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ANTIQUES and COLLECTABLES AUCTION Saturday 28Th July 2018 10.00Am
1 ANTIQUES AND COLLECTABLES AUCTION Saturday 28th July 2018 10.00am For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Terms of Consignment for Buyers at the back of the catalogue. 2 Front Cover Image: Lots 247, 249, and 236 (clockwise from left) Inside Front Cover Image: Lot 377 A George IV silver three piece tea set, comprising tea pot, sugar bowl and milk jug by John James Keith, London 1836. Back Page Image: Lot 668 A Maw & Co. vase with a ruby lustre glaze, designed by Walter Crane. Circa 1885. Height 23.5cm. JOIN US FOR OUR NEXT SALE ASIAN DECORATIVE & FINE ART SALE SATURDAY 6TH OCTOBER 2018 ANTIQUES, FINE ART AND COLLECTABLES SALE SATURDAY 8TH DECEMBER 2018 ENTRIES NOW INVITED 3 ANTIQUES & COLLECTABLES AUCTION To be held at: DAVIES HOUSE, DAVIES ROAD, EVESHAM, WORCESTERSHIRE WR11 1YZ SATURDAY 28TH JULY 2018 Viewing Thursday 26nd July – 10.00am to 5.00pm Friday 27th July – 10.00am to 7.00pm Day of Sale – From 8.30am to 10.00am Day of the Sale The auction is scheduled to start at 10.00 am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with the fully illustrated online catalogue. Live internet bidding is available on www.the-saleroom.com together with the fully illustrated online catalogue. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
PRESS RELEASE New Lease of Life for Burslem School Of
PRESS RELEASE New lease of life for Burslem School of Art Burslem School of Art, in the heart of the Mothertown, will soon be embarking on a new chapter in its illustrious history. From September 2016, 200 students from Haywood Sixth Form Academy will move into the newly refurbished grade II listed building to enjoy purpose-built facilities. A state-of-the-art design enterprise suite will be used for engineering product design and textiles. A specialist photography suite will house its own dark room and Apple Macs to enable students to learn digital photography skills. An ICT ‘window on the world’ room and specialist computing laboratory will provide students with leading-edge computer equipment and there will also be a specialist science lab and language lab. Students will develop their artistic talents in the magnificent art room, with its huge windows and perfect lighting for artwork, following in the footsteps of the Burslem School of Art’s prestigious alumni, including Clarice Cliff, Susie Cooper and William Moorcroft. The Burslem School of Art Trust carried out a refurbishment of the building in 2000 and has developed and delivered many arts events, projects and activities over the past fifteen years, working with diverse communities and artists. Now, Haywood Sixth Form Academy is working closely with the Trust to form a partnership that will build on its fantastic work and secure the future of this beautiful building. Carl Ward, Executive Headteacher, said: “Haywood Sixth Form Academy is becoming as popular as I had hoped when many parents and students asked if we would consider opening, just a few years ago. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00 Capes Dunn & Co Capes Dunn & Co 38 Charles Street Manchester M1 7DB Capes Dunn & Co (European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 STEPHAN DEFON SMALL WILEMAN & CO., (The GOLDSCHEIDER, AUSTRIAN Foley China) 'INTARSIO' POTTERY FEMALE FIGURES, POTTERY SQUAT TWO 'Sitzende Lesende Junge Dame HANDLED VASE, decorated with (auf Buchersockel)', depicted encircling border of fish, with reading a book seated on, two scallop shells and wave pattern, large books, signed 'Dakon', 8" containing the aquatic theme, high impressed number 7561F, design registration No. 330286, circa 1936 pattern No. 3035, 3 1/4" high Estimate: £80.00 - £120.00 (one handle repaired) Estimate: £70.00 - £90.00 Lot: 2 STEPHAN DAKON Lot: 7 GOLDSCHEIDER, AUSTRIAN TWO IDENTICAL CLARICE POTTERY FEMALE FIGURE CLIFF (NEWPORT POTTERY) 'Sitzendes Madchen mit Buch 'CELTIC HARVEST' PATTERN (auf Bucherregal/Sockel)' MOULDED JUGS, with depicted seated with legs polychromed handles and crossed and book on her lap, pouring lips, 11 1/4" high (one seated on a low bookcase, 9 1/2" with damaged and repaired foot) high, impressed number 7226, Estimate: £100.00 - £150.00 circa 1935 (af) Estimate: £40.00 - £60.00 Lot: 8 A.G. RICHARDSON & CO, Lot: 3 CROWN DUCAL WARE STEPHAN DAKON CHARLOTTE RHEAD GOLDSCHEIDER, AUSTRIAN DESIGNED WALL PLAQUE, POTTERY FEMALE -
