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One M&T Plaza: a Corporate Architectural Masterpiece and Icon
One M&T Plaza: A corporate architectural masterpiece and icon of Buffalo’s urban renewal On August 29, 2013 M&T Bank will enjoy 157 years of its headquarters being continuously located in downtown Buffalo, New York. One M&T Plaza, contemporarily classic, gleaming white, and stylishly slender, is the most beautiful and successful corporate skyscraper built in Buffalo during the twentieth century. Its impact on downtown Buffalo is as significant today as it was when the building was completed nearly 50 years ago. Before M&T Plaza: Manufacturers and Traders Trust Company’s Previous Headquarters M&T’s home, One M&T Plaza, is not the first architecturally significant headquarters occupied by the bank. For the first 44 years of its existence, M&T leased space at various locations near the intersection of Main and Swan Streets: 2 East Swan Street (1856-1857); 275 Main Street (1857-1861); 22 West Seneca Street (1861-1880); and the southwest corner of Main and West Seneca Streets (1880-1900). Figure 1. The first headquarters M&T constructed in 1899-1900; map of all headquarters locations, 1856-present. In 1899, M&T constructed its first headquarters on the west side of Main Street one building south of West Swan Street and moved into it on May 14, 1900. The three-story building was 1 | P a g e designed by the Buffalo-based architectural firm Green & Wicks and constructed using light grey New England granite. Green & Wicks gave the building an impressive classical appearance, made all the more challenging because the building was nestled in between two others. -
Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963 Alana Ryder [email protected]
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 5-2012 By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963 Alana Ryder [email protected] Advisor Cynthia A. Conides, Ph.D., Associate Professor of History, Director of Museum Studies First Reader Nancy Weekly, Adjunct Lecturer of History, Head of Collections and the Charles Cary Rumsey Curator, Burchfield Penney Art Center Department Chair Andrew D. Nicholls, Ph.D., Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Ryder, Alana, "By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963" (2012). History Theses. Paper 7. Follow this and additional works at: http://digitalcommons.buffalostate.edu/history_theses Part of the American Art and Architecture Commons, Cultural History Commons, and the Women's Studies Commons By My Side: Charles E. Burchfield‘s Letters to Bertha K. Burchfield from 1923 to 1963 by Alana H. Ryder An Abstract of a Thesis in History with Museum Studies Concentration Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2012 State University of New York College at Buffalo Department of History ABSTRACT OF THESIS By My Side: Charles E. Burchfield‘s Letters to Bertha K. Burchfield from 1923 to 1963 Over the past 80 years, research on American artist Charles E. Burchfield (1893-1967) has often placed little emphasis on the people and events that were essential for his artistic freedom and the success of his career. -
Buffalo Two Canvas KO
on) Sisti (1901-1983) was renowned for his work on two different types of canvas. Initially, he was noted Tfor his athletic abilities in the ring as a Bantamweight boxer and shortly afterward as a first-rate painter. He used the e rungs from his boxing career to fund his art school train~g and soon garnered significant recognition in both elds. As the recent subject of an exhibition at the Burc eld Penney Art Center, Sisti's artistic legacy and his numerous cultural contributions to this region are worthy of examination and preservation. Although he is well known for his bo subjects and for portraiture, the artist boasted that he ".. anything that light falls on." My earliest memories of Tony Sisti apparently they looked and acted differ- occurred during my childhood in Niag- ently from the rest of us. Monsignor had ara Falls, NY. I was raised in a house that been an accomplished amateur artist