NPR : Death by Excited Delirium: Diagnosis Or Coverup?
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National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Final Report
NATIONAL YOUTH SUMMIT: ABOLITION – FINAL REPORT FINAL REPORT Program Overview “The summit seemed to make slavery past and present more real,” Participating Teacher February 11, 2013 4,200 participating students and teachers onsite and online The National Youth Summit on Abolition is the third in a series of webcasts presented by the National Museum of American History that are designed to bring middle and high school students together with scholars, teachers, policy experts, and activists in a national conversation about important events in America’s past that have relevance to the nation’s present and future. On February 11, 2013, through a webcast that included a moderated panel discussion and web chat, over 4,200 students and teachers in 33 states and the US Virgin Islands as well as Kenya, Canada, Pakistan, Malta, and Brazil reflected together on the abolition movement of the 19th century and explored its lessons for ending modern- day slavery and human trafficking. The program featured excerpts from the PBS AMERICAN EXPERIENCE documentary The Abolitionists. Two hundred and forty-four (244) students from Washington, DC’s public middle and high schools attended the event in person at the National Museum of American History. Two hundred and eleven (211) attendees pre-registered to watch alone or in a group for a total of 3,266 pre-registered viewers, a similar level of interest to the previous National Youth Summit on the Dust Bowl’s 291 pre-registered viewers. Concurrent programs took place at two Smithsonian Affiliate museums, the National Underground Railroad Freedom Center and the Heinz History Center, and at President Lincoln’s Cottage. -
Program Listings
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE | WXXI-KIDS PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSMARCH 2018 TUESDAY, MARCH 6 AT 8PM ON WXXI-TV Enjoy this celebrity-filled, hour- long special that celebrates Mister Rogers’ Neighborhood, the pioneering PBS series that premiered nationally 50 years ago and became an iconic and enduring landmark in the world of children’s television. Mister Rogers’ cast members share their personal perspectives and insights about television’s longest-running children’s series, still broadcast on WXXI-TV today. Hosted by Michael Keaton, who worked as a stagehand and made appearances on the series in the 1970s, the program also features interviews with numerous celebrities who have been influenced and inspired by Fred Rogers, a modest man who always said, “I am not a teacher, I simply help children learn.” Favorite segments, such as a visit with Koko the Gorilla, Big Bird’s appearance in the Neighborhood of Make- Believe, as well as trips to the Crayola Factory and the Radio Flyer Wagon Company, are highlighted. A BEAUTIFUL WORLD: REBELS, RENEGADES WOMEN’S TITLE MAE JEMISON > HISTORY MONTH DATE < MARLINA THE MURDERER FEMALE ASTRONAUT IN FOUR ACTS (MARCH 29) AND WILD WOMEN FILM SERIES DETAILS INSIDE >> SUNDAY, MARCH 3 AT 9PM ON AM 1370 MORE INFORMATION AT thelittle.org. DETAILS INSIDE >> DETAILS INSIDE >> WXXI IS PROUD TO BE PART OF AMERICAN GRADUATE: GETTING TO WORK WXXI is one of 19 public media stations to be awarded a grant by the Corporation for Public Broadcasting to be part of the national American Graduate: Getting to Work initiative. -
WGLT Program Guide, March-April, 2002
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 3-1-2002 WGLT Program Guide, March-April, 2002 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, March-April, 2002" (2002). WGLT Program Guides. 182. https://ir.library.illinoisstate.edu/wgltpg/182 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. So we're hoping that kids get Illinois State University's turned on to improvisation through their jazz ensembles." By LauraKennedy Jazz Fest ' The organizers of The ISU Jazz The future of jazz is not in the smoky clubs of New York City, Chicago or Festival feel that April's event is New Orleans. It's right here in Central Illinois and it's taking center stage at bound to be interesting and the 2002 ISU Jazz Festival. exciting, but they've got bigger ideas, too. There's the future to On Saturday, April 6th, high school and junior high school bands from across consider and as Kim McCord Central Illinois will gather at ISU's Bone Student Center to begin a rigorous explains, it's going to be bigger. day of jazz performance competition. "We're looking at ways that we "Each school is placed in a division based on school size and location," can expand it. -
