Four Strasburg Incunables Incorrectly Assigned to Anton Koberger of Nuremberg

Total Page:16

File Type:pdf, Size:1020Kb

Four Strasburg Incunables Incorrectly Assigned to Anton Koberger of Nuremberg FOUR STRASBURG INCUNABLES INCORRECTLY ASSIGNED TO ANTON KOBERGER OF NUREMBERG PAUL NEF.DHAM l\n R incuiiiihlcs, undiucd and anonymous as to place and printer, have for many generations been assigned to the Nuremberg press of Anton Koberger, and have in tact been cla.ssed as his very earhest productions.* They are: 1. Johannes Nider, Manualc confessorum. foL: a-e'^^ p, 58 leaves. Hain, *ii834; Goff, \-178; Proctor, 1961; B.M.C. ii, 411 (IB. 7103). 2. Johannes Nider, De moralt lepra. fol.: a-e^^ fg^ h^^, 76 leaves. Hain, *ii8i3; Goff, N-I8Q; Proctor, i(^6o; B.M.C. ii, 411 (IB. 7104). V Ilonorius Augustodunensis, De praedesttnatwne et libero arbitrio. fol.: a-d'^^, 40 leaves {d 10 blank). Hain, *88oi; Proctor, 1962; B.M.C. ii, 411 (IB. 7106). 4. Puihcnuw Idttmim. 8 in quarter-sheets: a-q^^, 192 leaves (q 8-12 blanks). Hain, I ;^457; Proctor, 1964; B.M.C. ii, 41 T (IA. 7112). All are printed with the same type, a Gothic face of which 20 lines measure, according to B, irC, 113 mm. It is closely similar to a 115-mm. type used by Koberger in \arious editions, signed and unsigned, the earliest of which to contain an explicit date was completed on 24 November 1472.' Ofthe four editions printed with the ri3-mm. t\pe, several copies survive with purchase or rubrication inscriptions dated 1471.^ If these arc Koberger's productions, his activity as a printer must be pushed back to at least .1 \car before his tirst dated book. But are the\ Koherger's' Doubts were expressed already in 1912, in B.M.C. ii, 409, where it was stated that 'Koberger's connexion with these books [printed with the I n-mm. type] ... is in need of further proof. As was there noted, this type is indistinguishable in face from' that used in 1473-4 by the Strasburg printer C. W., iivts .-iri^ennriensis, measuring (again according to B.M.C.) no (tos) mm. 'Notably better presswork and a ditlierence in height of 3 mm. in twenty lines thus separate this [11 ^-mm.] group trom the books assigned to C. W. It is quite possible that its ascription to Koberger originated from a confusion between this 113 and the closely similar 115 t>pe used b\ him in his tirst signed book ... but in deference to Hain and Proctor the tour books m this 113 type are left, doubtfully, under Koberger, until some other printer is found for them.' Since B.M.C. ii appeared, no other printer has been found f(.r them; every subsequent catalogue listing one or more of these incunables has contmued to assign them to Koberger, though occasionally with a query. 130 However, the doubts expressed by B.M.C, ii are fully confirmed by a closer examination of the four incunables in question. It may be concluded with certainty that they have nothing whatever to do with Koberger, nor with Nuremberg. They are Strasburg incunables, printed either in the shop of C. W., in a hitherto-unsuspected earlier stage of its activity, or in another, anonymous Strasburg shop, whose types came later into C. W.^s possession. Koberger's connection with the books is simply this: that when he began printing in 1472 he procured a fount copied from that ofthe Strasburg press. This is, indeed, an argument in itself that the 113-mm. type was not Koberger's. For if it was his, why should he go to the considerable expense of procuring, as his second type, a close facsimile of the first, produced by newly cut punches? The clue to a proper assignment of the four editions, and of a fifth member of the group to be mentioned shortly, may be found in their paper stocks. The two Nider editions must have been produced together. A printed advertisement survives, billing them as a single entity, and they often survive bound together.^ Two stocks of paper, both marked with the letter P surmounted by a quatrefoil (figs. 1-4), are mixed through both editions and are—with one small exception—the only papers of those editions.'^ The third edition, Honorius of Autun, De praedestinatwne, is uniformly printed on a third stock of paper, marked with a Bull's head/X (figs. 5-15). This stock is ofa kind that I have elsewhere called multigeminate.^ That is, it is made up of more than a single pair of twins, no doubt because it was manufactured in a mill producing a single stock of paper by mixing the output of several vats. The fourth edition is the small and very rare Psalterium printed on quarter-sheets. Its papers are a mixture ofthe two P-stocks ofthe Nider editions, and ofthe Bull's head/X ofthe Honorius of Autun. A fifth edition also belongs, according to its paper stock, to this 'pseudo-Koberger' group: 5. Sixtus IV, Regulae, ordinationes £5' constitutwnes cancellariae [after 19 Dec. i47t]. 