Mamiya C Professional
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The Photo College
Basic Flash Photography Table of Contents Flash Basics - Guide Numbers, Bounce, Camera Settings, Lens AOV Manual Flash - Power Adjustments Built-In Flash - Beyond your Instruction Manual Dedicated Flash - Shutter speeds, Adapters TTL Autoexposure Flash - Sensors, Light Meters, Autofocus FLASH BASICS Every time you use your flash do you wince? Did your inner self nudge you with that ‘It’s gonna be a lousy FLASH shot!’ question? Do you take more flash shots of the same thing than you really need just because the uncertainties of ‘Flash Photography’ scare you? I might scare you but your flash can be tamed. Flash units provide portable light for your low-light photography. That’s low-LIGHT. You put batteries in and get bright light out. Ah, but how much light do you get out and how can you be sure it’s the correct amount of light? Read your Instruction Manual? That’s a start; but not a finish. In most situations you can set your flash to one setting and just leave it there. And as most people find themselves taking the same general types of pictures each time they grab the camera, you will find yourself actually ‘remembering’ your flash settings without even considering the consequences. It’ll come naturally to you. So, now that we’ve broken the ice let’s get through the hard part that you’ll probably never need to know; ‘Guide Numbers’! A flash unit’s Guide Number, or GN, is it’s rating of maximum light output at full power with fresh batteries. The higher the GN the brighter the light. -
Sample Manuscript Showing Specifications and Style
Information capacity: a measure of potential image quality of a digital camera Frédéric Cao 1, Frédéric Guichard, Hervé Hornung DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT The aim of the paper is to define an objective measurement for evaluating the performance of a digital camera. The challenge is to mix different flaws involving geometry (as distortion or lateral chromatic aberrations), light (as luminance and color shading), or statistical phenomena (as noise). We introduce the concept of information capacity that accounts for all the main defects than can be observed in digital images, and that can be due either to the optics or to the sensor. The information capacity describes the potential of the camera to produce good images. In particular, digital processing can correct some flaws (like distortion). Our definition of information takes possible correction into account and the fact that processing can neither retrieve lost information nor create some. This paper extends some of our previous work where the information capacity was only defined for RAW sensors. The concept is extended for cameras with optical defects as distortion, lateral and longitudinal chromatic aberration or lens shading. Keywords: digital photography, image quality evaluation, optical aberration, information capacity, camera performance database 1. INTRODUCTION The evaluation of a digital camera is a key factor for customers, whether they are vendors or final customers. It relies on many different factors as the presence or not of some functionalities, ergonomic, price, or image quality. Each separate criterion is itself quite complex to evaluate, and depends on many different factors. The case of image quality is a good illustration of this topic. -
Do Something Important.TM
2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease. -
Exposure Metering and Zone System Calibration
Exposure Metering Relating Subject Lighting to Film Exposure By Jeff Conrad A photographic exposure meter measures subject lighting and indicates camera settings that nominally result in the best exposure of the film. The meter calibration establishes the relationship between subject lighting and those camera settings; the photographer’s skill and metering technique determine whether the camera settings ultimately produce a satisfactory image. Historically, the “best” exposure was determined subjectively by examining many photographs of different types of scenes with different lighting levels. Common practice was to use wide-angle averaging reflected-light meters, and it was found that setting the calibration to render the average of scene luminance as a medium tone resulted in the “best” exposure for many situations. Current calibration standards continue that practice, although wide-angle average metering largely has given way to other metering tech- niques. In most cases, an incident-light meter will cause a medium tone to be rendered as a medium tone, and a reflected-light meter will cause whatever is metered to be rendered as a medium tone. What constitutes a “medium tone” depends on many factors, including film processing, image postprocessing, and, when appropriate, the printing process. More often than not, a “medium tone” will not exactly match the original medium tone in the subject. In many cases, an exact match isn’t necessary—unless the original subject is available for direct comparison, the viewer of the image will be none the wiser. It’s often stated that meters are “calibrated to an 18% reflectance,” usually without much thought given to what the statement means. -
Digital Vs 35-Mm Photography to Convert Or Not to Convert?
ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image. -
Mamiyalite MZ36R This Camera Manual Library Is for Reference and Historical Purposes, All Rights Reserved
Mamiyalite MZ36R This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright © by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus English - Contents Names of Parts . 2 Bounce Flash Photography· ..... 6 Features .... 2 Using the Wide Adapter · ..... 6 Loading Batteries ... 3 Manual Operation... 7 Test Firing and Open Flash ... 3 Exposure for Multiple Flash ... 7 Attaching the Bracket ... 3 When Using the Flash for Cameras of When Using for ZE-X- - - - - - - - - - 3 Other Makes .. 7 Using on the ZE-X with the EF Lens ..... 4 Slave Flash and Remote Control Photography . 7 Using on the ZE-X with the E Lens ..... 5 Specifications . 8 When Using Cameras other than ZE-X ..... 5 Mamiyalite MZ36R Mamiyalite MZ36R is an automatic electronic flash especially developed for the Mamiya ZE series cameras. -
2-10-2016 Woordenboek Pagina 1 Nederlands Deutsch Français English Español Steekdiafragma's Lochblenden Einlege-, Einsteck- Wa
Woordenboek 2-10-2016 Nederlands Deutsch Français English Español steekdiafragma's Lochblenden Einlege-, Einsteck- Waterhouse stops diafragma de tajadera dubbelsysteemcamera Mehrsystemkamera; Zwei- dual-system camera cámara de sistema doble vlakfilm(houder) Planfilm(kassette) sheet film (holder) sluiterbladen Verschlußblenden shutter leaves, - blades kopergroenbobbels aufblühender Grünspan verdigris bumps zuilkop Säulenkopf carrier head wisselmagazijn Wechselmagazin interchangeable magazine chasis intercambiable inklikken einrasten click-in klemkop Haltekopf clamping head flitssynchronisatietijd Synchronasationszeit flash sync speed vattingsring Fassungsring body flange richtgetal Blitzleitzahl flash guide number filmrolletje Filmrolle; Rollfilm (rouleau de) pellicule roll of film carrete heugel en rondsel Zahntrieb à crémaillère et pignon ? rack and pinion piñón y cremallera klep deckel abattant cover klapbodem Klappboden abattant drop bed, falling baseboard neigbare loopbodem neigbarer Laufboden abattant inclinable drop bred, falling baseboard aberratie Aberration; Bildfehler aberration aberration aberración accessoires Zubehör accessoires accessories accesorios winstbewijs Genußschein action de juissance participating certificate aanzetstuk Ansatz adaptateur attachment adición? adapter Adapter, Kamera-anschlußring adaptateur; raccord adapter, adaptor adaptador VADI [inwendige overbr] ADB [automatische Druckblende] ADB [déclench. intérieur] APD [internal release] vergroting Vergrößerung agrandissement enlargement, blow-up ampliación -
Features of Mamiya RB 67
INSTRUCTIONS Congratulations on your pur chase of a Mamiya RB67 camera. Reading this manual carefully before· hand will ensure correct camera opera· tion and eliminate any possibility of malfunction. The Mamiya RB67 camera is part of a 'unique camera system, developed by the Mamiya Camera Company, the re· cognized world leader in large format photography. It takes its place alongside the famous Mamiya C Professional and the Mamiya Press cameras. The versatility of the Mamiya RB67, embodying fine performance and various capabilities, results in a large format camera that meets and satisfies all the requirements of the advanced amateur as weil as the professional photographer. Its interlocking use of many Mamiya Press camera accessories further widens its range of photographic application. • Special Pointers in Using the Mamiya RB 67 Under any of the following conditions the cameras safety interlock mechanism will engage. This may seem to be a ca me ra malfunction. A few of these conditions are listed below. The page in the instruction manual covering these situations is indicated in parenthesis. Condition: Shutter release button will not release. 1. When the mirror is up: Press the shutter cocking lever (pg. 12). 2 . When the dark slide is not pulled out: Pull out the dark slide (pg. 18). 3 . When the shutter release button is locked: Turn the shutter release lock ring counterclockwise (pg. 12). 4 . When the revolving adapter is not turned fully to the click stop position: Turn the revolving adapter a full 90° until it clicks and stops (pg. 14). 5 . When the slide lock is stopped halfway:. -
Guide Number Enforcement
