No E WESTFIELD LEADER Westfield Since 1890

Total Page:16

File Type:pdf, Size:1020Kb

No E WESTFIELD LEADER Westfield Since 1890 riV\) i_ i .: no E WESTFIELD LEADER Westfield Since 1890 NINETY ~* ':] R.NO. 20 -*««aZ%£*?* WESTFIELD, NEW JERSEY, THURSDAY, DECEMBER 8, 1988. Published 32 Pages—30 Cents .O «l Wmr«ld. N.J. Every Thursday Businesses Urge Council To Re-consider Pkg. Deck Local businessmen, respon- Chamber President Mitch Cassidy, who is an associate of ding to the Town Council's deci- Evans and Chamber Parking Carl Heesler, known to some as sion not to proceed with the plan- Committee Chairman Frank the "guru of parking deck," ning phase of a $2.7 million park- Swain asked the council to con- Mr. Cassidy stated that the ing deck on Prospect Street, ex- sider other means of financing parking deck project might be pressed their disappointment and the parking deck project rather financed by establishing an frustration at Tuesday night's than abandoning the idea, They enterprise fund with a portion of public meeting. introduced Westfield resident the town's parking revenues, and Spearheaded by members of and banking investor John (Continued on page 28) the Westfield Area Chamber of Commerce, merchants em- phasized the need for additional Fanwood Man Charged parking for their customers as well as their employees. Joseph Spector.of the Leader In Local Kidnapping Store, gave an overview of what steps had been taken over the A Fanwood man was arrested and remained inside until a 53 past 20 years to alleviate the and charged with two counts of year old woman of that residence parking shortage problem in the burglary, aggravated assault, returned home. A struggle ap- central business district. He re- and kidnapping, after he report- parently ensued and the woman called the 1985 Ramp Con- edly broke into a home on the fled the house and ran into the sultants' report which proposed a north side of Westfield, abducted street, yelling, "This man is deck at the Lenox Avenue a resident of that home and a chasing me and he has a gun," municipal parking lot (across would-be good Samaritan on Fri- Apparently a 56 year old driver Photo by Lucinda Dowel I day, Dec. 2 at approximately 3:15 pulled over to let the woman into BOXING DAY IN WESTFIELD... Hundreds of cardboard boxes were assembled by willing volunteers from the post office). Bids for that project, which has been in the afternoon, according to his car and the suspect following Saturday, as the Westfleld Memorial Library's book collection was moved from 425 East.Broad Street to Lt. Detective Bernard Tracy. pushed the woman and himself Its new home at the corner of East Broad Street and Stanley Avenue, The National Guard assisted in the estimated at $800,000, came in at $16 million. The council had Ricardo A. Franco, 23, of Fan- into the car and ordered the move, which was planned by Patrick Rock, as his Eagle Scout project. Additional photos may be found wood was also charged with driver to drive away, Lt. Det. on pages 6-8. decided at the time to abandon the plan. possession of a weapon, unlawful Tracy said. More recently, the T & M Con- possession of a weapon, and A Westfield crossing guard sulting firm had been engaged to resisting arrest. who apparently witnessed the da another parking deck study. Lt. Det. Tracy said the Fan- events called the police who ar-, Volunteers Flock To Library The firm came up with a new wood man apparently entered the rived within minutes. Sgt. Philip. plan for a deck at a new site — home through a basement win- Lieberma'n, who according to the municipal lot accessed by dow while there was no one there (Continued on last page this section] Prospect Street. Costs for the For Gigantic "Book Move" project were estimated at be- tween $2.7 and $3.4 million, Town Council Supports More than 300 volunteers turn- to box, mark and transport to the that the collection would be ac- depending on the number of ed out for the gigantic "book front door. They were met by Na- curately placed in the new levels and consideration of future move" at the Westfield Memorial tional Guardsmen who loaded the Library. Each box contained expansion, either into the adjoin- Hardwick for Governor Library on Saturday, Dec. 3. boxes onto truck and delivered about twenty books and weighed ing Elm Street permit parking lot And, as its organizers promised, them to the new building, one or an additional level on the deck. about 25 pounds. Members of the Westfield it was fun. block away. There, the process The project was coordinated by At last week's conference The 100,000 volume collection was reversed and the books were meeting, council voted 5-4 in Town Council were among the Patrick Rock, a local Westfield Republican municipal and coun- was moved in