SNSD/Girls' Generation Members & Profiles

Total Page:16

File Type:pdf, Size:1020Kb

SNSD/Girls' Generation Members & Profiles SNSD/Girls’ Generation Members & Profiles Tiffany Full Name: Stephanie Hwang / Hwang Mi Young Nickname: Fany Position: Lead Vocalist Birthday: August 1, 1989 Birthplace: San Francisco, California USA Height: 162 cm Weight: 50 kg Blood Type: O Religion: Christian Education: Korea Kent Foreign School, South Pointe High School Languages: Korean, English Trainee Years: 3 Years and 7 Months Fun Facts: •She is famous for her eye smile. •She was casted in 2004 through SM Casting System in Los Angeles,USA. •She hates bugs. •When learning Korean from the other members, she only believed Seohyun because the rest of the members liked to deceive her. •She was an MC for Music Core along with Taeyeon and Seohyun. •She was in the sub-group TaeTiSeo along with Taeyeon and Seohyun. •Can play the flute and piano. •She has an older sister and an older brother. •Amongst all the Girls„ Generation/SNSD members, she has the best tolerance to alcohol. •She goes to the same church as SunYe of the Wonder Girls. •She loves high heels. •She is a fan of the Twilight Saga (And also Robbert Pattinson). •She can„t ride a bike. •She and Jessica were born in the same hospital. •Her favorite song on the “Girls„ Generation” album is “Baby Baby“. •She likes the jewelry brand Tiffany & Co. •She is very close to Taeyeon. •She hates to lose. •She is usually the one who usually picks out Hyoyeon‟s mistakes in dancing (Which is ironic because she is thought by some to be the least skilled dancer in Girls„ Generation/SNSD and is correcting the main dancer). •Her voice becomes high pitched when shes excited. •Said to make the most mistakes during live performances. •The members say she has a very loud voice. •She is very close to Taeyeon„s family. Jessica Full Name: Jung Su Yeon Nickname: Sica Position: Main Vocalist Birthday: April 18, 1989 Birthplace: San Francisco, California USA Height: 163 cm Weight: 43 kg Blood Type: B Education: Korea Kent Foreign School Languages: Korean, English Trainee Time: 7 Years and 6 Months Fun Facts: •She started to sing when she was younger during a trip to the department store. At the time she didn‟t know anything about singing, but she started randomly and it has been her hobby ever since. •Her younger sister is Krystal of f(x) •She hates the taste and smell of cucumbers. •She has the longest training time in Girls„ Generation/SNSD. •She moved to Korea from America at the age of 11 to become a trainee. •She played “Elle Woods” in the musical “Legally Blonde“. •She is the most difficult member to wake up. •She has strange sitting positions. •She cries when she gets angry. •Her favorite song on the “Girls„ Generation” album is “Complete“. •She says she causes the “Sica Effect“ which is a state where the atmosphere suddenly turns cold at her presence. •She walks with her feet pointed outward. •She and Tiffany were born in the same hospital. •She was in the MV for Super Junior M„s “Super Girl“. •She was in the MV for SHINee„s “Sherlock“. •Her shoe flew off once during a live performance of “Genie“. •She loves to sleep. •She was once reported missing by the Girls„ Generation/SNSD members, but she was later found in the bathroom sleeping. •Once when Girls„ Generation/SNSD flooded their dorm because they forgot to close the washing machine, everyone cleaned it up except for Jessica who asleep during the whole event. •Once Girls„ Generation made the members pay a fine if they were late, and Jessica paid the most. Taeyeon Full Name: Kim Tae Yeon Position: Main Vocalist, Leader Birthday: March 9, 1989 Birthplace: Jeonju, North Jeolla, South Korea Height: 160 cm Weight: 44 kg Blood Type: O Education: Jeonju Art High School Languages: Korean, English Trainee Time: 4 Years and 3 Months Fun Facts: •She is the type of person that hides sadness with a smile. •She is known as the leader who never cries. •Has an older brother and a younger sister. •Her ideal type is Vegeta from Dragon Ball Z. •She hates aegyo, and stated that she had difficulty to act cute in the MV for “Gee“. •She has a fear of fire. •She enjoys scary movies and does not get frightened easily. •She is very bad in using her left hand. Even when she types on a keyboard she only uses her right hand. •All the Girls„ Generation/SNSD members agree that she is one of the prettiest members. •She has a bad habit of sleep talking (Yoona said she even introduces Girls„ Generation/SNSD in her sleep!) •She also has a habit of falling asleep in yoga positions. •She is one of the best