Comparative Study of Motion Estimation & Motion Compensation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On Computational Complexity of Motion Estimation Algorithms in MPEG-4 Encoder
On Computational Complexity of Motion Estimation Algorithms in MPEG-4 Encoder Muhammad Shahid This thesis report is presented as a part of degree of Master of Science in Electrical Engineering Blekinge Institute of Technology, 2010 Supervisor: Tech Lic. Andreas Rossholm, ST-Ericsson Examiner: Dr. Benny Lovstrom, Blekinge Institute of Technology Abstract Video Encoding in mobile equipments is a computationally demanding fea- ture that requires a well designed and well developed algorithm. The op- timal solution requires a trade off in the encoding process, e.g. motion estimation with tradeoff between low complexity versus high perceptual quality and efficiency. The present thesis works on reducing the complexity of motion estimation algorithms used for MPEG-4 video encoding taking SLIMPEG motion estimation algorithm as reference. The inherent prop- erties of video like spatial and temporal correlation have been exploited to test new techniques of motion estimation. Four motion estimation algo- rithms have been proposed. The computational complexity and encoding quality have been evaluated. The resulting encoded video quality has been compared against the standard Full Search algorithm. At the same time, reduction in computational complexity of the improved algorithm is com- pared against SLIMPEG which is already about 99 % more efficient than Full Search in terms of computational complexity. The fourth proposed algorithm, Adaptive SAD Control, offers a mechanism of choosing trade off between computational complexity and encoding quality in a dynamic way. Acknowledgements It is a matter of great pleasure to express my deepest gratitude to my ad- visors Dr. Benny L¨ovstr¨om and Andreas Rossholm for all their guidance, support and encouragement throughout my thesis work. -
1. in the New Document Dialog Box, on the General Tab, for Type, Choose Flash Document, Then Click______
1. In the New Document dialog box, on the General tab, for type, choose Flash Document, then click____________. 1. Tab 2. Ok 3. Delete 4. Save 2. Specify the export ________ for classes in the movie. 1. Frame 2. Class 3. Loading 4. Main 3. To help manage the files in a large application, flash MX professional 2004 supports the concept of _________. 1. Files 2. Projects 3. Flash 4. Player 4. In the AppName directory, create a subdirectory named_______. 1. Source 2. Flash documents 3. Source code 4. Classes 5. In Flash, most applications are _________ and include __________ user interfaces. 1. Visual, Graphical 2. Visual, Flash 3. Graphical, Flash 4. Visual, AppName 6. Test locally by opening ________ in your web browser. 1. AppName.fla 2. AppName.html 3. AppName.swf 4. AppName 7. The AppName directory will contain everything in our project, including _________ and _____________ . 1. Source code, Final input 2. Input, Output 3. Source code, Final output 4. Source code, everything 8. In the AppName directory, create a subdirectory named_______. 1. Compiled application 2. Deploy 3. Final output 4. Source code 9. Every Flash application must include at least one ______________. 1. Flash document 2. AppName 3. Deploy 4. Source 10. In the AppName/Source directory, create a subdirectory named __________. 1. Source 2. Com 3. Some domain 4. AppName 11. In the AppName/Source/Com directory, create a sub directory named ______ 1. Some domain 2. Com 3. AppName 4. Source 12. A project is group of related _________ that can be managed via the project panel in the flash. -
An Overview of Block Matching Algorithms for Motion Vector Estimation
