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Comiccon 2018 Held October 20-21, 2018
Metrics Associated with the ComicCon 2018 Held October 20-21, 2018 Prepared by: David Nash Research and Data Manager John Meroski Chief Executive Officer October 26, 2018 Contents i. Introduction ii. They Identified Themselves as… iii. Where Were They From? ▪ Overview ▪ By State, County and City iv. How Did They Find Out About Event? v. Survey Requirements ▪ Requirements ▪ Information Provided vi. Bureau Generated Publicity vii. Public Relations Recap viii. Occupancy Comparison ix. Summary 2 Introduction • All data was collected by the ComicCon staff. • The ComicCon management estimated 10,000 attendees prior to the event. • The agreed upon minimum number of completed surveys needed was 370. • The final number of submitted surveys was 145. • Using the 10,000 attendees, the Confidence Interval for this presentation with a 145 Sample Size is +/- 8.08%. Because of the size of the sample the Confidence Interval is below the “best practice” of +/- 5.00%. 3 Introduction • Surveys were collected at the following times (blue shaded area indicates event is in progress): Completed Completed Completed Time Time Time Surveys Surveys Surveys Thursday, Oct 18, 2018 Saturday, Oct 20, 2018 Sunday, Oct 21, 2018 3-4 p.m. 2 8-9 a.m. 1 10-11 a.m. 0 Total Collected Day 1 2 9-10 a.m. 1 11 a.m.-12 Noon 0 10-11 a.m. 0 12-1 p.m. 0 11 a.m.-12 Noon 1 1-2 p.m. 11 12-1 p.m. 8 2-3 p.m. 0 1-2 p.m. 19 3-4 p.m. 1 2-3 p.m. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
SVENGOOLIE and the Retro Line-Up of Metv Who Ya Gonna Call? the ORIGINAL
Are you too square to solve me? THE RUBIK'S Fall 2019 CUBE CRAZE No. 6 $8.95 The MUNSTERS’ BUTCH Tune in to PATRICK… & HORRIFIC HOTRODS SVENGOOLIE and the retro line-up of MeTV Who ya gonna call? The ORIGINAL GHOST BUSTERS Remember the Naugas? We’ve got ’em covered 2 2 7 3 0 0 “I Was a Teenage James Bond!” • The Dobie Gillis Dilemma • Pinball Wizardry & more! 8 5 6 2 Featuring Ernest Farino • Andy Mangels • Will Murray • Scott Saavedra • Scott Shaw! 8 Svengoolie © Weigel Broadcasting Co. Ghost Busters © Filmation. Naugas © Uniroyal Engineered Products, LLC. 1 The crazy cool culture we grew up with CONTENTS Issue #6 | Fall 2019 40 51 Columns and Special Features Departments 3 2 Retro Television Retrotorial Saturday Nights with 25 Svengoolie 10 RetroFad 11 Rubik’s Cube 3 Andy Mangels’ Retro Saturday Mornings 38 The Original Ghost Busters Retro Trivia Goldfinger 21 43 Oddball World of Scott Shaw! 40 The Naugas Too Much TV Quiz 25 59 Ernest Farino’s Retro Retro Toys Fantasmagoria Kenner’s Alien I Was a Teenage James Bond 21 74 43 Celebrity Crushes Scott Saavedra’s Secret Sanctum 75 Three Letters to Three Famous Retro Travel People Pinball Hall of Fame – Las Vegas, Nevada 51 65 Retro Interview 78 Growing Up Munster: RetroFanmail Butch Patrick 80 65 ReJECTED Will Murray’s 20th Century RetroFan fantasy cover by Panopticon Scott Saavedra The Dobie Gillis Dilemma 75 11 RetroFan™ #6, Fall 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor-in-Chief. John Morrow, Publisher. -
Sky Pilot, How High Can You Fly - Not Even Past
Sky Pilot, How High Can You Fly - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 19 Like THE PUBLIC HISTORIAN Sky Pilot, How High Can You Fly by Nathan Stone Making History: Houston’s “Spirit of the Confederacy” I started going to camp in 1968. We were still just children, but we already had Vietnam to think about. The evening news was a body count. At camp, we didn’t see the news, but we listened to Eric Burdon and the Animals’ Sky Pilot while doing our beadwork with Father Pekarski. Pekarski looked like Grandpa from The Munsters. He was bald with a scowl and a growl, wearing shorts and an official camp tee shirt over his pot belly. The local legend was that at night, before going out to do his vampire thing, he would come in and mix up your beads so that the red ones were in the blue box, and the black ones were in the white box. Then, he would twist the thread on your bead loom a hundred and twenty times so that it would be impossible to work with the next day. And laugh. In fact, he was as nice a May 06, 2020 guy as you could ever want to know. More from The Public Historian BOOKS America for Americans: A History of Xenophobia in the United States by Erika Lee (2019) April 20, 2020 More Books The Munsters Back then, bead-craft might have seemed like a sort of “feminine” thing to be doing at a boys’ camp. -
