Thomas Bernhard
Thomas Bernhard an introductory essay by Thomas Cousineau Department of English Washington College Chestertown, Maryland originally published in the Review of Contemporary Fiction Volume 21, No. 2 available through their web site. © 2001 Thomas Cousineau and the Review of Contemporary Fiction used with their kind permission. The essential details of Austrian writer Thomas Bernhard's formative years are unforgettably recorded in his autobiographical work Gathering Evidence, which is written in the same iconoclastic, relentlessly repetitive style of lyrical imprecation that he devised for his novels. There, we learn of the decisive impact of his encounter with the "terminal disease" that was his native city of Salzburg as well as his discovery, thanks to the guidance of his maternal grandfather, the writer Johannes Freumbichler, of the "alternative world" of society's outsiders into which he could hope to escape. His description of Salzburg well exemplifies Bernhard's notoriously hyperbolic prose style: "This city of my fathers is in reality a terminal disease which its inhabitants acquire through heredity or contagion. If they fail to leave at the right moment, they sooner or later either commit suicide, directly or indirectly, or perish slowly and wretchedly on this lethal soil with its archiepiscopal architecture and its mindless blend of National Socialism and Catholicism. Anyone who is familiar with the city knows it to be a cemetery of fantasy and desire, beautiful on the surface but horrifying underneath" (79). In Salzburg, Bernhard was to make the discovery, which resonates throughout all of his major novels, that human communities, fatally marked as they are by the twin evils of imbecility and native brutality, cannot resist persecuting the vulnerable individuals whom they find in their midst.
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