Colourful Clarice Cliff Kicks Off Sunday Sales and Decorative Arts Series at South Kensington
For Immediate Release 22 December 2004 Contact: Zoe Schoon 020 7752 3121 [email protected] COLOURFUL CLARICE CLIFF KICKS OFF SUNDAY SALES AND DECORATIVE ARTS SERIES AT SOUTH KENSINGTON Decorative Art Sales 2005 Christie’s South Kensington London – An extensive selection of Clarice Cliff opens Christie’s 2005 Decorative Arts sales in South Kensington. The bumper 300-lot sale on 20 February is a must for collectors of the designer’s colourful ceramics. The Clarice Cliff sale is the very first to be held on a Sunday at Christie’s South Kensington. Christie’s is the worldwide market leader in 20th Century Decorative Arts, and the South Kensington series of sales will feature ceramics, glass, sculpture, lighting, furniture and metalworks from all the key art movements of the late 19th and early 20th centuries. Whether seeking to decorate a home or simply interested in the decorative arts, shoppers in South Kensington will be able to browse, place bids, seek valuations and advice from specialists 10-4pm on both Saturday and Sunday. CLARICE CLIFF Sunday 20 February 2005 The first ever Sunday Sale at Christie’s South Kensington, the Clarice Cliff sale features an extensive single-owner collection of over 180 lots, including sugar sifters, preserve pots, novelty wares, vases, jugs, tea and coffee wares, candlesticks, chargers, bookends and table wares. A rermarkable range of patterns on offer includes the sought-after Applique range including Palermo, Lugano, Avignon and Idyll, as well as abstract, landscape, flower, fruit and geometric designs. There are a staggering array of over 20 lotus jugs in varying patterns. -
The History of the Worshipful Company of Glaziers and Painters of Glass, London
THE HISTORY OF THE WORSHIPFUL COMPANY OF GLAZIERS AND PAINTERS OF GLASS, LONDON FROM 1919 TO 1999 EDITED BY R.F. LANE, P. S. LONDON, P. H. TROLLOPE Hi - Dedicated to Glaziers past and present. 1. The Glass Stainers. To every Man his Mystery A trade and only one; The Masons make the hives of men, The domes of grey or dun, But we have wrought in rose and gold The houses of the sun. From "The Five Guilds" by G.K. Chesterton THE COMPANY'S ARMORIAL BEARINGS ii TABLE OF CONTENTS 1. Foreword by The Master. 2. Introduction. 3. Chapter 1. Rights, Privileges and Charters of the Glaziers' Company. Chapter 2. The Company's Armorial Bearings. Chapter 3. The Craft and other charitable activities of the Company. Chapter 4. The story of the Glaziers' Halls. Chapter 5. Extracts from the Minutes Books of the Court of Assistants. Appendices. 1. Masters, Upper Wardens, Clerks, Chaplains and Beadles. 2. Senior Officers that did not proceed. 3. Members of the Company upon whom Honours were conferred and/or who held high office in the City and Corporation of London. 4. Members of the Royal Family and Honorary Freeman of the Company. 5. Persons admitted to the Livery by Gift. 6. Livery Halls and other accommodation used by the Company. 7. Dinners then and now. Chapter 6. The Glaziers' Company's associations with other organisation. Chapter 7. Some valued possessions. Chapter 8. Some famous names in glazing. IV - FOREWORD Since Ashdown's History of the Glaziers' Company from its earliest recorded existence in 1328 until 1918 was published, those wishing to know something of events during the succeeding eight decades have had to be content with the brief accounts in the Company's Livery List (the Blue Book) and, more recently, the Silver Booklet. -
Susie Cooper
