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Borgo of the Holy Ghost
Utah State University DigitalCommons@USU Swenson Poetry Award Winners USU Press 2001 Borgo of the Holy Ghost Stephen Mcleod Follow this and additional works at: https://digitalcommons.usu.edu/swenson_awards Part of the Creative Writing Commons Recommended Citation Mcleod, Stephen, "Borgo of the Holy Ghost" (2001). Swenson Poetry Award Winners. 10. https://digitalcommons.usu.edu/swenson_awards/10 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in Swenson Poetry Award Winners by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE BORGO OF THE HOLY GHOST May Swenson Poetry Award Series THE BORGO OF THE HOLY GHOST poems by Stephen McLeod UTAH STATE UNIVERSITY PRESS Logan, Utah Utah State University Press Logan, Utah 84322-7800 Copyright © 2001 Stephen McLeod. Foreword copyright © 2001 Richard Howard. All rights reserved. Manufactured in the United States of America. “The Dead” was first published in Slate Magazine, www.slate.com. Reprinted with permission. Slate is a trademark of the Microsoft Corporation. Grateful acknowledgment is made to the editors of the following publications where versions of these poems first appeared: Agni: “Broken Gull” American Poetry Review: “What Comes Through Hearing” Barrow Street: “All Roads Lead to Kansas”; “Donation”; “The Shoulder Where It Belongs”; “That Crazy Moon” Bay Windows: “Just the Facts” Columbia: A Journal of Literature and Art: “Chronic”; “The Goldberg Variations” The Journal: “Late Reading”; “My Brother’s Ghost” The Paris Review: “At the West Street Piers”; “The Borgo of the Holy Ghost”; “Just By Deciding It” Ploughshares: “Becoming Kansas” Shenandoah: “Pieta” (appeared originally as “Michelangelo’s Pieta”) Slate: “The Dead” Southwest Review: “A.D.” Western Humanities Review: “Against Stevens”; “An Exercise For Lovers”; “For Barbara & Vincent”; “Heaven Reassigned”; “Speaking in Tongues”; “What to Do What to Say”. -
Descendents All Mp3, Flac, Wma
Descendents All mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: All Country: US Released: 1987 Style: Punk MP3 version RAR size: 1791 mb FLAC version RAR size: 1728 mb WMA version RAR size: 1631 mb Rating: 4.4 Votes: 365 Other Formats: WMA MP3 ASF MMF DTS MIDI AHX Tracklist Hide Credits All 1 0:05 Lyrics By, Music By – Stevenson*, McCuistion* Coolidge 2 2:47 Lyrics By, Music By – Alvarez* No, All! 3 0:05 Lyrics By, Music By – Stevenson*, McCuistion* Van 4 3:01 Lyrics By – Aukerman*Music By – Alvarez*, Egerton* Cameage 5 3:05 Lyrics By, Music By – Stevenson* Impressions 6 3:08 Lyrics By – Aukerman*Music By – Egerton* Iceman 7 3:14 Lyrics By – Aukerman*Music By – Egerton* Jealous Of The World 8 4:04 Lyrics By, Music By – Aukerman* Clean Sheets 9 3:15 Lyrics By, Music By – Stevenson* Pep Talk 10 3:06 Lyrics By – Stevenson*, Aukerman*Music By – Aukerman* All-O-Gistics 11 3:04 Lyrics By – Stevenson*, McCuistion*Music By – Egerton* Schizophrenia 12 6:50 Lyrics By – Aukerman*Music By – Egerton* Uranus 13 2:15 Written-By – Descendents Companies, etc. Phonographic Copyright (p) – SST Records Manufactured By – Laservideo Inc. – CI08141 Recorded At – Radio Tokyo Copyright (c) – Alltudemic Music Credits Bass, Artwork [Drawings] – Karl Alvarez Drums, Producer – Bill Stevenson Engineer – Richard Andrews Guitar – Stephen Egerton Management, Other [Booking] – Matt Rector Vocals – Milo Aukerman Vocals [Gator] – Dez* Notes Similar to Descendents - All except the disc is silver with blue lettering Recorded January 1987 at Radio Tokyo ℗ 1987 SST Records © 1987 Alltudemic Music (BMI) Barcode and Other Identifiers Barcode: 0 18861-0112-2 6 Matrix / Runout: MANUFACTURED IN U.S.A. -
AN ANTHOLOGY of MODERN VERSE IF Thou Indeed Derive Thy Light from Heaven, Then, to the Measure of That Heaven-Born Light