cooks of Girls„ Generation/SNSD (2nd to Hyoyeon). •She voiced Margo on the Korean version of “Despicable Me“. •She was an MC for Music Core along with Tiffany and Seohyun. •She was in the sub-group TaeTiSeo along with Tiffany and Seohyun. •She is short-sighted so she alwayss has to wear contact lenses. •She at first didn„t like the popular anime “Sgt.Keroro” because she thought it was boring. But after Seohyun„s influence, she began liking it. •She is interested in men that think positive and have a good sense of humor. •When she was a teenager she would always listen to the radio when doing homework and says that the radio was a big part of her life. So when she became a DJ on a radio station she felt very happy. •She loves purple flowers. •She has a very bad memory. •She loves to watch Japanese dramas. •Her favorite movie is “National Treasure“. •Her favorite plant is the cactus. •Her favorite song on the “Girls„ Generation” album is “Merry Go Round“. •She is known as the “OST Queen” because of her many powerful ballads on drama OSTs. Yoona Full Name: Im Yoon Ah Position: Sub-Vocals, Lead Dancer, Visual Birthday: May 30, 1990 Height: 166 cm Weight: 46 kg Blood Type: B Education: Dongguk University Trainee Years: 7 Years and 2 Months Fun Facts: •She is the “#1 Queen of CF” in Girls„ Generation/SNSD. •A lot of idols have chosen her as their ideal type including Lee SeungGi, DoonWoo of BEAST/B2ST, and G-Dragon of BIGBANG. •She has acted in several dramas such as “You Are My Destiny” and“Love Rain“. •She is a very dedicated actress. She cut her hair for Cinderella Man and asked her sunbaes for advice multiple times. •She is more confident dancing and acting rather than singing. •Her favorite song on the “Girls„ Generation” album is “Complete“. •She is the dishwasher of Girls„ Generation/SNSD. •She has a minor condition of bowleggedness. •She was in the MV for the Japanese version of SHINee„s “Replay“. •She was in the MV for TVXQ/DBSK„s “Magic Castle“. •She was in the MV for TVXQ/DBSK„s “My Everything“. •She was in the MV for Lee Seung Chul‟s “Propose“. •She loves roller coasters. •Her favorite season is winter. •She wants to get married between the age of 27 and 28. •She has a unique laugh and is nicknamed “Alligator mouth“. •She says that if she wasn„t a singer she would be a chef. She doesn„t think she is very good at cooking, but she enjoys it. •She„s not a good swimmer. •She is very close to the Super Junior members. •She has never had a boyfriend, because she wants pursue her career before love. •Shes taken pastry classes. •She is a free thinker. Sunny Full Name: Lee Sun Kyu Position: Lead Vocalist Birthday: May 15, 1989 Birthplace: Los Angeles, California, USA Height: 158 cm Weight: 43 kg Blood Type: B Education: Baehwa Girl‟s High School Languages: Korean, English Trainee Time: 9 months (+ 5 years in another company) Fun Facts: •She lived in Kuwait when she was just a baby around the time of the Gulf War. So that„s why she is afraid of loud explosions. •Her parents were at first against her decision to becoming a singer because they knew the difficulties that came with pursuing the career since a majority of their family are involved in the music industry. •She is the niece of SM Entertainment„s CEO Lee So Man. •She has two sisters, which share the same birthday as her (No,seriously. They were ALL born on May 15). •She use to be mistaken for being the maknae since she shows a lot of aegyo and was given the title “Queen of Aegyo“. •Her vocal teacher use to be R&B star Wheesung. •Her favorite song on the “Girls„ Generation“ album is “Ooh La-La!”. •She doesn„t want to attend college yet because she wants to focus on her singing career and “chase one rabbit then the other“. •She loves fruit. •She doesn„t like her name “Sun Kyu” because she thinks it sounds like a name for an older generation. •She is the most cheerful member of Girls„ Generation/SNSD. •She and Yuri are the members who make the most mistakes in the choreography. •Amongst the Girls„ Generation/SNSD members, she is the slowest to learn the choreography. •She often mumbles while sleeping. •She has a crush on Daniel Heney. •She has an astigmatism in both eyes. •She was in the MV Super Junior H„s “Cooking? Cooking!” Sooyoung Full Name: Choi Soo Young Position: Sub-Vocals, Lead Dancer Birthday: February 10, 1990 Birthplace: Seoul, South Korea Height: 170 cm Weight: 45 kg Blood Type: O Religion: Christian Education: ChungAng University Languages: Korean, Japanese, English Trainee Time: 6 Years and 3 Months Fun Facts: •She debuted at the age of 12 in the Japanese group “Route O“.