Fracking (With) Post-Modernism, Or There's a Lil' Dr Frankenstein in All
1 Fracking (with) post-modernism, or there’s a lil’ Dr Frankenstein in all of us by Bryan Konefsky Since the dawn of (wo)mankind we humans have had the keen, pro-cinematic ability to assess our surroundings in ways not unlike the quick, rack focus of a movie camera. We move fluidly between close examination (a form of deconstruction) to a wide-angle view of the world (contextualizing the minutiae of our dailiness within deep philosophical inquiries about the nature of existence). To this end, one could easily infer that Dziga Vertov’s kino-eye might be a natural outgrowth of human evolution. However, we should be mindful of obvious and impetuous conclusions that seem to lead – superficially – to the necessity of a kino-prosthesis. In terms of a kino-prosthesis, the discomfort associated with a camera-less experience is understood, especially in a world where, as articulated so well by thinkers such as Sherry Turkle or Marita Sturken, one impulsively records information as proof of experience (see Turkle’s Alone Together: Why We Expect More From Technology and Less From Each Other and Sturken’s Practices of Looking: An Introduction to Visual Culture). The unsettling nature of a camera-less experience reminds me of visionary poet Lisa Gill (see her text Caput Nili), who once told me about a dream in which she and Orson Welles made a movie. The problem was that neither of them had a camera. Lisa is quick on her feet so her solution was simply to carve the movie into her arm. For Lisa, it is clear what the relationship is between a sharp blade and a camera, and the association abounds with metaphors and allusions to my understanding of the pro-cinematic human. -
All Around Monstrous Monster Media in Their Historical Contexts
All Around Monstrous Monster Media in Their Historical Contexts Edited by Verena Bernardi Saarland University, Germany Frank Jacob Nord University, Norway Series in Critical Media Studies Copyright © 2019 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Critical Media Studies Library of Congress Control Number: 2019940482 ISBN: 978-1-62273-458-0 Cover design by Vernon Press. Cover image designed by Kjpargeter / Freepik. Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Table of contents Introduction: All Around Monstrous or a Critical Insight into -
Murder Mystery Tree Lab: (Due Next Thursday, Oct 29, but I Hope You Can Finish It Within the Lab Period!)
Murder Mystery Tree Lab: (Due next Thursday, Oct 29, but I hope you can finish it within the lab period!) Munster House Link: The Munsters are a well-respected family living in Transylvania. There’s Herman and Lily, the parents, and their two teenage children, Eddie and Marilyn. Grandpa Munster also lives with them. One day the police are called to their home at 1313 Mockingbird Lane to solve a murder. However, the circumstances are a bit unusual. Apparently Grandpa Munster was at a Halloween Gala, and came home to find everyone gone and an hysterical maid. In piecing together her story, Grandpa, with a sinking heart, realizes that the maid has seen one member of the family being murdered. She also saw the murderer and their accomplice wrapping the body up and throwing it over the cliff into the rocky ocean below. Apparently the 4th member of the family witnessed the whole thing through a window, and has now fled the premises in fear for their life. So, to summarize, one of the Munsters has been murdered, one Munster is the murderer, one Munster is an accomplice, and one Munster is a witness. Grandpa has figured out who each one is, but can’t bear to just turn in his family members. So to assuage his conscience, he has placed clues in various rooms throughout the Munster mansion, and each room has a key code. (Because this factors into the maid’s eye-witness account, it is important to know that Herman and Eddie habitually wear black, and Lily and Marilyn are never caught wearing anything but shades of green.) Your job, as the detective on the case, is to figure out each key code to enter each room, gather the clues, and then figure out who is the murderer, who was the accomplice, who was the witness, and who was murdered before the murderer and their accomplice flee the country! (The codes must be entered into the google form on canvas to unlock the next room and clue) Good luck. -
