Shapeshifters in Greek Poetry

Total Page:16

File Type:pdf, Size:1020Kb

Shapeshifters in Greek Poetry Changing Shapes and Fluid Forms: Shapeshifters in Greek Poetry A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Katharine E. Mawford School of Arts, Languages and Cultures Contents List of Abbreviations ....................................................................................................................... 4 Abstract ............................................................................................................................................... 5 Declaration ......................................................................................................................................... 6 Copyright Statement ....................................................................................................................... 6 Acknowledgements ......................................................................................................................... 7 Introduction ....................................................................................................................................... 8 i. Definitions ................................................................................................................................. 10 ii. Research context ................................................................................................................... 19 iii. Methodology .......................................................................................................................... 22 iv. Outline of approach and chapters ................................................................................. 30 Chapter 1: Transformations ...................................................................................................... 33 1.1 Survey of transformations ................................................................................................... 34 i. Transforming vs transformed ........................................................................................... 34 ii. Gender and agency ............................................................................................................... 45 1.2 Transformation episodes ..................................................................................................... 52 i. Close readings .......................................................................................................................... 52 ii. Animals ...................................................................................................................................... 57 iii. Elements .................................................................................................................................. 69 1.3 Transferred metamorphosis............................................................................................... 87 i. Dionysus ..................................................................................................................................... 87 ii. Proteus....................................................................................................................................... 98 iii. Conclusion............................................................................................................................ 101 Chapter 2: Characterisation and Narrative Role ............................................................... 103 2.1 Shapeshifters and international (folk)tales .............................................................. 104 i. Protean resemblances ....................................................................................................... 107 ii. Transformation motifs ..................................................................................................... 109 iii. Shapeshifters beyond Greece ....................................................................................... 110 iv. Swan Maidens ..................................................................................................................... 111 v. Magical gifts: the divine helper ..................................................................................... 114 vi. Conclusion ............................................................................................................................ 115 2.2 Elements of characterisation ........................................................................................... 117 i. Relationship/proximity to water .................................................................................. 117 2 ii. Shapeshifters as Tricksters ............................................................................................ 127 iii. Weaknesses of ambiguous form ................................................................................. 136 2.3 Shapeshifting and monstrosity ....................................................................................... 144 i. Introduction: what makes a monster? ........................................................................ 144 ii. Narrative function .............................................................................................................. 156 iii. Shapechanging as a monstrous attribute ................................................................ 161 iv. Primordial nature.............................................................................................................. 