Recommended publications
  • FEATURE Teachers Share Personal Love Stories
    23_AlbanyHS_1 ALBANY HIGH SCHOOL Genevieve Stunkard, Features Editor 5 FEATURE Kylea Gardner, Assistant Editor February 12, 2016 Teachers share personal love stories be around,” Jennie said. “Also, his family Staff speaks about went to Colorado every year, and I got to go with them after we started dating, so proposals, wedding that was always fun.” Bailey says that throughout her mar- stories riage, no problem has ever been too hard to overcome. BY GENEVIEVE STUNKARD “We promised each other from the start Features Editor that divorce would never be a part of our vocabularies,” Bailey said. However, Jennie explains that her “It was a balmy evening in South Flor- marriage has not always been “sunshine ida,” Andre Raymond said. “As a group and roses.” of juene fi lle emerged from the freshman “I guess the most diffi cult time in our dorm, Roxanne caught my eye; her fl axen marriage was when I was sick with breast hair moved softly as a gentle zephyr moved cancer,” Jennie said. “But we stuck it out. eff ortlessly through her dusky tresses. My We’re committed to each other, and when is- heart fl uttered and my knees weakened; sues arise we always work to resolve them.” her beauty had entranced me, and it was Bailey describes how her husband pro- love at fi rst sight.” posed to her. He laughs and then explains that, “My favorite fl ower was (and still is) because life isn’t a romance novel, most daisies, so on my birthday one year, I walked relationships, including his own, don’t into his apartment and there were yellow really start out this way.
    [Show full text]
  • Published 22 February 2019 LKFF 2012
    THE LONDON KOREAN FILM FESTIVAL 제7회 런던한국영화제 1-16 NoVEMBER StARTING IN LONDON AND ON TOUR IN BOURNEMOUTH, GlASGOW AND BRISTOL 12�OZE�293 OZ Quadra Smartium(Film Festival).pdf 1 10/18/12 6:14 PM A MESSAGEUR ROM O TOR LONDON-SEOUL, DAILY F TIC DIREC ASIANA AIRLINES ARTIS is redefining It is with great pride and honour that I welcome you to the 7th London Korean Film Festival. Regardless of whether you are a connoisseur of Korean cinema or completely Business Class. new to the country’s film scene, we have created an exciting and varied C Beginning November 17th, all the comforts of programme that will delight, thrill, scare and, most importantly, entertain you. M our new premium business class seat, Y the OZ Quadra Smartium, can be yours. We start off large with our return to the Odeon West End with one of the CM There’s a wonderful new way to get back and biggest Korean films in the last ten years;The Thieves. Our presentation MY forth to Seoul everyday. Announcing Asiana Airlines’ innovative of this exciting crime caper also sees its director, Choi Dong-hoon, and new premium business class seat, the OZ Quadra Smartium, lead actor Kim Yoon-suk gracing London’s Leicester Square. CY offering you both the privacy of your own space CMY and the relaxation of a full-flat bed. From the 2nd of November through to the 10th in London (continuing until the 16th in K Glasgow, Bristol and Bournemouth) we will show everything from the big box office hits to the smallest of independents, ending with the much-lauded Masquerade, as our closing Gala feature.
