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Live music by Fontana Ramblers each evening except Sundays.

2 a t VOLUME 35, No. 8 AMERICAN M 4, August 1980 SQURRE ORNCE • • • THE NATIONAL MAGAZINE 414 WITH THE SWINGING LINES rhi Anniversary I • • • • • • 4 Co-Editorial • 5 By-Line Publishers and Editors • 6 Grand Zip • 7 Meanderings Stan & Cathie Burdick a 11 Great Expectations Workshop Editors 13 Geometric Patterns as, Ed Fraidenburg 15 The Protector Bob Howell 16 Straight Talk • 17 LEGACY Spin-Off Record Reviewers • 18 Rave 19 30th National C John Swindle 21 Grand Square Frank & Phyl Lehnert • 23 Steal A Peek Feature Writers • 25 29th National Convention • 26 Encore Harold & Lill Bausch • 28 Dancing Tips Jim Kassel • 29 Calling Tips Mary Jenkins • 30 Callerlab Confab Dave & Shirley Fleck • 31 Best Club Trick • 32 Easy Level Gene & Thelma Trimmer • 34 Spotlight on Choreographers • 36 Challenge Chatter Editorial Assistants 38 Creative Choreography • 44 Events Mona Bird • 44 Singles Mary Fabik • 48 Flip Side-Rounds Ruth Garris • 48 Choreography Ratings • 49 Flip Side-Squares Pat Gillam • 51 Puzzle Page Bob Mellen • 54 People Mef Merrell • 56 News • 58 SID Pulse Poll • 59 RID Pulse Poll • 60 Underlining AMERICAN SOUAREDANCE Maga- • 62 Dandy Idea zine (ISSN 0091-3383) is published by • 63 Product Line Burdick Enterprises. Second class pos- 65 Book Nook tage paid at Sandusky, Ohio. Copy • 66 Finish Line deadline first of month preceding date • 68 Laugh Line of issue. Subscription: $8.00 per year. • Single copies $1 each. Mailing address: • Box 488. Huron OH 44839. Copyright • • Member of NASRDS 1980 by Burdick Enterprises. All rights • National Assoc. of S&R/D Suppliers reserved. Amencw Sgueectance August 1980 3

"If you're not progressing, you're standing still." Someone famous said that, in so many words, perhaps that in- spiration of editorial workers, Benjamin Franklin. That's a lead-in to say that CO-EDITORIfil we've taken a giant step forward. We have received this week another technological miracle, an Editwriter. (It's been five years since our last mechanical conversion to an electronic typesetter.) This new partner in our business is a programmable computer- type of typesetter. If we are programmed correctly to compose the feature ar- ticles, we can program our big blue friend to spew out gorgeous copy in col- umns, boxes, and small and large type. However, don't look for great innova- tions in this issue. Three days friendship with CE#2 means we've mastered straight copy; frills will have to come with practice. The constant deadline These raises play havoc with budgets meant there was little time for practice of businesses, such as ours, that are or training with the options when the conducted largely by mail. Regretfully, marvel arrived; it was immediately time we announce that a subscription for 12 to do the practical typesetting for this issues in 1981 will cost $9.00, with 24 August issue. issues (2 years) costing $16.00. Compare Watch for new and better layouts this this price with any other magazine which fall as CE#2 repays our tender loving issues twelve editions a year and you'll care with an outpouring of precision see it's still a bargain! copy. It can even set crossword puzzles, Our special offer is for renewals at the if we discover the right buttons to push! old price throughout the remainder of Needless to say, a computer/com- 1980: $8 for one year; $14. for two. For poser of this type is a big investment for those who really like a bargain, we'd like us. but we're expressing faith in the to extend the option of a three-year square dance activity in times of renewal for $20.00. This is a once-in-a- economic unrest and faith in the longevi- lifetime chance, which probably can ty of this magazine. never be repeated. Send your renewal We've put our subscription blank on now! the bottom of this page so we could tell We've reaffirmed our faith in square you of a very special offer. You've pro- dancing and American Squaredance bably read of the postal service plan to with the purchase of a half-ton raise postage rates in 1981. Did you mechanical monster for the office. Why know second class rates also were hiked not express your faith in the future with again last month, in July? They were. a three-year renewal?