Proceedings of the Second International Conference on Research in DOI: 10.15439/2017R85 Intelligent and Computing in Engineering pp. 217–222 ACSIS, Vol. 10 ISSN 2300-5963 An Overview of Block Matching Algorithms for Motion Vector Estimation Sonam T. Khawase1, Shailesh D. Kamble2, Nileshsingh V. Thakur3, Akshay S. Patharkar4 1PG Scholar, Computer Science & Engineering, Yeshwantrao Chavan College of Engineering, India 2Computer Science & Engineering, Yeshwantrao Chavan College of Engineering, India 3Computer Science & Engineering, Prof Ram Meghe College of Engineering & Management, India 4Computer Technology, K.D.K. College of Engineering, India [email protected], [email protected],[email protected], [email protected] Abstract–In video compression technique, motion estimation is one of the key components because of its high computation complexity involves in finding the motion vectors (MV) between the frames. The purpose of motion estimation is to reduce the storage space, bandwidth and transmission cost for transmission of video in many multimedia service applications by reducing the temporal redundancies while maintaining a good quality of the video. There are many motion estimation algorithms, but there is a trade-off between algorithms accuracy and speed. Among all of these, block-based motion estimation algorithms are most robust and versatile. In motion estimation, a variety of fast block based matching algorithms has been proposed to address the issues such as reducing the number of search/checkpoints, computational cost, and complexities etc. Due to its simplicity, the Fig. 1. Classification of Frames block-based technique is most popular. Motion estimation is only known for video coding process but for solving real life redundancies. -
Motion Estimation at the Decoder Sven Klomp and Jorn¨ Ostermann Leibniz Universit¨At Hannover Germany
5 Motion Estimation at the Decoder Sven Klomp and Jorn¨ Ostermann Leibniz Universit¨at Hannover Germany 1. Introduction All existing video coding standards, such as MPEG-1,2,4 or ITU-T H.26x, perform motion estimation at the encoder in order to exploit temporal dependencies within the video sequence. The estimated motion vectors are transmitted and used by the decoder to assemble a prediction of the current frame. Since only the prediction error and the motion information are transmitted, instead of intra coding the pixel values, compression is achieved. Due to block-based motion estimation, accurate compensation at object borders can only be achieved with small block sizes. Large blocks may contain several objects which move in different directions. Thus, accurate motion estimation and compensation is not possible, as shown by Klomp et al. (2010a) using prediction error variance, and small block sizes are favourable. However, the smaller the block, the more motion vectors have to be transmitted, resulting in a contradiction to bit rate reduction. 4.0 3.5 3.0 2.5 MV Backward MV Forward MV Bidirectional 2.0 RS Backward Rate (bit/pixel) RS Forward 1.5 RS Bidirectional 1.0 0.5 0.0 2 4 8 16 32 Block Size Fig. 1. Data rates of residual (RS) and motion vectors (MV) for different motion compensation techniques (Kimono sequence). 782 Effective Video Coding for MultimediaVideo Applications Coding These characteristics can be observed in Figure 1, where the rates for the residual and the motion vectors are plotted for different block sizes and three prediction techniques. -
Motion Vector Forecast and Mapping (MV-Fmap) Method for Entropy Coding Based Video Coders Julien Le Tanou, Jean-Marc Thiesse, Joël Jung, Marc Antonini
Motion Vector Forecast and Mapping (MV-FMap) Method for Entropy Coding based Video Coders Julien Le Tanou, Jean-Marc Thiesse, Joël Jung, Marc Antonini To cite this version: Julien Le Tanou, Jean-Marc Thiesse, Joël Jung, Marc Antonini. Motion Vector Forecast and Mapping (MV-FMap) Method for Entropy Coding based Video Coders. MMSP’10 2010 IEEE International Workshop on Multimedia Signal Processing, Oct 2010, Saint Malo, France. pp.206. hal-00531819 HAL Id: hal-00531819 https://hal.archives-ouvertes.fr/hal-00531819 Submitted on 3 Nov 2010 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Motion Vector Forecast and Mapping (MV-FMap) Method for Entropy Coding based Video Coders Julien Le Tanou #1, Jean-Marc Thiesse #2, Joël Jung #3, Marc Antonini ∗4 # Orange Labs 38 rue du G. Leclerc, 92794 Issy les Moulineaux, France 1 [email protected] {2 jeanmarc.thiesse,3 joelb.jung}@orange-ftgroup.com ∗ I3S Lab. University of Nice-Sophia Antipolis/CNRS 2000 route des Lucioles, 06903 Sophia Antipolis, France 4 [email protected] Abstract—Since the finalization of the H.264/AVC standard between motion vectors of neighboring frames and blocks, we and in order to meet the target set by both ITU-T and MPEG propose in this paper a method for motion vector coding based to define a new standard that reaches 50% bit rate reduction on a motion vector residuals forecast followed by an adaptive compared to H.264/AVC, many tools have efficiently improved the texture coding and the motion compensation accuracy. -