had once been the convent for the nuns .himself and he influenced his nephew at at St. Joseph's Roman Catholic Church an early age, encouraging the young man located at 15th Street and Pine Avenue, to copy his own drawings. the heart of the city's "Little Italy." The My siblings and I attended St.Joseph's diocese had built a new convent for the grammar school around the corner from Sisters directly across from their gram- our house and every morning we walked mar school and my mother and father past a portrait of Monsignor on our took ownership of the large three-story ascent up the stairs to the awaiting class- home before I was born. -
Online Newsletter Issue 12 July 2013
Online Newsletter Issue 12 July 2013 The IBRO online newsletter is an extension of the Quarterly IBRO Journal and contains material not included in the latest issue of the Journal. Newsletter Features Yankee Stadium 75 Years Ago Today (June 22, 1938) by Tony Triem. Rudell Stitch Honored in Louisville by Sheldon S. Shafer. Karl Mildenberger by Jim Amato. Middleweight Tough Guy Marvin Edelman Dies at 82 by John DiSanto. The Boxing Biographies Volume # 8 Jimmy McLarnin by Rob Snell. Book Recommendations: The Corners of The Ring To The Corners of The Earth. Book Review by Clay Moyle. Book Recommendations: Heavyweight Boxing in the 1970s by Joe Ryan. Book Review by Clay Moyle. Member inquiries, nostalgic articles, photos, illustrations, newspaper clippings and obituaries submitted by several members. Special thanks to Jim Amato, Steve Canton, Don Cogswell, John DiSanto, Enrique Encinosa, Henry Hascup, J.J. Johnston, Rick Kilmer, Steve Lott, Clay Moyle, John Sheppard, Rob Snell, Tony Triem and Jake Wegner for their contributions to this issue of the newsletter. Keep Punching! Dan Cuoco International Boxing Research Organization Dan Cuoco Director, Editor and Publisher [email protected] All material appearing herein represents the views of the respective authors and not necessarily those of the International Boxing Research Organization (IBRO). © 2013 IBRO (Original Material Only) CONTENTS DEPARTMENTS 3 Member Forum 4 Boxing Hall of Fame – Las Vegas, Nevada 6 Ring 44 Buffalo Announces 2013 Boxing Hall of Fame Inductees 7 Minnesota Boxing Hall of Fame Announces 2013 Boxing Hall of Fame Inductees 9 IBRO Talk at FBHOF Well Attended 59 Final Bell FEATURES 10 Yankee Stadium 75 Years Ago Today (June 22, 1938) by Tony Triem 12 Rudell Stitch Honored in Louisville by Sheldon S. -
Spring 2010 V
Per Niente Published and Edited by Joe Di Leo La Primavera duemiladieci Associate Editor Joey Giambra Volume VI Issue II Spring 2010 Email [email protected] Luigi Del Bi- anco, an Italian introduced Luigi to Mount Rushmore designer Gut- zon Borglum. “Bianco”, as Borglum affectionately Immigrant, called him, began working at Borglum’s Stamford, played an im- Ct. studio and the association of the two men con- portant part in tinued until Borglum’s death in 1941. bringing to life a great American Throughout the 1920’s Luigi assisted Borglum with the Governor Hancock Memorial in South monument. Yet, Carolina, Stone Mountain in Georgia, and the Wars many authors of America Memorial in Newark, NJ. Because of on the subject of Luigi’s strong stature and classic Roman features, Rushmore have Borglum used him as a model on 20 of the figures chosen not to on the Newark sculpture. mention Luigi In 1933 Borglum hired Bianco to be chief stone and his many carver on the Mount Rushmore National Memorial. contributions to Luigi’s job was to carve the “refinement of expres- the work. sion” or detail in the faces. He was paid 1.50 an Luigi Del Bianco hour; a considerable sum for the Depression. Chief Carver on Mt Rushmore It was “Bianco” who carved the life-like eyes of Abraham Lincoln. In a 1966 Interview with the Her- Luigi Del Bianco was born aboard a ship near ald Statesman in Yonkers, NY, he said about carv- La Havre, France on May 8, 1892. His parents, Vin- ing the eyes, “I could only see from this far what I cenzo and Osvalda, were returning from the United was doing, but the eye of Lincoln had to look just States to Italy.