    [Show full text]
  • The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力
    Volume 8 | Issue 5 | Number 5 | Article ID 3298 | Feb 01, 2010 The Asia-Pacific Journal | Japan Focus The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力 Mark Morris The New Korean Cinema, Kwangju and the Art of Political Violence The New Korean Cinema, Kwangju and the Art of Political Violence Mark Morris In 2007 two South Korean films debuted which Mark Morris place the May 1980 Kwangju Uprising at the heart of their stories. The Old Garden This is part two of a supplement on South (Oraedoen chǒngwǒn) was released in January. Korea’s Kwangju Uprising: Fiction and Film. It is a rather free adaptation of one of the most Part one is Ch’oe Yun and Mark Morris, South significant works of fiction to appear in the last Korea’s Kwangju Uprising: Fiction and Film. decade, the novel of that name by Hwang Sǒg- yǒng. The second film, May 18 (Hwaryǒhan 2010 will be a year of commemorations in hyuga), which appeared in July, was the first South Korea. The 25th of June will mark the big-budget narrative film to propose to tackle sixtieth anniversary of the beginning of the the May uprising head-on. Mixing elements of Korea War. Midway between 2010 and 1950 romance and comedy, the film tries to recreate was 1980. The Kwangju Uprising of May of that in the form of a docu-drama the extraordinary year was an event almost as significant as the period between 18 and 27 May almost three US-Korean War in framing the contemporary decades ago.
    [Show full text]
  • Netease Cloud Music and Big Hit Entertainment Team up to Launch BTS' Song Catalog
    NetEase Cloud Music and Big Hit Entertainment team up to launch BTS' song catalog HANGZHOU, China, May 4, 2018 /PRNewswire/ -- NetEase Cloud Music, China's leading music platform, entered into a partnership agreement with South Korea-based Big Hit Entertainment, whereby the Chinese platform will launch BTS' repertoire of songs on the platform. Big Hit Entertainment, a South Korea-based entertainment company focused on music, represents and manages BTS, the company's leading all-male group, which debuted in 2013. BTS is comprised of seven male vocalists: RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook. BTS, the abbreviation for Bangtan Sonyeondan, also stands for Bulletproof Boys and Beyond The Scene. Since the group's first appearance, they have received several major awards at music festivals held in South Korea as well as some international events. In 2017, they were named Top Social Artist by Billboard Music Awards, garnering the group worldwide attention. This February, they were again listed as an award candidate, competing with international superstars. Recently, NetEase Cloud Music launched BTS' widely popular catalog of songs on its platform, including MIC Drop (Steve Aoki Remix) (Feat. Desiigner), DNA, Spring Day, Not Today, Blood Sweat & Tears, Fire, Dope and I need U. In addition to music copyright, NetEase Cloud Music will cooperate with Big Hit Entertainment on artist and music promotion, marking the start of a close collaboration that will cover all aspects of the music business. The two parties look forward to jointly driving the popularity of music artists and their works via multiple channels, while offering higher quality music services to wider audiences.
    [Show full text]
  • THE UNIVERSITY of HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks That Span E
    THE UNIVERSITY OF HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks that Span Europe being a Thesis submitted for the Degree of Doctor of Philosophy in Electronic Engineering in the University of Hull by HAFIZ BASARUDIN (MEng.) (HND, British Malaysian Institute) January, 2012 ACKNOWLEDGEMENTS First and foremost, my utmost gratitude to Dr. K. S. Paulson, my supervisor, whose sincerity, guidance and encouragement I will never forget and has helped me to finish this work. I would also like to extend my gratitude to others including Mr. N. G. Riley, Dr. Franklin Mung'au, the department and Graduate School. I would also like to acknowledge the support of the British Atmospheric Data Centre and the National Oceanic and Atmospheric Administration, Physical Science Division for providing the critical datasets for this research. Last but not least, my sincere gratitude to my family and friends who helped me a lot in finishing this project through continuous encouragement and support during my study. i ABSTRACT Radio communication systems operating at microwave frequencies are strongly attenuated by hydrometeors such as rain and wet snow (sleet). Hydrometeor attenuation dominates the dynamic fading of most types of radio links operating above 10 GHz, especially high capacity, fixed, terrestrial and Earth-Space links. The International Telecommunication Unions – Radio Section (ITU-R) provides a set of internationally recognized models to predict annual fade distributions for a wide variety of individual radio link. However, these models are not sufficient for the design and optimisation of networks, even as simple as two links. There are considerable potential gains to be achieved from the optimized design of real-time or predictive Dynamic Resource Management systems.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