LOW COMPLEXITY H.264 to VC-1 TRANSCODER by VIDHYA
LOW COMPLEXITY H.264 TO VC-1 TRANSCODER by VIDHYA VIJAYAKUMAR Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ELECTRICAL ENGINEERING THE UNIVERSITY OF TEXAS AT ARLINGTON AUGUST 2010 Copyright © by Vidhya Vijayakumar 2010 All Rights Reserved ACKNOWLEDGEMENTS As true as it would be with any research effort, this endeavor would not have been possible without the guidance and support of a number of people whom I stand to thank at this juncture. First and foremost, I express my sincere gratitude to my advisor and mentor, Dr. K.R. Rao, who has been the backbone of this whole exercise. I am greatly indebted for all the things that I have learnt from him, academically and otherwise. I thank Dr. Ishfaq Ahmad for being my co-advisor and mentor and for his invaluable guidance and support. I was fortunate to work with Dr. Ahmad as his research assistant on the latest trends in video compression and it has been an invaluable experience. I thank my mentor, Mr. Vishy Swaminathan, and my team members at Adobe Systems for giving me an opportunity to work in the industry and guide me during my internship. I would like to thank the other members of my advisory committee Dr. W. Alan Davis and Dr. William E Dillon for reviewing the thesis document and offering insightful comments. I express my gratitude Dr. Jonathan Bredow and the Electrical Engineering department for purchasing the software required for this thesis and giving me the chance to work on cutting edge technologies. -
Video Coding Standards
Module 8 Video Coding Standards Version 2 ECE IIT, Kharagpur Lesson 23 MPEG-1 standards Version 2 ECE IIT, Kharagpur Lesson objectives At the end of this lesson, the students should be able to : 1. Enlist the major video coding standards 2. State the basic objectives of MPEG-1 standard. 3. Enlist the set of constrained parameters in MPEG-1 4. Define the I- P- and B-pictures 5. Present the hierarchical data structure of MPEG-1 6. Define the macroblock modes supported by MPEG-1 23.0 Introduction In lesson 21 and lesson 22, we studied how to perform motion estimation and thereby temporally predict the video frames to exploit significant temporal redundancies present in the video sequence. The error in temporal prediction is encoded by standard transform domain techniques like the DCT, followed by quantization and entropy coding to exploit the spatial and statistical redundancies and achieve significant video compression. The video codecs therefore follow a hybrid coding structure in which DPCM is adopted in temporal domain and DCT or other transform domain techniques in spatial domain. Efforts to standardize video data exchange via storage media or via communication networks are actively in progress since early 1980s. A number of international video and audio standardization activities started within the International Telephone Consultative Committee (CCITT), followed by the International Radio Consultative Committee (CCIR), and the International Standards Organization / International Electrotechnical Commission (ISO/IEC). An experts group, known as the Motion Pictures Expects Group (MPEG) was established in 1988 in the framework of the Joint ISO/IEC Technical Committee with an objective to develop standards for coded representation of moving pictures, associated audio, and their combination for storage and retrieval of digital media. -
11.2 Motion Estimation and Motion Compensation 421