1 \ AN ANTHOLOGY OF MODERN VERSE IF thou indeed derive thy light from Heaven, Then, to the measure of that Heaven-born light, Shine, Poet ! in thy place, and be content : The stars pre-eminent in magnitude, And they that from the zenith dart their beams, (Visible though they be to half the earth, Though half a sphere be conscious of their bright ness), Are yet of no diviner origin, No purer essence, than the one that burns, lake an untended watch-fire, on the ridge Of some dark mountain ; or than those which seem Humbly to hang, like twinkling winter lamps, Among the branches of the leafless trees. Wordsworth AN ANTHOLOGY OF MODERN VERSE Chosen ty A. METHUEN With an Introduction by ROBERT LYND "By nothing is England so glorious as by her poetry "MATTHEW ARNOLD METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON Twenty-First Edition tttff iva, isth Published . \ . ,. r May 1921 Second Edition . ; June 1921 Third Edition . July 1921 Fourth Edition (enlarged) September 1921 Fifth (Thin Paper) Edition . October 2oth 1921 Sixth (Thin Paper) Edition . December 1921 Seventh Edition . December 1921 Eighth Edition . April 1922 Ninth Edition September 1922 Tenth (Thin Paper) Edition . December 1922 Eleventh Edition . January 1923 Twelfth Edition . May 1923 Thirteenth Edition October 1923 Fourteenth (Thin Paper) Edition November 1923 Fifteenth Edition . February 1924 Sixteenth Edition . July 1924 Seventeenth (Thin Paper) Edition October 1924 Eighteenth Edition November 1924 Nineteenth (Thin Paper) Edition November 1925 Twentieth Edition November 1925 Twenty-first Edition . 1926 School Edition . June 1921 Second School Edition . A ugust 1922 Third School Edition . -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Electric-Rentbook-5.Pdf
England 2 Colombia 0 Electric Rentbook Issue 5 - September 2000 Winners 2 Discs I (each) 8 Ashville Terrace, Cross Hills, Keigh/ey, West Yorkshire, 8020 7LQ. Email: e/ectric.rentbook@talk2l .com Electric Rentman: Graham Scaife Contributors: Thomas Ovens Richard Ellis Ross McMichael Printers: Dixon Target, 21-25 Main Street, Cross Hills, Keighley, West Yorkshire BD20 STX. ongratulations to Steve Jones of Camborne in CCornwall and Jonathan Oak/ey from St. Acknowledgements: Neots in Cambridgeshire. Thank you to the following good They were the lucky winners of our competition to win a signed promo copy of England 2 Colombia O. people: Highly collectable, due to the fact that it isn't going Kirsty MacColI without whom to be released commercially. this fanzine would definitely not Thank you to all the people who entered the be possible. competition, once again a terrific response, and Lisa-Jane Musselbrook at Major don't despair if you weren't a winner this time Minor Management, for her because coming up in future issues of Electric Rentbook we'll have more chances to win Kirsty continued support and help above goodies. and beyond the call of duty. Pete Glenister for taking time out The answers to the questions are as follows:- to answer my questions . I. Kirsty's first single, which was successfully covered by Tracey Ullman was They Don't Know. Teletext on Channel 4 for the 2. A New England was a cover of Billy Bragg's reviews of all issues of ER thus far. song. David Hyde for continued use of 3. -
We Are TEN – in This Issue
RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more . -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
ARMISTICE DAY No.5 DEADLINE Friday 31St June 2001
ARMISTICE DAY No.5 DEADLINE Friday 31st June 2001 ARMISTICE DAY 5 A Diplomacy zine from Stephen Agar, 47 Preston Drove, BRIGHTON, BN1 6LA. Tel: 01273-562430. Fax: 01273-706139. Email: [email protected] EDITORIAL own terms, and if they met them (more or less) I’d take I’m afraid that this issue is a little thin. I’m off to the job – and if they didn’t I would say no. I was Sorrento for a Postal Economics conference in a couple gambling that they wouldn’t want to change their mind of days, so I am just going to have to print the zine as it for the sake of a few thousand pounds. Anyway, after a is – no matter how short. It’s either that or delay things protracted haggle over pay and conditions, I