August 4, 1956
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Harold J. Cromer, Vaudeville Duo's Stumpy, Is
'True Blood' Star Will Play Stanley in 'Streetcar' - NYTimes.com JUNE 14, 2013, 1:16 PM ‘True Blood’ Star Will Play Stanley in ‘Streetcar’ By ALLAN KOZINN Joe Manganiello, whose buff physique has been amply displayed as a werewolf on HBO’s “True Blood” and as a stripper in the film “Magic Mike,” will wear (and take off?) the most famous T-shirt in American theater when he plays Stanley Kowalski in Yale Repertory Theater’s production of “A Streetcar Named Desire.” Portraying Blanche DuBois will be René Augesen, who has appeared at the Public and Lincoln Center Theaters. Mark Rucker is directing the production, which opens Yale Rep’s season on Sept. 20 and is scheduled to run through Oct. 12. The season, which had already been announced, also includes “These Paper Bullets,” an adaptation of Shakespeare’s “Much Ado About Nothing,” with music by Billie Joe Armstrong of the band Green Day and plays by Caryl Churchill, Dario Fo, Marcus Gardley and Meg Miroshnik. http://artsbeat.blogs.nytimes.com/.../06/14/true-blood-star-will-play-stanley-in-streetcar/?ref=allankozinn&pagewanted=print[6/17/2013 11:03:39 AM] Of Shakespeare and Superheroes - The New York Times June 13, 2013 THEATER REVIEW Of Shakespeare and Superheroes By BEN BRANTLEY There’s enough plot in Eric Rosen and Matt Sax’s “Venice,” the action-flooded new musical at the Public Theater, to fill a whole year in a Marvel comics series. Though it borrows some of its story from Shakespeare’s “Othello” and much of its tone from apocalyptic movie blockbusters like “The Dark Knight Rises,” this tale of a once-and-future civil war still seems to translate into two-dimensional panels as you watch it. -
Subseries 6.2: Dallas Times Herald Work, Circa 1961-1989 Extent: 30 Boxes (126 Film and 35 Mm) (Approximately 85,000 Negatives)
Subseries 6.2: Dallas Times Herald Work, circa 1961-1989 Extent: 30 Boxes (126 film and 35 mm) (approximately 85,000 negatives) Celebrities; stage, screen and TV stars; events, concerts, portraits and parties. Filed alphabetically by subject’s last name. Primarily black and white 35 mm roll film; some 126-roll film. Roll film is cut in strips and sleeved in polyethylene sheet protectors. Box 8 Last Name Beginning with “A” negatives (76 rolls, approximately 1,450 negatives) Rolls Able Will 1979 July 7 2 Adams Tom 1983 April 15 2 Adams Edie 1970 April 28 1 DSM June 1975 Alberghetti Anna Maria 1975 1 1975 June 4 Albert Eddie 2003 July 4 2 also 1977 Mar 22 Alda Robert 1971 Aug 11 1 Alda Alan 1981 April 3 7 USA Film Festival, SMU Alder Joe 1983 June 1 5 with James Drury Aleskovsky Ruth 2 Allen Marty 1971 Nov 1 3 @ the Fairmont, with Steve Rossi, @ Stoneleigh Allen Steve 1975 Nov 1 1 Fairmont Hotel Allred Libby Hunt 1 1988 Feb Alpert Hollis 1 @ SMU Alred Libby Hunt 1 Ameche Don 1972 Oct 10 1 With Jeb Stuart Ames Ed 1970 March 26 1 @ T Bar M, with Warren Jacques, Interview Ames Nancy 1 @ the Fairmont Chick 1964 May 28 1 With Mike Rogers at Stoneleigh Anderson Anderson Lynn 1979 March 21 7 and 1977; Venetian Room @ 1980 May 12 Fairmont Andrews Sisters 1 Ann-Margaret 1982 Aug 1 8 In “Tommy” Anspach Susan 1979 Nov 1 2 @ the Fairmont Applewhite Charlie 1961 Sept 14 1 Arden Eve 1982 July 2 1 With Donald O'Connor @DSM Ashley Elizabeth 1984 Feb 1 1 Manheim Asner Ed 1981 June 27 2 Golden Plate dinner awards Atkins Chet 1969 Jan 24 5 August Marie 1982 -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
156 Winning Song Titles Radio Station WQEW-AM, 1560 on The
