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On April 3 at a Gigantic Anti-War Rally on Historic Bos Ton Common, Hundreds of New England Men Will Turn-In Their Draft Cards Wed
resistance m A COPY NEW ENGLAND EDITION ft 1 MARCH 1-15 Resistance Moves Again On April 3 At a gigantic anti-war rally on historic Bos ton Common, hundreds of New England men will turn-in their draft cards Wed. April 3 in soli darity with the Vietnamese, black and poor Amer icans who cannot get deferments or exemptions, and 2500 youths who non-cooperated nationally Oct. 16 and Nov.lb/Dec. 4. In nearly 100 other cities, Resistance groups 111! fill! -11 will move simultaneously against the Selective Service System with demonstrations at draft boards, federal buildings and induction centers. The Boston Common rally will begin at 11 a.m. mm?mt National peace leaders Staughton Lynd, Paul Good • • • ': • . • • •• man, Dave Dellinger, and Howard Zinn have been invited to speak. The day's events will also include marches to other revolutionary sites in the city; an inter-faith service; a concert; and dinners. The following day, all new and old resistors will hold a general conference and divide into organizing workshops to develop the theory and practice of Resistance and to plan for summer action. Since as many as 25,000 people are expected to come to the rally from all across New England the Service of Conscience at which the draft cards are tumed-in will take place outside, or at nearby Arlington St. Church in case of bad weather. v While the Resistance has no official estimate of how many will non-cooperate April 3, the na tional total this Spring will be in the thou sands. -
Sex and the Student Body: Knowledge, Equality, and the Sexual Revolution, 1960 to 1973
SEX AND THE STUDENT BODY: KNOWLEDGE, EQUALITY, AND THE SEXUAL REVOLUTION, 1960 TO 1973 Kelly Morrow A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History Chapel Hill 2012 Approved by: Jacquelyn Dowd Hall Crystal Feimster Peter Filene James Leloudis Nancy MacLean John Sweet © 2012 Kelly Morrow ALL RIGHTS RESERVED ii ABSTRACT KELLY MORROW: Sex and the Student Body: Knowledge, Equality, and the Sexual Revolution, 1960 to 1973 (Under the direction of Jacquelyn Dowd Hall) “Sex and the Student Body” seeks to revise popular and scholarly understandings of the sexual revolution by viewing it through the prism of New Left activism on college campuses from 1960 to 1973. This upheaval in manners and mores is often remembered as a sexual free-for-all based on individual gratification. Research in university archives, campus papers, and oral history interviews, however, reveals that at the center of the sexual revolution on college campuses were “sexual liberation activists” who offered students a new framework for understanding their sexual and emotional relationships grounded in the principle of equality. Far from advocating sexual license, these activists responded to a changing sexual culture by linking liberation to knowledge and responsibility. Through sexual health clinics, courses, handbooks, and counseling services, a coalition of faculty and students worked together to build institutions and create a more democratic university. Inspired by the liberation movements of the 1960s, men and women joined forces to advocate for equality and reproductive justice, and they attempted to change the gender consciousness of men as well as women in order to promote sexual relationships based on mutual honesty, trust, and pleasure. -
Free Speech Movement Participants Papers, 1959-1997 (Bulk 1964-1972)
http://oac.cdlib.org/findaid/ark:/13030/kt3p30030s No online items Guide to the Free Speech Movement Participants Papers, 1959-1997 (bulk 1964-1972) Processed by Elizabeth Stephens; additions by Alison E. Bridger The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2002 The Regents of the University of California. All rights reserved. Guide to the Free Speech BANC MSS 99/162 c 1 Movement Participants Papers, 1959-1997 (bulk 1964-1972) Guide to the Free Speech Movement Participants Papers, 1959-1997 (bulk 1964-1972) Collection number: BANC MSS 99/162 c The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: Elizabeth Stephens; additions by Alison E. Bridger Date Completed: July 2001; additions March 2006 Encoded by: Xiuzhi Zhou © 2002 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Free Speech Movement Participants Papers, Date (inclusive): 1959-1997 Date (bulk): (bulk 1964-1972) Collection Number: BANC MSS 99/162 c Extent: Number of containers: 16 boxes, 5 cartons, 2 oversize boxesLinear feet: 13.45 Repository: The Bancroft Library. Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: Consists of small collections and single items donated by participants in the Free Speech Movement (FSM) to the FSM Digital Project over a three year period, 1998-2001. -