eight hours, just as unboxed and shelved in their pro- High School student and Mr. Wat- favor of proceeding with the plan- per location. ning phase of the deck; six votes, ty representatives to announce predicted by Harrison "Hap" T. son. Patrick proposed recruiting their support of Chuck Hardwick Watson, a library trustee and co- Throughout the day volunteers volunteers to move the collecfion were needed, however, to pass an ordinance to authorize the expen- as a potential candidate for chairman of the event. Teams complimented Library Director as part of an Eagle Scout Ser governor next year. consisting of ten people formed Barbara Thiele and her staff for (Continued on lavt ptf9*thli f diture of $200,000 for the planning phase. Republican leaders met in as the volunteers arrived. Half of the pre-organizntion at both loca- Springfield to formally urge the the teams worked at the old tions. Every shelf was numbered Westfield resident to run for library and half were sent to the and color coded to insure that governor. new library. Each team was just the right number of books would be placed in the boxes and CONTACT-We Care Pat Hardwick was present to assigned a section of the library accept the support of her hus- band's supporters. Nears 300,000th Call Mr. Hardwick has been an assemblyman since 1976 and CONTACT-WE Care, a tele- give eight hours a month on the Assembly speaker since 1986. phone hotline based in Westfield telephone lines, but many give Approximately 60 individuals that provides emergency more than their share, both were on hand at the Springfield Chuck I hi rd wick assistance to callers in addition because of their commitment Holiday Inn for the news con- to serving as a communications and because the need is so great. ference and luncheon in support phone interview, Mr. Hardwick link between the deaf/hearing- The next class for volunteers of the Speaker. Mr. Hardwick said he had not made a firm deci- impaired and the hearing world is being held at the Connecticut was attending a conference in sion as to whether he would seek will soon receive its 300,000th Farms Presbyterian Church in Kansas at the time. In a tele- New Jersey's highest office. call for help. Union, and will begin on Sat- The number of calls that CON- urday, Feb. 25, 1989. TACT-We Care handles in a year For more information on CON- has steadily grown since the TACT-We Care, or to sign up for "The Night Place" To Be volunteer telephone service the training class, individuals went into operation in March of may call (201) 232-3017. Held at Edison Dec. 10 1975. "We added Deaf Contact in July of 1981," remarked Candy Santo, executive director of Recycling The second activity night for available for a small fee. CONTACT-We Care who has intermediate school-aged A limited number of tickets been on staff for five years. Information residents of Westfield will be held have been made available at the "Before that, we received about Saturday, Dec. 10, at Edison schools on a pre-sale basis only. No tickets will be sold at the door, 14,000 calls a year on the Residents' newspapers, alum- Intermediate School from 7:30 to Helpline. Now we are handling 10 p.m. this is a change from the first ac- inum cans and glass bottles and tivity night. over 40,000 calls a year through jars will be collected on the Activities will include volley- both services. Calls, quite following days during the month ball, movies, ping pong, board "The Night Place" is co- literally, come in like box cars of December. games, Nok-hockey, and dancing sponsored by the Westfield on a freight train — one after North of railroad tracks: and listening to music provided Recreation Commission, the another." Thursdays, Dec. 15 and 29. by a disc jockey. Door prizes will Board of Education and the Inter- mediate School Recreation Com- The reason for the calls vary, South of railroad tracks: be awarded to lucky ticket though each caller knows that he Fridays, Dec. 16 and 30. holders, and refreshments will be mittee. will reach a trained volunteer — Recyclables should be placed one of more than 100 retirees, at curbside by 7:30 a.m., on the homemakers and office profes- designated days. To report a sionals from central New Jersey missed pick-up, residents may — who staff the hotline and deaf call the Recycling Hotline, relay phones 24 hours a day, 753-7276. seven days a week. Westfielders also may utilize "Callers who dial the H-'pline the town's two recycling centers. number are looking for someone Newspapers and aluminum cans who will care about them, some- may be taken to the Watterson one who is prepared to listen, to Street municipal parking lot understand and to offer (across from the Westfield assistance," Ms, Santo explain- Rescue Squad headquarters) the ed.
