DOCSLIB.ORG

Eden Spring 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Eden Spring 2020 Spring 2020 Journal of the California Garden & Landscape History Society Volume 23, Number 2 JOURNAL OF THE CALIFORNIA GARDEN & LANDSCAPE HISTORY SOCIETY EDEN EDITORIAL BOARD Editor: Steven Keylon Editorial Board: Keith Park (Chair), Kate Nowell, Ann Scheid, Susan Schenk, Libby Simon, Jennifer Trotoux, Noel Vernon Consulting Editors: Marlea Graham, Barbara Marinacci Regional Correspondent, San Diego: Vonn Marie May Graphic Design: designSimple.com Submissions: Send scholarly papers, articles, and book reviews to the editor: [email protected] Memberships/Subscriptions: Join the CGLHS and receive a subscription to Eden. Individual $50 • Family $75 Sustaining $150 and above Student $20 Nonprofit/Library $50 Visit www.cglhs.org to join or renew your membership. Or mail check to California Garden & Landscape History Society, PO Box 220237, Newhall, CA 91322-0237. Questions or Address Changes: [email protected] CGLHS BOARD OF DIRECTORS President: Christine E. O’Hara Vice President: David Laws Recording Secretary: Nancy Carol Carter Membership Officer: Antonia Adezio Contents Treasurer: Judy Horton Directors at large: Kelly Comras, Keith Park, Ann Scheid, Libby Simon, Jennifer Trotoux, Janet Gracyk The Mysterious Smoke Trees of Palm Springs Past President: Steven Keylon Steven Keylon ..........................................................................................................................................4 HONORARY LIFE MEMBERS VLT Gardner Marlea Graham, Editor emerita From a Renaissance Villa: William A. Grant (Founder) The Italian Landscape Style in America Barbara Marinacci Nancy Carol Carter ............................................................................................................................. David Streatfield 18 The California Garden & Landscape History Society (CGLHS) is a nonprofit 501(c)(3) membership organization devoted to celebrating the beauty and Members in the News: CGLHS at Modernism Week diversity of California’s historic gardens and landscapes; promoting wider Steven Keylon ..................................................................................................................................... knowledge, preservation, and restoration of California’s historic gardens and 36 landscapes; organizing study visits to historic gardens and landscapes as well as to relevant archives and libraries; and offering opportunities for a lively interchange among members at meetings, garden visits, and other events. Eden: Journal of the California Garden & Landscape History Society (ISBN 1524-8062) is published quarterly. Subscription is a benefit of CGLHS membership. © 2020 California Garden & Landscape History Society California Garden & Landscape History Society Above: The mysterious smoke trees of Palm P.O. Box 220237, Newhall, CA 91322-0237 Successive owners have preserved Sarah Ferrell’s expressions of spirituality in the Georgia garden she began in 1841. Tichenor Brothers Collection, 1930s Springs. Photo by Millicent Harvey. www.cglhs.org postcard courtesy the Boston Public Library. 2 Eden: Journal of the California Garden & Landscape History Society Spring 2020 • Vol. 23, No. 2 3 Artist Paul Grimm (American, 1891- 1974) was inspired by the smoke trees of Palm Springs, painting them for decades. This painting is titled ”Smoke Trees THE MYSTERIOUS ‘Neath San Jacinto.” Courtesy Heritage Auctions. SmokeOF PALM SPRINGS Trees STEVEN KEYLON EDEN EDITOR 4 Eden: Journal of the California Garden & Landscape History Society Spring 2020 • Vol. 23, No. 2 5 The resort village of Palm Springs is known blue-gray clouds cascade down the dry, sandy “The nudist cult, which so many of the desert around the world for its golf courses, muse- washes like puffs of smoke on the horizon. plants appear to have joined in their battle to limit ums, entertainment, and shopping. However, In 1938, landscape architect Ralph D. Cor- Opposite: Artist Stephen one of the great pleasures of being there is the nell, who was fascinated by the flora of the Willard was well known for transpiration of moisture content to its irreduc- ability to get away from all visible signs of civi- desert, wrote a book titled Conspicuous Cali- his large-scale photographs of smoke trees, which lization very quickly, and to hike into desert fornia Plants. In it, he describes the smoke ible minimum, presents one of its most striking and he would overpaint with landscapes with dramatic rock formations, tree as “a softly outlined form of mythical Rembrandt oils. This example beautiful members in the form of the desert smoke often populated with Bighorn sheep. Deep in substance silhouetted against the deeper blue is titled Song of the Sunshine, the canyons, one can find cool, shady riparian of a cloudless sky.” Upon closer inspection of courtesy Hindman Galleries. tree. Such leaves as appear on the plant are simple oases, filled with native trees. Palms Washing( - the mysterious tree, he finds: All smoke tree photos and and few and persist on young shoots for a very few tonia filifera), sycamores (Platanus racemosa), captions are by landscape willows (Chilopsis linearis ssp. arcuata), and Its leafless branches divide into countless photographer Millicent weeks at most, seeming to be more of a jaunty ges- cottonwoods (Populus fremontii ssp. Fremontii) thousands of branchlets, which in turn may Harvey, who has kindly given line the creeks, the banks covered in trailing be reduced to slender spines in such profusion permission to publish them in Eden. ture than any serious attempt to convince the world wild grapevines (Vitis girdiana).2 that what actually is rather a harsh and thorny that foliage is necessary either to the health or plant presents the appearance of being soft and Above: Title: Smoke Tree 1 There is another native tree that has ephemeral in its illusory intricacy of structure. Ranch. During late May and beauty of well-ordered plant life on the desert.” captured the attention of artists for over a A scattered band of these trees seen traveling early June, the inconspicuous century. The smoke tree (Psorothamnus spi- in casual disorder down the drifted wastes of smoke tree goes into a full bloom for two weeks. Ralph D. Cornell, 1938 nosus; syn. Dalea spinosa) at first glance looks a desert wash, with the light of a full moon Photographed at Smoke Tree — Conspicuous California Plants, like its name—graceful groves of soft, hazy pouring its rich silver hither and yon o’er the Ranch in Palm Springs. 6 Eden: Journal of the California Garden & Landscape History Society Spring 2020 • Vol. 23, No. 2 7 night-softened forms of rugged landscape, is a of the Palm Springs Desert Museum in 1938, mystic sight that bestirs childhood memories of was an admired naturalist, educator, native ghost tales and goblins.3 desert plant champion, and author of the book Desert of the Palms (1938). In a 1935 For much of the year, the tree remains news article, he explained: cloaked in nondescript gray spiny branches. In the early summer, however, it suddenly The trees of our desert are few in number but erupts into a dazzling display of deep and fra- of a hardy strain, able to withstand the demands grant indigo flowers. As Cornell described it, of life in a land where the unfitted succumb quickly. There are seven kinds that might be clas- To know the smoke tree is an experience; but sified as native, six of these dwell in the sandy one cannot know it at its strikingly best unless washes and waste places, the other requires a he has seen it in full flush of flower in June or constant supply of water, hence is confined to early July, after the first blast of summer heat has the canyons and water holes. Of these seven, driven visiting dilettanti back to the refrigerated five—ironwood, Palo Verde, honey mesquite, comforts of coastal civilization. Then, the tiny, screwbean, mesquite, smoke tree—belong to the pea-shaped flowers, that have been described pea family. It is remarkable that a single family, as pure ultramarine and as deep as violet- extensive as it is, should furnish such a large purple, appear in such profusion and in such percent of the hardy desert trees.5 unbelievable intensity of color that they actually Below: Title: Desert Glow. An obliterate all vision of the plant structure with a The first inhabitants of the Coachella atmospheric day with dark clouds saturating deluge of brilliant pigment that can be Valley, the Agua Caliente Band of the Cahuilla and dramatic light reveal the seen from afar. Closer inspection also discloses a Indians, were known to have utilized the detailed beauty and varied color of delicate perfume that further adds to the illusory diverse flora of the desert. Dr. Katherine Siva the smoke trees in Araby Wash in 4 Palm Springs. charm of so unusual a plant. Saubel and Lowell Bean, who together stud- ied the Cahuilla’s uses and experimentations Opposite: The smoke tree creates It is surprising to learn that the smoke of more than 250 native desert plant species stark contrast and blends well tree is a member of the pea family (Faba- for culinary, medicinal, and technological with other desert flora, creating a beautiful palette of color. ceae). Even more astonishing is the fact that benefits, found that the smoke tree was not 6 Photographed in Smoke Tree so are most of the other trees native to the among them. The first non-native to dis- Ranch. Coachella Valley. Don Admiral, the founder cover the smoke tree was legendary Captain 8 Eden: Journal of the California Garden & Landscape History Society Spring 2020 • Vol. 23, No. 2 9 John C. Fremont, who undertook one of his such as Alson Skinner Clark, Paul Grimm, referring to it as the “land of the purple EDEN: How did you get started in fine art plant-gathering expeditions of the west in Gordon Coutts, Jimmy Swinnerton, Agnes shadow.” Known for his large-format pho- photography? 1844. One of the specimens he acquired on Pelton, and Carl Bray painted landscapes— tographs, he often painted over them with that trip was a smoke tree, bringing back native flora against the dramatic backdrop of Rembrandt oils, adding texture and color, MILLICENT HARVEY: In the early 2000s, I a small, incomplete sample.7 In 1852 Dr.