165 v. Conclusion ............................................................................................................................. 168 Chapter 3: Synoptic Readings ................................................................................................. 171 3.1 Proteus in the Odyssey and beyond: the significance of Odyssey 4................. 172 i. Proteus beyond the Odyssey ........................................................................................... 173 ii. A shapeshifting prophet .................................................................................................. 177 iii. Parallel with Nestor ......................................................................................................... 178 iv. Trickery in the Odyssean context ............................................................................... 180 v. Sea as opponent .................................................................................................................. 186 vi. Narratological parallels .................................................................................................. 188 vii. Proteus and Polyphemus .............................................................................................. 189 viii. Conclusion ......................................................................................................................... 191 3.2 Thetis’ inverted motherhood .......................................................................................... 192 i. Thetis and Achilles .............................................................................................................. 193 ii. Thetis, Dionysus and Hephaestus ................................................................................ 200 Conclusion ..................................................................................................................................... 210 Bibliography ................................................................................................................................. 214 Appendix ........................................................................................................................................ 226 Word count: 79,874 3 List of Abbreviations AT Aarne, A., and S. Thompson (1981, rev. 1961) The Types of the Folktale: A Classification and Bibliography (4th edn.) FFC 184. Helsinki Beekes Beekes, R. (2009) Etymological Dictionary of Greek. (2 vols). Leiden. FGrH Die Fragmente Der Griechischen Historiker Part I-III. Jacoby, F. (ed.), Brill’s New Jacoby, Brill Reference Online: https://referenceworks.brillonline.com/browse/die-fragmente-der- griechischen-historiker-i-iii Grimm Individual tales cited as numbered and translated in Zipes, J. (ed.) (2003) Brothers Grimm. The Complete Fairy Tales. London. Lewis & Short Lewis, C.T. and C. Short (1879) A Latin Dictionary. Oxford. LIMC Lexicon iconographicum mythologiae classicae (1981-), Ackermann, H.C., and J.-R. Gisler (eds.) 8 volumes. LSJ Liddel, H.G., R. Scott, H.S. Jones, and R. McKenzie (eds.) (1968), A Greek-English Lexicon (9th edn.) Oxford. ML Christiansen, R. (1958) The Migratory Legends: a proposed list of types with a systematic catalogue of the Norwegian variants. FFC 175. Helsinki. M-W Solmsen, F., R. Merkelbach, and M.L. West (eds.) (1990) Hesiodi Theogonia; Opera et Dies; Scutum. (3rd edn.) Oxford. Radt Radt, S. (ed.) (1977; 1985) Tragicorum Graecorum Fragmenta (TrGF) Vol. 3 Aeschylus; Vol. 4. Sophocles. Gottingen. Smyth Smyth, H.W., rev. G.M. Messing (1966) Greek Grammar. Cambridge. ST Thompson, S. (1955-8) A Motif-index of Folk-Literature. Bloomington. TLG Thesaurus Linguae Graecae: a Digital Library of Greek Literature, (2001-) University of California, Irvine. Available at: http://stephanus.tlg.uci.edu/tlg.php Greek texts are referred to by the abbreviations given in the LSJ, though I have retained simply Od and Il for the Odyssey and Iliad respectively; for Latin texts I have used the abbreviations found in Hornblower, S., A. Spawforth,
Recommended publications
  • 12Th Grade Senior English IV and Dual Enrollment 2021 Summer
    Summer Reading List: Senior English and Dual Enrollment Pride and Prejudice 1. Read and annotate this novel. Take note of literary elements, characterization, plot, setting, tone, and vocabulary. 2. Choose one of the following options below. The piece must be 500 words (about two pages, typed, double-spaced, 12-point Times New Roman) Due date: This assignment will be submitted electronically via TEAMS as well as TurnItIn.com during the first week of school. Be sure the assignment is completed when you arrive the first day of classes so that you are able to submit it as soon as TEAMS and TurnItIn.com are launched. a. Quote, cite, and analyze three passages from the novel that represent or discuss gender, social norms, or class and status-based ideas addressed in the novel. b. Write an original letter from any character to another character that reveals his or her personality, fears, desires, prejudices, and/or ways of dealing with conflict. c. Write a skit or scene based on your own rendition of the customs and values of the time and place in which the novel takes place. This would be an added scene in the story. Make sure you inform me where this scene would take place if it were actually in the novel. d. Write an original poem (30-line minimum) about the ideals, values, or concerns of the Bennet family or the society in which people live. Examples: the soldiers, fate, religion, upper class, etc. Mythology by Edith Hamilton 1. Read the novel. You do not have to annotate.