APPLICATION NOTE #3 PHOTO TRAFFIC GUIDE NUMBER ENFORCEMENT How to know if an illumination device will be able to illuminate the scene you want to capture? When an illuminator is used to illuminate a scene for image capture, the amount of light reaching the scene depends on multiple factors including: - the intensity of the beam of light coming out of the illuminator: the more intense, the farther reaching, - the distance from the illuminator to the scene. Thus, it is important to quantify the beam intensity. For continuous light, with a video camera, the lux value is important to figure out if a scene is correctly illuminated to expose an image. With a still camera, this translates into an Exposure Value. HOW MUCH LIGHT IS HOW INTENSE IS HOW MUCH LIGHT IS COMING OUT OF THE LAMP? THE LIGHT EMITTED IN ONE ACTUALLY REACHING PARTICULAR DIRECTION? THE DISTANT TARGET? The luminous intensity is the quantity The illuminance is a measure of the luminous flux emitted in a given The luminous flux is a measure of the concentration of luminous direction per solid angle (in steradian). of the overall flow of light flux falling upon a surface. The addition of an optical system emitted by a source. The illuminance will decrease when (reflector, lens…) can increase the surface is farther from the source. the figure dramatically. Unit: candela (cd) Unit: lux (lx) Unit: lumen (lm) 1 cd = 1 lm per steradian 1 lx = 1 lumen per square meter (lm/m2) EQUIVALENT FOR A FLASH: VALUES ARE INTEGRATED OVER TIME lumen x second (lm.s) candela (cd) x second (cd.s) lux x second (lx.s) Why integrate over time? INTENSITY Usually, a flash develops over time with a varying intensity. -
Nikon D5100: from Snapshots to Great Shots
Nikon D5100: From Snapshots to Great Shots Rob Sylvan Nikon D5100: From Snapshots to Great Shots Rob Sylvan Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2012 by Peachpit Press Senior Acquisitions Editor: Nikki McDonald Associate Editor: Valerie Witte Production Editor: Lisa Brazieal Copyeditor: Scout Festa Proofreader: Patricia Pane Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Image: Rob Sylvan Cover Design: Aren Straiger Back Cover Author Photo: Rob Sylvan Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
C330f Manual
c330f manual File Name: c330f manual.pdf Size: 4739 KB Type: PDF, ePub, eBook Category: Book Uploaded: 8 May 2019, 23:12 PM Rating: 4.6/5 from 754 votes. Status: AVAILABLE Last checked: 14 Minutes ago! In order to read or download c330f manual ebook, you need to create a FREE account. Download Now! eBook includes PDF, ePub and Kindle version ✔ Register a free 1 month Trial Account. ✔ Download as many books as you like (Personal use) ✔ Cancel the membership at any time if not satisfied. ✔ Join Over 80000 Happy Readers Book Descriptions: We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with c330f manual . To get started finding c330f manual , you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Home | Contact | DMCA Book Descriptions: c330f manual M. Butkus, NJ.Itll make you feel better, wont it. If you use Pay Pal, use the link below. Use the above address for a. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. See All Buying Options Add to Wish List Disabling it will result in some disabled or missing features. -
E-300 Advanced Manual
E-300AdEN-Cover 04.10.22 11:43 AM Page 1 Basic operations DIGITDIGITALAL CAMERA Things to know before shooting http://www.olympus.com/ Selecting the right mode for shooting conditions ADVANCED MANUAL ADVANCED ADADVANCEDVANCED MANUMANUALAL Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, Tokyo, Japan Various shooting functions Focusing functions Two Corporate Center Drive, PO Box 9058, Melville, NY 11747-9058, U.S.A. Tel. 1-631-844-5000 Exposure, image and color Technical Support (USA) 24/7 online automated help: http://www.olympusamerica.com/E1 Phone customer support: Tel. 1-800-260-1625 (Toll-free) Playback Our phone customer support is available from 8 am to 10 pm (Monday to Friday) ET Customizing the settings/ E-Mail: [email protected] functions of your camera Olympus software updates can be obtained at: http://www.olympus.com/digital Printing Premises: Wendenstrasse 14-18, 20097 Hamburg, Germany Transferring images to a Tel. +49 40 - 23 77 3-0 / Fax +49 40 - 23 07 61 computer Goods delivery: Bredowstrasse 20, 22113 Hamburg, Germany Letters: Postfach 10 49 08, 20034 Hamburg, Germany Appendix European Technical Customer Support: Please visit our homepage http://www.olympus-europa.com or call our TOLL FREE NUMBER*: 00800 - 67 10 83 00 Information for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom * Please note some (mobile) phone services/provider do not permit access or request an additional prefix to +800 numbers. For all not listed European Countries and in case that you can’t get connected to ● Thank you for purchasing an Olympus digital camera.