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Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd. -
Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
März Sa 01.03
03/04_2014 PROGRAMM ...MÄRZ SA 01.03. THE QUEERS (usa) | THE MUGWUMPS (at) DI 25.03. TOY2014 (uk) | AUX PORTES (at) FR 07.03. Zwischenrunde DIY14 MI 26.03. CHIXDIGGIT (can) | MAGNYFIX (ibk) live: BLACK LEAF | EMERGENCY NAILS (at) SA 29.03. ICELANDIC NIGHT SA 08.03. TREE OF TÉNÉRÉ (it) | DRIVE BY (at) GLUTEUS MAXIMUS feat. DANÍEL ÁGÚST (is) PRESIDENT BONGO (is) | DJ MARGEIR (is) MI 12.03. „BERLIN 1927“: DANÍEL ÁGÚST HARALDSSON (is) Film: „Berlin – Die Sinfonie der Großstadt“ CHRISTOPH HINTERHUBER | ALASKA AL (ibk) (Walter Ruttmann, 1927) mit Live-Vertonung von WE STOOD LIKE KINGS (bel) SO 16.03. Songs’n’Roll Sunday AUSTIN LUCAS & BAND (usa) Emily BARKER (aus) | PJ BOND (usa) @ p.m.k Alameda | Stefan GOLLER @ Bäckerei www.pmk.or.at PROGRAMM ...APRIL DI 01.04. MIKE WATT & THE MISSINGMEN (usa) FR 18.04. VALINA2014 | BLUEMLING (at) CARLA BOZULICH (usa) FR 04.04. EDENBRIDGE | OBSIDIA (at) SIN DEADLY SIN (it) SA 19.04. NEGATOR (d) | ERL (at) | IREM (d) SA 05.04. TAMAR APHEK (il) MO 21.04. Church of RA-Tour: AMENRA | HESSIAN (bel) OATHBREAKER | TREHA SEKTORI (bel) DI 08.04. DUB TRIO (usa) DO 24.04. aidan KNIGHT (can) SA 12.04. HGich.T live & DJ Igor Acid Amore (de) FR 25.04. DŸSE (d) | HOME (at) MI 16.04. GUERILLA POUBELLE (f) THE MURDERBURGERS (sco) SA 26.04. THE BIG JOHN BATES (can) DO 17.04. NORMA JEAN | NIGHT VERSES (usa) DI 29.04. THE DESOTO CAUCUS (dk) LIFERUINER (can) | BRANSON HOLLIS (f) EAMON MC GRATH (can) MÄRZ THE QUEERS (usa) | THE MUGWUMPS (at) SAMSTAG, 01.03. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
CLASSIC JAZZ This Page Intentionally Left Blank CLASSIC JAZZ
CLASSIC JAZZ This page intentionally left blank CLASSIC JAZZ A Personal View of the Music and the Musicians FLOYD LEVIN Foreword by BENNY CARTER UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Title page illustration: The author and his wife, Lucille—Emperor and Empress of the 1985 Jazz Jubilee, Sacramento, California. Unless otherwise credited, all illustrations are by the author or are from his collection. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2000 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Levin, Floyd. Classic jazz : a personal view of the music and the musicians / Floyd Levin. p. cm. Includes index. isbn 0-520-21360-2 (cloth : alk. paper) 1. Jazz—History and criticism. 2. Jazz musi- cians—United States. I. Title. ml3508.l48 2000 781.65—dc21 00-022554 Manufactured in the United States of America 08 07 06 05 04 03 02 01 00 10987654321 The paper used in this publication meets the mini- mum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). To Lucille, my loving wife and perceptive editor, who shared these wonderful experiences with me. Her sincere praises buoyed my efforts, and her unerring criticisms deftly improved my narration. This page intentionally left blank CONTENTS FOREWORD BY BENNY CARTER xv PREFACE xvii ACKNOWLEDGMENTS xxiii INTRODUCTION 1 1 KID ORY AND THE REVIVAL ERA 9 Kid Ory / 11 Kid Ory’s Legendary 1921 Nordskog/Sunshine Recordings / 14 Papa Mutt Carey -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California Lauro Alonso Parra University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Parra, Lauro Alonso, "The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California" (2012). Theses (Historic Preservation). 204. https://repository.upenn.edu/hp_theses/204 Suggested Citation: Parra, Lauro Alonso (2012). The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/204 For more information, please contact [email protected]. The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California Abstract Redevelopment agencies play a major role in the preservation or destruction of historic buildings. When considering the benefits of preservation, we not only consider the protection of buildings for history's sake; but its usage has become more evident as a form of economic growth. During 2011, in efforts to balance the budget in the state of California, Governor Brown proposed abolishing -
John Valadez Interviewed by Karen Mary Davalos on November 19 and 21, and December 3, 7, and 12, 2007