Gay Outlaws: the Alpine County Project Reconsidered Jacob D
University of Massachusetts Boston ScholarWorks at UMass Boston Graduate Masters Theses Doctoral Dissertations and Masters Theses 6-1-2015 Gay Outlaws: The Alpine County Project Reconsidered Jacob D. Carter University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/masters_theses Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the United States History Commons Recommended Citation Carter, Jacob D., "Gay Outlaws: The Alpine County Project Reconsidered" (2015). Graduate Masters Theses. Paper 307. This Open Access Thesis is brought to you for free and open access by the Doctoral Dissertations and Masters Theses at ScholarWorks at UMass Boston. It has been accepted for inclusion in Graduate Masters Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. GAY OUTLAWS: THE ALPINE COUNTY PROJECT RECONSIDERED A Thesis Presented by JACOB D. CARTER Submitted to the Office of Graduate Studies, University of Massachusetts Boston, In partial fulfillment of the requirements for the degree of MASTER OF ARTS June 2015 Department of History © 2015 by Jacob D. Carter All rights reserved GAY OUTLAWS: THE ALPINE COUNTY PROJECT RECONSIDERED A Thesis Presented by JACOB D. CARTER Approved as to style and content by: ________________________________________________ Vincent J. Cannato, Associate Professor Chairperson of Committee ________________________________________________ Timothy Hacsi, Associate Professor Member ________________________________________________ -
Sex and the Radical Imagination in the Berkeley Barb and the San Francisco Oracle Sinead Mceneaney
Radical Americas Special issue: Radical Periodicals Article Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle Sinead McEneaney St Mary’s University, Twickenham; [email protected] How to Cite: McEneaney, S. ‘Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle.’ Radical Americas 3, 1 (2018): 16. DOI: https://doi.org/10.14324/111.444.ra.2018.v3.1.016. Submission date: 28 September 2017; Acceptance date: 20 December 2017; Publication date: 29 November 2018 Peer review: This article has been peer reviewed through the journal’s standard double blind peer-review, where both the reviewers and authors are anonymised during review. Copyright: c 2018, Sinead McEneaney. This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.ra.2018.v3.1.016. Open access: Radical Americas is a peer-reviewed open access journal. Abstract This paper looks specifically at two influential newspapers of the American underground press during the 1960s. Using the Berkeley Barb and the San Francisco Oracle, the paper proposes two arguments: first, that the inability of the countercultural press to envisage real alternatives to sexuality and sex roles stifled any wider attempt within the countercultural movement to address concerns around gender relations; and second, the limitation of the ‘radical’ imagination invites us to question the extent to which these papers can be considered radical or countercultural. -
Top of Page Interview Information--Different Title
Oral History Center, The Bancroft Library, University of California Berkeley Oral History Center University of California The Bancroft Library Berkeley, California Mike Miller Mike Miller: Establishing SLATE on the Berkeley Campus The SLATE Oral History Project Interviews conducted by Martin Meeker in 2018 Copyright © 2018 by Mike Miller Oral History Center, The Bancroft Library, University of California Berkeley ii Since 1954 the Oral History Center of the Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. -
Shut It Down! a College in Crisis, San Francisco State College, October
DOCUMENT RESUME ED 084 943 HE 004 775 AUTHOR Orrick, William H., Jr. TITLE Shut it Down! A College in Crisis, San Francisco State College, October, 1968 to April, 1969.A Staif Report to the National Commission on the Causes and Prevention of Violence. INSTITUTION San Francisco State Coll., Calif. PUB DATE Jun 69 NOTE 184r. "DRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Activism; Case Studies; *College Students; *Higher Education; *School Boycotts; Strikes; Student AttAtudes; *Student College Relationship IDENTIFIERS *San Francisco State College ABSTRACT This document reviews the activities at San Francisco State College, October 1968-April, 1969: why the San Francisco State College strike became the first sustained assault on an institution by its students, embroiling, as it did, not only the faculty, administrators, trustees, students, and alumni, but also the political leaders of the city and the State, and the off-campus