Load more

Recommended publications
  • Coloring Their World: Americans and Decorative Color in the Nineteenth Century
    Coloring Their World: Americans and Decorative Color in the Nineteenth Century A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences by Kelly F. Wright B.A. College of William and Mary 1985 M.A. University of Cincinnati 2001 Committee Chair: Wayne K. Durrill, Ph.D. i ABSTRACT Certain events in recent history have called into question some long-held assumptions about the colors of our material history. The controversy over the cleaning of the Sistine Chapel posited questions about color to an international audience, and in the United States the restoration of original decorative colors at the homes of many historically significant figures and religious groups has elicited a visceral reaction suggesting the new colors challenge Americans’ entrenched notions of what constituted respectable taste, if not comportment, in their forebears. Recent studies have even demonstrated that something as seemingly objective as photography has greatly misled us about the appearance of our past. We tend to see the nineteenth century as a faded, sepia-toned monochrome. But nothing could be further from the truth. Coloring Their World: Americans and Decorative Color in the Nineteenth Century, argues that in that century we can witness one of the only true democratizations in American history—the diffusion of color throughout every level of society. In the eighteenth century American aristocrats brandished color like a weapon, carefully crafting the material world around them as a critical part of their political and social identities, cognizant of the power afforded them by color’s correct use, and the consequences of failure.
    [Show full text]
  • Wednesday, September 09, 2015 at 4:00: PM the Massachusetts Historical Commission (MHC) Has Converted This Paper Record to Digit
    Inventory No: BKL.Q Historic Name: Anderson, Larz Park Historic District Common Name: Address: City/Town: Brookline Village/Neighborhood: Goddard - Weld; Larz Anderson Park Local No: Year Constructed: Architect(s): Architectural Style(s): Use(s): Other Recreational Architecture; Community Planning; Landscape Significance: Architecture Area(s): BKL.Q: Anderson, Larz Park Historic District Nat'l Register District (10/17/1985); Nat'l Register MRA Designation(s): (10/17/1985) Building Materials(s): The Massachusetts Historical Commission (MHC) has converted this paper record to digital format as part of ongoing projects to scan records of the Inventory of Historic Assets of the Commonwealth and National Register of Historic Places nominations for Massachusetts. Efforts are ongoing and not all inventory or National Register records related to this resource may be available in digital format at this time. The MACRIS database and scanned files are highly dynamic; new information is added daily and both database records and related scanned files may be updated as new information is incorporated into MHC files. Users should note that there may be a considerable lag time between the receipt of new or updated records by MHC and the appearance of related information in MACRIS. Users should also note that not all source materials for the MACRIS database are made available as scanned images. Users may consult the records, files and maps available in MHC's public research area at its offices at the State Archives Building, 220 Morrissey Boulevard, Boston, open M-F, 9-5. Users of this digital material acknowledge that they have read and understood the MACRIS Information and Disclaimer (http://mhc-macris.net/macrisdisclaimer.htm) Data available via the MACRIS web interface, and associated scanned files are for information purposes only.