Recommended publications
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • View Full Article
    ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre ....................................................................
    [Show full text]
  • K the SCOPE Won't Give up Hope Humanitarian Recognized
    ^33 3»5 >• j||||^^ •2; Oa " *-<• 000 2 o ' o o O Springfield Lead* CO '"'.'' '.., • •• '• ':. ; ' -{^•J-'>^-'U PVP^^^P' >>:,'".' • '' " •''•'•••'••-••''.'•'"• ''; .' ,"• I'' .";••• ',*• "'.'''..'- '.':,' • CoHnt. ' ^^^^MaAsd^y aLeade V ^^^jM.^^^r T*ewtp«per*m '^fc f •• • • • — •• mm aata ''''.' • ' '•-''• VOL60IJ&12 SPRINGFIELD, NJ» THURSDAY, DECEMBER 6, 198*-?*" Open house A Christmas Open House at the SCOPE won't Historic Cannon Ball House at 120 Morris Ave. will be held Sunday from 3 to 5 p.m- Spdngfleld Historical Society give up hope President Janice Bonglovarmi, said, "During this holiday season, it is By DOMINICK CRINCOH JR. on opportune time to reminisce Sometimes bureaucracies must be taken, in hand. - about how Christmas was cele- —Such is the philosophyof^SCOPE.-a small Springfield/Summit group brated in the Colonial era. The gen- banded, together to preserve the former Houdaille Quarry site for recrea- eral public U invited and appropri- tional or natural purposes. ate refreshment^ will be served " Government officials at the local, county and state levels know SCOPE The house, Also the headquarters well, and their strenuous effort over the past three years may be one rea- of the Springfield Historical 'Socie- son why the parcel, owned by the county and state, is not developed ty, will be decorated as it would today. have been/in the late 1700s At In past years, the quarry site has been suggested-for an amphitheater, that time, fresh and dried fruits and garbage dump, ash landfill, leaf composting site and many other uses — nuts affixed to evergreen boughs including a recent proposal from the stale Division of Motor Vehicles to' and wreaths were used, and candles operate on inspection station.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • Students Show Support for Planned Parenthood
    Broken Tree HO HO HOrror Somber Slide News A4 Voice B3 Sports A12 Vol. 120 | No. 12 4 December 2015 Students show support for Giving Tuesday kicks Planned Parenthood off with a splash BY MADDIE GEHLING comes from donors, and it makes News Editor for more scholarships and more opportunities,” Charles said. “We Bradley took part in the inter- have the Scholarship Luncheon, national Giving Tuesday event for and it goes towards sustaining a the first time on campus Dec. 1, lot of those. When people called raising $576,460 from 1,692 donors. in or made their donation online, Giving Tuesday, which started they could designate it to a certain in 2012, is a global celebration of area they wanted to. There’s a gratitude. It takes place on the general fund, and most of it went Tuesday after Black Friday and into that and is dispersed and Cyber Monday, and it is intend- distributed as necessary, through ed to bring awareness to various scholarships and programs for the philanthropies and not-for-profits. Bradley experience.” “Lydia Moss Bradley, one of her As part of Giving Tuesday fes- big traditions was giving,” univer- tivities, university administrators sity spokesperson and Executive and faculty members participated Director of Public Relations Renee in incentive challenges to encour- Charles said. “We wanted to get age students to donate. students thinking about how giv- Vice President for Student ing to Bradley — even if it’s $1, Affairs Nathan Thomas taught $5, whatever — is that tradition his class and attended campus of Bradley. That way, when you meetings while wearing Batman leave, you’re thinking, ‘I already pajamas, Interim President Stan made a difference at Bradley.