AMERICAN SQURRE ORNCE,TnB 1-1484848x 39 Please start my subscription NOW. My check (or money order) is enclosed. One Year at $8 J Two Years at $14 Three Years at $20

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4 American Sguategance August 1980 This summertime issue features a commencement message by Noah Garrls, superintendent of schools in Huron, Ohio. What he says is appropriate to all of us as we "commence" a new square dance season in a new decade. If you've never asked yourself what you "expect" of the future in square dancing, do it now. Cal Campbell, much in the news recently along with his wife, Judy, for their promo- tion of a square dance balloon, traces geometric designs in dances for us. Is his theory that dancers enjoy geometric flow the reason some of the newer calls seem so lackluster? Dorothy Brown gives us a short, short story, complete on one page, and good for summer reading. Don't look ahead to the ending. The center spread gives a look at contributors to square dance choreography over the years. Material for this page was contributed by Bill Burleson, Don Beck and the late Will OrtIch. All of our regular feature writers are included in this August issue, even though you'll notice fewer pages. We like to thank these faithful contributors whose copy ar- rives on schedule month after month. One reason square dancing continues on is the dedication and commitment of its leaders. Such qualities are found in the writers who prepare features for you monthly, always with the dread deadline monster creeping up and peering over their shoulders. Sincere thanks to all of them.

"9/Agail MI111 RECORDS THE RECORD DESIGNED . I WITH THE CALLER IN MIND

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Ame,,can SOvareCance August 1980 5 meeting Cal and Judy Campbell and see- ing the balloon basket they had on display. I did hope I would win a ride in the balloon, but wasn't lucky... 6utut Zip Betty & Larry Cress/er Phoenix, Arizona

Got our American Squaredance this week and I have it nearly read through. Dick and I thoroughly enjoy it and as editors, appreciate the time and work that goes into it. However, after reading "Dancer Con- cerns" I felt the need to write...Apparent- ly the writer has had his/her toes step- ped on to be so critical of dancers. We dance around a lot and I think I have two I would like to commend you and answers to the question, "why?" in the Cathie for your excellent magazine and portion on "retaining dance space." also the tremendous effort you put forth Also because this is from Miami, maybe toward getting it into the hands of the one of the answers is quite legitimate. square and round dancers. If they would Answer 1: Ten years ago when we took but take heed of the many fine articles lessons, one of the first things our printed, our activity could do nothing but teacher told us was, "Don't dance way grow. Keep up the good work. down at the end of the hall. Come on up Les Reider here with me." Answer 2: We know Milton, Florida several dancers with hearing problems. The ash hit Spokane fairly hard. We They always dance at the front of the had a half inch of the stuff covering hall so they can hear the caller without everything. Even now, it coats cars, any trouble. Also, some of the halls we walks, driveways and some streets dance in have bad acoustics and you do billow huge clouds when you drive. have trouble hearing anywhere but the Dance halls were temporarily shut down front of the hall. (about five days) while cleanup crews Thanks for letting me share with you. swung into action. As usual, square Maybe you can pass the info on to the dancers were great about volunteering Florida people. We all know there are to hose, sweep, and shove. Our state folks such as decribed in the article, but festival at Yakima is still go. I think they are few and far between. I Ed Stephan really feel a little sorry for them, as they Spokane, Washington can't be having much fun...... This current issue was especially in- Dick & Shirley Whyman teresting. We enjoyed Stan's account of Prattsburg, New York his balloon ride in Albuquerque. We were there at the recent... festival and enjoyed