    [Show full text]
  • The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
    The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view.
    [Show full text]
  • The Role of Aphrodite in Sappho Fr. 1 Keith Stanley
    The Rôle of Aphrodite in Sappho Fr.1 Stanley, Keith Greek, Roman and Byzantine Studies; Winter 1976; 17, 4; ProQuest pg. 305 The Role of Aphrodite in Sappho Fr. 1 Keith Stanley APPHO'S Hymn to Aphrodite, standing so near to the beginning of Sour evidence for the religious and poetic traditions it embodies, remains a locus of disagreement about the function of the goddess in the poem and the degree of seriousness intended by Sappho's plea for her help. Wilamowitz thought sparrows' wings unsuited to the task of drawing Aphrodite's chariot, and proposed that Sappho's report of her epiphany described a vision experienced ovap, not v7rap.l Archibald Cameron ventured further, suggesting that the description of Aphrodite's flight was couched not in the language of "the real religious tradition of epiphany and its effect on mortals" but was "Homeric and conventional"; and that the vision was not, therefore, the record of a genuine religious experience, but derived rather from "the bright world of Homer's fancy."2 Thus he judged the tone of the ode to be one of seriousness tempered by "a vein of prettiness and almost of playfulness" and concluded that there was no special ur­ gency in Sappho's petition itself. While more recent opinion has tended to regard the episode as a poetic fiction which serves to 'mythologize' a genuine emotion, Sir Denys Page has not only maintained that Aphrodite's descent is a "flight of fancy, with much detail irrelevant to her present theme," but argued further that the poem as a whole is a lightly ironic melange of passion and self-mockery.3 Despite a con- 1 Sappho und Simonides (Berlin 1913) 45, with Der Glaube der Hellenen 3 II (Basel 1959) 109; so also J.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • Loeb Lucian Vol5.Pdf
    THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LITT.D. litt.d. tE. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, f.e.hist.soc. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., LUCIAN V •^ LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OK YALE UNIVERSITY IN EIGHT VOLUMES V LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXII f /. ! n ^1 First printed 1936 Reprinted 1955, 1962 Printed in Great Britain CONTENTS PAGE LIST OF LTTCIAN'S WORKS vii PREFATOEY NOTE xi THE PASSING OF PEBEORiNUS (Peregrinus) .... 1 THE RUNAWAYS {FugiUvt) 53 TOXARis, OR FRIENDSHIP (ToxaHs vd amiciHa) . 101 THE DANCE {Saltalio) 209 • LEXiPHANES (Lexiphanes) 291 THE EUNUCH (Eunuchiis) 329 ASTROLOGY {Astrologio) 347 THE MISTAKEN CRITIC {Pseudologista) 371 THE PARLIAMENT OF THE GODS {Deorutti concilhim) . 417 THE TYRANNICIDE (Tyrannicidj,) 443 DISOWNED (Abdicatvs) 475 INDEX 527 —A LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION Volume I Phalaris I and II—Hippias or the Bath—Dionysus Heracles—Amber or The Swans—The Fly—Nigrinus Demonax—The Hall—My Native Land—Octogenarians— True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Catechized —Zeus Rants—The Dream or The Cock—Prometheus—* Icaromenippus or The Sky-man—Timon or The Misanthrope —Charon or The Inspector—Philosophies for Sale. Volume HI The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite —The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses.
    [Show full text]
  • Studies in Early Mediterranean Poetics and Cosmology
    The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too.
    [Show full text]
  • Download Download
    HAMADRYAD Vol. 27. No. 2. August, 2003 Date of issue: 31 August, 2003 ISSN 0972-205X CONTENTS T. -M. LEONG,L.L.GRISMER &MUMPUNI. Preliminary checklists of the herpetofauna of the Anambas and Natuna Islands (South China Sea) ..................................................165–174 T.-M. LEONG & C-F. LIM. The tadpole of Rana miopus Boulenger, 1918 from Peninsular Malaysia ...............175–178 N. D. RATHNAYAKE,N.D.HERATH,K.K.HEWAMATHES &S.JAYALATH. The thermal behaviour, diurnal activity pattern and body temperature of Varanus salvator in central Sri Lanka .........................179–184 B. TRIPATHY,B.PANDAV &R.C.PANIGRAHY. Hatching success and orientation in Lepidochelys olivacea (Eschscholtz, 1829) at Rushikulya Rookery, Orissa, India ......................................185–192 L. QUYET &T.ZIEGLER. First record of the Chinese crocodile lizard from outside of China: report on a population of Shinisaurus crocodilurus Ahl, 1930 from north-eastern Vietnam ..................193–199 O. S. G. PAUWELS,V.MAMONEKENE,P.DUMONT,W.R.BRANCH,M.BURGER &S.LAVOUÉ. Diet records for Crocodylus cataphractus (Reptilia: Crocodylidae) at Lake Divangui, Ogooué-Maritime Province, south-western Gabon......................................................200–204 A. M. BAUER. On the status of the name Oligodon taeniolatus (Jerdon, 1853) and its long-ignored senior synonym and secondary homonym, Oligodon taeniolatus (Daudin, 1803) ........................205–213 W. P. MCCORD,O.S.G.PAUWELS,R.BOUR,F.CHÉROT,J.IVERSON,P.C.H.PRITCHARD,K.THIRAKHUPT, W. KITIMASAK &T.BUNDHITWONGRUT. Chitra burmanica sensu Jaruthanin, 2002 (Testudines: Trionychidae): an unavailable name ............................................................214–216 V. GIRI,A.M.BAUER &N.CHATURVEDI. Notes on the distribution, natural history and variation of Hemidactylus giganteus Stoliczka, 1871 ................................................217–221 V. WALLACH.