156 Winning Song Titles Radio Station WQEW-AM, 1560 on the dial, a New York City station, recently held a listener’s contest to determine the songs that were most popular with it’s listeners. Here are ”The 156 Winners on Radio Station WQEW-AM, 1650KC, Contest.” 1. I Can’t Get Started Bunny Berigan 2. Stardust Nat King Cole 3. Stardust Artie Shaw 4. Begin the Beguine Artie Shaw 5. Moonlight Serenade Glenn Miller 6. Green Eyes J. Dorsey/B., Eberly/H. O’Connell 7. In the Mood Glenn Miller 8. Sing, Sing, Sing Benny Goodman 9. My Way Frank Sinatra 10. You Belong to Me Jo Stafford 11. I’ve Got You Under My Skin Frank Sinatra 12. Because of You Tony Bennett 13. Unforgettable Nat King Cole 14. I Left My Heart in San Francisco Tony Bennett 15. Theme from: New York, New York Frank Sinatra 16. When Your Old Wedding Ring Was New Jimmy Roselli 17. Over the Rainbow Judy Garland 18. Tangerine J. Dorsey/B. Eberly/H. O’Connell 19. Mack the Knife Bobby Darin 20. Night and Day Frank Sinatra 21. I’ll Never Smile Again T. Dorsey/Pied Pipers/F Sinatra 22. I Understand Jimmy Dorsey 23. Summer Wind Frank Sinatra 24. White Christmas Bing Crosby 25. On the Sunny Side of the Street T Dorsey/Sentimentalists 26. A String of Pearls Glenn Miller 27. All the Things You Are Artie Shaw/Helen Forest 28. Mona Lisa Nat King Cole 29. Mala Femmena Jimmy Roselli 30. Wind Beneath My Wings Bette Midler 31. -
Music from the Bob Hope Collection
Music from the Bob Hope Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2012 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2006560672 Finding aid encoded by Library of Congress Music Division, 2012 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu012018 Collection Summary Title: Music from the Bob Hope Collection Span Dates: 1932-1997 Bulk Dates: (bulk 1979-1990) Call No.: ML31.H67 Creator: Hope, Bob, 1903-2003 Extent: 15,000 items ; 122 containers ; 35.0 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: In a career that spanned nearly seventy years, American comedian and entertainer Bob Hope performed in theater, radio, film, and television, and in numerous public appearances, including his tours in support of the U.S. armed forces. Music from the Bob Hope Collection contains manuscript scores, instrumental parts, and lyrics for nearly 500 works used in Hope's films, television programs and personal appearances. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Alberti, Bob, pianist. Comstock, Frank. Harmon, Manny. Hill, J. (James L.), 1928- Hope, Bob, 1903-2003. Hope, Bob, 1903-2003. Myers, Pete. Perito, Nick. Rogers, Shorty, 1924-1994. Wolpe, Dave. Organizations Hope (Bob) Collection (Library of Congress) Subjects Motion picture music, Arranged. -
Coronet 1956-1962
AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA -
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell George Gerswhin Fred Astaire Adele Astaire For an artist so synonymous with dance, Fred Astaire is also certainly associated with a wide selection of musical standards—“Cheek to Cheek,” “Top Hat,” “Funny Face” and “Night and Day,” to name just a few. And for a man forever partnered with Ginger Rogers within popular culture, Astaire got his first taste of stardom while still teamed with his talented elder sister and longtime stage co-star, Adele. Both natural-born dancers with unbelievable technique and an innate sense of rhythm, the Astaires began performing as a brother-sister team in vaudeville in the 1900’s. Eventually, they worked their way up to the Orpheum Circuit. Filling their act with songs, sibling teasing and, of course, dance, the duo first appeared on Broadway, in the show “Over the Top,” in 1917. Meanwhile, though the brothers Gershwin, George and Ira, were each having some individual success as Tin Pan Alley tunesmiths in the early 1920’s, they achieved their greatest success when they teamed up together for the Broadway stage and wrote the musical “Lady, Be Good” in 1924. Along with composing that show’s long-enduring title tune, the Gerswhins also wrote “Fascinating Rhythm,” a bouncy duet that Fred and Adele would perform in the show in New York and in London’s West End. They would commit it to record, on Columbia, with George Gerswhin on piano, in 1926. This recording was named to the Library of Congress’ National Registry in 2004. -