11.2 Motion Estimation and Motion Compensation 421 vertical component to the enhancement filter, making the overall filter separable with 3 3 support. × 11.2 MOTION ESTIMATION AND MOTION COMPENSATION Motion compensation (MC) is very useful in video filtering to remove noise and enhance signal. It is useful since it allows the filter or coder to process through the video on a path of near-maximum correlation based on following motion trajectories across the frames making up the image sequence or video. Motion compensation is also employed in all distribution-quality video coding formats, since it is able to achieve the smallest prediction error, which is then easier to code. Motion can be characterized in terms of either a velocity vector v or displacement vector d and is used to warp a reference frame onto a target frame. Motion estimation is used to obtain these displacements, one for each pixel in the target frame. Several methods of motion estimation are commonly used: • Block matching • Hierarchical block matching • Pel-recursive motion estimation • Direct optical flow methods • Mesh-matching methods Optical flow is the apparent displacement vector field d .d1,d2/ we get from setting (i.e., forcing) equality in the so-called constraint equationD x.n1,n2,n/ x.n1 d1,n2 d2,n 1/. (11.2–1) D − − − All five approaches start from this basic equation, which is really just an ide- alization. Departures from the ideal are caused by the covering and uncovering of objects in the viewed scene, lighting variation both in time and across the objects in the scene, movement toward or away from the camera, as well as rotation about an axis (i.e., 3-D motion). -
Diapositivo 1
VC 14/15 – TP16 Video Compression Mestrado em Ciência de Computadores Mestrado Integrado em Engenharia de Redes e Sistemas Informáticos Miguel Tavares Coimbra Outline • The need for compression • Types of redundancy • Image compression • Video compression VC 14/15 - TP16 - Video Compression Topic: The need for compression • The need for compression • Types of redundancy • Image compression • Video compression VC 14/15 - TP16 - Video Compression Images are great! VC 14/15 - TP16 - Video Compression But... Images need storage space... A lot of space! Size: 1024 x 768 pixels RGB colour space 8 bits per color = 2,6 MBytes VC 14/15 - TP16 - Video Compression What about video? • VGA: 640x480, 3 bytes per pixel -> 920KB per image. • Each second of video: 23 MB • Each hour of vídeo: 83 GB The death of Digital Video VC 14/15 - TP16 - Video Compression What if... ? • We exploit redundancy to compress image and video information? – Image Compression Standards – Video Compression Standards • “Explosion” of Digital Image & Video – Internet media – DVDs – Digital TV – ... VC 14/15 - TP16 - Video Compression Compression • Data compression – Reduce the quantity of data needed to store the same information. – In computer terms: Use fewer bits. • How is this done? – Exploit data redundancy. • But don’t we lose information? – Only if you want to... VC 14/15 - TP16 - Video Compression Types of Compression • Lossy • Lossless – We do not obtain an – We obtain an exact exact copy of our copy of our compressed data after compressed data after decompression. decompression. – Very high compression – Lower compression rates. rates. – Increased degradation – Freely compress / with sucessive decompress images. compression / It all depends on what we decompression. -
AVC to the Max: How to Configure Encoder
Contents Company overview …. ………………………………………………………………… 3 Introduction…………………………………………………………………………… 4 What is AVC….………………………………………………………………………… 6 Making sense of profiles, levels, and bitrate………………………………………... 7 Group of pictures and its structure..………………………………………………… 11 Macroblocks: partitioning and prediction modes….………………………………. 14 Eliminating spatial redundancy……………………………………………………… 15 Eliminating temporal redundancy……...……………………………………………. 17 Adaptive quantization……...………………………………………………………… 24 Deblocking filtering….….…………………………………………………………….. 26 Entropy encoding…………………………………….……………………………….. 2 8 Conclusion…………………………………………………………………………….. 29 Contact details..………………………………………………………………………. 