Ceramics Susie Cooper RDI - An Undervalued Legacy? by Roland Head ore than 100 years after her birth, Susie Cooper remains the only Mwoman potter to be awarded the prestigious RSA Royal Designer for Industry (RDI) award. Her career was longer than both the other two notable women, Clarice Cliff and Charlotte Rhead. Unlike them, she not only designed but founded and ran a successful pottery business on an industrial scale for many decades. Susie Cooper was one of the most important ceramic designers of the twentieth century, yet her work has less financial value and collectable A small plate in the Cubist pattern, dating from appeal than that of her contemporary, Clarice Cliff. Here I’ll explore her career Susie Cooper’s time at Gray’s. and work. I’ll also examine current prices and suggest how collectors should Image courtesy of www.decodance.com approach the market. Susie Cooper - The Art Deco Years used: she was not able to design her own shapes and simply Born in 1902, Susie Cooper was the youngest of seven decorated what she was given. Driven by a desire for greater children in a prosperous middle-class family. Her parents creative freedom and the belief she could do better herself, in owned several local businesses and her early experience of 1929 she resigned and founded the Susie Cooper Pottery. This work was gained in these establishments. Despite this, she was was to mark the beginning of a long and successful journey never tempted to make a career in the family businesses, and that would survive the depression of the 1930s, the Second by the age of sixteen had gained admission to the Burslem World War, two factory fires and multiple other setbacks. -
A Challenge Designed to Explore the County We All Know and Love! WELCOME
A challenge designed to explore the county we all know and love! WELCOME Welcome to our ‘I Love Staffordshire’ challenge! This challenge aims to teach you more about the county where we live as well as having lots of fun working through our challenges. Girlguiding Staffordshire is split into 17 divisions across the county. Every single Rainbow, Brownie, Guide, Ranger, Young Leader, Unit Helper, Leader, Trefoil Guild Member and Occassional Helper belongs to one of our divisions. To earn the ‘I Love Staffordshire’ challenge badge simply choose and complete one challenge from each of our divisions. You can choose to complete the Outdoor, Food, Craft or Pen & Paper challenge for each division depending on which one appeals to you the most. Some of the challenges will require adult supervision and so please remember to ask for help if you need it. There are lots of ideas in this pack but you can always search online to find extra instructions or guidance for some of the challenges. You can also be creative and adapt the challenges if you don’t have all of the equipment and/or ingredients. We’d love you to share your successes with us so please email your photos or videos to [email protected] and we’ll add them to an online photo album so we can all see how everyone is getting on. Once you have completed your challenges then you can order a badge to celebrate your success by visiting girlguidingstaffordshire.org.uk/shop We hope that you enjoy completing our ‘I Love Staffordshire’ challenge. -
The Stained Glass of John Hardman and Company Under the Leadership of John Hardman Powell from 1867 to 1895
The Stained Glass of John Hardman and Company under the leadership of John Hardman Powell from 1867 to 1895 Mathé Shepheard Volume I Text Based on a thesis presented at Birmingham City University in January 2007 Copyright © 2010 Mathé Shepheard This text is Volume I of The Stained Glass of John Hardman and Company under the leadership of John Hardman Powell from 1867 to 1895 by Mathé Shepheard. The accompanying two volumes of Plates can be downloaded from the same site. CONTENTS Page Acknowledgements 11 Preface 12 Note on viewing 14 Chapter One The Historical and Religious Background 15 Chapter Two The Crucifixion 32 Chapter Three Typology 49 Chapter Four Events in the life of the Lord 58 Chapter Five Saints 72 Chapter Six The Virgin Mary 92 Chapter Seven Conclusion 