beyonce coachella download torrent Watch Beyoncé’s Full ‘Coachella’ 2018 Set. Saturday night, Beyoncé closed day two of the 2018 Coachella Music Festival. While many were awaiting the possible release of a new album, the Queen strictly performed hits from her discography with a marching band and step team. Throughout the 2-hour experience, Yoncé reunited with Michelle Williams and Kelly Rowland as Destiny’s Child – as well as bringing out JAY-Z to tease their upcoming collaborative tour. Take a look at the full performance below of Beychella . Disclaimer: At the request of Coachella Music Festival LLC, we’ve removed the performance video. We apologize for any inconvenience. Why We're Still Crazy In Love With Beyoncé's Coachella Takeover. Making history is nothing new to Beyoncé. Let's relive one of the biggest nights in Coachella history, shall we? Making history is nothing new to Beyoncé . While the list is endless, one of the Bey Hive's most recent memory of their queen reigning supreme is her 2018 Coachella performance. She said it best herself that night, "Thank you for allowing me to be the first black woman to headline Coachella, ain't that bout a b-tch?" Aside from becoming the first Black woman to headline the music festival in its 20-year history, she also became the third woman to headline the festival. Ariana Grande became the fourth in 2019 and before that, Lady Gaga and Björk (who headlined twice) made the list. Her highly anticipated set drew thousands of eager attendees who were buzzing with excitement and witnessed history as the Lemonade singer gave fans a Destiny's Child reunion, a performance with husband Jay-Z and a badass reunion with her sister Solange . And just like that, in a matter of two hours—and after a couple of iconic outfit changes—the 38-year-old singer would turn Coachella into #Beychella for years to come. 'Cause let's face it, no headliner can come close to the impeccable and unforgettable performance that Queen Bey put on that night. So, if only from our couches this weekend, let's relive how Beyoncé changed the festival—known for historically favoring predominantly white and male musical acts as their headliners—forever. As she aptly stated in her 2019 Netflix documentary Homecoming , "It's hard to believe that, after all these years, I was the first African American woman to headline Coachella." She added, "As a black woman, I used to feel like the world wanted me to stay in my little box and black women often feel underestimated. I wanted us to be proud of not only the show, but the process, proud of the struggle, thankful for the beauty that comes with a painful history and rejoice in the pain, rejoice in the imperfections and the wrongs that are so damn right. I wanted everyone to feel grateful for their curves, their sass, their honesty, thankful for their freedom. It was no rules and we were able to create a free, safe space where none of us were marginalized." As fans at the 2018 festival witnessed, Beyoncé made sure to create that "safe space" by making the culture of historically black colleges and universities front and center. From being accompanied onstage by over 200 performers that made up a black orchestra, steppers, vocalists and a marching band—the singer's two-hour set was a celebration of their identities and culture. As her mother Tina Knowles also put it following her daughter's historic performance, "I told Beyonce that I was afraid that the predominantly white audience at Coachella would be confused by all of the black culture and Black college culture because it was something that they might not get. Her brave response to me made me feel a bit selfish and ashamed. She said I have worked very hard to get to the point where I have a true voice and at this point in my life and my career, I have a responsibility to do whats best for the world and not what is most popular." Beyonce coachella download torrent. NAME Beyonce-Live.At.Coachella.2018.HDTV.XviD-[WEB].avi CATEGORY album INFOHASH f97acdb1b1d57af3d97fef0f991c8efc267e55ac SIZE 1.82 GB in 6 files ADDED Uploaded on 3 years Last Update 2 months Update Tracker SWARM 0 seeders & 0 peers RATING No votes yet. Please login to vote for this torrent. Description. Beyonce Live At Coachella 2018. Era la performance più attesa del Coachella 2018: perché l’anno scorso dovette annullare all’ultimo a gravidanza inoltrata e perché, si sa, quella di sabato è la giornata più importante nella tre giorni prevista dall’evento californiano. E Beyoncé non ha deluso le aspettative; anzi, le ha superate, regalando al pubblico del Coachella una performance davvero indimenticabile. L’opening, fatto sfilando come una regina egizia (con qualche ammiccamento a Black Panther), è stato epico e perfetto per ribadire il concetto che di Queen B ce n’è una sola. La popstar è poi riapparsa in hot pants strappati e maglietta da liceale accompagnata da majorettes e banda di ottoni nella storica Crazy in love. Poi, per festeggiare il fatto di essere la prima artista donna afroamericana a tenere il concerto principale del Festival, ha intonato Lift Every Voice and Sing, canzone di inizio novecento piena di importanza socio-politica. It was the most anticipated performance of Coachella 2018: because last year she had to cancel last late pregnancy and because, we know, Saturday is the most important day in the three days scheduled by the Californian event. And Beyoncé did not disappoint expectations; on the contrary, it has surpassed them, giving the Coachella public a truly unforgettable performance. The opening, done parading like an Egyptian queen (with some winking to Black Panther), was epic and perfect to reiterate the concept that there is only one Queen B. The pop star then reappeared in torn hot pants and high school jerseys accompanied by majorettes and brass band in the historic Crazy in love. Then, to celebrate the fact that she was the first African-American female artist to hold the main concert of the Festival, she sang Lift Every Voice and Sing, a song of the early twentieth century full of socio-political importance. . AVINAPTIC . 