Student Attacks Against Teachers: the Revolution of 1966*
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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
China's Youth in Transition
Teaching About Asia Through Youth Culture CONFUCIAN AND COOL China’s Youth in Transition By Robert Moore and James Rizor Kicking Bird could be considered Qingdao University’s first hippie, at least if one were to judge him by his appearance. He had shoulder-length hair and made a point of pub- licly protesting the university’s rules on grooming.1 That was 1994, and even though young Chinese who looked like Kicking Bird could be found in Beijing and Shanghai at that time, they were all but non-existent in provincial cities like Qingdao. In fact, given the conservative grooming of most young Chinese at the time, Kicking Bird’s appearance was striking to say the least. His inspiration came from Hollywood. He had seen the Kevin Costner film Dances with Wolves and, hav- ing been mightily impressed with a Sioux Indian character in that film, had dropped his Chinese name in favor of the character’s and let his hair grow to shoulder length. The university officials were aghast at his be- havior and told him that until he conformed to a more conservative appearance, he wouldn’t be allowed back on campus. Kicking Bird was saved by what might be called the parent-child bond of an enduring Con- fucian mindset—his parents stood up for him and forced the university to back down. We can regard young Kicking Bird as emblematic of the inroads that American popular culture began to make in China once the barriers to outside influences were brought down by the post-Mao reforms initiated in 1978. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Rickshaw Boy Free
FREE RICKSHAW BOY PDF Lao She | 300 pages | 07 Sep 2010 | HarperCollins Publishers Inc | 9780061436925 | English | New York, NY, United States Rickshaw driver's son beats odds to join famed UK ballet school | UK news | The Guardian Kamal Singh did not even know what ballet was when he turned up nervously at the Imperial Fernando Ballet School, in Delhi, during the summer of Rickshaw Boy But the year-old, known as Noddy, whose father was a rickshaw driver in the west of the city, had been transfixed by ballet dancers in a Bollywood film, and wanted to try it for himself. Four years on Singh is now one of the first Indian students Rickshaw Boy be admitted to the English National Ballet school. He started this week. I am the first in my family to come to London. He had a Rickshaw Boy that was ready-made for ballet by god Rickshaw Boy he just needed to be taught how to use it. He studied at the school for 10 to 12 hours every day. I Rickshaw Boy him for four years, and he Rickshaw Boy asked for a break, he never missed a single day. He also made Singh and his family realise that there was a future in ballet. After that my father allowed me to study full-time. He had been granted a scholarship to return this year but the Covid pandemic happened and everything was cancelled. Just as it seemed as if the opportunities were disappearing, an advert on Instagram said that English National Ballet in London was looking for male dancers. -
2017 Japan - China
2017 Japan - China Teenage Ambassadors Japan Program Report July 10th (Monday) - July 17th (Monday) AEON 1% Club Foundation To whom it may concern AEON 1% Club Foundation Report (Japan Program) Thank you for your support and understanding for the activities of the AEON 1% Club. This program, which has been running since 2009, reached its ninth year this year. The following is our report on the exchange program in Japan. ■ Implementation period: July 10th, 2017 (Monday) - July 17th, 2017 (Monday) ■ Purpose of implementation: Promoting friendly between the two countries ■ Participants: (1) 70 Japanese high-school students University of Tsukuba Junior & Senior High School, 20 students (exchange with High-school students from Beijing) Tokyo Gakugei University Senior High School, 15 students (exchange with High-school students from Beijing) Sapporo Nihon University Senior High School, 20 students (exchange with high-school students from Qingdao) Iwata High School, 15 students (exchange with high-school students from Wuhan) (2) 70 Chinese high-school students Beijing: Beijing Jingshan School, 10 students (exchange with University of Tsukuba Junior & Senior High School) Beijing Sanlitun No.1 High School, 10 students (exchange with University of Tsukuba Junior & Senior High School) Beijing Shunyi Niulanshan No.1 High School, 15 students (exchange with Tokyo Gakugei University Senior High School) Wuhan: Wuhan Foreign Language High School, 15 students (exchange with Iwata High School) Qingdao City: Qingdao No.58 High School, 20 students (exchange with Sapporo Nihon University Senior High School) ■ Main program: (1) Courtesy activities: - Courtesy visit to the prime minister's office, courtesy visit to the Ministry of Foreign Affairs (Q&A session with counselor 四方) - Q&A session with Minister Guo Yan at the Japanese Embassy in China - Reception at the Japanese Embassy in China - Courtesy visit to Hokkaido Government Office - Courtesy visit to Oita City (2) Historic and cultural experience activities, etc. -
Anarchism in the Chinese Revolution Was Also a Radical Educational Institution Modeled After Socialist 1991 36 for This Information, See Ibid., 58