    [Show full text]
  • Shape Shifter: Transform Your Life in 1 Day Pdf, Epub, Ebook
    SHAPE SHIFTER: TRANSFORM YOUR LIFE IN 1 DAY PDF, EPUB, EBOOK Geoff Thompson | 256 pages | 18 Apr 2007 | Summersdale Publishers | 9781840244441 | English | Chichester, United Kingdom Shape Shifter: Transform Your Life in 1 Day PDF Book As a freelance journalist he has also written articles for or been featured in the Independent, London Standard, Guardian and Times Newspapers. Lisa Kleypas. Chicago: University of Chicago Press. Freyja, the goddess of love and fertility, had a cloak of feather falcons which allowed her to transform into a falcon at will. Other terms for shapeshifters include metamorph, the Navajo skin-walker , mimic, and therianthrope. Rainbow Rowell. The heroine must fall in love with the transformed groom. Umetnost in arhitektura. Traditional Romance and Tale. Ghosts sometimes appear in animal form. Oliver rated it did not like it Aug 05, Child, Francis James Not for the easily deterred, but a must for anyone wanting to change their life for the better. Jordan B. The most common such shapeshifter is the huli jing , a fox spirit which usually appears as a beautiful young woman; most are dangerous, but some feature as the heroines of love stories. Dorson, "Foreword", p xxiv, Georgias A. From Wikipedia, the free encyclopedia. Smith, Frederick M. More filters. There are African folk tales of murder victims avenging themselves in the form of crocodiles that can shapeshift into human form. Log into your account. Little, Brown and Company. Trivia About Shape Shifter: Tr Ken Follett. Primerjava izdelkov. The banging of her metalworking made Zeus have a headache, so Hephaestus clove his head with an axe.
    [Show full text]
  • Worldwide Links Between Proteus Mirabilis and Rheumatoid Arthritis
    al of Arth rn ri u ti o s J Journal of Arthritis Wilson et al., J Arthritis 2015, 4:1 10.4172/2167-7921.1000142 ISSN: 2167-7921 DOI: Review Open access Worldwide Links between Proteus mirabilis and Rheumatoid Arthritis Clyde Wilson1*, Taha Rashid2 and Alan Ebringer2 1Department of Pathology, King Edward VII Memorial Hospital, Paget DV 07, Bermuda 2Analytical Sciences Group, King’s College London, Stamford Road, London SE1 9NN, UK *Corresponding author: Dr. Clyde Wilson, Department of Pathology, King Edward VII Memorial Hospital, Paget DV 07, Bermuda, USA, Tel: +1-4412391011; Fax: +1-4412392193; Email: [email protected] Rec date: November 26, 2014; Acc date: January 9, 2015; Pub date: January 15, 2015 Copyright: © 2015 Wilson C, et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract Rheumatoid arthritis (RA) is a systemic and arthritic autoimmune disease affecting millions of people throughout the world. During the last 4 decades extensive data indicate that subclinical urinary tract infection by Proteus mirabilis has a role in the aetiopathogenesis of RA based on cross-reactivity or molecular mimicry between Proteus haemolysin and RA-associated HLA-DRB1 alleles as well as between Proteus urease and type XI collagen. Studies from 15 countries have shown that antibodies against Proteus microbes were elevated significantly in patients with active RA in comparison to healthy and non-RA disease controls. Proteus microbes could also be isolated more frequently in the urine of patients with RA than in controls.
    [Show full text]
  • Proton Therapy Made Easy
    Proteus ®ONE COMPACT IMAGE-GUIDED IMPT SOLUTION PROTON THERAPY MADE EASY www.iba-proteusone.com PROTON THERAPY. A TRUE SUCCESS IN CANCER CARE Proton therapy is used today to treat many cancers and is particularly appropriate in situations where treatment options are limited or conventional radiotherapy presents an unacceptable risk to the patient. These situations include eye and brain cancers, tumors close to the brain stem, spinal cord or other vital organs, prostate cancers, recurring cancers and pediatric cancers. Proton therapy vs X-ray radiation HEAD AND NECK PROSTATE CARCINOMA For a general overview of the clinical aspects of proton therapy, refer to the following works: - “Proton and charged particle radiotherapy” by Thomas F. Delaney, Hanne M. Kooy - “Proton Therapy”, Series: Radiation Images with the courtesy of Stefan Both, Ph D. Medicine Rounds PEDIATRIC CHORDOMA Volume 1 Issue 3 by James M. Metz and Charles R. Thomas, Jr. Proteus ®ONE PROTON THERAPY MADE EASY ProteusONE is IBA’s compact single- room proton therapy solution that can be integrated easily into many kinds of healthcare settings. Much smaller and more affordable than conventional multi-room proton systems, but with the same clinical applications, ProteusONE makes proton therapy more accessible to clinical institutions worldwide and to their cancer patients. Benefiting from IBA’s unrivalled experience in proton therapy, ProteusONE delivers the latest advance in proton radiation therapy, Intensity Modulated Proton Therapy (IMPT). IMPT combines the precise dose delivery of Pencil Beam Scanning (PBS) with the dimensionally accurate imaging of 3D Cone Beam Computed Tomography (CBCT), enabling physicians to truly track where protons will be targeting tumor cells.