ended up another week, which isn’t what I want to do. Part of the taking the job and I start at the beginning of July. So problem is that I never seem to get all the orders in until instead of putting together legal advice I have to come 4-5 days after the deadline! Now, this is a bit of a pain in up with a competitive strategy for UK letters as we enter the ass, especially when I’m trying to be a relatively the brave new world of Regulation and Competition. efficient editor. Therefore, I am introducing three How different this will be from providing the legal input changes: (1) all players with email will get a deadline into strategy remains to be seen – but at least instead of reminder two days before the deadline, (2) I’ll move the criticising the silly decisions of others I know get to deadline to Saturday and (3) I probably won’t wait if make some silly decisions of my very own. -
Download Latest Issue
ALWAYS Mendocino Coast's FREE Lighthouse July 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast Pato Banton and the Now Generation A Free Concert July 18 at Gualala Arts Grammy-nominated reggae legend Pato Banton comes to the Mendonoma Coast for a free, tick- eted concert July 18. An international reggae and world-beat superstar, Banton has a four-de- cade public presence and has increasingly tran- scended music to convey a positive & upli!ing message of global peace and love for humanity. Pato Banton & "e Now Generation Featuring Antoine#e RootsDawtah comes to Gualala Arts for a Free Outdoor Concert for the Community, Sunday, July 18. Gates open at 4:00pm at Gualala Arts Center. While this is a free concert, it is a ticketed event. Tickets must be picked up in person in advance at either the Gualala Arts Center o$ce or at the Dolphin Gallery. "ere is a limit of two (2) tickets per person. Pizza and drinks will be available for purchase with the proceeds bene%#ing Gualala Arts Center. Come Dance and enjoy life! Banton has recorded and toured the world with a variety of artists including "e English Beat, Steel Pulse, UB40 and Sting! A Pato Banton concert is an event is . cont'd on page 2 PATO BANTON • Individual and Collaborative – the art of Meilander and Rhine Continued from cover. !e Coast Highway Art Collective Presents the Art of Jim Meilander and Joan Rhine . not to be missed and an experience not !is July, the Coast Highway Art Collective obtained from the natural colors of plant $- ments with organic forms.” to be forgo"en! will open its doors to feature a new exhibit by bers in handmade papers and found materi- Joan’s expressive jewelry pieces are unique, In 2006, a%er feeling that he had planted long-time Gualala artists, Jim Meilander and als. -
Leading Social Entrepreneurs
LEADING SOCIAL ENTREPRENEURS LEADING SOCIAL ENTREPRENEURS ABOUT THE COVER LEADING SOCIAL ENTREPRENEURS How Thinking Inside the Box Helped One Ashoka Fellow Tackle What The New York Times Called “The Biggest Health Crisis No One Has Heard Of” Two-and-a-half billion people in the world live with poor vision, which is not only a health problem, but also excludes people from attaining literacy, education and employment, as well as gaining access to information and participating as active citizens. Untreated vision problems cost the global economy $200 billion annually to lost productivity, according to the World Health Organization. Cue Ashoka Fellow Martin Aufmuth, who invented a machine in his laundry room that can make a complete pair of eyeglasses in twelve minutes. His organization, OneDollarGlasses (ODG), uses this “porta- The bending unit – this wooden box contains a complete ble optician’s workshop” in-a-box to train communities to produce optician’s workshop. © Martin Aufmuth customizable eyeglasses, circumventing the traditional provider-pa- tient model and affordability challenges that keep glasses out of reach for so many people around the world. Now in eight countries and spreading, ODG doesn’t just provide glasses; by training people in communities to produce eyeglasses, his solution not only results in affordable glasses so people can work, study and live healthier lives, but also contributes to livelihoods and self-reliance. Training community members to make eyeglasses. Community members are trained to give eye exams, like the trainees © Marianne Dötzer, 2014 on our cover, and then make the glasses, like these trainees from Burkino Faso, (middle right). -