community. The first part of the report describes the Califcrnia system of higher education and San Francisco State College, the conditions prior to the strike, and the strike. Because the student strike leadership was centered in the Black Student Union, the second part of the report deals with the black community and some of the reasons underlying the actions of the black student strike leaders. This is followed by a brief comment on the outlook for the future and appendices containing a list of the demands, a comment on th.! police, a list of the trustees of the California State colleges, and a summary of the proposed Black Studies Program. (Author/MJM) FILMED FROM BESTAVAILABLE COPY I .47 .a.au " a if aSif4 4 fl.R 1'i 7 ; e; I a t- I 11,1 1 ft ,,,,,,,., ,f., .. -
CITYWIDE HISTORIC CONTEXT STATEMENT for LGBTQ HISTORY in SAN FRANCISCO Donna J
CITYWIDE HISTORIC CONTEXT STATEMENT FOR LGBTQ HISTORY IN SAN FRANCISCO Donna J. Graves & Shayne E. Watson © GREG DAY Prepared for the City & County of San Francisco October 2015 October 2015 | Copyright City and County of San Francisco TABLE OF CONTENTS CHAPTER 1. INTRODUCTION .........................................................................1 CHAPTER 2. LGBTQ HISTORY ..........................................................................4 HISTORICAL BACKGROUND – CALIFORNIA AND SAN FRANCISCO .......5 Early INFLUENCES ON LGBTQ IDENTITIES AND COMMUNITIES (19TH Century TO 1950S) ........................................................................13 Early DEVELOPMENT OF LGBTQ COMMUNITIES (Early 20TH Century TO 1960S) .............................................................52 POLICING AND HARASSMENT (1933 TO 1960S)...................................105 HOMOPHILE MOVEMENTS (1950S TO 1960S) ......................................132 EVOLUTION OF LGBTQ ENCLAVES AND DEVELOPMENT OF NEW NEIGHBORHOODS (1960S TO 1980S) ..........................................157 Gay Liberation, PRIDE, AND POLITICS (1960S TO 1990S) .................180 BUILDING LGBTQ COMMUNITIES (1960S TO 1990S) ...........................238 LGBTQ MEDICINE (1940S TO 1970S) .....................................................286 SAN FRANCISCO AND THE AIDS EPIDEMIC (1981 TO 1990S) .............292 CHAPTER 3. METHODOLOGY .....................................................................316 CHAPTER 4. HOW-TO-GUIDE FOR PRESERVING LGBTQ HISTORIC PROPERTIES IN SAN -
Chapter 1. Origins: the Diggers, the Haight-Ashbury, And
Manhood in the Age of Aquarius Chapter 1 Tim Hodgdon Part 1 "Style, Guile, Balls, Imagination, and Autonomy": The Anarchist Masculinity of the Diggers and Free Families Chapter 1 Origins: The Diggers, the Haight-Ashbury, and Hip Identity We put together a credo, which was, "Do your own thing"—no restraints, no rules—and "Everything is free." That [credo] provided so much open space that anything could happen, and . did. —Judy [Goldhaft] Berg In mid-September 1966, a mimeographed set of questions, entitled "Let Me Live 1 in a World Pure," circulated on the streets of the Haight-Ashbury. It began by proclaiming that "there are no more negroes, jews, christians" in America, but "only one minority." The authors did not elaborate, but the implication was that the formerly separate struggles for power in America had now merged into one: a conflict between defenders of the status quo and their marginalized opponents. As members of that outsider minority, the authors asked, "When will BOB DYLAN quit working on Maggie's Farm? . When will the JEFFERSON AIRPLANE and all ROCK-GROUPS quit trying to make it and LOVE?" Dylan's social commentary presented "Maggie's Farm" as a place dominated by cruel, capricious figures who demanded the cheerful conformity of the metaphorical farm's inmates. His work appeared on Columbia Records. The Airplane was a local acid-rock band whose success in landing a contract with a major label meant that they could spread the "San Francisco sound" to the world. Some readers may have wondered: Why would anyone hip suggest that two of their own should walk away from the opportunity to reach a wider audience?1 But the unknown authors were far from finished with the punching of bohemia's 2 sacred cows. -
CITYWIDE HISTORIC CONTEXT STATEMENT for LGBTQ HISTORY in SAN FRANCISCO Donna J