4" in half-sheets: a b^^ (b 10+i), 21 leaves. Goff, S-576; D. Reichling, Appendices ad Haimi-Copingeri Repertonum bibliographicum . Siipplementum (1914), r8o; I. Hubay, Incunabula der Umv.-Bibl. Wurzburg (V^xQ^hdidtn, T966), 1938. All three catalogues cited above assign this edition to the Strasburg printer C. W. (Gotf with a query). The state of its type will be discussed below; for our immediate purposes it wall be sufficient to note that it is printed on the first of the two P-marked stocks, found also in the Nider editions and in the Psalterium latinum. Both the P-stocks of this group were in all probability manufactured in or near Alsace. The twins of the first P-stock (figs, i and 2) are apparently identical with Piccard, Buchstabe /*, Abt. ix, nos. 426 and 407, which he notes as twins.^ He found them in documents from Stift Selz, Alsace, 1473. His tracings ix, 425 and 427 are very similar to 426, and may be variant states of the mark; he found them in documents from, respectively, Strasburg, 1470; and from Kloster St. Blasien in the Schwarzwald, 1470-1. The precise P-mark of fig. i appears in an edition of Petrarch, De contemptu mundi, printed in Strasburg by Adolph Rusch, not after 1473 (Hain, 12800; Goff, Fig. J. mh . mR Fig. 4. mR Fig, 3. mR Fig. 5. mR Fig. 6. mR Ftg. 7. mR Fig. y. mL Ftg. 10. mR Ftg. II. mR Ftg. 12. mL Fig. 13. mL Ftg, 14. mL Fig. IS. mR P-4i-i). However, its twin differs from tig. 2, and I believe Rusch was probably using a slightly later stock from the same mill. 1 he .second P-stock twins (figs. 3 and 4) are very close to, and perhaps identical with, Piccard, Buchstabe P, Abt. ix, nos. 634 and 629, though these he does not note as twins. The former he records iti unspecified Strasburg incunables of 1473-5; ^"^ the latter, in documents from Ettlingen (Baden), Frankfurt am Main, Trier, and Stift Sel/, 1471-2. Botb P-stocks are localized by Piccard generally in Burgundy-Lorraine. 1 he Bull's head/X stock found in Honorius of Autun, De praedestinatione, and in the Psalterium appears to come from roughly the same region. Piccard's Ochsenkopf albums are obviously far from complete in their record of Bull's heads ofthis particular t\pe, but t)ne ot his tracings, Abt. ix, no. 6 (Zutfen, 1473) may be identical to fig. I z ot our stock.'' He localizes papers with this general class of tnark in Burgundy-Lorraine. Now, it is in the nature of paper to travel, and the use of given stocks in and around Strasburg does not exclude a priori their use in Nuremberg. But, in fact, we find that the paper stocks ofthe early Nuremberg printers entered that city by entirely different trade routes. Their papers generally like those ofthe Augsburg and Ulm printers of the same time—came not from eastern France but from northern Italy. This may be seen by examining any of the early editions securely assigned to Koberger, or any of the earh editions of Nuremberg's first printer, Johann Sensenschmidt (1470-8). Sheet after sheet, all that will be tound in these books is Italian paper.^ We know, theretbre, that the five incunables listed above are printed with a type which, perhaps in different castings, was used in 1473-4 by a recognized Strasburg printer, C^. \V.; and on papers made in the vicinity of Strasburg and widely marketed in that cit\. We know by contrast that Koberger's earliest firmly attributed books are printed with a txpc mpwd trom that in our group, and on papers imported from northern ltal\. It is evident that there is no rational basis for locating our group an\ where but in Strasburg. The reason tor the group's original attribution to Koberger is indeed that suggested by B.M.C. ii: a confusion between its type and Koberger's facsimile' ot the type. This confusion goes back at least as far as the late eighteenth century, and may have originated with Michael Denis.^ The weight of inertia has kept the mistaken attribution alive to this day, almost two centuries after it was first made. \n interesting question remains: were these five incunables printed in the shop of C W ,, whose acti\it\ must then be extended back to 1471; or in a heretofore unrecognized Strasburg shop whose types subsequently passed into the hands of C. W.? This question cannot be answered with any real certainty, but the relevant evidence suggests that the former alternative is the likelier, or at least fits more closely the conventional criteria for assigning anonymous editions to discrete presses.