103 Appendix One Saints 112 Appendix Two Note on Kempe 115 Appendix Three Further considerations on viewing 117 Tables: Table 1. Analysis of 106 Crucifixion windows by content and decade 120 Table 2. Lady Patrons’ windows 1865-76 121 Table 3. Production of Windows in selected years with cost ranges 122 Table 4. Number of Schemes by Architect 1865 to 1890 123 Archive Abbreviations 124 Bibliography 124 Previous Publication 132 3 List of Plates Volume II – Plates 1 to 54 Plates 1 to 26–Illustrations for Chapter 2, The Crucifixion. Plate Number 1. East Window, St. Bartholomew and All Saints, Wootton Bassett, 1870. 2. East Window, Lady Chapel, Hereford Cathedral, 1874. 3. East Window, The Immaculate Conception and St. Dominic, Stone, 1866. 4. East Window, St. John the Baptist, Halesowen, Window and Sketch, 1875. -
USA Town State Church Date Artist Details Order No. Albany New York
Archives of James Powell and Sons held at the Archive of Art and Design, V and A London Compiled by Dr Dennis Hadley USA Town State Church Date Artist Details Order No. Albany New York St Peter 1884 Holiday H 2-3l 2404/248 1885 Holiday H 3l W 2590/361 1885 Holiday H 3l (Forest Hill) 2704/9 Albany, Elk St. New York 1895 Panels portrait in circle 6730/238 Albuquerque New Mexico Cathedral 1926 Hogan J* 1l 6644/223 Ann Arbor Michigan St Andrew 1937 Hogan J small 1l 8507/323 1938 Hogan J 1l 8635/10 1938/9 Hogan J 1lS 8659/26 1960 1l 9951/230 Bala Cynwyd Pensylvania St John 1928/9 Hogan J 8-1l nave 7296/228/31 1928/9 Hogan J 8-1l nave 7232/228/31 Baltimore Corpus Christi 1895/6 Hardman & Co Opus in apse 6781/272 Bar Harbour Maine St Saviour 1957 Morris C 1l; Faith 9736/83 Belfast Maine St Margaret 1920 Hogan J* 3l trans 5568/380 1922/3 2-1l no figures 5951/161 1923/4 Read* 3lE 6136/284 1924/5 Read* 1l 6337/33 1928 Hogan/Coakes* 2-1lE, Michael *Hogan 7066/109 Bellingham DC St Paul Episcopalian 1952 2l 9428/231 1955 1l 9631/13 1957 Moore R 1l 9703/61 1958 Inscription 9801/124 Bernardsville New Jersey St Bernard 1962 Moore R 3l 147/232 Bethesda-by-the-sea Florida (Palm Beach) 1939/0 Altar panel 8759/110 1941 New inscription No number/70 1941 Hogan J 3l, 2-1l ch, 2-1l cler (ornament only) Angels 8818/144/6 1950 2l 9295/143 Beverley Hills California All Saints Episcopalian 1951 Rose 9400/218 1951 3l 9409/219 1952 3-1l 9440/239 1952 3l 9470/261 Binghamtown New York Trinity church 1930 Hogan J; ctn Read* 2l 7471/375 Bloomfield Connecticut StThomas -
St. Helen's Church
Baptistry 1. Baptistry Built 1931 Commemorates The life and work of Canon and Mrs Jesse Hughes Gifted by Family of Canon Hughes, Rector of Tarporley 1888-1931 Architect Sir Percy Worthington 2. Font The octagonal stone font is thought to be 15th century. It has not always been in the possession of St. Helen’s Church. In the Parish Magazine of 1906, the Rector writes, ‘ The beautiful early English Font, which was cast aside to be replaced by the present one and was lost to the church for so many years; used as a flower pot in a private garden, has, by kind thoughtfulness of Mrs Sutton and Mrs Powell, been restored to the Church. It has been carefully restored, and is placed on the grass between the buttresses on the South side of the Church.’ With the completion of the Baptistry, in 1932, the font was placed in its present position. th 15 century Font Font Cover The wooden cover was made from the oak staircase which was taken from Arderne Hall after it was demolished in 1958. The cover was dedicated on Sunday 16th April 1961 in memory of John James Daine and his wife Evelyn Anna Daine. 3. Baptistry Window Subject Jesus Blessing the Children Date 1899 Gifted by Friends and Family of Mrs Felicia Mann Memorial to Mrs Felicia Mann Manufacturer C.E. Kempe & Co Charles Eamer Kempe 1837-1907, was a key figure in 19th century decorative art and produced some of the best stained glass windows of the time. The finely drawn facial features, the intricate detail in the background of the figures, the richness of the colours and the angels’ peacock feather wings make Kempe’s distinctive style.