mobile Massage/Arbonne Skin Care and Com- munity Health Net. WICU TV 12 covered the event as well. Special thanks go to the local businesses that made donations to the picnic: Trance Dance Club, Zone Dance Club, Coca Cola/Erie, Wegmans (Asbury Road), Wegmans (Peach Street), Erie County Department of Health, Movie Exchange, Gary’s Flower Shoppe, Pie in the Sky, Blue Heron Inn, Two Friends Italian Mar- ket and Papa Joe’s Pepperoni Cafe. Thanks also go out to the many volunteers who helped make the picnic possible: John, Gregg, Heather, Tara, Roni Tyson, Kim, Andrea, Cory, AJ, Michael Amory, Jo Hyatt, Paul , Raven Stephen McClain, Dok, Jamie and Rachel Hibbs, Mark H, Karl S, Season, Jo- seph, Al and Maureen Koseff, Dale, Nicholas Keech, T Evans, Shakira, Kate and Beth, Pat, Cedric and Brian Rowley. -
CAROL MENNIE______AEA, SAG, AFTRA, Email: [email protected] Hair
CAROL MENNIE__________________________________ AEA, SAG, AFTRA, Email: [email protected] Hair. Strawberry Blond Phone: (212) 222- 3581 Cell: (917) 733 -7718 Height: 5’4 Web: www.carolmennie.com Eyes; Green Voice: Jazz/Belt/Mezzo Film & TV________________________________________________________________ Little Drifter Supporting Independent Short Take Me The Wife Tribecca Film Festival Pit Bull The Teacher NYU Film Festival The Doctors Sally Nelson, RN. NBC Our City Leslie (Principal) PBS National Tours____________________________________________________ The Merchant of Venice Portia Twelfth Night Olivia Romeo and Juliet Juliet/Nurse How The Other Half Loves Terry (Opposite Hans Conried) Shaw’s St. Joan Joan Come Blow Your Horn Peggy (With Michael Cole) The Odd Couple Gwendolyn (With James Drury) Everybody Loves Opal Gloria (With Ann Sothern) Off-Broadway/Regional____________________________________________ The Vagina Monologues AEA Guest Artist Columbia University Almost Normal Mother/Daughter/Sister Off Broadway Playhouse Vile Affections Sister Catherina Line Hart Theatre, Fringe Festival Homesick Lili Cherry Lane Theatre, Fringe Festival Frankie & Johnny Frankie Milwaukee Rep And When She Was Bad… Mother/Daughter The National Theatre, DC Living In Virtual Paradise Mrs. Paradise Theatre for the New City A Chain of Summer Voices Glorianna Pantheon Theatre, NYC Independence Evelyn American Theatre of Actors, NYC What’s Beneath The Surface Mrs. Gabanna Dixon Place NYC Our Lady of Stone Sister Dominic Out Festival, NYC The 1969 Lesbian -
Ginny Kopf Stage Manager Roy Johns*
Mainstage Playbill Richard Hopkins, Producing Artistic Director by John Patrick Shanley Gil Brady and Claire Warden. Photo by Matthew Holler. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. OUTSIDE MULLINGAR by John Patrick Shanley CAST (in alphabetical order) Anthony Reilly.......................... Gil Brady* Tony Reilly................................ George Tynan Crowley* Aoife Muldoon.......................... Louisa Flaningam* Rosemary Muldoon................... Claire Warden* Scenic Designers Costume Designer Lighting Designer Moriah & Isabel Curley-Clay Gregory A. Poplyk Richard T. Chamblin III Sound Designer Dialect Coach Joe Goepfrich Ginny Kopf Stage Manager Roy Johns* Directed by Kate Alexander Season Underwriters Gerri Aaron, Georgia Court, Gulf Coast Community Foundation, Bob & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer, Dennis & Graci McGillicuddy, Anne Nethercott, Dorothy Waldron Show Co-Producers David & Ellen Flatow, Alfred & Jean Goldstein, Ruth Gorton, Barbara Lupoff, Jim Roque - SunTrust Private Wealth Management, Lois Stulberg, Thomas B. Wilson & Patrick J. Crimmings, SCENE MAGAZINE Originally commissioned by Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) with funds provided by U.S. Trust, and received its world premiere there on January 3, 2014. Outside Mullingar is presented by special arrangement with Dramatists Play Service, Inc., New York. The videotaping or other video or audio recording of this production is strictly prohibited. * Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ARTIST PROFILES GIL BRADY (Anthony Reil- LOUISA FLANINGAM (Ao- ly) Just finished his second ife Muldoon) A career span- run of Shear Madness at The ning 48 years including Kennedy Center in D.C. -
Tony Kushner's Angels in America Or How American History Spins Forward