Recommended publications
  • Printed from the Time of Gutenberg’S Were Both Scribes and Illuminators Who Established Invention1
    GD 135 HISTORY OF GRAPHIC DESIGN Chapter 6: ����������������������������������������������������� TERMS: PEOPLE AND PLACES: • Incunabula (pg. 85) • Nuremberg, Germany (pg. 89) • Broadsides, broadsheets (pgs. • Martin Luther (pgs. 94-97) 85, 87) • Erhard Reuwich (pg. 89) • Exemplars (pg. 87) • Günther & Johann Zainer (pgs. • Aesop’s Vita et fabulae (pgs. 87, 87-88) 88) • Anton Koberger (pgs. 90-93) • Peregrinationes in Montem Syon • Albrecht Dürer (pgs. 93-95) (pgs. 88, 89) • William Caxton (pgs.97-100) • Nuremberg Chronicle (pgs. 90- • Arnao Guillen de Brocar (pg. 101) 93) • Dürer’s The Apocalypse (pgs. 92, 93) • Teuerdank (pgs. 94, 95) • Polyglot Bible (pgs. 100-101) From a page in Aesop’s Vita et fabulae, 1476. ���������������������������������������������������������������������������������������������������������������������������������� Chapter 6 Study Questions Historians used the term “incunabula” to describe The German brothers Günther and Johann Zainer early books printed from the time of Gutenberg’s were both scribes and illuminators who established invention1. to the end of the 15th century� What does the printing5. businesses that popularized illustrated books� They word “incunabula” mean? expanded beyond topics of religion and theology to include popular literature and folktales such as ________________� A� cradle, or baby linen C� incurable insomniac A� Historia Griseldis and Aesop’s Life and Tales� B� a new era D� a revolution B� The Papyrus of Ani and the Book of the Dead. By 1500, printing was produced in more than 140 C� The Gutenberg Bible and the Psalter in Latin� towns, replacing many of the scriptori which made manuscripts2. � Which of the following is NOT a result of this D� The Qur’an and the Diamond Sutra� new mechanized craft? Erhard Reuwich was the first _________________ to A� Books became less C� Illiteracy increased due be identified as such for his work in Peregrinationes in costly to make� to lack of books� Montem6.
    [Show full text]
  • FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
    FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D.
    [Show full text]
  • 1 a Place Is Carefully Constructed: Reading the Nuremberg Cityscape
    A Place is Carefully Constructed: Reading the Nuremberg Cityscape in the Nuremberg Chronicle Kendra Grimmett A Sense of Place May 3, 2015 In 1493 a group of Nuremberg citizens published the Liber Chronicarum, a richly illustrated printed book that recounts the history of the world from Creation to what was then present day.1 The massive tome, which contains an impressive 1,809 woodcut prints from 645 different woodblocks, is also known as the Nuremberg Chronicle. This modern English title, which alludes to the book’s city of production, misleadingly suggests that the volume only records Nuremberg’s history. Even so, I imagine that the men responsible for the book would approve of this alternate title. After all, from folios 99 verso through 101 recto, the carefully constructed visual and textual descriptions of Nuremberg and its inhabitants already unabashedly favor the makers’ hometown. Truthfully, it was common in the final decades of the fifteenth century for citizens’ civic pride and local allegiance to take precedence over their regional or national identification.2 This sentiment is strongly stated in the city’s description, which directly follows the large Nuremberg print spanning folios 99 verso and 100 recto (fig. 1). The Chronicle specifies that although there was doubt whether Nuremberg was Franconian or Bavarian, “Nurembergers neither wished to be 1 Scholarship on the Nuremberg Chronicle is extensive. See, for instance: Stephanie Leitch, “Center the Self: Mapping the Nuremberg Chronicle and the Limits of the World,” in Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture (Basingstoke; New York: Palgrave Macmillan, 2010), 17-35; Jeffrey Chipps Smith, “Imaging and Imagining Nuremberg,” in Topographies of the Early Modern City, ed.