    The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Identity Under Japanese Occupation
    1 “BECOMING JAPANESE:” IDENTITY UNDER JAPANESE OCCUPATION GRADES: 9-12 AUTHOR: Katherine Murphy TOPIC/THEME: Japanese Occupation, World War II, Korean Culture, Identity TIME REQUIRED: Two 60-minute periods BACKGROUND: The lesson is based on the impact of the Japanese occupation of Korea during World War II on Korean culture and identity. In particular, the lesson focuses on the Japanese campaign in 1940 to encourage Koreans to abandon their Korean names and adopt Japanese names. This campaign was known as “sōshi-kaimei." The purpose of this campaign, along with campaigns requiring Koreans to recite an oath to the Japanese Emperor and bow at Shinto shrines, were to make the Korean people “Japanese” and hopefully, loyal subjects of the Japanese Empire by abandoning their Korean identity and loyalties. These cultural policies and campaigns were key to the Japanese war effort during World War II. The lesson draws from the students’ lives as well as two books: Lost Names: Scenes from a Korean Boyhood by Richard E. Kim and Under the Black Umbrella: Voices from Colonial Korea 1910-1945 by Hildi Kang. CURRICULUM CONNECTION: The lesson is intended to use the major themes from the summer reading book Lost Names: Scenes from a Korean Boyhood to introduce students to one of the five essential questions of the World History II course: How is identity constructed? How does identity impact human experience? In first investigating the origin of their own names and the meaning of Korean names, students can begin to explore the question “How is identity constructed?’ In examining how and why the Japanese sought to change the Korean people’s names, religion, etc during World War II, students will understand how global events such as World War II can impact an individual.
    [Show full text]
  • Published 26 February 2019 LKFF 2018
    1–25 NOVEMBER LONSM_350_ .pdf 1 2018. 8. 22. �� 8:48 It is my pleasure to introduce to you the 13th instalment of the London Korean Film Festival, our annual celebration of Korean Film in all its forms. Since 2006, the Korean Cultural Centre UK has presented the festival with two simple goals, namely to be the most inclusive festival of national cinema anywhere and to always improve on where we left off. As part of this goal Daily to Seoul and Beyond for greater inclusivity, in 2016 the main direction of the festival was tweaked to allow a broader, more diverse range of Korean films to be shown. With special themes exploring different subjects, the popular strands covering everything from box office hits to Korean classics, as well as monthly teaser screenings, the festival has continued to find new audiences for Korean cinema. This year the festival once again works with critics, academics and visiting programmers on each strand of the festival and has partnered with several university film departments as well. At the time of writing, this year’s festival will screen upwards of 55 films, with a special focus entitled ‘A Slice of Everyday Life’. This will include the opening and closing films, Microhabitat by Jeon Go-woon, and The Return by Malene Choi. C ‘A Slice of Everyday Life’ explores valuable snapshots of the sometimes-ignored M lives of ordinary Koreans, often fragile individuals on the edge of society. One Y will also see director Lee Myung-se's films in the Contemporary Classics strand and Park Kiyong's films in the Indie Firepower strand.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network
    Psychology, 2020, 11, 1574-1591 https://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network Tsukasa Inomata1, Sotaro Shimada2 1Electrical Engineering Program, Graduate School of Science and Technology, Meiji University, Kawasaki, Japan 2Department of Electronics and Bioinformatics, School of Science and Technology, Meiji University, Kawasaki, Japan How to cite this paper: Inomata, T., & Shi- Abstract mada, S. (2020). Vicarious Reward Response Is Positively Correlated with Functional Con- Some people can easily empathize with others, while others cannot. The neural nectivity in the Resting State Default Mode mechanism underlying individual difference of how much people can em- Network. Psychology, 11, 1574-1591. pathize with others is still not clear. Vicarious reward is the phenomenon by https://doi.org/10.4236/psych.2020.1110100 which we vicariously experience the positive sensations or emotions of others. Received: September 20, 2020 Beta oscillatory activity (BOA) is observed when participants experience vica- Accepted: October 26, 2020 rious reward. Recent studies have reported that the default mode network Published: October 29, 2020 (DMN) is also involved in reward processing and have suggested that indi- Copyright © 2020 by author(s) and vidual differences in the way participants respond to reward stimuli are cor- Scientific Research Publishing Inc. related with DMN functional connectivity during the resting state. In the This work is licensed under the Creative current study, we investigated whether DMN functional connectivity during Commons Attribution International License (CC BY 4.0). the resting state is also correlated with BOA for vicarious reward.
    [Show full text]