    [Show full text]
  • Adapting Copyright for the Mashup Generation
    ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 † Koret Professor of Law and Director, Berkeley Center for Law & Technology, University of California at Berkeley, School of Law. I thank my sons Dylan and Noah, Peter DiCola, Kembrew McLeod, Gregg Gillis, DJ Guzie, and DJ Solarz for inspiration and background about mashup culture. I also thank Mark Avsec, Jane Ginsburg, Eric Goldman, Molly Van Houweling, David Nimmer, Dotan Oliar, Sean Pager, and participants at the Berkeley Law IP Scholarship Seminar, Berkeley Law Faculty Seminar, and Fifth Annual Internet Law Work-in-Progress Conference for comments.
    [Show full text]
  • C:\Users\Petermenell\Desktop\RCLA
    Draft: March 1, 2015 Note: This is a work in progress, with some sections needing further refinements. I welcome comments. Adapting Copyright for the Mashup Generation Peter S. Menell* ABSTRACT Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. This article contends that by adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. Such an approach sidesteps the inherent problems of relying upon fair use while promoting cumulative creativity. * Koret Professor of Law and Director, Berkeley Center for Law & Technology, University of California at Berkeley School of Law. I thank Dylan, Noah, Peter DiCola, Kembrew McLeod, Gregg Gillis, DJ Guzie, and DJ Solarz for inspiration and background. I also thank Mark Avsec, Jane Ginsburg, Molly Van Houweling, David Nimmer, Dotan Oliar, Sean Pager, and participants at the Berkeley Law IP Scholarship Seminar and the Berkeley Law Faculty Seminar for comments.
    [Show full text]
  • A New Catalog! Fresh Offers in Jazz & Classical Music
    Holiday Issue, 2020 All Prices Good through 1/31/21 Music Highlights see page 3 Rick Wakeman Christmas Portraits Muisc for Solo Piano SBMG 19075967592 $16.98 Country see page 37 Carrie Underwood My Gift AEC 003260102 $16.98 Classical see page 7 Recommendations Nicola Benedetti Elgar Violin Concerto DEC B003221602 $18.98 Jazz & Big Band see page 45 It’s a David Benoit Christmas! Partnered with: Vince Guaraldi’s wonderful music for a Charlie Brown Christmas STEI 30163 $16.98 Boxed Sets see page 16 Fritz Reiner The Complete Columbia Album Collection 14-CD Set VT / KY / TN SBMG 19075936772 $59.98 see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our Holiday Catalog for 2020! In these times, it has become increasingly clear to us just how important and essential music is for the well-being of so many people. While Holiday 2020 we’ve included pages of classical, jazz and popular music here, this issue is clearly about Christmas - and of course, Christmas has its own soundtrack, personal and unique for each of us. Christmas Carols: SWR Vokal Ensemble Therefore, we have decided to present this year’s holiday catalog in our Mixed-Genre format, In Great Britain, Christmas carols are an integral part of Christmas just like plum conscious of the diversity of musical tastes we are serving. Even as some of you might be interested in the pudding and turkey, paper crowns and mistletoe. The Festival of Nine Lessons same music as other customers, we wanted to offer choices – The First Noel, for example, performed by and Carols - a Christmas mass featuring King’s College Choir, nine short read- a vocal soloist, a choir, piano or guitar, in a traditional style, a Medieval setting, perhaps jazz or country & ings and carols has been broadcast live every year since 1928 on Christmas western.
    [Show full text]
  • Schadenfreude, Social Identity, and American Media Culture A
    NORTHWESTERN UNIVERSITY Laughing at the World: Schadenfreude, Social Identity, and American Media Culture A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Radio/Television/Film By Amber Eliza Watts EVANSTON, ILLINOIS June 2008 2 Copyright by Amber Watts 2008 All rights reserved 3 Contents Abstract __________________________________________________ 4 Acknowledgements _________________________________________ 6 One Introduction: Laughing at the World___________________________ 8 Two The Reality of Schadenfreude and the Schadenfreude of Reality ___ 44 Three Misery, Transformation, and Happy Endings ___________________ 80 Four Love Hurts ______________________________________________ 134 Five Notoriety, Scandal, and Why We Love to Hate Celebrities ________ 203 Bibliograph y ____________________________________________ 259 4 ABSTRACT Laughing at the World: Schadenfreude , Social Identity, and American Media Culture Amber Watts This project explores historical questions of televisual form and cultural production, centering on the proliferation of media texts that mobilize real-life misfortune as a form of entertainment in U.S. television and culture. Specifically, it examines how a variety of “reality” formats in contemporary television stage and exploit spectacles of failure, defeat, suffering, and humiliation for the pleasure of the viewing audience. These texts speak to a wide range of emotional engagements, from pity and sympathy to pure schadenfreude
    [Show full text]
  • The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
    The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions.