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6 American Sguarectance August 1980 tional degrees from different institutions this season. Our youngest, Sue, did it with honors at Huron High. Paul pulled a B.A. from Heidelberg College. And Bruce earned his M.S. from Ohio State. A cake. A candle. A toast. A time to recall those growing-up years, ever so fleeting, and then the fledging flock is flown, launch- ing a new generation. bent on doing it better than we did. So we sit at dusk— Cathie and I— marveling in disbelief at how the granulated, graduated grains of sand have gravitated to the bottom of the hourglass, persistently, inevitably, infinitely, finally. Time marches on. The other event, two weeks later in early June, concerns the distaff side of the coeditorial team. Cathie had receiv- ed a personal engraved invitation from the White House to attend a reception given by our First Lady, Rosalynn Carter. The "honor of your presence" had gone out to all presidents of all girl scout councils across the nation, and our "co- ed" accepted for the Erie Shores (north- ern Ohio) Council, along with a hundred- and-a-half other olive-drab dignitaries, who beat a green path to the capitol city, faster than a GS cookie can crumble. Rosalynn herself shook hands with all. spoke of new GS programs, and ushered the group through the lavish diggings to a board groaning with goodies designed to make a hundred heads swim under the green berets. Again, a portfolio of fly-high flittings and flourishes made our May is like magic. Come, May-June sojourns so memorable we prestidigitate, rotate, and motivate with couldn't resist a mention. me as we move thru the "merry month." Yes, May was chock full to the brim At this writing the crocus has already with whimsical visitations and musical croaked, the forsythia has long ago "for- manifestations both hither and yon. A soothed", and the hyacinth has "hied great western swing to California and itself hence" to greener pastures; but Washington was in the offing, and I was let's pull the old cat out of the hat, as it off to it with gusto, as well as some were, and make those glorious thirty-one stately stints east and south. days reappear in a wink of time. We'll Sheffield, PA— Just a quickie in- hoodwink Houdini into wondering and-out drive past Pittsburth and Warren whodunit. to Sheffield for a fire-site chatter with Both May and June were zap-happy the Apple Siders. They're ripe and ready, months for yours tour-ly as I covered the right to the core, that bunch. continent rather record-breakingly. But Memphis (Germantown) TN— One before we hit the travel trail, may we super day in the hometown of the Na- digress with a touch of pride to a per- tional just a month before the big one. I sonal aside or two. flew down for the annual subscription The other day we had a little party dance in that cool Spurs & Saddles Ger- at our house in Huron. It was graduation mantown hall, and stayed with Swiss- time. Party time. Open house all day to bound caller-hosts Eddie and Sally celebrate with friends the once-in-a- Ramsey. As usual, everyone came out. in lifetime occasion of three Burdick kids spite of being as busy as honey bees in a (Count 'em— three.) all receiving educa- blooming clover patch. The Memphis