Musicale 17-10-29 V2.Indd
About Gilbert & Sullivan The Gilbert & Sullivan comic operas were composed between 1871 and 1896 in Victorian London. Their sparkling musical Gilbert & Sullivan Austin scores by Sir Arthur Sullivan and their dazzling lyrics by Sir William S. Gilbert have kept them popular throughout the English-speaking world ever since. They’ve been called the presents “Saturday Night Live” of their day for their satiric appeal, but they have proven universal and timeless in their comic and ironic treatment of human foibles through their “airy persifl age” and “innocent merriment.” And the popular appeal of the music has endeared them to millions who cherish “laughing song and merry dance.” They are arguably the most popular “musical comedies” ever written for the stage. Our Mission Entertaining and educating Texas audiences since 1976, Gilbert and Sullivan Austin is dedicated to spreading the topsy-turvy humor and joyful music of W. S. Gilbert and Arthur Sullivan. Annual Grand Productions • Musicales • Newsletters Educational/Community Outreach • Musical Scholarships Visit our website and sign up for free email newsletters, see former productions in our photo archive, watch videos, volunteer, and much more! www.gilbertsullivan.org [email protected] PO Box 684542 / Austin, Texas / 78768-4542 / 512.472.4772 Please detach and mail this form with your check to: Gilbert & Sullivan Austin P. O. Box 684542 October 29, 2017 Austin, TX 78768-4542 Bachus Conservatory Performing Arts Center Membership Form Name _______________________________________________ Choose your membership level: Address ______________________________________________ Austin, Texas Member $30-$49 Patron $50-$99 City ____________________ State ______ Zip _____________ Grand Duke or Duchess $100-$249 Email ________________________________________________ Major General $250-$499 Pooh-Bah $500-$999 I am interested in volunteering Pirate King $1000-$2499 I am interested in being a business partner Savoyard $2500 & up Contributions to Gilbert & Sullivan Austin are tax deductible. -
Kid & the Kars Tour 2015
POP CULTURE POP QUIZ 1. NAME THE CHARACTER IN THE LEFT CORNER 2. NAME THE FATHER IN THE FAMILY PICTURED ABOVE A. POTSIE A. ROB B. EDDIE B. HERMAN C. OPIE C. MIKE 3. THE ADDRESS OF ABOVE PICTURED HOUSE IS? 4. CAN YOU NAME THE AUTOMOBILE IN ABOVE PICTURE A. 411 WENTZ A. THE KOACH B. 1600 PENNSYVANIA AVE B. BLACK BEAUTY C. 1313 MOCKINGBIRD LANE C. KITT What was your score? If you're a baby boomer I'm sure it four outta four. The 60's not only are representative of great time for television but also for the auto industry. Design a promotion that features the feel good memories of a period we all remember. Whether firsthand or through music and TV or cars, the nostalgia factor will bring out legions of families. Believe me the young generation know who I am and their parents love to watch "their" favorite old show with em! What I'm offering is an "event" like no other. Professionally designed to bring in customers for you through every media outlet available. This promotion has a long term butterfly effect as each picture and autograph that leaves your dealership with YOUR logo on it, becomes a collectible item which is treasured. Please give it some thought. Ask around and know that the Munsters are the most heavily merchandised show ever. With new licenses issued for 2015 for model cars, shirts , dolls, etc. STILL!! Look forward to hearing from you. Greetings Car Enthusiasts !!! My name is Butch Patrick and I played Eddie on the classic TV show The Munsters. -
Broken Toys 34 Is Brought to You in a Bit of a Rush by Taral Waynewayne,Wayne Who Lives at 245 Dunn Ave., Apt