    [Show full text]
  • C:\Documents and Settings\Peter Menell\Desktop\Research\Copyright\RCLA\Menell Adapting Copyright for the Mashup Generation 10-2
    Draft: Oct. 21, 2014 Note: This is a preliminary draft. Comments welcome. Adapting Copyright for the Mashup Generation Peter S. Menell1 TABLE OF CONTENTS I. Music Mashups A. A Personal Journey B. The Mashup Genre 1. Creation of Music Mashups 2. Types of Music Mashups 3. Marketing, Distribution, and Monetization 4. Live Performance, DJ Production, and Collaboration with Established Artists II. The Legal, Market, and Policy Divides A. The Copyright Backdrop 1. General Framework 2. Application of Copyright Law to Digital Sampling B. What’s Past is Prologue?: The Rap and Hip Hop Genres and Digital Enforcement 1. Rap/Hip Hop’s Rocky Road to Constrained Copyright Legitimacy 2. The Digital Copyright Enforcement Debacle C. The Uncertain and Distorted Mashup Music Marketplace D. The Copyright Policy Divide III. Bridging the Divide: The Case for a Mashup Compulsory License A. Economic Analysis of the Music Mashup Stalemate 1 Koret Professor of Law and Director, Berkeley Center for Law & Technology, University of California at Berkeley School of Law. I thank Dylan, Noah, Peter DiCola, Kembrew McLeod, Gregg Gillis, DJ Guzie, and DJ Solarz for inspiration and background. All views expressed, errors, and omissions are my own. -1- B. The “Cover” License as a Model for Opening up the Remix Marketplace C. Designing a Remix Compulsory License 1. Eligibility Requirements 2. Revenue Sharing 3. Administrative Process 4. Additional Features and Limitations i. Interplay with Fair Use ii. Use Limitations iii. Endorsement Disclaimer iv. Changes to Statutory Damages 5. Possible Extensions D. Additional Benefits of a Remix Compulsory License 1. Enrich Input Materials 2.
    [Show full text]
  • Rittg'5rab 1Antgor5
    the projector march 6 200 6 highlights get lucky dumpster divin' visit us online @ www.rrcsa.com Rittg'5rab 1antgOr5 dub Private Club NOW CELEBRATING Members & Guests Welcome! • Can apply for membership at the door 6Y Fri., March io - JODI KING Fri., March q - ST. PATRICK'S DAY!!! TUESDAYS AND WEDNESDAYS ARE: Sat., March ii - THE ATTICS Sat., March i8 - RUBBER SOUL STUDENT NIGHT - FREE POOL Show your student card for discount EVERY SUNDAY - ALL THE KING'S 7pm - midnight Hours: Monday — Friday 11:30 am—? am, Saturday and Sunday fpm — 2am 120 KING STREET Ph: 957-7710 102 march'"E"'''''s h 6 2006 theprojector Editor-in-Chief news briefs Jillian Brown [email protected] Security Update the college's new Centre for Applied Research in Sustainable Infrastructure (CARSI), which When using Automated Teller Machines, con- is currently being constructed on Notre Dame News Editor sider these safety tips: Campus. Mike Ulrich Whenever possible, use ATMs in visible and The building will be saving on energy costs newsgtheprojector.ca active areas. If you must use an ATM during inac- thanks to the wall's ability to prevent air infiltra- tive periods, consider using a drive-thru machine. tion, its high thermal performance and its exten- Avoid using ATM's after hours where you will sive passive solar gains. Plus, it makes full use of all Entertainment Editor not be visible when looking into the bank. Be that natural light from outside the building. :Jen Zoratti prepared to do your banking quickly, and always The wall will make up the building's entertainment@thepro ector.C'el guard the view when entering your PIN number.
    [Show full text]