only by rephrasing earlier problems in a new discourse that is unmistakably modern in its premises and sensibilities; even where the answers are old, the questions that produced them have been phrased in the problematic of a new historical situation. The problem was especially acute for the first generation of intellec- Anarchism in the Chinese tuals to become conscious of this new historical situation, who, Revolution as products of a received ethos, had to remake themselves in the very process of reconstituting the problematic of Chinese thought. Anarchism, as we shall see, was a product of this situation. The answers it offered to this new problematic were not just social Arif Dirlik and political but sought to confront in novel ways its demands in their existential totality. At the same time, especially in the case of the first generation of anarchists, these answers were couched in a moral language that rephrased received ethical concepts in a new discourse of modernity. Although this new intellectual problematique is not to be reduced to the problem of national consciousness, that problem was important in its formulation, in two ways. First, essential to the new problematic is the question of China’s place in the world and its relationship to the past, which found expression most concretely in problems created by the new national consciousness. Second, national consciousness raised questions about social relationships, ultimately at the level of the relationship between the individual and society, which were to provide the framework for, and in some ways also contained, the redefinition of even existential questions. -
China's Dual Circulation Economy
THE SHRINKING MARGINS FOR DEBATE OCTOBER 2020 Introduction François Godement This issue of China Trends started with a question. What policy issues are still debated in today’s PRC media? Our able editor looked into diff erent directions for critical voices, and as a result, the issue covers three diff erent topics. The “dual circulation economy” leads to an important but abstruse discussion on the balance between China’s outward-oriented economy and its domestic, more indigenous components and policies. Innovation, today’s buzzword in China, generates many discussions around the obstacles to reaching the country’s ambitious goals in terms of technological breakthroughs and industrial and scientifi c applications. But the third theme is political, and about the life of the Communist Party: two-faced individuals or factions. Perhaps very tellingly, it contains a massive warning against doubting or privately minimizing the offi cial dogma and norms of behavior: “two-faced individuals” now have to face the rise of campaigns, slogans and direct accusations that target them as such. In itself, the rise of this broad type of accusation demonstrates the limits and the dangers of any debate that can be interpreted as a questioning of the Party line, of the Centre, and of its core – China’s paramount leader (领袖) Xi Jinping. The balance matters: between surviving policy debates on economic governance issues and what is becoming an all-out attack that targets hidden Western political dissent, doubts or non-compliance beyond any explicit form of debate. Both the pre-1949 CCP and Maoist China had so-called “line debates” which science has seen this often turned into “line struggles (路线斗争)”: the offi cial history of the mostly as a “fragmented pre-1966 CCP, no longer reprinted, listed nine such events. -
China╎s Cultural Revolution and How the Red Guard
University of Portland Pilot Scholars History Undergraduate Publications and Presentations History 12-2020 The Kids Aren’t Alright: China’s cultural revolution and how the Red Guard impacted family Lillian Healy Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the Asian History Commons, and the Chinese Studies Commons Citation: Pilot Scholars Version (Modified MLA Style) Healy, Lillian, "The Kids Aren’t Alright: China’s cultural revolution and how the Red Guard impacted family" (2020). History Undergraduate Publications and Presentations. 32. https://pilotscholars.up.edu/hst_studpubs/32 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. The Kids Aren’t Alright: China’s cultural revolution and how the Red Guard impacted family By Lillian Healy Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2020 When talking about the younger generation, many people think about their potential to change the world. As evident by modern social and political issues, young people are more likely to advocate for change. From social media platforms to protests, youth have become increasingly involved due to the information age that we live in. The narrative that kids receive is important, as how children are raised will impact what kind of person they will be. Whether its college students advocating for equal rights or younger students protesting for gun safety regulations, the world view children are exposed to will impact how they think and what they believe in. -
Laughter and the Cosmopolitan Aesthetic in Lao She's 二马 (Mr. Ma
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 1 Article 6 Laughter and the Cosmopolitan Aesthetic in Lao She's ?? (Mr. Ma and Son) Jeffrey Mather City University of Hong Kong Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the East Asian Languages and Societies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Mather, Jeffrey. "Laughter and the Cosmopolitan Aesthetic in Lao She's ?? (Mr. Ma and Son)." CLCWeb: Comparative Literature and Culture 16.1 (2014): <https://doi.org/10.7771/1481-4374.2115> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Growth and Decline of Muslim Hui Enclaves in Beijing