American Souaredance August ?980 7 emphasis on friendliness is always there. St. Marys, WV— I drove south to the West Virginia panhandle area and east to this little town near Parkersburg and south of Denver (Denver Britton, the caller) for the Missing Squares dance, where those nuclear energy silos march down the Ohio River, looking like stately quadrillians of a past century prom- enading to a cotillion. Owego, NY (Binghamton area)— Eastward thru the pensive Pennsylvania peaks I perked on the pike, until I could (Lij \\\O steam northward to the cutting edge of the Empire state and do my thing for the Cir-q-laters in IBM-land. That night the WELL, FAN club unveiled a unique banner that was My TOP,(/ actually hooked as Aunt Hepziban would hook a rug. Sorry I didn't note the \\ names of the hookers. On the way home I drove that scenic, rolling southern tier on Rt. 17, resplendent with memories of \'-'4 417 some mighty good years I spent in that country. I got home just in time to celebrate the double-barreled festivities of Mothers Day and Cathie's birthday in bum around, spent by this half-spent one package, then made things ready for caller, spendthriftily and splendidly with the big western swing. new-found caller friends Ken and Norma Eureka, California— Up the upland Dibble in the Bay-San Jose area. Fun to Pacific coast I coasted in my orange ren- coat-tail Ken to see his busy afternoon tal Pinto after landing south of the San Senior Center sallies, followed by an Francisco slope (the gay Bay brae), and evening crash to where Harold Freeman drove that six-hour redwooden paradise calls at Callers Choice. A pizza parlor route with aplomb (and a prune) to gold- kaller-klatch with Dibble. Davis, Classen, rushin' acreage. The ASD dance was a Peters and others topped the day nicely. real lucky strike for me. Fifteen sets at- On the way to Seattle next day, we tended the Redwood Squares festive flew close enough to see Mt. St. Helens, eve. There were flowers on stage, a large quiet as a sleeping cat, a couple of days welcoming sign, a parachute before she violently blew her top. "chandelier", lavish refreshments and Seattle, Washington (actually Ed- pure gold hospitality. Thanks to the monds)— Caller/hosts Jim and Betty Jacksons, Lemleys (my hosts), the Davis set it up with their "Jim Dandies" Hickeys (caller), Clarks. and so many Plus 2 club at the Masonic Hall. What a other 24-carat couples. ball, y'all! Those Dandies dance dandy- Visalia, California— Another grandly. be back. Jim is creating a "sunny-Cal" day and a long Pinto pull pretty perceptible splash in the Pacific east towards the giant Sequoia area northwest new where the Redwood Squares club Vancouver, B.C., Canada— After under the caller/leadership of Al & Con- landing in Seattle I charged another nie Whitfield (formerly of Eureka) set up charger for the north-of-the-border hike. riggins in those a jig gig for me. Fine up where witty Ken & Gladys Oakley humble diggins. Ever see a cookie-cake? and the Wheeling 8's (a wheelchair Good, low-budget idea— an oversized dance club) set up a dance_ Those cookie on a platter, frosted like a cake. smooth Canadians danced everything splashing an icy but ever-so-warm from teacups to gears. Surprisingly, so welcome. Try it. did the "8's", in a demo set. Love that Bay area bivouac— Free day just to lemon meringue pie, Gladys! 8 arne,,Ce, SOL,a,e0.1‘,Ce august 1980 Bremerton, Washington— Back in a big bird. But then— Saints preserve down around Seattle I zoomed and us!— I hopped a little puddle-jumpin' cloverleated upward in the peninsula to charter flight in the "Mt. Homer" Bremerton, where caller Jerry and Jean- through the blinding rain with two other nie Vaughn lodged me in their comfor- passengers west to Ozarky-razorback table trailer parked beside their house country. That little Legion clubhouse for two days/two programs. Jerry is a was full again for the Twin Lakes Fun- gutsy guy hit by MS but kicking it with a timers wingding— a real pretty Partee strong resolve. The Peninsula Teachers party—a Holiday Inn-spiration—a noon- and Callers hashed over common calling hour Rota-remake— another cloud- concerns with me at Spike Reed's place. hopper to Memphis to board a bigger Full house (20 + sets) kicked up their bird for the OKC run. heels at the lovely Kitsap S/D Center for Oklahoma City, Oklahoma— My last the Square Steppers "Boot" toot. stop on this fortnightly foray was cloud- Thanks, Milow Haugen, and many ed with a bit of bad luck. New smallest others. They even went so far as to stage ASD dance record goes to this area. On- a volcanic eruption to entertain me that ly two sets (count 'em— two) showed up, weekend. not through errors by my hosts, caller West Union, Iowa-Time for a date with Dick and Carole Manning, but Memorial the eager Swinging Squares in this tiny Day weekend put a shroud on the crowd. rural town. I flew from Seattle to Oh well, love, laugh, and live it up. I flew Rochester, Minnesota (via Canada at no home to rest and regroup. extra charge so the pilot could give old A closing word. As I pensively pen boiling Mt. St. Helens a wide earth berth) these lines it is late June and Memphis and wheeled southward. Carpooling is looms mightily (Can't wait to see y'all at fact, not fancy, out there where they may the National.), but beyond that, as you drive a hundred miles to dance. On the read these dippy dabblings it will be way to Waseca the next day, caller Les almost mid-August and— excuse a per- Lalone took me to tiny Spillville to see sonal reference again— Cathie and I will the fantastic Bily brothers hand-carved be celebrating twenty-five years of wed- clocks. Truly a "little Switzerland" en- ded bliss and blisters together. Some of counter— a collection worth a million— you will say, as you glance at our co- and behind it the lifelong dedication of editorial page. "How do they look so just two very plain plainsmen who felt young?" I'm glad you asked that. Cathie like cutting up. was a child bride. And I refuse to print Waseca, Minnesota- My hosts were anything but my high school photo. year caller Whitey Aamot, and his wife, Bar- after year. Some time, after I'm gone, bara, and daughter Sara (a caller in her folks will probably say, "He was a living own right) for an ASD dance in a new lemon in his own thyme!" area for me. Whitey's a long-time school- teachin' tech-spert who's influenced thousands to realize there's a fourth R called Rhythm, vital to any curricula, and that spells "square dance" in every gym or cafeteria. Keep at it, Whitey. Nice showing, all around. Newport, Kentucky— Caller George & Marjorie Mueller met me at the Greater Cincinnati airport and hosted me again (Mm-m, what pie she serves!) for the an- nual ASD dance. Swiss-bound caller Phil Kozlowski (He's Polish with polish!) and Nancy and son Aaron (See ASD, Feb. p. 53) were there too, along with a full hall of rootentooten three-state Kentucky Twirlers and friends. They booked me for the next three years. (My, such con- fidence— Co-ed.) Mountain Home, Arkansas— The flight from Cinci to Memphis was a short hop ArnerTan 80ua,e0ance August 1980 9 GARY & SUE SHOEMAKE WILL BE STAFF SQUARE DANCE INSTRUCTORS AT BOTH TIP-O-TEXAS R.V. VILLAGE & PHARR SOUTH mobile home and R.V. community In Pharr, Texas They invite you to join them at either of these beautiful parks, anytime you are in the Texas Rio Grande Valley from November through March. They will be providing a full program of square and round dancing at all levels. Leave the cold at home and have a great time with Qary & Sue us . MAKE RESERVATIONS NOW