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[ Conformità al profilo ] Profilo selezionato: MTK PAL 6000 Risoluzione: Ok Framerate: 30 <> 25 Min riempimento buffer: 34% Beyoncé, Coachella 2018: a rich tapestry of black cultural excellence. I f Beyoncé’s fanbase, the Beyhive, is something of a cult, then her live performances are their holy pilgrimage. Although I had been on three previously, in Boston, Amsterdam and London, I felt relieved when she had to cancel her Coachella performances in 2017 due to her pregnancy – there was no way I could afford to get myself to Los Angeles, let alone buy a ticket. Fellow Beyhivers half-joke that her shows are like going to church, and by the time of her rescheduled Coachella date in 2018 – becoming the first black woman to headline the festival – it felt like the return of the messiah. By some divine miracle, a friend who had an artist performing at Coachella added me to their entourage as a “backing dancer”. The desert air was cool, but there was a hot rising giddiness in the crowd, mixed with musky clouds that some were exhaling. The festival’s proximity to LA’s celebrity bubble gives it a glittery, superficial vibe; everyone thinks they are a star or can at least buy their way into the VIP area. But even the most faux-nonchalant influencer was having their chill eroded by anticipation. The messiah’s return . Beyoncé. Photograph: Larry Busacca/Getty Images for Coachella. The pressure in the audience burst to the sound of marching drums, as the stage was filled with a complete band, and Beyoncé was revealed on a catwalk with a royal headdress and a long sparkling cape with Queen Nefertiti emblazoned on the back, flanked by furiously fit dancers wearing catsuits featuring imagery of the sphinx. Olivier Rousteing, Balmain’s creative director, later described designing the costumes as “the biggest challenge of my life”– the stage was filled with the most visually rich, symbolic imagery we’d seen since her Superbowl performance two years previously. She changed into a yellow hoodie with the letters BAK sparkling across her chest, a tribute to the Divine Nine, black fraternities and sororities founded at historically black colleges and universities (HBCUs) in America. By wearing Balmain’s take on the hoodies worn by their members, Beyoncé was centring a part of African-American culture not often seen in the mainstream. Every detail, more than just a random aesthetic choice, dripped in meaning. She teamed the hoodie with denim hotpants, evocative of the iconic video to her 2003 breakthrough solo hit Crazy in Love, the opening song on the soundtrack to the millennial woman’s journey from girlhood, and first track to the show. Performing Drunk in Love, Beyoncé towered above the crowd on a contraption that looked like a ladder to heaven, and it really did feel like a spiritual experience. She looked like an angel, and the music itself (later released as a live album) felt celestial. Her entire discography was reworked with live instrumentation, and enhancing the jazz tones via the brass gave it a timeless feel. It felt like a richer, more unified body of work, the ultimate best-of compilation; she had added hot sauce to the original songs. Later, the mood darkened as she came out in a black latex bodysuit with matching thigh-high boots and jacket, heralding the rock’n’roll moment of the show – think Prince performing Purple Rain or Michael Jackson’s Bad. Don’t Hurt Yourself, co-produced by Jack White, had Malcolm X’s words ring out at the end: “The most disrespected person in America is the black woman. The most unprotected person in America is the black woman.” This segued into I Care, a power ballad with an 80s feel with impressive rock vocals, synth sounds, dancers in zebra-print two pieces and a guitar solo: an epic throwback to another period in black musical excellence. Jay-Z and J Balvin appeared as hype men – I remember wondering if Sean Paul felt cheated for not performing Baby Boy – but Destiny’s Child were the guest stars that stole the show, and the charged crowd belted out Say My Name. Nostalgia peaked again when her sister Solange recreated the moment they shared on stage during Solange’s Coachella set in 2014: fun and a little less tightly choreographed than the rest of the show. I went to both weekends (I know, ridiculous) and although the first week was the true homecoming, the second was a better, smoother performance. Both were edited together for Netflix documentary Homecoming, with colour and commentary from Beyoncé herself on her vision for the show: “I always dreamed of going to an HBCU,” she said. “My college was Destiny’s Child. My college was travelling around the world, and life was my teacher.” Words from HBCU alumni such as Toni Morrison, WEB DuBois and Marian Wright Edelman were quoted, woven into a rich tapestry of intellectual, creative black culture. She also described how difficult it was to get into the shape she wanted to be in for the show with her post-natal regime: a humanising struggle of an artist and a mother, who is held up in the eyes of her fans as superhuman. She confessed: “I will never push myself that far again.” The honesty of her personal struggle – tied in with the collective historical struggle of black people, and black women in particular – was extremely powerful. Live music at its best makes you feel connected both to the performer and the crowd, fully in the present moment – I remember feeling a fluid joy that flowed across the other emotions during the show. But I also sensed that it was a moment in history, that I would never see a show like this again, not even at another Beyoncé concert. She had scaled the peak of her performing career, to say something bigger than herself: “Instead of pulling out my flower crown, it was more important that I brought our culture to Coachella.” Watch The Trailer For Netflix’s Documentary About Beyoncé’s Coachella Performance. Last year, Beyoncé performed at Coachella and became the first black woman to ever headline the festival. (She was scheduled to headline the year prior, but had to drop out because she was having twins. Lady Gaga performed in her place.) The performance was epic: She was joined by Jay-Z and Solange, she reunited with Destiny’s Child, the livestream of the set was shared far and wide as an example of Beyoncé’s boundless energy and expertise. Now, almost a year to the day later of that first performance, Netflix will debut Homecoming: A Film By Beyoncé , an intimate behind-the-scenes look at the performance from conception to completion. Judging from the trailer, it’ll be a highly stylized at how it all came together. Netflix’s most recent high-profile concert film was for Taylor Swift’s Reputation tour, which came out on New Year’s Eve. Watch the trailer for Homecoming: A Film By Beyoncé below. It’ll be on Netflix on 4/17. Beyoncé’s sister Solange just announced that she would no longer be performing at this year’s Coachella, citing “major production delays.”