    [Show full text]
  • Press Relation: City Museum at Fembo's House
    Press release 23.11.2016 City of Nuremberg Municipal Museums Contact: PR department Hirschelgasse 9-11 City Museum at Fembo’s House 90403 Nuremberg Tel.: +49 (0)911 / 2 31-54 20 Fax: +49 (0)911 / 2 31-1 49 81 Nuremberg's only surviving large Late Renaissance merchant's house [email protected] – halfway up the hill to the Imperial Castle – invites visitors to . experience a trip through the city's past. Priceless original rooms, City Museum at the Fembohaus staged settings and audio plays bring 950 years of Nuremberg's Burgstraße 15 history to life. The museum's Exhibition Forum, with its changing 90403 Nürnberg Tel.: +49 (0)9 11 / 2 31-25 95 presentations, is a showcase for the city's history, art and culture. Fax: +49 (0)9 11 / 2 31-25 96 stadtmuseum-fembohaus@ For centuries, Nuremberg had been at the center of German and European stadt.nuernberg.de history. It was one of the most powerful imperial cities of the Holy Roman Empire and was the city most frequently visited by German emperors and museen.nuernberg.de kings. Trade and crafts brought Nuremberg wealth, power, and recognition. By the fourteenth century, the city had developed into a flourishing trade center. Nuremberg merchants had extensive international trade connections, maintained branch offices all over Europe, and were represented at all trade fairs and markets. During the German Renaissance, Nuremberg was home to famed artist Albrecht Dürer and Europe's largest printer-publisher, Anton Koberger. In 1525, Nuremberg was one of the first major German cities to introduce Lutheran Reformation.
    [Show full text]
  • Printers: New Cultural Actors in Europe Beginning in the Late fifteenth Century
    Humanists and Europe Printers: new cultural actors in Europe beginning in the late fifteenth century Catherine KIKUCHI ABSTRACT Printing was born in Germany with the production of the Gutenberg Bible, although printers set up shop across all of Europe beginning in the first decades of the century. They specialized, organized, and collaborated with merchants and bookshops. This new industry was particularly concentrated in merchant cities and university towns. Their editorial strategies sought to reach an increasingly broader audience which was not limited to persons of letters, although important printers worked with the Humanists for the diffusion of high quality revised editions. Their collaboration involved ancient texts, such as the Greek editions of Aldus Manutius, as well as religious texts, the Bible in particular. Printing was thus a driver of religious and intellectual renewal, but was also suspected of conveying harmful and heretical ideas; with the Reformation and Counter-Reformation, printers were increasingly controlled by political and religious authorities, a control that some of them were able to circumvent. The invention and diffusion of printing The birth of printing in Europe is dated as 1452, when Johann Gutenberg produced the 42-line Bible in Mainz with the help of Peter Schöffer and funding from Johann Fust. This invention takes its place in the long-term history of technology, stretching from Chinese and Korean printing methods to engraved Bibles for the poor in the fourteenth and fifteenth centuries. The true change with Gutenberg was not so much the press itself, but the use of movable type. Furthermore, the success of printing was also due to its connection with important merchants who invested in this new art, such as Johann Fust.
    [Show full text]
  • A Short History of English Printing : 1476-1900
    J \ Books about Books Edited by A. W. Pollard A Short History of English Printing BOOKS ABOUT BOOKS Edited bv A. W. POLLARD POPULAR RE-ISSUE BOOKS IN MANUSCRIPT. By Falconer Madan, Bodley's Librarian, Oxford. THE BINDING OF BOOKS. By H. P. HORNE. A SHORT HISTORY OF ENGLISH PRINTING. By II. K. Plomer. EARLY ILLUSTRATED BOOKS. By A. W. POLI.ARD. Other volumes in pi-eparatioit. A Short History of English Printing 1476-1900 By Henry R. Plomer London Kegan Paul, Trench, Triibncr & Co., Ltd. Broadway House, 68-74 Carter Lane, E.C, MDCCCCXV I-'irst Edition, 1900 Second (Popular) Edition, 1915 The rights of translation and of reproduction are reserved Editor's Preface When Mr. Plomer consented at my request to write a short history of EngHsh printing which should stop neither at the end of the fifteenth century, nor at the end of the sixteenth century, nor at 1640, but should come down, as best it could, to our ovm day, we were not without appre- hensions that the task might prove one of some difficulty. How difficult it would be we had certainly no idea, or the book would never have been begun, and now that it is Imished I would bespeak the reader's sympathies, on Mr. Plomer 's behalf, that its inevitable shortcomings may be the more generously forgiven. If we look at what has already been written on the subject the diffi- culties will be more easily appreciated. In England, as in other countries, the period in the history of the press which is best known to us is, by the perversity of antiquaries, that which is furthest removed from our own time.