    [Show full text]
  • The Myth of Proteus and Horace's Ode 1.37 Cleopatra's Infinite Variety Has Captivated Poetic Imagination
    Protean Cleopatra: The Myth of Proteus and Horace’s Ode 1.37 Cleopatra’s infinite variety has captivated poetic imagination across the ages. Her mercurial qualities are central to Horace’s Ode 1.37, in which she dramatically transforms from villain to vates when shackled. In this paper, I argue that the myth of Proteus, a previously unnoticed intertext with Ode 1.37, grants insight into Cleopatra’s slippery sobriquet fatale monstrum (21) and helps to explain her fantastic metamorphosis from maniac to portent in the wake of Actium. In order to advance this claim, I will outline the similarities between Cleopatra and Proteus. First, Proteus, like Cleopatra, is an Egyptian ruler, according to many sources. Although W. H. Roscher discusses the pharaoh Proteus and Proteus the sea-divinity separately (1909: 3171-8), a compelling case can be made for treating the two as one (O’Nolan 1960: 9). Furthermore, Cleopatra’s metamorphosis from drunkard to dove to rabbit parallels Proteus’ series of transformations prior to capture. Though Proteus usually embodies more fearsome forms — torrents of water, dragons, lions, boars, et al.— Horace also shows him transforming into a bird (Serm. 2.3.73). Moreover, chains cause both to change into their true forms. Another striking example are Proteus’ and Cleopatra’s respective attendants. Proteus shepherds a flock of seals; Cleopatra rules a “herd” (grex) of eunuchs. Even more compelling, both Virgil and Horace describe these herds as turpes (Geo. 4.392-5; C. 1.37.9-10). Though the herds are repulsive for different reasons — presumably, the seals for their noisome stench, the eunuchs for their unmanly state— the verbal resonance between Proteus’s turpe armentum and Cleopatra’s grex turpis is persuasive.
    [Show full text]
  • Transformation of a Goddess by David Sugimoto
    Orbis Biblicus et Orientalis 263 David T. Sugimoto (ed.) Transformation of a Goddess Ishtar – Astarte – Aphrodite Academic Press Fribourg Vandenhoeck & Ruprecht Göttingen Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Publiziert mit freundlicher Unterstützung der PublicationSchweizerischen subsidized Akademie by theder SwissGeistes- Academy und Sozialwissenschaften of Humanities and Social Sciences InternetGesamtkatalog general aufcatalogue: Internet: Academic Press Fribourg: www.paulusedition.ch Vandenhoeck & Ruprecht, Göttingen: www.v-r.de Camera-readyText und Abbildungen text prepared wurden by vomMarcia Autor Bodenmann (University of Zurich). als formatierte PDF-Daten zur Verfügung gestellt. © 2014 by Academic Press Fribourg, Fribourg Switzerland © Vandenhoeck2014 by Academic & Ruprecht Press Fribourg Göttingen Vandenhoeck & Ruprecht Göttingen ISBN: 978-3-7278-1748-9 (Academic Press Fribourg) ISBN:ISBN: 978-3-525-54388-7978-3-7278-1749-6 (Vandenhoeck(Academic Press & Ruprecht)Fribourg) ISSN:ISBN: 1015-1850978-3-525-54389-4 (Orb. biblicus (Vandenhoeck orient.) & Ruprecht) ISSN: 1015-1850 (Orb. biblicus orient.) Contents David T. Sugimoto Preface .................................................................................................... VII List of Contributors ................................................................................ X
    [Show full text]