CITYWIDE HISTORIC CONTEXT STATEMENT FOR LGBTQ HISTORY IN SAN FRANCISCO Donna J. Graves & Shayne E. Watson © GREG DAY Prepared for the City & County of San Francisco March 2016 March 2016 | Copyright City and County of San Francisco TABLE OF CONTENTS CHAPTER 1. INTRODUCTION .......................................................................................... 1 CHAPTER 2. LGBTQ HISTORY .......................................................................................... 4 HISTORICAL BACKGROUND – CALIFORNIA AND SAN FRANCISCO ..................... 5 EARLY INFLUENCES ON LGBTQ IDENTITIES AND COMMUNITIES (19TH Century TO 1950S) ...................................................................................... 13 EARLY DEVELOPMENT OF LGBTQ COMMUNITIES (Early 20TH Century TO 1960S) ........................................................................... 52 POLICING AND HARASSMENT OF LGBTQ COMMUNITIES (1933 TO 1960S) ..................................................................................................... 106 HOMOPHILE MOVEMENTS (1950S TO 1960S) .................................................... 132 EVOLUTION OF LGBTQ ENCLAVES AND DEVELOPMENT OF NEW NEIGHBORHOODS (1960S TO 1980S) ........................................................ 158 Gay Liberation, PRIDE, AND POLITICS (1960S TO 1990S) .............................. 180 BUILDING LGBTQ COMMUNITIES (1960S TO 1990S) ......................................... 240 LGBTQ MEDICINE (1940S TO 1970S) ................................................................... 288 -
The Underground Press and the Transformation of Metaphysical Religion, 1964-1973
UNIVERSITY OF CALIFORNIA RIVERSIDE Metaphysical Underground: The Underground Press and the Transformation of Metaphysical Religion, 1964-1973 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Religious Studies by Jeremy Guida December 2016 Dissertation Committee: Dr. Amanda J. Lucia, Co-Chairperson Dr. Michael Alexander, Co-Chairperson Dr. Matthew King Copyright by Jeremy Guida 2016 The Dissertation of Jeremy Guida is approved: ____________________________________________________________ ____________________________________________________________ Committee Co-Chairperson ____________________________________________________________ Committee Co-Chairperson University of California, Riverside ACKNOWLEDGEMENTS The completion of this dissertation is the result of no small number of people who have, in various ways, contributed to its content and production. There are many to thank. Michael Alexander and Amanda Lucia have been excellent advisors. Michael’s support, advice and encouragement have been sources of motivation and confidence without which I would not have completed the dissertation. Amanda’s careful and expert attention to my work in general, and especially this dissertation, has made the work infinitely better than it otherwise would have been. Their faith in me and this project, even in the face of many difficulties, has seen this dissertation through to completion. Other faculty at the University of California Riverside have provided professional guidance and support, especially Matthew King, Pashaura Singh, Jennifer Hughes and Ivan Strenski. Faculty at the University of Redlands have also supported me long after I was a student, especially John Walsh, Fran Grace, Julius Bailey, Karen Derris and Bill Huntley. Thanks are also due to my family and friends who have tolerated the difficulty of a loved one enticed by the life of an academic. -
Counterculture: A
THE RISE AND FALL OF THE AMERICAN COUNTERCULTURE: A HISTORY OF THE HIPPIES AND OTHER CULTURAL DISSIDENTS A Dissertation by DAMON RANDOLPH BACH Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Terry H. Anderson Committee Members, James Burk Andrew Kirkendall John H. Lenihan Head of Department, David Vaught December 2013 Major Subject: History Copyright 2013 Damon Randolph Bach ABSTRACT The Rise and Fall of the American Counterculture examines the cultural dissidents and cultural revolutionaries of the 1960s era: the hippies. It fills a major void in the historical literature. Most scholars have focused on one aspect of the counterculture, examined it in a couple of locations, or relegated it to a single chapter. Moreover, scholarly narratives have been nearly identical, repeating the same themes and events, while presenting similar explanations for hippiedom’s origins and decline. Many historians utilize secondary sources and rely heavily on Theodore Roszak’s pioneering work. This study is different—it is the first comprehensive history of the hippies and other cultural dissenters, documenting the counterculture throughout the United States from its antecedents in the 1950s, to its origins in the early 1960s, to its emergence in the mid 1960s, to its blooming in the late 1960s, to its decline in the 1970s. Moreover, this study is based on documents seldom examined by historians, the underground newspapers, interviews, flyers, and pamphlets produced by counterculturalists. These sources provide crucial insights into the hippie philosophy and illuminate the forces that caused the counterculture’s materialization and decline.