    [Show full text]
  • Spotlights Albrecht Dürer and the Renaissance North of the Alps
    Spotlight: The New Apelles Albrecht Dürer and the Renaissance North of the Alps DR. JÖRN GÜNTHER · RARE BOOKS AG Manuskripte unD seltene Bücher [email protected] www.guenther-rarebooks.com How is it possible that the son of an ordinary – successful, but not outstanding – goldsmith became not only Germany’s most celebrated ar:st but also an interna:onal leading figure in Europe’s cultural life? Centuries of reflec:on, studies, and research on the topic of Albrecht Dürer have brought to light new insights and discoveries about the ar:st and his works. Moreover, Dürer – and his father before him – have passed down a family chronicle that tells us about the personal history of the ar:st and his next of kin. But s:ll, many ques:ons about the great ar:st remain open and Albrecht Dürer, Self-portrait at 13 years, unanswered. silverpoint, Vienna, Graphische Sammlung, Alber:na His father, as we can deduce from his own self portrait, was a very talented draughtsman, who apparently learned the best part of his craft during his years of travel in the Netherlands, where he became familiar with the celebrated works of the “great masters” (Jan van Eyck, Rogier van der Weyden, and others), as his son would later call them in his chronicle. The young Albrecht Dürer learned his outstanding mastery in silverpoint pen and burin during his apprenticeship in his father’s workshop. Albrecht the Elder must have been very proud of his son and eager to hand the family business over to him one day.
    [Show full text]
  • Exhibit Booklet
    Books & Culture Quayle Bible Collection Exhibit 2014-2015 Books & Culture was taught in 2014 during the spring se- mester as part of the Quest program. Courses in the Quest core are interdisciplinary in nature and juniors in the program focus on gain- ing “a better understanding of our global society.” The Quayle collection provided these students with an op- portunity not only to explore different cultures within today’s soci- ety, but to consider, as well, how those cultures have changed across time. In the culminating assignment, students selected a book of interest and explored the ways in which it reflected the cul- ture that produced it and influenced subsequent cultural develop- ment. Clay Tablets, Ur, 2000 BCE. These were perhaps the most exotic books selected for the research project. Clay tablets were among the first written records still in existence. Many of them were business records like the tem- ple records displayed here. The black tablet is shown with the re- mains of its envelope. Envelopes were used for contracts and for private or diplomatic correspondence. The writing is “cuneiform,” meaning that the marks on the clay are wedge-shaped. Those marks were made by pressing the edge of a triangular carved reed into the wet clay which were baked to harden them. The tools and techniques of modern archaeology began developing in the late 19th century. Several of these tablets were excavated at that time by Edgar J. Banks, American Consul in Bagh- dad and field director for the Oriental Excavation fund, sponsored by the University of Chicago.
    [Show full text]
  • The Incunabula of Sir Charles Frederick
    The Incunabula of Sir Charles Frederick Dennis E. Rhodes Charles Frederick was born at Madras in 1709. Educated at Westminster School and New College, Oxford, he became a Fellow of the Society of Antiquaries in 1731 and was elected its Director in January 1736. He also became a Fellow of the Royal Society in 1733. In 1738 he resigned his post at the Antiquaries in order to travel abroad. He went to Italy with his older brother John during the years 1737 and 1738. They were at Genoa between 30 September and 18 October 1737, then briefly at Pavia and Milan in November. Going via Parma and Bologna, they reached Rome in December, and were still there on 17 February 1738. They travelled as far East as Constantinople, but were back in Italy later that year since we know that on 3 October 1738 Charles bought a book in Florence which is now in the British Library.1 His book purchases show a remarkably wide field of interest, and his elaborate book-plate of 1752 (one of two) shows that he had a particular interest in the design of small arms.2 The brothers were back in London by January 1741. Charles became MP for Shoreham in 1741 and served until 1754, then as MP for Queenborough until 1784. He was made a Knight of the Bath on 23 March 1761. He had married Lucy Boscawen (1710-1784) on 18 August 1746. Sir Charles died at Hammersmith on 18 December 1785. He also acquired probably no fewer than twenty-two incunabula.