Tony Kushner’s Angels in America or How American History Spins Forward Alfonso Ceballos Muñoz Universidad de Cádiz [email protected] Abstract Angels in America’s roaring success represents a real turning point in mainstream American drama. This article explores both Kushner’s treatment of history— particularly American history—and the ingredients which compound the melting pot American society had become in the 1980s. Through the specific situations the characters undergo in both Millennium Approaches and Perestroika, the playwright exposes his own Brechtian and neo-Hegelian vision of current events. Kushner deliberately recycles traditional American myths and elements of American culture and pins them all on a reconstruction of identity—whether gender, racial, or political—as the real axes of his plays. By making gay characters lead the plays, and by including obvious religious elements from an apocalyptic literary style, political discussions on Reagan’s policy on AIDS, and reminiscent historical images, Angels in America becomes a revision of the new National Period America is living as the promised land which every single individual re-creates with her/his daily efforts and capabilities. “The people look skyward seeking aid from above, and the Angel of History appears on the horizon his eyes staring, mouth open and wings spread, while human catastrophes are hurled before his feet”. Walter Benjamin, “Theses on the Philosophy of History”. “History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who travelled before us”. Ronald Reagan’s Second Inaugural Address. January 21, 1985 “We won’t die secret deaths anymore. -
Quetta Carpenter, Mfa
QUETTA CARPENTER, MFA EDUCATION The Pennsylvania State University School of Theatre State College, PA Master of Fine Arts in Acting 2007 • Graham Fellow 2004 • Manuel Duque Acting Award 2007 Southern Utah University College of Performing and Visual Arts Cedar City, UT Bachelor of Interdisciplinary Studies in Theatre Arts and Dance 2004 • Academic Vice President’s Award • Female Contributor of the Year Nominee • Elected Speaker Pro-Tempore of the Utah Intercollegiate Assembly • Senator and Representative for Utah Intercollegiate Assembly • Elected to the Student Senate • Elected Speaker Pro-Tempore of the Student Senate • Scholarships in Theatre, Dance, Journalism and Leadership Extra-curricular Activities: • Opinion Editor and weekly columnist for the University Journal • Member of Alpha Phi International Fraternity • Member of and elected historian for Masque Club Additional undergraduate coursework: University of California, Bakersfield Shakespeare in Performance (As You Like it) Gilbert/Chandler Community College Mythology Professional Affiliations Actors Equity Association, Screen Actors Guild - E CURRENT TEACHING University of Texas at Austin Austin, TX Lecturer August 2011-Present, teaching the following classes in rotation: • Movement for the Actor Level 3, 4, 5, Graduate (MFA program terminated in 2013) • Audition Techniques, Undergraduate • Acting for the Camera, Undergraduate • Movement for the Actor, Level 1 and 2, Undergraduate • Acting I, Undergraduate • Acting 2, Undergraduate • Fundamentals of Acting, Undergraduate non-majors -
Tony Kushner's <I>Angels in America</I>
Global Posts building CUNY Communities since 2009 http://tags.commons.gc.cuny.edu Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives Vanessa Campagna/ We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Queerness is essentially about the rejection of a here and now and an insistence on potentiality for another world.[1] José Esteban Muñoz Two decades have passed since Tony Kushner’s opus, Angels in America: A Gay Fantasia on National Themes (1993), premiered on Broadway at the Walter Kerr Theatre, yet the questions raised by the play are no less a part of the current zeitgeist than they were when the play debuted. Through its protagonist, Prior Walter, Angels in America poses audiences with provocative and poignant questions including: Does a queer engagement with the future exist? If so, what does queer futurity entail? What are the terms and conditions of the “citizenship”[2] Prior demands for himself and his fellow queers? These questions evoke two of the play’s major themes, history and futurity, and initiate conversations about queer lives. In the twenty years since Angels in America debuted, these themes and conversations have become increasingly integrated into American public discourse. The Defense of Marriage Act[3] has been repealed, the United States Supreme Court defeated Proposition 8,[4] and marriage equality measures have passed in nineteen states. Don’t Ask Don’t Tell[5] legislation was dismantled by President Obama, and the Employment Non-Discrimination Act[6] has been presented to nearly every Congress since 1994. -
Scanned Using Scannx OS15000 PC