September 10, 2009 for Immediate Release Contact: Bril Barrett C/O M.A.D.D
September 10, 2009 For Immediate Release Contact: Bril Barrett c/o M.A.D.D. Rhythms, Inc. Phone: (773) 604-1899 Fax: (773) 604-1898 Email: [email protected] www.maddrhythms.com THE CHICAGO TAP SUMMIT 5th ANNIVERSARY Celebration “Honoring Chicago’s TAP Legacy” M.A.D.D. Rhythms presents The Chicago Tap Summit; 5th Anniversary Celebration, October 30- November 1, 2009. Many of the worlds most renowned Tap Legends will come together from Canada, New York, St. Louis, Las Vegas, New Jersey and Chicago to teach, perform and celebrate the art of tap dance. This year’s Summit will be dedicated to the late, great Ernest “Brownie” Brown. Ernest “Brownie” Brown was born April 25, 1916 and left for the big show in Heaven on Aug. 21, 2009. At the early age of 11, Ernest “Brownie” Brown ventured off to follow his dream of becoming a dancer and an entertainer. This dream would turn into a career that spanned 80 years. In 1930, Brownie and his childhood friend, Charles “Cookie” Cook formed the dance team Cook & Brown. They headlined in vaudeville theatres throughout the U.S. and in Europe. In 1934, they played The Cotton Club which led to London’s Palladium, The Latin Casino in Paris and The Broadway musical “Kiss Me Kate”. Brownie was also one of the founding members of the original “Copasetics”; an elite tap company formed in 1949 in memory of Bill “Bojangles” Robinson. One of his proudest moments was being inducted into the Tap Dance Hall Of Fame. This year’s esteemed honorees include: Dr. -
Author's Note X
Author’s Note It was always about loving the sound of the singing voice and wondering what it could do. I had a nice voice as a preteen and sang “Silent Night” on the stage of P.S. 64 in the Bronx two Christmases in a row, so I knew what singing was, but let’s face it, all you really need for that song is a good octave and two notes—that’s why it’s so popular. (The only hurdle was the leap up to the first syllable of “heav’nly”; and it still is if you start it too high.) I got a portable radio that I put under my pillow at night and played quietly: listening to the Platters sing “Only You” and “The Great Pretender” (with its al- ternating high A flats and B flats at the start of the reprise, which was way out of my capabilities) or the Five Satins singing “In the Still of the Night” or even Johnnie & Joe singing the wonderful “Over the Mountain, Across the Sea” was a spectacular antidote to Perry Como’s eight-note range that my parents were riveted to on the television. Somehow, the wider range, both vocal and emotional—they sang high, they sang low; they whispered, they wailed—made their music more personal, more full of feeling, more exciting than Perry Como’s, Vic Damone’s, Eddie Fisher’s, or Andy Williams’s. One might think it was a black-versus- WeepShudderDie_i-xvi_1-240_4p_des.indd 9 3/28/11 8:10 AM white thing at the time—what with black singers being far more exotic and therefore more interesting—but Paul Anka’s “Diana” and Buddy Holly’s “That’ll Be the Day” were other landmarks for some reason. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JOE WILDER NEA Jazz Master (2008) Interviewee: Joe Wilder (February 22, 1922 – May 9, 2014) Interviewer: Julie Burstein Date: August 25-26, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 129 pp. Burstein: I wanted to start by asking you about your beginnings in Colwyn, I guess. [She pronounces it as “coal-win.”] Wilder: Colwyn, it’s pronounced. [Wilder says “coll-win,” as in collar.] Burstein: Colwyn. Wilder: Yeah, Colwyn. Burstein: . Colywn, Pennsylvania, and about your family. Where were your folks from? Wilder: My – I think – I know my father’s family are from North Carolina. I think my mother’s family were