Broken Toys 34 is brought to you in a bit of a rush by Taral WayneWayne,Wayne who lives at 245 Dunn Ave., Apt. 2111, Toronto, Ontario, M6K 1S6 Canada. You can e-mail me at [email protected] to loc, or download all past issues at eFanzines.com, http://www.fanac.org/fanzines/BrokenToys/ or at Fanac.org, http://efanzines.com/Taral/index.htm . This is Kiddelidivee Books & Art 293, Seasons Gleanings Christmas is a helluva thing. It sneaks up on you like the June Taylor Dancers at a state funeral, and yet you somehow never notice until there’s a spike-heel shoe in your eggnog. I had just e-mailed the last issue of Broken Toys when I realized that if I wanted the next issue out before Christmas, it was already nearly too late to start! And I still haven’t finished work on the Halloween issue! Truth be told, I’ve done very little work on it, having been distracted by other chores, including Broken Toys 33 . One unscheduled detour was a final issue of Lost Toys. Number 8 was more or or less to have been the last, but it turned out that I had a few loose ends I wanted to tie up as I left Arnie Katz’s digitral apa, TePe . So you completist collectors out there should know that Lost Toys 9 is now the real final issue. A second unplanned demand on my time can be blamed on Guy Lillian, who is editing the program book for Sasquan , the Seattle Worldcon next year. -
Mockingbird Lane Pilot
Written by Bryan Fuller Based on THE MUNSTERS (1964-1966) Created by Allan Burns & Chris Hayward Developed by Norm Liebmann & Ed Haas Directed by Bryan Singer June 3, 2012 Final Shooting Script MOCKINGBIRD LANE "The Munsters" TEASER 1 EXT. SPOOKY FOREST - NIGHT 1 CAMERA DRIFTS OVER THE MOONLIT TREE TOPS to find the warm glow of a CAMP FIRE where A WILDLIFE EXPLORERS PACK LEADER addresses a DOZEN EXPLORERS (10-15) on a serious problem, as evidenced by crumpled food boxes and wrappers on display. WILDLIFE PACK LEADER Would anybody like to say anything before we discuss community, responsibility and Wildlife honor? CAMERA MOVES ALONG the Wildlife Explorers' faces (including a BOY ZIPPED UP IN A SLEEPING BAG, only his face is visible) until FINDING a thin, fastidious Scout named HUEY (11). HUEY We all know who it was. Wallace's had a serious eating disorder since 1st Grade and you all ignored it. WILDLIFE PACK LEADER No one is ignoring anything, Huey. HUEY Well, someone gave him an honor patch in personal fitness. There's an EH-HEM clearing of throat just outside the circle of Scouts from someone sitting on a log in the dark. HUEY (CONT'D) Oh. I didn't see you there. A heftier child named WALLACE (11) steps up, PUNCHES HUEY IN THE SHOULDER then returns to the dark log he was sitting on. HUEY (CONT'D) Ow. WILDLIFE PACK LEADER Wallace. (CONTINUED) MOCKINGBIRD LANE 06/03/12 FINAL SHOOTING SCRIPT 2. 1 CONTINUED: 1 HUEY (undeterred) I could hear whatever snack wrappers you have in your pockets crinkling when you hit me. -
Audie and the Munsters by MD Marks
Audie Murphy Research Foundation 1 MD Marks November 1, 2020 AMRF Correspondent Audie and the Munsters By MD Marks Comments? Comments are welcome. Just use the link below to our message board. https://www.audiemurphy.com/msgb/viewtopic.php?f=1&t=4734 t is unusual to read anything about Audie Murphy without something I in the text referring to his sense of humor. He was noted for his wit and sarcasm at even the most difficult times of his life. To this part of his persona, we offer a little humor – and to have some fun this day of Halloween in 2020. So, here is the story of how Audie Murphy met “The Munsters”. During the month of September 1962, Audie filmed one of his last black and white films – “Showdown”. Appearing in the film were two child actors - Kevin Showdown for a Munster. Butch Patrick, right, and Kevin Brodie, left, stand with Audie Murphy in a movie still photograph from the 1962 film “Showdown”. Photo source: the Lillian Bailey Collection Brodie, and Butch Patrick. The two boys were only a year apart in age, but Lobby Card. A lobby card from Audie Murphy’s 1962 movie “Showdown.” Photo source: the Eva Dano collection For more information visit the Audie L. Murphy Memorial Website at www.audiemurphy.com Audie Murphy Research Foundation 2 MD Marks November 1, 2020 AMRF Correspondent Brodie's larger size made him look like a much older brother. In just two years, Butch Patrick would become the better-known star. Not long afterwards, in the fall of 1963, Audie made one of his better received films - the western “Bullet for a Bad Man” with Darren McGavin.