CSRC ORAL HISTORIES SERIES NO. 10, DECEMBER 2013 JOHN VALADEZ INTERVIEWED BY KAREN MARY DAVALOS ON NOVEMBER 19 AND 21, AND DECEMBER 3, 7, AND 12, 2007 John Valadez is a painter and muralist. A graduate of East Los Angeles College and California State University, Long Beach, he is the recipient of many grants, commissions, and awards, including those from the Joan Mitchell Foundation, the California Arts Commission, and the Fondation d’Art de la Napoule, France. His work has appeared in exhibitions nationwide and is in the permanent collection of major museums; among them are National Museum of American Art at the Smithsonian, Bass Museum of Art in Miami Beach, Museum of Contemporary Art San Diego, Mexican Museum in Chicago, and Los Angeles County Museum of Art. Valadez lives and works in Los Angeles. Karen Mary Davalos is chair and professor of Chicana/o studies at Loyola Marymount University in Los Angeles. Her research interests encompass representational practices, including art exhibition and collection; vernacular performance; spirituality; feminist scholarship and epistemologies; and oral history. Among her publications are Yolanda M. López (UCLA Chicano Studies Research Center Press, 2008); “The Mexican Museum of San Francisco: A Brief History with an Interpretive Analysis,” in The Mexican Museum of San Francisco Papers, 1971–2006 (UCLA Chicano Studies Research Center Press, 2010); and Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora (University of New Mexico Press, 2001). This interview was conducted as part of the L.A. Xicano project. Preferred citation: John Valadez, interview with Karen Mary Davalos, November 19 and 21, and December 3, 7, and 12, 2007, Los Angeles, California. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r . -
Amended Judgment (Pdf)
Case 2:12-cv-00551-FMO-PJW Document 608 Filed 12/13/17 Page 1 of 2 Page ID #:9492 1 2 3 4 5 6 UNITED STATES DISTRICT COURT FOR THE 7 CENTRAL DISTRICT OF CALIFORNIA (WESTERN DIVISION) 8 9 10 INDEPENDENT LIVING CENTER OF ) Case No.: 12-CV-00551 FMO (PJWx) 11 SOUTHERN CALIFORNIA, et al. ) ) 12 Plaintiffs, ) AMENDED JUDGMENT PURSUANT 13 ) TO CORRECTED SETTLEMENT vs. ) AGREEMENT BY AND BETWEEN 14 ) ) CITY OF LOS ANGELES AND 15 CITY OF LOS ANGELES, ) PLAINTIFFS 16 CALIFORNIA, and COMMUNITY ) REDEVELOPMENT AGENCY OF THE ) 17 CITY OF LOS ANGELES, ) ) 18 Defendants. ) ) 19 20 21 WHEREAS, the City of Los Angeles, a defendant in this action (the 22 “City”) and the Independent Living Center of Southern California (“ILCSC”), the 23 Fair Housing Council of the San Fernando Valley (“FHC”) and Communities 24 Actively Living Independent and Free (“CALIF”) (collectively referred to herein as 25 “Plaintiffs”) have entered into a Corrected Settlement Agreement; and 26 WHEREAS, the Court has jurisdiction over the subject matter of this 27 action, the Plaintiffs, the City, and the Corrected Settlement Agreement; and 28 ILC, et al v. City of Los Angeles, et al., Case No. 12-CV-551 FMO (PJWx) AMENDED JUDGMENT PURSUANT TO CORRECTED SETTLEMENT AGREEMENT Case 2:12-cv-00551-FMO-PJW Document 608 Filed 12/13/17 Page 2 of 2 Page ID #:9493 1 WHEREAS, upon consideration, the Court finds the Corrected 2 Settlement Agreement to be fair, reasonable, and adequate. 3 NOW, THEREFORE, IT IS HEREBY ORDERED, ADJUDGED 4 AND DECREED AS FOLLOWS: 5 1. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
Metro Quarterly, Readers Enjoyed a Transit Account
spring 2004 Metro Fights For la County’s Fair Share Of Transit Funding Find Out How You Can Help Chief Executive Metro is navigating di;cult >nancial straits as the ?ow of transportation funding mq spring 2004 O;cer d.c from Sacramento and Washington, . becomes more scarce. Still, it’s not Published by Roger Snoble all doom and gloom by any means. In fact, it’s an opportunity for Metro to craft Metro Communications new and better ways of moving people and goods. At the same time, we’re Department exercising a leadership role in mobilizing Los Angeles County stakeholders to Editor: contents >ght for the region’s fair share of available transportation dollars. gary wosk Los Angeles County could lose as much as $1 billion in state transportation Writers: funding in the next >ve years. Congress also is scrambling to >nd new monies for bill heard highway and mass transit projects against a backdrop of mounting federal warren morse budget de>cits. That’s the bad news. ed scannell 4 cean collier The good news is key Metro projects are moving forward. Metro’s Eastside light lisa huynh s 4 fast lanes rail project has emerged as one of the Federal Transit Administration’s top adrienne figueroa Exclusive lanes make Wilshire Boulevard Metro Rapid funding priorities, and the Metro Orange Line transitway in the San Fernando claudia keith Valley is under construction. trips even faster. Graphic Design: Metro is taking delivery of 300 high-capacity buses. Two more Metro Rapid lines metro design studio 6 getting there will debut on Soto and Vernon/La Cienega in June, and Metro is testing an Metro Orange Line transitway construction underway.