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10 American Scuareoance August 1980 GREAT EXPECTATIONS

by Noah Garris Huron, Ohlo

had come out and she said nine had Not only are you now ready to move in- come to pass and the tenth was looking to a new era in your life, but you have good. So it went with uncanny exact- helped finish the 1970's and push them ness. back among the sixties, fifties and for- If you were given a pen, paper and ties. You have also opened a new envelope right now and asked to write decade— the 1980's. Some will look your expectations for the next year or for ahead in dread, and their reasons are as the eighties, what would you write? If we varied as those people themselves. opened them in one year, or a decade, Yet for others, this is a time for hope would you want yours read? and dreams, a time to make resolutions Some folks have a major worry cam- for change, a time to plan actions to paign on what might happen. You know reach goals. The hoped-for changes that these kinds of people and maybe see we sense need to be made must begin one each morning when you look in the now In our lives. mirror. With all the talk about economy You are just the right group to con- and recession, many people worry about sider changes and improvements for the money. This is indeed an area that hits 1980's and 1990's and beyond the year us all. But what good does ti do to 2000. Instead of thinking only of hopes worry? You are really helping bring it to and dreams, let's talk In terms of expec- reality in your life because worry is tations. another word for negative expectation. What do you expect to happen in your What you think will happen, will happen! life during the eighties? What do you ex- Starting now, today is the first day of pect to happen this next year? the rest of your life. Do not fear being A young writer named Constance misunderstood, nor waste a minute Foster tells of a New Year's Eve party thinking about your enemies. Try to fix where those present started talking firmly in your mind what you'd like to do about New Year's resolutions. She sug- and then don't veer off direction. Move gested they talk instead of expectations straight toward your goals. Keep your and seal them in an envelope. One year mind on the great and fine things you'd later they would meet and the host like to do, and as the days go racing by, would bring out the envelopes for each you'll find yourself unconsciously seiz- person to read and explain what actually ing upon the opportunities that are re- happened during the past year. quired to fulfill your expectations. One year later they did meet, except Picture in your mind the able, earnest, one man who had died three months useful person you want to be, and those earlier. His envelope was opened first. thoughts will transform you into that It read, "I'll be sixty years old in April. particular individual. None of the men in my family has ever Thought is supreme. Preserve the lived beyond the age of 60." right mental attitude of courage, One man had scribbled on his paper frankness and good cheer. To think right that he expected "more of the same." He is to create. All things come through was asked if he had received it and he desire and every sincere prayer will be said, "Of course I did." answered. A woman smiled broadly as she open- We become like that on which our ed her envelope. She had written ten thoughts are fixed. wonderful things she expected to hap- What are your expectations concern- pen in her life. She was asked how they ing square dancing in the eighties?