70S Pro-Choice Plaintiff in Roe V. Wadeto Speak on New Pro-Life
Dead Week = Deadlines Getting I.V. Up to Code Mickey Mouse Is Not Smiling . Study for all your important finals, for they could be À longtime Isla Vista resident con The UCSB men’s basketball team your last! tends that the proposed mandatory ended its season on a sour note in an housing inspection program is overtime loss against Pacific at' the simply not feasible. Anaheim Convention Center Thursday. See Opinion p.4 See Sports p.8 Friday jï M Sunset March 9, 2001 6:01 p.m. Tides ^ www.ucsbdailynexus.com High:9:06 a.m. Low: 3:43 p.m. Volume 81, No.94 Two Sections, 12 Pages 70s Pro-Choice Plaintiff in Roe v.Wade To Speak on New Pro-Life Stance By Ladan Moeenziai cuss the transition from law. The lawsuit was Staff Writer pro-choice to her current appealed to the U.S. pro-life beliefs, despite the Supreme Court, and its pivotal role she played in decision legalized abortion Norma McCorvey, legalizing abortion in the in all 50 states. “Jane Roe” in the 1973 United States. In 1969, In 1995, McCorvey United States Supreme McCorvey unsuccessfrilly publicly renounced her Court case Roe v. Wade, sought an illegal abortion involvement in Roe v. will speak in Isla Vista in Texas, and ultimately Wade and announced her Theater on Sunday at 7:30 ended up as the plaintiff in conversion to Christianity. p.m. a class action lawsuit McCorvey will dis against the state’s abortion See ROE, p.3 UC Berkeley Rally Calls for Affirmative Action Thousands of students filled Berkeley’s testers, it would be a symbolic victory; Sproul Plaza on Thursday to call for the because Affirmative Action is outlawed in return of Affirmative Action in California under the voter-passed California. -
A MORTE DE KIRSTY ANNA…………………………..Telmo Rodrigues
A MORTE DE KIRSTY ANNA Telmo Rodrigues wan MacColl foi a figura central do revivalis‑ Seeger pôs o casamento de Ewan em causa; di‑ Emo folk britânico nas décadas de cinquenta vidido entre as duas mulheres, ainda tentou e sessenta, um revivalismo que tinha no respei‑ uma reconciliação com Jean e foi na sequên‑ to pela tradição a sua principal característica; cia dessa tentativa de reconciliação que nasceu mesmo nas canções novas havia uma solenida‑ Kirsty Anna MacColl, a 10 de Outubro de 1959. de que as relacionava com as canções tradicio‑ O casamento de Ewan não durou muito mais nais. Essa relação está completamente explícita, tempo, tendo sido terminado pela mulher quan‑ por exemplo, em «Dirty Old Town», canção que do esta descobriu que em Março desse mesmo Ewan escreveu, e que passaria facilmente por ano Ewan tinha sido pai de um filho de Seeger. canção tradicional. Quando o sucesso de Bob A rigidez de Ewan, evidente até na relutância Dylan, no princípio dos anos sessenta, levou em se separar da mulher, seria um peso sobre a uma nova geração de cantores e autores a expe‑ carreira da filha, especialmente porque essa car‑ rimentar com a folk, Ewan não poderia deixar reira depende, de facto, do desafio a essa figura de olhar para essas experiências como desres‑ paternal, pela constante glorificação que fez da peitosas e inconsequentes; do ponto de vista de música pop; o pai, que reconhecia apenas três Ewan, o sucesso mediático era um insulto à mú‑ estilos musicais (a folk, o jazz e a música clássi‑ sica, uma vez que pressupunha concessões inte‑ ca), nunca reconheceu na filha uma artista, algo lectuais à indústria, algo que um socialista como que Kirsty terá visto como uma inaptidão sua Ewan via, naturalmente, como prejudicial.