30 2 www.elecard.com Company overview Elecard company, founded in 1988, is a leading provider of software products for encoding, decoding, processing, monitoring and analysis of video and audio data in 9700 companies various formats. Elecard is a vendor of professional software products and software development kits (SDKs); products for in - depth high - quality analysis and monitoring of the media content; countries 1 50 solutions for IPTV and OTT projects, digital TV broadcasting and video streaming; transcoding servers. Elecard is based in the United States, Russia, and China with 20M users headquarters located in Tomsk, Russia. Elecard products are highly appreciated and widely used by the leaders of IT industry such as Intel, Cisco, Netflix, Huawei, Blackmagic Design, etc. For more information, please visit www.elecard.com. 3 www.elecard.com Introduction Video compression is the key step in video processing. Compression allows broadcasters and premium TV providers to deliver their content to their audience. Many video compression standards currently exist in TV broadcasting. Each standard has different properties, some of which are better suited to traditional live TV while others are more suited to video on demand (VoD). Two basic standards can be identified in the history of video compression: • MPEG-2, a legacy codec used for SD video and early digital broadcasting. -
Video Coding Standards 1 Videovideo Codingcoding Standardsstandards
VideoVideo CodingCoding StandardsStandards • H.120 • H.261 • MPEG-1 and MPEG-2/H.262 • H.263 • MPEG-4 Thomas Wiegand: Digital Image Communication Video Coding Standards 1 VideoVideo CodingCoding StandardsStandards MPEG-2 digital TV 2 -6 Mbps ITU-R 601 166 Mbit/s H.261 ISDN 64 kbps Picture phone H.263 PSTN < 28.8 kbps picture phone Thomas Wiegand: Digital Image Communication Video Coding Standards 2 H.120:H.120: TheThe FirstFirst DigitalDigital VideoVideo CodingCoding StandardStandard • ITU-T (ex-CCITT) Rec. H.120: The first digital video coding standard (1984) • v1 (1984) had conditional replenishment, DPCM, scalar quantization, variable-length coding, switch for quincunx sampling • v2 (1988) added motion compensation and background prediction • Operated at 1544 (NTSC) and 2048 (PAL) kbps • Few units made, essentially not in use today Thomas Wiegand: Digital Image Communication Video Coding Standards 3 H.261:H.261: TheThe BasisBasis ofof ModernModern VideoVideo CompressionCompression • ITU-T (ex-CCITT) Rec. H.261: The first widespread practical success • First design (late ’80s) embodying typical structure that dominates today: 16x16 macroblock motion compensation, 8x8 DCT, scalar quantization, and variable-length coding • Other key aspects: loop filter, integer-pel motion compensation accuracy, 2-D VLC for coefficients • Operated at 64-2048 kbps • Still in use, although mostly as a backward- compatibility feature – overtaken by H.263 Thomas Wiegand: Digital Image Communication Video Coding Standards 4 H.261&3H.261&3 MacroblockMacroblock -
Motion Compensation on DCT Domain
EURASIP Journal on Applied Signal Processing 2001:3, 147–162 © 2001 Hindawi Publishing Corporation Motion Compensation on DCT Domain Ut-Va Koc Lucent Technologies Bell Labs, 600 Mountain Avenue, Murray Hill, NJ 07974, USA Email: [email protected] K. J. Ray Liu Department of Electrical and Computer Engineering and Institute for Systems Research, University of Maryland, College Park, MD 20742, USA Email: [email protected] Received 21 May 2001 and in revised form 21 September 2001 Alternative fully DCT-based video codec architectures have been proposed in the past to address the shortcomings of the conven- tional hybrid motion compensated DCT video codec structures traditionally chosen as the basis of implementation of standard- compliant codecs. However, no prior effort has been made to ensure interoperability of these two drastically different architectures so that fully DCT-based video codecs are fully compatible with the existing video coding standards. In this paper, we establish the criteria for matching conventional codecs with fully DCT-based codecs. We find that the key to this interoperability lies in the heart of the implementation of motion compensation modules performed in the spatial and transform domains at both the encoder and the decoder. Specifically,if the spatial-domain motion compensation is compatible with the transform-domain motion compensation, then the states in both the coder and the decoder will keep track of each other even after a long series of P-frames. Otherwise, the states will diverge in proportion to the number of P-frames between two I-frames. This sets an important criterion for the development of any DCT-based motion compensation schemes.