    [Show full text]
  • Archives IV B-2 LAB Records of the Larz Anderson
    Archives IV B-2 LAB Records of the Larz Anderson Bonsai Collection, 1904- : Guide. The Arnold Arboretum of Harvard University © 2011 President and Fellows of Harvard College IV B-2 LAB Records of the Larz Anderson Bonsai Collection, 1904- : Guide Archives of the Arnold Arboretum of Harvard University 125 Arborway, Jamaica Plain, Massachusetts © 2011 President and Fellows of Harvard College Descriptive Summary Repository: Archives of the Arnold Arboretum of Harvard University, Jamaica Plain, MA Call No.: IV B-2 LAB Location: Archives Title: Records of the Larz Anderson Bonsai Collection, 1904- Creator: The Arnold Arboretum of Harvard University Quantity: 20 linear inches, 5 boxes Language of material: English Abstract: In April, 1937, Isabel Anderson donated the major portion of her husband’s bonsai collection (30 plants) to the Arnold Arboretum, along with the funds necessary to build a shade house for their display on the grounds of the Bussey Institution. In 1949, following her death, the remaining plants were donated to the Arboretum. While the majority of the holding is photographs that document the history of individual plants and the collection, the Records of the Larz Anderson Bonsai Collection also includes publications by Larz and Isabel Anderson, articles and photographs of Weld and the Bonsai Collection before it came to the Arnold Arboretum, and correspondence between Isabel Anderson and E.D. Merrill about the donation of the Bonsai Collection to the Arnold Arboretum. Related Material: The Records of the Arnold Arboretum Bonsai Pavilion (ID-3b Series IV) collection contains project plans, correspondence, architectural plans and maps related to the 2008 Bonsai Pavillion project.
    [Show full text]
  • Bibliography Week Features Forty-One Items on a Wide Array of Subjects, Which Are Bibliographically Interesting for a Variety of Reasons
    Our list for Bibliography Week features forty-one items on a wide array of subjects, which are bibliographically interesting for a variety of reasons. These include a rare 19th-century San Francisco children’s book in the original dust jacket; a pulp romance in the original parts (see cover photo); a rare directory from the Alaska Gold Rush, with maps; early American broadsides; a high school year book from the Hunt, Idaho Bibliography Week internment camp; a handful of unusual Spanish-American imprints; several photographs and photographically illustrated books; Uncle Tom’s January 2021 Cabin in Turkish; two salesman’s sample books; and a limited edition artist’s book. Enjoy! Cheers, Teri & James Terms of Sale All items are guaranteed as described. Any purchase may be returned for a full refund within 10 working days as long as it is returned in the same condition and is packed and shipped correctly. All items subject to prior sale. We accept payment by check, wire transfer, and all major credit cards. Payment by check or wire is preferred. Sales tax charged where applicable. McBride Rare Books New York, New York [email protected] (203) 479-2507 www.mcbriderarebooks.com Copyright © 2021, McBride Rare Books, LLC. ATLANTA RACE RIOTS Ethiopian,” which claims somehow to offer discounts on food and 1. [African-Americana]. The Church and the Negro. Five Editorial other necessities to its members. Articles from The Church Standard [cover title]. Philadelphia. 1906. Read seems to have operated his 28pp. Original printed wrappers, stapled. Minor wear and soiling. Very own print shop, and here advertises good.
    [Show full text]
  • History of the Welles Family in England
    HISTORY OFHE T WELLES F AMILY IN E NGLAND; WITH T HEIR DERIVATION IN THIS COUNTRY FROM GOVERNOR THOMAS WELLES, OF CONNECTICUT. By A LBERT WELLES, PRESIDENT O P THE AMERICAN COLLEGE OP HERALDRY AND GENBALOGICAL REGISTRY OP NEW YORK. (ASSISTED B Y H. H. CLEMENTS, ESQ.) BJHttl)n a account of tljt Wu\\t% JFamtlg fn fHassssacIjusrtta, By H ENRY WINTHROP SARGENT, OP B OSTON. BOSTON: P RESS OF JOHN WILSON AND SON. 1874. II )2 < 7-'/ < INTRODUCTION. ^/^Sn i Chronology, so in Genealogy there are certain landmarks. Thus,n i France, to trace back to Charlemagne is the desideratum ; in England, to the Norman Con quest; and in the New England States, to the Puri tans, or first settlement of the country. The origin of but few nations or individuals can be precisely traced or ascertained. " The lapse of ages is inces santly thickening the veil which is spread over remote objects and events. The light becomes fainter as we proceed, the objects more obscure and uncertain, until Time at length spreads her sable mantle over them, and we behold them no more." Its i stated, among the librarians and officers of historical institutions in the Eastern States, that not two per cent of the inquirers succeed in establishing the connection between their ancestors here and the family abroad. Most of the emigrants 2 I NTROD UCTION. fled f rom religious persecution, and, instead of pro mulgating their derivation or history, rather sup pressed all knowledge of it, so that their descendants had no direct traditions. On this account it be comes almost necessary to give the descendants separately of each of the original emigrants to this country, with a general account of the family abroad, as far as it can be learned from history, without trusting too much to tradition, which however is often the only source of information on these matters.