I Arts Otterbein Summer Theatre will present the Central Ohio premiere of Wendy Wasserstein’s The Heidi Chronicles today through Sunday and July 29 through Aug. 2 in the Campus Center Theatre, 100 W. Home St. in Westerville. Featured are (from left): Jess Hanks, Equity guest artist Karen Radcliffe and Bryan Brems. Radcliffe will portray a feminist and art historian whose life is shown over a 23- year period. For tickets call 898-1109. arcs briefs^ / — l. The Heidi Chronicles’ scheduled .XUtfiibgin Summer Theatre will present the Central Ohio premiere oTW^y Wasserstein’s The Heidi Chronicles July 22-26 and July 29 to Aug. 2 at Campus Center Theatre, 100 W. Home St. The play won the Pulitzer Prize, the Tony Award, the New York Drama Critics Circle Award, the Outer Critics Circle Award and the Drama Desk Awards. Equity guest artist Karen Radcliff will star as Heidi Holland, feminist and art historian, whose life is shown from high school in 1965 to single motherhood in 1988. The Heidi Chronicles’ scheduled present the Central Ohio Chronicles iSo W Home Su ^ Cirdp Aw=,S ! *'’® Outer Critics Circle Award and the Drama Desk Awards. guest artist Karen RadclifT will star as Heidi Holland, ferninist and art historian, whose life is shown single motherhood in 1988 evenrnK sSndr^ °P®"*"S "'ght, 8 p.m. other evenings. Sunday matinees are at 2 p.m. For tickets call 898- The Other Paper, December 24 - 30, 1992 The year’s worst use of nudity, etc. By Richard Ades tion: Robert Tolan, Actors’ Summer 'The atre, who was often stuck with the task of It was about this time last December announcing delays and cancellations in a that I looked back over my first full year rain-soaked Schiller Park. -
La Cage Aux Folles
Scenic rendering by scenic designer Adam Koch P.L.A.Y. Performance = Literature + Art + You Student Matinee Series 2019-2020 La Cage aux Folles Discovery Guide DEAR EDUCATOR: Thank you for choosing to bring your students to La Cage aux Folles. We know that each academic year you are presented with a multitude of thought provoking and exciting educational visits, performances, exhibitions, tours, and other off-site opportunities to enrich your students’ classroom curriculum and to inspire them as they continue to transform into young adults, sharing their bright minds and open hearts with the world around them. And, each year, there is less time and fewer funds available to participate in these experiences, which are deeply meaningful in so very many ways. We appreciate that you found La Cage aux Folles compelling and enriching, and chose to share this particular story - and all of its many messages - with your students as you start the 2019-2020 school year. Over the next several pages, we hope to highlight information that will prepare your students to invest in this production and give them a glimpse into the world of the play. In a phone conversation with Melissa Rain Anderson, director of Geva’s production of La Cage aux Folles, Melissa immediately expressed her desire to share this piece with Rochester’s student population (with whom she is very familiar from her years of playing Mrs. Cratchit in Geva’s A Christmas Carol, as well countless other roles on our stage, and directing several recent Geva productions). Melissa specifically highlighted inclusion and acceptance (of ourselves and of others), drag culture, LGBTQ+ illumination, family relationships, generational divides, identity, community, and the highly theatrical style of this musical as opportunities for students to connect with the characters and the story they’ll experience in the theatre. -
Interactivity and Community in Video Game Live Streams
Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams A thesis presented to the faculty of the Scripps College of Communication of Ohio University and the Institute for Communication and Media Studies of Leipzig University In partial fulfillment of the requirements for the degrees Master of Science in Journalism (Ohio University), Master of Arts in Global Mass Communication (Leipzig University) Chris J. Vonderlind December 2019 © 2019 Chris J. Vonderlind. All Rights Reserved. This thesis titled Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams by CHRIS J. VONDERLIND has been approved for the E.W. Scripps School of Journalism, the Scripps College of Communication, and the Institute for Communication and Media Studies by Veronika Karnowski Associate Professor of the Institute for Communication and Media Studies Scott Titsworth Dean, Scripps College of Communication, Ohio University Christian Pieter Hoffman Director, Institute for Communication and Media Studies, Leipzig University ii Abstract CHRIS J. VONDERLIND, M.S., Journalism; M.A., Global Mass Communication, December 2019 3709740 Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams Director of Thesis: Veronika Karnowski Committee Members: Veronika Karnowski, Jatin Srivastava, Rosanna Planer Online media is continuing to transform the media consumption habits of today’s society. It encompasses various forms of content, modes of consumption and interpersonal interactions. Live-streaming is one of the less observed but growing forms of new media content. It combines aspects of online video entertainment and user content creation such as YouTube, and social media such as Instagram, in a live setting. The goal of this thesis is to explore this phenomenon by looking at the video game streaming platform Twitch, and, more specifically, the interactions taking place during the live streams.