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Catholics and Lutherans Has Intprmpdiatp Court Hinged on the Doctrine of Justification
love lessons Spicy_Hot A student writes about her younger brother, Red Hot Chili Peppers sizzled in their April 8 Tuesday who recently died of meningitis, and concert. according to music critic Dave Fulton. encourages everyone to embrace life as he did. APRIL 18, Scene + page 10 Viewpoint+ page 9 2000 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIII NO. 124 HTTP://OBSERVER.ND.EDU NEWS ANALYSIS Theologians Bauer: Microsoft could face 01ore lawsuits been absolutely what I expected," discuss By COLLEEN McCARTHY Bauer said. Associate News Editor The third ruling, which Bauer Highlights of the expects could come this summer, justification Tlw April 3 ruling by a federal judge would deal with remedies to the situa Microsoft Case that t~omputnr giant Microsoft violated tion, since Jackson declared Microsoft By ERIN PIROUTEK U.S. antitrust laws dons not mean that in violation of antitrust laws. Associate News Editor tlw ease is ovPr. "The range of remedies extends to the breakup of Microsoft to ending dif In fact. appeals by For centuries the disagreement \1irrosort to the ferent kinds of conduct to changing May 1998 contracts it has with competitors and between Catholics and Lutherans has intPrmPdiatP court hinged on the Doctrine of Justification. of appnals in eustomt'rs," Bauer said. "The ruling Judge Thomas Penfield could also deal with Microsoft's licens Traditionally Lutherans have empha Washington, D.C. Jackson rules Microsoft sized that salvation is by faith alone, and tlwn possibly to ing codes regarding placement of their Web browser. while Catholics maintained that good thP U.S. -
Rhythm & Blues...47
COUNTRY .......................2 POP.............................79 AMERICANA/ROOTS/ALT. .............14 POP INSTRUMENTAL .................87 OUTLAWS/SINGER-SONGWRITER .......15 LATIN ............................91 WESTERN..........................17 JAZZ .............................91 C&W SOUNDTRACKS.................18 SOUNDTRACKS .....................92 C&W SPECIAL COLLECTIONS...........18 SWING ...........................93 COUNTRY AUSTRALIA/NEW ZEALAND....19 COUNTRY DEUTSCHLAND/EUROPE.......19 DEUTSCHE OLDIES ..............94 BLUEGRASS ........................22 KLEINKUNST / KABARETT ..............99 INSTRUMENTAL .....................24 OLDTIME ..........................25 BOOKS/BÜCHER ................101 HAWAII ...........................26 DISCOGRAPHIES ....................109 CAJUN/ZYDECO ....................26 CHARTS ..........................110 FOLK .............................27 SINGLES ..........................110 CD SINGLES .......................106 ROCK & ROLL ...................30 POSTER ...........................106 LABEL R&R .........................40 R&R SOUNDTRACKS .................41 DVD ............................109 R&R SPECIAL COLLECTIONS............41 VINYL...........................120 ELVIS .............................42 RHYTHM & BLUES...............47 ARTIST INDEX...................122 BLUES ............................51 ORDER TERMS/VERSANDBEDINGUNGEN..127 GOSPEL ...........................52 SOUL.............................53 PRICELIST/PREISLISTE ...........128 VOCAL GROUPS ....................55 LABEL -
UNIVERSITY of CALIFORNIA Los Angeles Yiddish Songs of The
UNIVERSITY OF CALIFORNIA Los Angeles Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Bret Charles Werb 2014 Copyright © Bret Charles Werb 2014 ABSTRACT OF THE DISSERTATION Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski by Bret Charles Werb Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Timothy Rice, Chair This study examines the repertoire of Yiddish-language Shoah (or Holocaust) songs prepared for publication between the years 1945 and 1949, focusing its attention on the work of the most influential individual song collector, Shmerke Kaczerginski (1908-1954). Although a number of initiatives to preserve the “sung folklore” of the Nazi ghettos and camps were undertaken soon after the end of the Second World War, Kaczerginski’s magnum opus, the anthology Lider fun di getos un lagern (Songs of the Ghettos and Camps), published in New York in 1948, remains unsurpassed to this day as a resource for research in the field of Jewish folk and popular music of the Holocaust period. ii Chapter one of the dissertation recounts Kaczerginski’s life story, from his underprivileged childhood in Vilna, Imperial Russia (present-day Vilnius, Lithuania), to his tragic early death in Argentina. It details his political, social and literary development, his wartime involvement in ghetto cultural affairs and the underground resistance, and postwar sojourn from the Soviet sphere to the West. Kaczerginski’s formative years as a politically engaged poet and songwriter are shown to have underpinned his conviction that the repertoire of salvaged Shoah songs provided unique and authentic testimony to the Jewish experience of the war. -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy -
Roselle Asks Legislators for Additional Funding
AT UP amily ·matter An alumna discusse her short film 'A Softball opens its season today at Host of Daffodils," about her father's the MASCUA Tournament stroke that brought the family together. Sport I B6 Mosaic/ Bl Roselle asks legislators for additiOnal funding BY COREY MUNCH and/or citizens of Delaware," he said . requested an additional 4.5 million in presentation was well received. l am wise would have been the case," he Sta/J IIepvrter . "Our purpose is to call thi s to the allen ord er to meet the financia l demands of optimistic that th e legislators wi ll add said . Uni versity Presid ent David P. lion of the members of the Joint Finance the uni versity. items to the uni versity budget." State RGp . Tina Fa ll on, R-39 Ro sell e addressed the state 's Joint Committee." DSU is a growing un iversity, he Sessoms said he hoped the commit District, and member of the Joint Fin ance Committee last week, request There are severa l speci fi e areas th at said. It is not as well funded as the uni tee would allow DSU more funding but Finance Committee said she thought the ing more money be made available to require more· funding, Rosell e said. vers ity because it is much smaller, but it he was uncertain of the fina l result. committee was very responsive to the school than what bad been allotted They include th e scho larship fund, earl y is trying to emulate th e its success. -
Lights Out' Early on SJSU Campus Damaged Power Line Causes Power Loss for Five Buildings
It's the Bammies! . see Entertainer Volume 88, No. 41 Serving the San Jose State University Community Since 1934 Thursday. March 26, I ()s 7 'Lights out' early on SJSU campus Damaged power line causes power loss for five buildings By Stephanie M. Nichols Project 88 is the $38 million expansion and Thirty-two classes were affected, said Dick Qayoumi said there was a 95 percent chance Daily staff writer renovation project of the Engineering Building Staley. director of public information. Eight per- that power will be restored by 5 or 6 a.m today Power to live campus buildings was dis- which is expected to he completed in fall, 1988. cent of class sections on campus meet after 5 rupted yesterday when Project 88 construction Wahlquist Library. Admissions and Re- p.m., he added An emergency meeting was held at 3 p.m. crews hit high voltage cable while working in an cords. Dudley Moorehead Hall. Morris Dailey A power shutdown was planned for 11 p.m. in the emergency operations center the uni- on-site trench with a backhoe. Auditorium, Tower Hall. Administration and the Wednesday for the entire campus with the excep- versity dining room -- to determine what steps Project Construction Manager Barry Widen Instructional Resource Center were without tion of Clark Library. the Computer Center. to take. said Staley. of Perini Corp.. general contractor for Project 88. power after approximately I :40 p.m. Health Center. Faculty Office Building, Central said a duct bank containing power cable was The buildings did not have incoming phone Classroom Building. -
DIMICK Radio Finalists Smiling the Interview PAGE 7 3Page1 17 PAGE 37
Marconi Power JOHN & Cheese DIMICK Radio Finalists Smiling The Interview PAGE 7 3Page1 17 PAGE 37 SEPTEMBER 2011 Sonic Boom Radio Pros Are Gushing Over Nashville’s New Music onthly after monthly, book after book, the message was clear – Country ratings were growing. And as Country Aircheck spoke with programmers in all regions, the same refrain cameM back: It’s the music, stupid. Well, maybe not that bluntly, but the general idea was the same. Throw in a few network television star turns and some big album debuts and, suddenly, whispers of a new Country boom are becoming open conversation. Undeniably, something is happening in country music. Something good. Consultant Gerry McCracken, who until recently spent more than 14 years as Format Coordinator for Cox, sees the phenomenon on two levels. “Personally, I feel the music is much stronger, but my feelings really don’t play into it,” he says. “The research shows the music is stronger.” One of the best empirical arguments for this surge comes through analysis of current music percentages at Cox stations since 2009. In early September two years ago, WKHK/Richmond was 8% current. By late August 2011, it had doubled to 16%. Across the same time frame, KWEN/Tulsa expanded from 9% to 17%, WHKO/ Dayton jumped from 12% to 29%, and WZZK/Birmingham grew from 19% to 30% current. Testing Positive lean toward the contemporary, we see “We went jockless in late June, and began to rebuild from What makes those shifts so remarkable in the context of a music growth. Not that there’s anything wrong that moment on. -