A Structural Analysis of Personal Experience Narratives, the Federal Writers‘ Project to Storycorps
AMERICAN EXPERIENCE: A STRUCTURAL ANALYSIS OF PERSONAL EXPERIENCE NARRATIVES, THE FEDERAL WRITERS‘ PROJECT TO STORYCORPS by Megan M. Dickson B.A. May 2007, Utah State University A Thesis submitted to The Faculty of Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 16, 2010 Thesis directed by John Michael Vlach Professor of American Studies and of Anthropology © Copyright 2010 by Megan Marie Dickson All rights reserved ii Dedication This thesis is dedicated to the experiences we each have and share every day— in the park, over the phone, and sometimes even to a government employee (circa 1937), or with a loved one in a cozy StoryCorps sound booth in New York City. To my husband— Perry Dickson—without you, your love and strength, your championing and cheerleading this story would never have been possible. To my parents—Mona and Ken Farnsworth, and Robin Dickson—thank you for your unending love, support, encouragement, and belief. To my son Parker, whose story has only just begun, your vigor and verve for life already bring constant adventure and joy beyond measure. iii Acknowledgements I wish to acknowledge and thank the faculty and staff of the American Studies department at The George Washington University. A special thanks to Maureen Kentoff—the most fabulous muse in American Studies Executive Assistant history for helping to navigate the sometime frightful waters of university protocol, and sharing ways to succeed as a non-traditional student; John Michael Vlach—my faithful advisor; Melanie McAlister—Director of Graduate Studies who administered my comprehensive examination; Phyllis Palmer—a woman whose enthusiasm and intellectual spark lit up an otherwise apathetic paper proposal; and Thomas Guglielmo, Chad Heap, Terry Murphy, and Elizabeth Anker—for their teaching prowess and academic acumen. -
200 8 Report T O Contribut Ors Puget Sound Public Radio
CAR TALK WEEKEND EDITION THE DIANE REHM SHOW BBC WORLD SERVICE A PRAIRIE HOME COMPANION MARKETPLACE KUOW NEWS KUOW PRESENTS WEEKDAY THE CONVERSATION SPEAKER’S FORUM SOUND FOCUS THE SWING YEARS AND BEYOND KUOW PUGET SOUND PUBLIC RADIO MORNING EDITION 2008 REPORT TO CONTRIBUTORS TO THE POINT DAY TO DAY ALL THINGS CONSIDERED AS IT HAPPENS WAIT, WAIT…DON’T TELL ME! THIS AMERICAN LIFE THE WORLD KUOW’S MISSION IS TO CREATE A MORE INFORMED PUBLIC, ONE CHALLENGED AND INVIGORATED BY A DEEPER UNDERSTANDING AND APPRECIATION OF EVENTS, IDEAS AND CULTURES. Left, Wayne C. Roth, General Manager. Right, Frank Woodruff, KUOW Puget Sound Public Radio Board President. kuow puget sound public radio board of directors Frank Woodruff, president Jennifer O’Connor, vice president Stephanie Ellis-Smith, secretary Allan Steinman, treasurer Norm Arkans, ex officio Katharine Barrett Lee Daneker Christine Deavel Nelson Dong Jon Eastlake Joan Enticknap Robert Flennaugh II Alden Garrett Steven Gilbert Arif Gursel Jany Jacob Dennis Kenny Pauline Reiter, past president Wayne Roth, ex officio Veronica Smith David Valdez Thank you to our friends Jon Bridge, Ritajean Butterworth and Sturges Dorrance (Past President), who concluded their service as KUOW Puget Sound Public Radio board members in 2007. 1 As I think about the state of public radio in general and KUOW Puget Sound Public Radio in particular, two memorable programming events come to mind. Both are examples of the power and intimacy of a well-told story. These are stories that provide local-to-global context, stories that strengthen the value of our public service, stories that define public radio. -
Brand Guide & Graphic Standards
Brand Guide & Graphic Standards R e vi sed 11.04 N P R ® Corporate Identity Sta n d a r d s INTRODUCTION In a highly competitive media world, the need for a strong, clearly-defined company identity could not be greater. While being a giant enterprise is not one of NPR’s goals, as a non-profit organization we are still faced with the impact that a largely unknown and out of sync image has on our organization. A weak and unknown identity can impair NPR’s ability to develop the best possible programming, secure corporate underwriting, recruit the brightest talent, and ultimately serve the public in the best possible manner. Consequently, in February 1997, NPR, working with CKS New York, a consulting firm specializing in brand and identity development, began developing a program to