    [Show full text]
  • Early Music Printing and Ecclesiastic Patronage Mary Kay Duggan
    Early Music Printing and Ecclesiastic Patronage Mary Kay Duggan Printing was first established in Mainz, the seat of the archbishop who was the most important of the seven Electors of the Holy Roman Empire and head of the largest ecclesiastical province of that Empire, containing 17,000 clerics who made a perfect market for liturgical books.1 The Council of Basel had ended in 1449 with the imperative to distribute newly reformed liturgical texts across Europe, and music was an integral part of those reformed texts. Although it appeared that the entire international church was behind the adoption of the conciliar reformed Liber Ordinarius, the Council Benedictines of the Province of Mainz that met in 1451 voted against what was essentially a Roman liturgy, supporting instead a text offered by the archbishop of Mainz.2 Despite the pope’s threat to use military force if necessary, the council Provincial Chapter ended by sending bishops and abbots back to their homes to create unique reformed diocesan and monastic texts in a giant exercise in textual editing.3 The publication of hundreds of editions of liturgical books – tens of thousands of copies – would have to wait.4 Music was in the middle of the struggle over textual orthodoxy. Every priest was required to have a missal, an enormous market for printers, and music was a necessary, if small, part of the genre, the fairly simple plainchant sung by the priest. On the other hand, choirbooks, agendas, services for the dead (vigiliae, obsequiale) contain melismatic chant on nearly every page, requiring complex neumes of music type designers.
    [Show full text]
  • Exhibit Guidebook (PDF)
    After Gutenberg: Print, Books, and Knowledge in Germany during the Long Sixteenth Century August – December 2015 Rare Books and Special Collections Hesburgh Libraries University of Notre Dame Curated by Julie Tanaka, Ph.D. Western European History Librarian Curator, Special Collections Introduction In the 1440s, Johann Gutenberg (c. 1395-1468), together with his contemporaries Johann Fust (c. 1400-1465) and Peter Schöffer (c. 1425-1502), perfected the use of reusable metal type and a press to transfer ink to paper. Their innovations made it possible and cost effective to produce and distribute multiple copies of identical texts. Fueled by rising literacy and increased demand for books, this technology printed an estimated twelve million books during its first fifty years. This output does not include the many contemporary broadsides, pamphlets, indulgences, and other non-book materials. To meet demand, printing houses were established in Mainz, Strassburg, Augsburg, Nuremberg, Cologne, and Basel within the first thirty years of printing. By 1500, Germany boasted of being home to more than sixty presses. Their output touched all levels of German society from common peasants to imperial administrators, tradesmen to scholars, young and old alike. People now had unprecedented access to knowledge—facts, information, skills—and it was not long before they began to challenge accepted wisdom and disseminate new ideas. Printing’s impact was profound. After Gutenberg: Print, Books, and Knowledge in Germany during the Long Sixteenth Century features materials from Notre Dame’s rare books collection that represent an array of knowledge that circulated widely in Germany in the two centuries following Gutenberg’s breakthrough.
    [Show full text]
  • MARS Facsimile Resources: Carleton College Gould Library Special Collections
    MARS Facsimile Resources: Carleton College Gould Library Special Collections Version 1.1. Produced by J. O’Brien, August 2008. This numbered list of facsimile documents is organized in chronological order according to the production of the original. There are currently unused numbers in each chronological bracket for future additions. To access further catalog information on any of the facsimiles, simply enter the provided call number into the online Bridge catalog. To access the facsimiles themselves, please contact the library’s Special Collections Department. You may find the following index of suggested document groups to be a helpful starting place: Biblical Manuscripts: Full Bibles: 45, 47, 93. OT texts : 1, 95. Psalters: 13, 17, 60. Gospels: 2, 8, 12, 16, 36. Apocalypses: 15, 54, 57. Books of Hours: 76, 90. Carolingian Manuscripts: 13, 15-23. History of Cartography: 53, 66, 82, 85, 87, 96, 98, 134, 136 History of Medicine: 30, 50, 55, 68, 69, 131. Incunabula: 105-119. Middle English Literature: 65. 67, 78, 79, 80, 86. Middle High German Literature: 48, 49, 51, 56, 58, 59. -5th C. 1. Codex Washingtonensis: Deuteronomy and Joshua, Early 5th C. Greek OT. BS764 .W29 1910 2. Codex Washingtonensis: The Four Gospels, early 5th C. Greek NT. BS2551 .W37 1912 3. Vergilius Vaticanus, c. 400. Major fragments of the Georgics, bks. 3-4, and of the Aeneid, with notable ilustrations. PA6804 .A73 1980 4. Vergilius Augusteus, c. 500 Fragments of the Georgics. PA6804 .A7 1976 5-7th C. 8. Rabbula Gospels, completed 586. Syriac gospels. ND3359.R3 S3 9. Leonine Sacramentary, 7th C.
    [Show full text]