1203107875 Dissertation Beresford
Rhapsody in Red: Jazz and a Soviet Public Sphere Under Stalin By Benjamin J. Beresford A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved April 2017 by the Graduate Supervisory Committee: Mark Von Hagen, Chair Laurie Manchester Peter Schmelz Aaron Moore ARIZONA STATE UNIVERSITY August 2017 ABSTRACT This dissertation describes the public sphere that coalesced in the Soviet jazz scene during Josef Stalin’s reign. Scholars debate the extent to which Soviet citizens, especially under Stalin, were coerced into cooperating with the regime through terror; willingly cooperated with the regime out of self-interest; or re-aligned their speech, behavior, and thoughts to conform to Bolshevik ideology and discourse. In all cases, citizens were generally unable to openly express their own opinions on what Soviet society should look like. In this dissertation, I attempt to bridge this gap by analyzing the diverse reactions to jazz music in Josef Stalin’s Soviet Union. I argue that audience engagement with jazz and discussions about the genre in the Soviet press and elsewhere were attempts to grapple with bigger questions of public concern about leisure, morality, ethnicity, cosmopolitanism and patriotism in a socialist society. This jazz public sphere was suppressed in the late 1940s and early 1950s because of Cold War paranoia and fears of foreign influences in Soviet life. In its place, a counterpublic sphere formed, in which jazz enthusiasts expressed views on socialism that were more open and contradictory to official norms. This counterpublic sphere foreshadowed aspects of post-Stalinist Soviet culture. To support my arguments, I employ archival documents such as fan mail and censorship records, periodicals, memoirs, and Stalin-era jazz recordings to determine the themes present in jazz music, how audiences reacted to them, and how these popular reactions overlapped with those of journalists, musicologists, bureaucrats, and composers. -
Songs Sung Texts
Modest Mussorgsky Songs Sung texts CD1 ENGLISH TRANSLATION Pesni i Plaski Smerti Songs and Dances of Death Texts: Golenischev‐Kutusov Texts: Golenischev‐Kutusov 1. Kolïbel'neya 1. Lullaby Stonet rebyonok, svecha, nagoraya, A child moans, a candle burns low, Tusklo mertsayet krugom. And casts a dim flicker around. Tseluyu noch, kolybel'ku kachaya, All through the night, her cradle rocking, Mat' ne zabylasa snom. The mother has not slumbered. Ranym‐ranyokhonko v dver ostorozhno Early in the morning, at the door so gently Smert' serdobol'naya stuk! Death, the compassionate, knocks! Vzdrognula mat', oglyanulas trevozhno... The mother gives a start, and looks round in fear... "Polno pugat'sa, moy drug! “Be not afraid, my dear! Blednoe utro uzh smotrit v okoshko, The pale light of morn now peeps through the window, Placha, toskuya, lyublya, weeping, in longing, in love, Ty utomilas, vzdremni‐ka nemnozhko, Thou hast worn thyself out, now rest thee awhile, Ya posizhu za tebya. and I will sit here by his side. Ugomonit' ty ditya ne sumela; Thou hast not been able to soothe the poor child, Slashche tebya ya spoyu." Sweeter than thou shall I sing." "Tishe! Rebyonok moy mechetsa, byotsa, “Softly! My child is tossing and restless, Dushu terzayet moyu!" It grieves my heart thus to see him!" "Nu, da so mnoyu on skoro uymyotsa, “Come now, he soon will listen to me. Bayushki, bayu, bayu." Hush‐a‐bye, baby, my own." "Shchochki bledneyut, slabeyet dykhan'ye... “His dear cheeks are pale, his breath is failing... Da zamolchi zhe, molyu!" Be silent now, do, I beseech thee!" "Dobroye znamen'e: stikhnet stradan'e. -
Vysotsky's Soul Packaged in Tapes