    [Show full text]
  • Porcellian Club Centennial, 1791-1891
    nia LIBRARY UNIVERSITY W CALIFORNIA SAN DIEGO NEW CLUB HOUSE PORCELLIAN CLUB CENTENNIAL 17911891 CAMBRIDGE printed at ttjr itttirnsiac press 1891 PREFATORY THE new building which, at the meeting held in Febru- ary, 1890, it was decided to erect has been completed, and is now occupied by the Club. During the period of con- struction, temporary quarters were secured at 414 Harvard Street. The new building stands upon the site of the old building which the Club had occupied since the year 1833. In order to celebrate in an appropriate manner the comple- tion of the work and the Centennial Anniversary of the Founding of the Porcellian Club, a committee, consisting of the Building Committee and the officers of the Club, was chosen. February 21, 1891, was selected as the date, and it was decided to have the Annual Meeting and certain Literary Exercises commemorative of the occasion precede the Dinner. The Committee has prepared this volume con- taining the Literary Exercises, a brief account of the Din- ner, and a catalogue of the members of the Club to date. A full account of the Annual Meeting and the Dinner may be found in the Club records. The thanks of the Committee and of the Club are due to Brothers Honorary Sargent, Isham, and Chapman for their contribution towards the success of the Exercises Literary ; also to Brother Honorary Hazeltine for his interest in pre- PREFATORY paring the plates for the memorial programme; also to Brother Honorary Painter for revising the Club Catalogue. GEO. B. SHATTUCK, '63, F. R. APPLETON, '75, R.
    [Show full text]
  • The Architecture of the Italian Renaissance
    •••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'.
    [Show full text]
  • Palm Springs Art Museum
    Palm Springs Art Museum 1. Agnes Pelton American, born Germany, 1881-1961 Between Storms, Edom Hill, 1937 oil on canvas 14 x 20 inches Museum purchase with funds provided by the General Acquisition Fund for Western Art 2-1995 2. John W. Hilton American, 1904-1983 A Touch of Spring - Indio Mountain, 1949 oil on canvas 30 x 40 inches Gift from the Christiansen Collection of 20th Century California Art 2-2005 3. Edward S. Curtis American, 1868-1952 Marcos - Palm Cañon Cahuilla (Plate 517) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.10 Page 1 of 42 4. Edward S. Curtis American, 1868-1952 Numero - Desert Cahuilla (Plate 519) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.12 5. Edward S. Curtis American, 1868-1952 A Desert Cahuilla Woman (Plate 522) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.15 6. Edward S. Curtis American, 1868-1952 A desert Cahuilla female type. Facing page 122 (from The North American Indian, volume XV), 1926 photogravure on tissue 5-1/2 x 7-3/8 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.94 Page 2 of 42 7.