EG1402.fm Page 104 Thursday, June 21, 2007 12:59 PM Growth and Decline of Muslim Hui Enclaves in Beijing Wenfei Wang, Shangyi Zhou, and C. Cindy Fan1 Abstract: The Hui people are a distinct ethnic group in China in terms of their diet and Islamic religion. In this paper, we examine the divergent residential and economic develop- ment of Niujie and Madian, two Hui enclaves in the city of Beijing. Our analysis is based on archival and historical materials, census data, and information collected from recent field work. We show that in addition to social perspectives, geographic factors—location relative to the northward urban expansion of Beijing, and the character of urban administrative geog- raphy in China—are important for understanding the evolution of ethnic enclaves. Journal of Economic Literature, Classification Numbers: O10, I31, J15. 3 figures, 2 tables, 60 refer- ences. INTRODUCTION esearch on ethnic enclaves has focused on their residential and economic functions and Ron the social explanations for their existence and persistence. Most studies do not address the role of geography or the evolution of ethnic enclaves, including their decline. In this paper, we examine Niujie and Madian, two Muslim Hui enclaves in Beijing, their his- tory, and recent divergent paths of development. While Niujie continues to thrive as a major residential area of the Hui people in Beijing and as a prominent supplier of Hui foods and services for the entire city, both the Islamic character and the proportion of Hui residents in Madian have declined. We argue that Madian’s location with respect to recent urban expan- sion in Beijing and the administrative geography of the area have contributed to the enclave’s decline. -
THE SECURITISATION of TIBETAN BUDDHISM in COMMUNIST CHINA Abstract
ПОЛИТИКОЛОГИЈА РЕЛИГИЈЕ бр. 2/2012 год VI • POLITICS AND RELIGION • POLITOLOGIE DES RELIGIONS • Nº 2/2012 Vol. VI ___________________________________________________________________________ Tsering Topgyal 1 Прегледни рад Royal Holloway University of London UDK: 243.4:323(510)”1949/...” United Kingdom THE SECURITISATION OF TIBETAN BUDDHISM IN COMMUNIST CHINA Abstract This article examines the troubled relationship between Tibetan Buddhism and the Chinese state since 1949. In the history of this relationship, a cyclical pattern of Chinese attempts, both violently assimilative and subtly corrosive, to control Tibetan Buddhism and a multifaceted Tibetan resistance to defend their religious heritage, will be revealed. This article will develop a security-based logic for that cyclical dynamic. For these purposes, a two-level analytical framework will be applied. First, the framework of the insecurity dilemma will be used to draw the broad outlines of the historical cycles of repression and resistance. However, the insecurity dilemma does not look inside the concept of security and it is not helpful to establish how Tibetan Buddhism became a security issue in the first place and continues to retain that status. The theory of securitisation is best suited to perform this analytical task. As such, the cycles of Chinese repression and Tibetan resistance fundamentally originate from the incessant securitisation of Tibetan Buddhism by the Chinese state and its apparatchiks. The paper also considers the why, how, and who of this securitisation, setting the stage for a future research project taking up the analytical effort to study the why, how and who of a potential desecuritisation of all things Tibetan, including Tibetan Buddhism, and its benefits for resolving the protracted Sino- Tibetan conflict. -
Chronology of Mass Killings During the Chinese Cultural Revolution (1966-1976) Song Yongyi Thursday 25 August 2011
Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Song Yongyi Thursday 25 August 2011 Stable URL: http://www.massviolence.org/Article?id_article=551 PDF version: http://www.massviolence.org/PdfVersion?id_article=551 http://www.massviolence.org - ISSN 1961-9898 Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Song Yongyi The Chinese Cultural Revolution (1966-1976) was a historical tragedy launched by Mao Zedong and the Chinese Communist Party (CCP). It claimed the lives of several million people and inflicted cruel and inhuman treatments on hundreds of million people. However, 40 years after it ended, the total number of victims of the Cultural Revolution and especially the death toll of mass killings still remain a mystery both in China and overseas. For the Chinese communist government, it is a highly classified state secret, although they do maintain statistics for the so-called abnormal death numbers all over China. Nevertheless, the government, realizing that the totalitarian regime and the endless power struggles in the CCP Central Committee (CCP CC) were the root cause of the Cultural Revolution, has consistently discounted the significance of looking back and reflecting on this important period of Chinese history. They even forbid Chinese scholars from studying it independently and discourage overseas scholars from undertaking research on this subject in China. Owing to difficulties that scholars in and outside China encounter in accessing state secrets, the exact figure of the abnormal death has become a recurring debate in the field of China studies.