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The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y. -
Western Medicine for Chinese
Western Medicine for Chinese How the Hong Kong College of Medicine Achieved a Breakthrough Faith C. S. Ho A grant to the author from the Lord Wilson Heritage Trust of Hong Kong towards research for this book is gratefully acknowledged. A grant from the Li Ka Shing Faculty of Medicine of the University of Hong Kong towards the publication costs of this book is gratefully acknowledged. Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-94-6 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Cover photo: Dr. James Cantlie and students of the College of Medicine, Hong Kong, 1893. Courtesy of Wellcome Library, London. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd., Hong Kong, China Contents Foreword vi Preface and Acknowledgements viii Common Abbreviations Used xii Chapter 1 Introduction to the College 1 Chapter 2 People and Institutions 24 Chapter 3 Career Prospects 39 Chapter 4 The Early Pioneers (1892–1899) 50 Chapter 5 Decade of Change (1900–1909) 69 Chapter 6 Two Events That Shaped the Final Years 96 Chapter 7 Culmination of Efforts (1910–1918) 120 Chapter 8 Other Contributions to Society 132 Chapter 9 Some Unusual and Some Outstanding Personalities 142 Chapter 10 Conclusions 171 Appendix 1 The Dean’s Inaugural Address at the Opening of the College of Medicine for Chinese, Hong Kong 189 Appendix 2 List of Graduates in Order of Year of Graduation, Hong Kong College of Medicine 200 Appendix 3 List of Interviewees 202 Selected Bibliography 204 Biographical Index 216 Index 221 Foreword 「落其實者思其樹,飲其流者懷其源。」 庾信,《郊廟歌辭 • 徵調曲》 Remember well the tree whence fruits fall, and the stream whence water springs. -
Dictionary of Hong Kong Biography
Dictionary of Hong Kong Biography Edited by May Holdsworth and Christopher Munn Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong www.hkupress.org © Hong Kong University Press 2012 ISBN 978-988-8083-66-4 All rights reserved. No portion of this publication my be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Company Limited, Hong Kong, China Hong Kong University Press is grateful to the following for their generous support of this project: The Bank of East Asia Ltd T. H. Chan Publication Fund The Croucher Foundation Edko Films Ltd Gordon & Anna Pan Royal Asiatic Society Hong Kong Branch Shun Hing Education & Charity Fund Ltd Dr Sze Nien Dak University Grants Committee of the Hong Kong SAR Editorial Board Elizabeth Sinn (Chair) May Holdsworth Joseph Ting John M. Carroll Christine Loh Y.C. Wan Chan Wai Kwan Bernard Luk Wang Gungwu Peter Cunich Christopher Munn Yip Hon Ming Colin Day Carl T. Smith Picture Editor Ko Tim Keung Contributors Shiona M. Airlie Cornelia ‘Nelly’ Lichauco Fung Norman J. Miners Hugh D.R. Baker Richard Garrett Christopher Munn Tony Banham Valery Garrett Ng Chun Hung Ruy Barretto Leo F. Goodstadt Sandy Ng Bert Becker Judith Green Robert Nield Jasper Becker Peter Halliday Timothy O’Connell Gillian Bickley Peter E. -
Full Paper In
SUPPLEMENT 1 27(S1) Volume 27 Number 1 February 2021 Hong Kong The official publication of the HONG KONG MEDICAL JOURNAL Hong Kong Academy of Medicine and edical the Hong Kong Medical Association M ournal J Volume 27 Number 1 February Volume 2021 26th MEDICAL RESEARCH CONFERENCE Department of Medicine The University of Hong Kong Queen Mary Hospital, Hong Kong 16 January 2021 Supplement 1 ISSN 1024-2708 Volume 27 Number 1 February 2021 SUPPLEMENT 1 EDITOR-IN-CHIEF 26th Medical Research Conference, 16 January 2021 Martin CS Wong 黃至生 SENIOR EDITORS Department of Medicine, The University of Hong Kong, Queen LW Chu 朱亮榮 Mary Hospital, Hong Kong Albert KK Chui 徐家強 Michael G Irwin Bonnie CH Kwan 關清霞 ABSTRACT TITLE PAGE Eric CH Lai 賴俊雄 KY Leung 梁國賢 1 Clinical characteristics in patients with non-cystic fibrosis 8 Anthony CF Ng 吳志輝 bronchiectasis and co-existing airway diseases in Chinese EDITORS population KS Chan 陳健生 WC Kwok, JCM Ho, TCC Tam, MSM Ip, DCL Lam Sherry KW Chan 陳喆燁 Jason PY Cheung 鍾培言 2 Territory-wide epidemiology and sensitisation patterns of 8 Kelvin KL Chong 莊金隆 Velda LY Chow 周令宇 beta-lactam allergy in Hong Kong Jacqueline PW Chung 鍾佩樺 PH Li, HHF Yeung, CS Lau, EYL Au Brian SH Ho 何思灝 Ellis KL Hon 韓錦倫 3 Prevalence of mild behavioural impairment: a systematic 9 Junjie Huang 黃俊杰 review and meta-analysis KW Huang 黃凱文 WK Hung 熊維嘉 Y Pan, YF Shea, S Li, R Chen, HKF Mak, PKC Chiu, LW Chu, YQ Song Ho Lam 林 賀 4 First report of pathogenic mutations and complete C6 9 Arthur CW Lau 劉俊穎 PY Lau 婁培友 deficiency in Chinese pedigree Danny WH Lee -
RED BOAT TROUPES and CANTONESE OPERA By
RED BOAT TROUPES AND CANTONESE OPERA by LORETTA SIULING YEUNG (Under the Direction of Jean N. Kidula) ABSTRACT: The Cantonese opera, one of China’s major operas, was inscribed as a valuable world heritage to be preserved by the United Nations in 2009. Because Cantonese people have migrated to many continents, performances, practitioners, and audiences, listeners have expanded to beyond Guangzhou in China, and Hong Kong to diasporas. The Red Boat Troupes were influential in shaping contemporary Cantonese opera. They were performing troupes that used boats for transportation between towns and villages in the Pearl River Estuary from the late Qing dynasty until 1938. These boats were specially designed for opera troupes. The boats also served as sleeping quarters for performers, musicians, apprentices, stagehands, and sailors. Many Red Boats were destroyed during the Japanese invasion of China in 