    [Show full text]
  • From Garden to Landscape: Jean-Marie Morel and the Transformation of Garden Design Author(S): Joseph Disponzio Source: AA Files, No
    From Garden to Landscape: Jean-Marie Morel and the Transformation of Garden Design Author(s): Joseph Disponzio Source: AA Files, No. 44 (Autumn 2001), pp. 6-20 Published by: Architectural Association School of Architecture Stable URL: http://www.jstor.org/stable/29544230 Accessed: 25-08-2014 19:53 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Architectural Association School of Architecture is collaborating with JSTOR to digitize, preserve and extend access to AA Files. http://www.jstor.org This content downloaded from 128.103.149.52 on Mon, 25 Aug 2014 19:53:16 UTC All use subject to JSTOR Terms and Conditions From to Garden Landscape Jean-Marie Morel and the Transformation of Garden Design JosephDisponzio When the French landscape designer Jean-Marie Morel died on claim to the new style. Franc, ois de Paule Latapie, a protege of 7 October, 1810, the Journal de Lyon et du Departement du Rhone Montesquieu, was first to raise the issue in his translation of gave his obituary pride of place on the front page of its Thomas Whately's Observations onModern Gardening (1770), the ii October issue. It began simply: 'Jean-Marie Morel, architecte first theoretical text on picturesque gardening.
    [Show full text]
  • Catalogue-Garden.Pdf
    GARDEN TOURS Our Garden Tours are designed by an American garden designer who has been practicing in Italy for almost 15 years. Since these itineraries can be organized either for independent travelers or for groups , and they can also be customized to best meet the client's requirements , prices are on request . Tuscany Garden Tour Day 1 Florence Arrival in Florence airport and private transfer to the 4 star hotel in the historic centre of Florence. Dinner in a renowned restaurant in the historic centre. Day 2 Gardens in Florence In the morning meeting with the guide at the hotel and transfer by bus to our first Garden Villa Medici di Castello .The Castello garden commissioned by Cosimo I de' Medici in 1535, is one of the most magnificent and symbolic of the Medici Villas The garden, with its grottoes, sculptures and water features is meant to be an homage to the good and fair governing of the Medici from the Arno to the Apennines. The many statues, commissioned from famous artists of the time and the numerous citrus trees in pots adorn this garden beautifully. Then we will visit Villa Medici di Petraia. The gardens of Villa Petraia have changed quite significantly since they were commissioned by Ferdinando de' Medici in 1568. The original terraces have remained but many of the beds have been redesigned through the ages creating a more gentle and colorful style. Behind the villa we find the park which is a perfect example of Mittle European landscape design. Time at leisure for lunch, in the afternoon we will visit Giardino di Boboli If one had time to see only one garden in Florence, this should be it.
    [Show full text]
  • French & Italian Gardens
    Discover glorious spring peonies French & Italian Gardens PARC MONCEAu – PARIS A pyramid is one of the many architectural set pieces and fragments that lie strewn around the Parc Monceau in Paris. They were designed to bring together the landscape and transform it into an illusory landscape by designer Louis Carmontelle who was a dramatist, illustrator and garden designer. Tombs, broken columns, an obelisk, an antique colonnade and ancient arches were all erected in 1769 for Duc de’Orleans. PARC DE BAGAtelle – PARIS The Parc de Bagatelle is a full scale picturesque landscape complete with lakes, waterfalls, Palladian or Chinese bridges and countless follies. It’s one of Paris’ best loved parks, though it’s most famous for its rose garden, created in 1905 by JCN Forestier. The very first incarnation of Bagatelle in 1777 was the result of a famous bet between Marie-Antoinette and her brother-in-law, the comte d’Artois, whom she challenged to create a garden in just two months. The Count employed 900 workmen day and night to win the wager. The architect Francois-Joseph Belanger rose to the challenge, but once the bet was won, Thomas Blaikie, a young Scotsman, was brought on board to deliver a large English-style landscape. A very successful designer, Blaikie worked in France for most of his life and collaborated on large projects such as the Parc Monceau. JARDIN DU LUXEMBOURG – PARIS Please note this garden is not included in sightseeing but can be visited in free time. The garden was made for the Italian Queen Marie (de Medici), widow of Henry IV of France and regent for her son Louis XIII.
    [Show full text]
  • A Finding Aid to the Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers, 1789-2000, Bulk 1870-1996, in the Archives of American Art
    A Finding Aid to the Oliver Ingraham Lay, Charles Downing Lay, and Lay Family papers, 1789-2000, bulk 1870-1996, in the Archives of American Art Joy Weiner Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 2006 April Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Oliver Ingraham Lay and Marian Wait Lay Papers, 1789-1955................ 5 Series 2: Charles Downing Lay and Laura Gill Lay Papers, 1864-1993................ 11 Series 3: Fidelia Bridges Papers,
    [Show full text]