enhance its identity. In addition, NPR will continue its campaign to strengthen its identity by establishing proper guidelines for use of its visual identity, including all of its registered and unregistered marks. I. NPR IDENTITY The key elements of the NPR identity system are the NPR logo, a graphic expression of the organization’s personality, and the NPR audio logo, an aural expression of the organization’s personality.The NPR logo is composed of a graphic representation of the three letters “n,” “p,” and “r,” and does not include the name “National Public Radio.” The new NPR logo is a service mark of National Public Radio, Inc. and must always be displayed with the “SM” symbol until it is officially registered as a service mark by the U.S. -
NPR : the Forgotten War on Drugs
NPR : The Forgotten War on Drugs ● archives | ● transcripts | ● stations | ● npr shop | ● about npr | ● contact us | ● help April 11, 2007 The Forgotten War on Drugs Luis Acosta AFP/Getty Images © 2005 Nearly four decades after the United States declared a war on drugs, juvenile drug abuse is on the decline, but illegal narcotics remain cheap and plentiful. In a five-part series, NPR examines the progress of U.S. anti-drug policy so far, and where experts say it should focus next. http://www.npr.org/templates/story/story.php?storyId=9288397 (1 of 10)4/11/2007 8:23:47 AM NPR : The Forgotten War on Drugs in this Series America's Forgotten War: A Series Overview April 2, 2007 · The war on drugs has been waged for 38 years, through seven White House administrations, in foreign coca fields and on America's streets, at an estimated annual cost of $40 billion. But what has it accomplished, and where does the U.S. go from here? Part 1: War on Drugs Hasn't Stemmed Flow Into U.S. April 2, 2007 · Despite decades of U.S. interdiction efforts, cocaine, heroin and other illegal drugs still stream into the country. Critics say America would improve its chances of "winning" the war on drugs if it revamped anti-drug policy to focus more on stamping out demand. Part 2: In the Colombian Jungle, Coca Still Thrives April 3, 2007 · For seven years, the United States has sprayed a deadly defoliant on Colombia's coca fields. Some credit the program with a sharp drop in violence in that nation. -
Introduction
MERLOT Journal of Online Learning and Teaching Vol. 5, No. 2, June 2009 Integrating Online Multimedia into College Course and Classroom: With Application to the Social Sciences Michael V. Miller Department of Sociology The University of Texas at San Antonio San Antonio, TX 78249 USA [email protected] Abstract Description centers on an approach for efficiently incorporating online media resources into course and classroom. Consideration is given to pedagogical rationale, types of media, locating programs and clips, content retrieval and delivery, copyright issues, and typical problems experienced by instructors and students using online resources. In addition, selected media-relevant websites appropriate to the social sciences along with samples of digital materials gleaned from these sites are listed and discussed. Keywords: video, audio, media, syllabus, documentaries, Internet, YouTube, PBS Introduction Multimedia resources can markedly augment learning content by virtue of generating vivid and complex mental imagery. Indeed, instruction dependent on voice lecture and reading assignments alone often produces an overly abstract treatment of subject matter, making course concepts difficult to understand, especially for those most inclined toward concrete thinking. Multimedia can provide compelling, tangible applications that help breakdown classroom walls and expose students to the external world. It can also enhance learning comprehension by employing mixes of sights and sounds that appeal to variable learning styles and preferences. Quality materials, in all, can help enliven a class by making subject matter more relevant, experiential, and ultimately, more intellectually accessible. Until recently, nonetheless, film and other forms of media were difficult to exploit. They had to be located, ordered, and physically procured well in advance either through purchase, library loan, or broadcast dubbing. -
Anne Garrels in the Feld