ABSTRACT Title of Dissertation: “Vysotsky’s Soul Packaged in Tapes": Identity and Russianness in the Music of Vladimir Vysotsky Heather Lynn Miller, Doctor of Philosophy, 2006. Dissertation directed by: Professor Robert C. Provine Division of Musicology and Ethnomusicology School of Music, University of Maryland This study examines the relationship between music, identity, and Russianness as demonstrated by the songs of the bard Vladimir Vysotsky. The career of Vysotsky occurred within the context of Soviet Russia, but more broadly, his songs embody characteristics specific to Russian culture. For this study, I draw on the fields of ethnomusicology, history, and cultural studies to assist in the interpretation of music and identity in a cultural context. By investigating the life and career of this individual, this study serves as a method in which to interpret the identity of a musical performer on multiple levels. I gathered fieldwork data in Moscow, Russia in the summers of 2003 and 2004. Information was gathered from various sites connected to Vysotsky, and from conversations with devotees of his music. The role of identity in musical performance is complex, and to analyze Vysotsky’s Russianness, I trace his artistic work as both ‘official’ actor and ‘unofficial’ musician. Additionally, I examine the lyrics of Vysotsky’s songs for the purposes of relating his identity to Russian culture. In order to define ‘Russianness,’ I survey theoretical perspectives of ethnicity and nationalism, as well as musical and non-musical symbols, such as the Russian soul (dusha), all of which are part of the framework that creates Russian identity. In addition to Russian identity, I also address a performer’s musical identity which focuses mainly on musical composition and performance. -
(Russian) Film Music
Department of Philosophy, History, Culture and Art Studies University of Helsinki Finland What Is That Song? Aleksej Balabanov’s Brother and Rock as Film Music in Russian Cinema Ira Österberg ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in lecture room 5 of the University Main Building, on the 9th of May, 2018 at 12 o’clock. Helsinki 2018 To Otto, my brother ISBN 978-951-51-4124-8 (paperback) ISBN 978-951-51-4125-5 (PDF) Unigrafia Helsinki 2018 Abstract This dissertation examines the role of rock songs as film music in Russian cinema. The focus is on the film music conventions of the Soviet period and how one important film, Aleksej Balabanov’s Brother (Brat, 1997), helped reshape those conventions in the 1990s. The study has three research questions: 1) How is music used in Brother? 2) How were rock songs used in Russian cinema prior to Brother? 3) What are the similarities and the differences between the two uses? The study is divided into two sections. First is a historical examination of Russian and Soviet cinema. The musical strategies of more than twenty films made between the late 1920s and the early 1990s are analyzed in order to investigate the conventional uses of songs and rock songs in particular. The second section focuses on Brother and provides a structural and narratological analysis of its use of music. The methodology of the research is based on film music narratology combined with traditional Russian formalist and structural-semiotic views of art-texts as structures. -
THE COLBY ECHO Academic Life for Students, and If We the Cultural Events Committee Lates Was the Major Reason for His Being Medical Center
Trustees app rove staff ing increase f orsecurity and Title DC Doghead damage By KATIE HAMM for those developments come from the said the SAC did, however, discuss "Dining Services got a very good ing hall in the summer of 2005 were costs to be distributed FEATURES EDITOR capital budget, Terp said, and over the making the alcohol policy more report. There were a" few suggestions discussed and plans were made for next few months the College will "user-friendly." about better use of the Spa and con- structural and fundamental maintenance determine their priorities concerning "We want to extract the alcohol pol- cerns with catering, such as how we to be performed on the Miller Library across student body At their meetings this past week- these projects. icy from the student handbook, "because staff catering since they're doing a tower this summer, Adams said. end, the Board of Trustees endorsed "They thought that the types of it's buried in there," Kassman said. lot," Kassman said. "The Student The Development Committee heard By KATIE HAMM the security proposals and faculty things and direction we're proposing "We're planning to do that, without a review of the campaign, which has . FEATURES EDITOR adjustments to correspond with the looks appropriate," Terp said. changing the policy." . raised about $62 million in document- Title IX settlement through the Also included in the budget are ftinds The SAC also considered some pro- [The decision ] ed commitments, Adams said. approval of the 2004-2005 operating for staffing increases over the next few grams to educate students about alco- "This is a substantial increase from At the April 19 Presidents' Council budget, among other issues discussed.