also from North Carolina. Apparently they had come North much earlier than my father’s family, because my mother was born in Pennsylvania. My father was born in North Carolina. He left – my grandfather brought his family to Philadelphia – to Colwyn, as a matter of fact. That’s something I don’t really understand. I don’t know how they managed to end up in Colwyn, but that’s where they did. My father was 12 years old at that time. He’s now – he’ll be 92 in November – the 23rd of November. Burstein: So this was in 1912 that they came there. Wilder: Yeah, in 1912 he came – they came to Colwyn. There were – in Colwyn, I think there was my paternal grandparents and my maternal grandparents, and my aunts and uncles, and my family. -
Diahann Carroll Papers PASC-M.0260
http://oac.cdlib.org/findaid/ark:/13030/kt8580394c No online items Finding Aid for the Diahann Carroll Papers PASC-M.0260 Finding aid prepared by Kevin Awakuni and Alexandra Apolloni, October 2014; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated 2021 January 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Diahann PASC-M.0260 1 Carroll Papers PASC-M.0260 Contributing Institution: UCLA Library Special Collections Title: Diahann Carroll papers Creator: Carroll, Diahann Identifier/Call Number: PASC-M.0260 Physical Description: 58 Linear Feet(24 boxes, 2 shoe boxes, 92 flat boxes, and 8 oversize flat boxes) Date (inclusive): circa 1940-circa 2008 Abstract: Over the course of her career, actress and singer Diahann Carroll has been involved in a number of stage, motion picture, and television projects as well a business and philanthropic activities. The bulk of the collection includes musical arrangements, clippings, and photographs documenting assorted stage, motion picture, and television projects. Additionally there is a small amount correspondence, scrapbooks, awards, and ephemera. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS DIGITAL AND AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed digital and audiovisual materials. -
Hip Hop Ja Jazztanssi
Harri Heinilä Hip hop ja jazztanssi Afrikkalaisamerikkalaisen tanssin jatkumo Kansi: Harri Heinilä ISBN 978-952-68364-8-5 Musiikkiarkisto 2021 musiikkiarkisto.fi [email protected] Sisällysluettelo Johdanto: hip hop ja jazztanssi 5 Jazztanssin synty 13 Jazzmusiikin synty 20 Jazzmusiikin ja -tanssin terminologia 22 Jazztanssi orjuuden aikana Yhdysvaltain plantaaseilla ja sen vaikutus 31 Minstrelsy-aikakausi 36 Cakewalk 52 Texas Tommy 61 Charleston 63 Lindy Hop 71 Mambo ja salsa 75 Rock and roll -tanssit 79 Hip hop -musiikin synty 85 Breikeistä rappiin: hip hop -kulttuurin muotoutuminen 96 Hip hop -tanssien synty 104 James Brown ja ’Get on the Good Foot’ -tanssi 106 Burning eli ”polttaminen” 108 Burning muuttuu breikkaukseksi 117 Bronxin alkuperäiset 1970-luvun breikkausryhmät 121 Bronxin alkuperäisen breikkauksen loppu 137 Länsirannikon Soul Train -tanssijat osana hip hop -tanssia 139 Breikkaus siirtyy uudelle sukupolvelle 151 Breikkauksen jatkumo vai katkeama: ensimmäisen ja toisen 163 sukupolven väliset erot Jazz- ja hip hop -tanssien yhtäläisyydet 168 2 Epilogi: hip hop -tanssi 2000-luvulla 192 Suomalaisen hip hop -kulttuurin musiikin ja tanssin alku 197 tutkijan näkökulmasta Taulukot 4 Viitteet 209 Lähteet 271 Henkilöhakemisto 292 3 Taulukot Taulukko 1. Ragtime vs. Jazz. Taulukko 2. William Henry Lane vs. John Diamond. Taulukko 3. Bronxin breikkausryhmiä 1970-luvulla. Taulukko 4. Bronxin breikkauspaikkoja 1970-luvulla. Taulukko 5. The Campbellock Dancers vuonna 1973. Taulukko 6. The Rock Steady Crew:n tanssijoita vuonna 1981. Taulukko 7. The New York City Breakers. Alkuperäinen kokoonpano vuonna 1982. Taulukko 8. Dynamic Rockers / Dynamic Breakers vuonna 1983. Taulukko 9. Breikkauksen leviäminen elokuvien kautta eri maissa. Teos on saanut tukea WSOY:n kirjallisuussäätiöltä ja Suomen tietokirjailijat ry:ltä.