DANIEL PEARL AWARD for courage and integrity in journalism FROM BEIJING TO ANNE BAGHDAD, GARRELS STRAYED FAR TO THE GARRELS DRUMBEAT OF WAR BY JANE ENGLE OR MORE THAN two decades, Anne men Square and the former Soviet Union and its Garrels has been NPR’s voice from successor states. In recent years, she returned to the world’s hotspots, braving constant Russia, producing a series that chronicled changes danger and harsh conditions to put a in the industrial city of Chelyabinsk. human face on conficts. Her reports have regularly appeared on NPR’s 20 F Called “one of America’s most insightful and “All Things Considered,” “Morning Edition,” courageous journalists” by former “NBC Nightly “Weekend Edition” and “Day to Day.” News” anchor Tom Brokaw, Garrels, who retired in Among Garrels’ many admirers is veteran March as senior foreign correspondent for NPR’s broad caster Cokie Roberts, who once said of her: foreign desk, has been showered with honors from “When I hear that a report from Annie Garrels is colleagues, including the George Polk Award, the about to come on the radio, I stop what I’m doing 2004 CPB Edward R. Murrow Award and the Cour- and listen. I know I’m going to learn something re- age in Journalism Award from the Interna- tional Women’s Media Foundation. Among Garrels’ many daring assign- ments was covering Saddam Hussein’s regime and the U.S.-led invasion of Iraq. She was among a handful of non-embed- ded American journalists who remained in Baghdad during the bombing of the Iraqi capital in 2003. -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • maY 2010 A Place in the Sun St. Petersburg: New Place in the Sun celebrates downtown St. Petersburg’s renaissance. This 30-minute documentary, produced by WUSF, was written, directed and narrated by Tampa filmmaker Larry Elliston and underwritten by the Florida Humanities Council. Why St. Petersburg? “It’s a perfect example of the new urbanism that’s blossoming around the country,” says Elliston. “As baby boomers and younger people turn to urban living, St. Petersburg, with its waterfront and historic charm, walkability, and vibrant arts and performance scene, is an ideal destination.” Elliston’s ode to St. Pete “covers a lot of ground,” including a look back at its history, and interviews with the city’s movers and shakers. Airs on WUSF TV, Saturday, May 15, at 8 p.m., and repeats Sunday, May 16, at 9 p.m. from the wusf gm Buy Online and May Support WUSF Greetings! Did you know that every time you buy something s we look forward to the summer online at season, it’s the perfect time to look back Amazon.com, at the busy months behind us. We have A you have the so much good news to share. opportunity to First, we thank you, our dedicated members, help WUSF Public who showed your support during our March radio Broadcasting? and TV membership campaigns. Thanks to you, we If you click the link greeted nearly 1,600 new members and received to Amazon.com pledges of support totaling $550,000. The tough on our website, economic times are starting to take their toll at WUSF Public Broadcasting, and we saw evidence wusf.org, of that during our membership campaigns. -
BOARD of REGENTS AGENDA ITEM 2B STATE of IOWA DECEMBER 5, 2016
BOARD OF REGENTS AGENDA ITEM 2b STATE OF IOWA DECEMBER 5, 2016 Contact: Diana Gonzalez IOWA PUBLIC RADIO ANNUAL REPORT AND 2017-2022 STRATEGIC PLAN Actions Requested: PART I - Receive the Iowa Public Radio annual report. PART II – Receive the Iowa Public Radio 2017-2022 Strategic Plan. PART I Executive Summary: Iowa Public Radio informs, enriches, and engages Iowans through high quality news and cultural programming. IPR’s statewide public radio network, which includes a total of 24 stations licensed to the University of Iowa, Iowa State University, and the University of Northern Iowa, now serves 240,000 listeners with three programming streams: News, News/Studio One, and Classical. IPR’s combined radio groups serve rural and urban Iowa, touching all of Iowa’s 99 counties. (See service map on Attachment B.) The history of public radio in Iowa is long and proud – Iowa State University and the University of Iowa each have public radio stations that are almost a century old, with FCC licenses that were among the first 100 radio licenses ever granted; IPR’s statewide network is seen as a model by other states. On behalf of the three public universities, Iowa Public Radio manages assets (24 stations) worth $11.1 million and 15 university staff (four at ISU, six at UNI, and five at SUI). IPR promotes the three public universities through regular on-air announcements and helps the universities accomplish their outreach missions by regularly featuring university experts on IPR talk shows. Background: Creation of Iowa Public Radio. In December 2004, the Board of Regents created Iowa Public Radio to consolidate the radio stations at the three Regent universities.