1938. Unfortunately, in just 70 years, no more Red boats seem to exist. This study situates the historical background of Cantonese Opera and Red Boat Troupes. Culture, function, life style, the art, performance practice, aesthetics, and music of Cantonese opera in the Red Boat society are examined. The thesis also looks into the social and economic understandings that brought about the demand for the Red Boat Troupe industry. Changes due to modernity, industrialization, metropolitan living, trade, colonialism, Westernization, and improved transportation affected the development of Cantonese opera. Feminist movement, cross-gender performance, economics, and class issues historically associated with the opera are examined and compared to recent activities in Hong Kong, and in one Cantonese diaspora, Vancouver of Canada. The findings from the research shed light on the genre with a hope of preserving the heritage and increasing the practice and consumption of Cantonese opera. -
Extraterritoriality Locating Hong Kong Cinema and Media
VICTOR FAN EXTRATERRITORIALITY LOCATING HONG KONG CINEMA AND MEDIA Extraterritoriality To Sabina Extraterritoriality Locating Hong Kong Cinema and Media Victor Fan Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Victor Fan, 2019 Edinburgh University Press Ltd The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 4042 4 (hardback) ISBN 978 1 4744 4044 8 (webready PDF) ISBN 978 1 4744 4045 5 (epub) The right of Victor Fan to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Parts of the following articles and book chapters have been revised and incorporated in this book, with their publishers’ permission: ‘Cultural extraterritoriality: Intra-regional politics in contemporary Hong Kong Cinema,’ East Asian Journal of Popular Culture 1, no. 3 (September 2015), pp. 389–402. ‘Poetics of parapraxis and reeducation: The Hong Kong Cantonese cinema in the 1950s’, in The Poetics of Chinese Cinema, (eds) Gary Bettison and James Udden (London: Palgrave Macmillan, 2016), pp. 167–83. ‘Extraterritorial cinema: Shanghai jazz and post-war Hong Kong Mandarin musicals’, The Soundtrack 6, nos. -
Dr. Li Shu-Fan - Governor of the 96Th District 1947-1948 Conducted the First Ever Rotary District Conference in Hong Kong by Herbert K
Dr. Li Shu-Fan - Governor of the 96th District 1947-1948 Conducted the First Ever Rotary District Conference in Hong Kong By Herbert K. Lau (劉敬恒) (Rotary China Historian) 1 February 2016 “One of the main philosophic convictions of my life has been the desire to leave the world a little richer than when I found it.” ~~ Li Shu-Fan 李樹芬 Despite difficulties after the Pacific War (a chapter of the World War II) ended in 1945, Rotary continued to progress in the Far East. The Rotary clubs in China were again in their stride of progress, so badly interfered with by the last War. More than half of the suspended clubs have been re-established, with ten more to be revived. There were 18 Rotary clubs survived functioning in China as on 1 March 1947. Notable Rotary progress was indicated for the various districts in China, if District Conferences could be used as measuring sticks. Dr. Li Shu-Fan (李樹芬醫生) (Medical Services), of Hong Kong Rotary Club (香港扶輪社), Governor of the 96th District 1947- 1948, reported the largest attendance in the then District history, with the Wuchow Rotary Club (梧州扶輪社) sending half of its members, and the newly re-established Club of Swatow (汕頭扶輪社) being represented by nearly one-third of its membership. Every club in the District agreed to undertake the organization of a new Club during the next year. Dr. Li was the first Hong Kong Rotarian who served the 96th District (South China) as Governor, and who logically and cordially assigned his home club as the host to hold the first ever District Conference in Hong Kong. -
Multiplicity, Anomalies, and Context in Chinese Restaurants
Negotiating Authenticity: Multiplicity, Anomalies, and Context in Chinese Restaurants. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nancy Yan Graduate Program in English The Ohio State University 2013 Dissertation Committee: Amy Shuman, Co-Director Judy Wu, Co-Director Patrick Mullen Ray Cashman Copyright by Nancy Yan 2013 Abstract This dissertation investigates a key folkloric concept – authenticity – through an exploration of the Chinese restaurant. Scholars tend to be wary of using the term authenticity in conjunction with cultural expressions because of its association with dangerous nationalist movements, problematic boundaries, and potential for essentialism. Authenticity is often understood in the vein of continuity to the past; such an understanding implies singularity, stability and bounded concreteness rather than dynamism and fluidity in cultural expressions. As a result, in scholarship, claims of authenticity are often avoided or deconstructed as invalid or false. However, I argue that claims to authenticity can be valid and legitimate and that authenticity should be considered as multiple and flexible. I examine one Chinese restaurant, one Chinese dish, and a small collection of vintage Chinese restaurant menus to investigate discourses on authenticity. Ding Ho, one of the oldest Chinese restaurants in Columbus, Ohio, embodies several features typical of Chinese restaurants but also contain anomalous elements in their operations which, according to some on-line restaurant reviews, mark the restaurant as inauthentic. However, I suggest that anomalies are not evidence of pollution of a Chinese restaurant’s authenticity but instead indicate variations within the category.