mertcan Sauare0ance August 1980 11

CALLER-LEADER DIRECTORY Contact these caller for bookings and information Jim Davis, River View Mob. Est. p. #257, 3611 "I" St. NE yAuburn WA 98002 Dave "Hash. ' Hass 206-852-5733 PO Box 37 Now Booking 80-81.82 East Hampton CT 06424 Bob Fehrmann Now Booking 1980-81 218 Charmers Court Larry Ingber Kirkwood MO 63122 4149 W. State Ave. (3141 965-2631 Phoenix AZ 85021 Full Time Caller/Dates 81-82 (602-931-8294) NOW BOOKING 1980 Gordon Fineout 2512 Delta River Drive Chuck Marlow Lansing MI 48906 3795 Pamela Drive (517-321-4372) Gahanna OH 43230 Fred Bailey For the Fun of It! Weekends & Holidays PO Box 2 (612-358-4486) Paul B Fox (216-762-5597) Ramon Marsch Rush City MN 55069 501 Gridley Ave. 10222 Bundyburg NW Former S/D Workshop Editor Akron OH 44306 Middlefield OH 44062 Of This Magazine Dance to the calls of the Marsch-Mellow-Smooth Perry Bergh "Silver Fox Booking 1980-81 Webb Mills (614-366-3776) Rt 1 (606-758-2427) Ed Fraidenburg 315 W. Myrtle Ave. Florence SC) 57235 1916 Poseyville Rd. Rt. 10 Newark OH 43055 Any Time, Anywhere! Midland MI 48640 Traveling Weekends & Holidays Now Traveling Full Time Stan Burdicl, Glen Pyle 216 Williams Si Ken Gilmore 2220 Juliette Ave. Huron OH 44839 2715 LeBoeuf St. Fort Wayne IN 46804 THE Meandering Man Muskegon MI 49441 219-432-7682 Dance More with Gilmore! Booking for 80-81 Mike Callahan Willie Harlan Wes Taylor 1614-836 38461 147 North Ave PO Box 338 332 West Street Hilton NY 14468 Vinita OK 74301 Calling/Traveling Full Time Groveport OH 43125 For the Best in Square Dancing Weekends & Holidays Walt Cole (801-392-9078) Jim Harris 944 Chatelain Rd. Francis Zeller RFD 5 Box 182 Box 67 Ogden UT 84403 Norwich CT 06360 Contra Caller Clinics, McCracken KS 67556 Square 'am up with the All New Spiral-bound Calendars— Workshops & Dances Clinton Man! S3.50 each. 80-81-82

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Aygus , 1980 12 GEOMETRIC PATTERNS

by Cal Campbell Albuquerque, New Mexico

Modern square dance choreography Dive thru, square thru three-quarters tends to emphasize the use of a large Allemande left (or swing your corner) number of square dance terms and Another old-time favorite called "The basics. In the effort to fit in the different Arkansas Traveler" is still used in many calls in a variety of ways the caller can one-night-stands and as a teaching drill lose sight of a much larger overall in square dance classes. The idea of a choreographic pattern which should be series of arm turns with each of the a part of his plan for the tip. Sometimes ladies in a set is still used in modern this can lead to a dance that is much like choreography. One variation of this a close order military drill which has popular dance follows: everyone spinning and turning with no particular plan in mind. Number one gent lead out to the right Square dance routines which move Turn the right hand lady with right hand the dancers in an easily recognizable around geometric flow pattern are usually more Back to partner with left hand around enjoyable for the dancers. Almost every Turn opposite lady with right hand round caller recognizes the special satisfac- Back to partner with left hand around tion the dancer gets from dancing a Corner girl with right hand around grand square or a spin chain thru. This Back to partner and swing satisfaction comes from the fact that Many of the basics which have re- the dancer recognizes that they are dan- mained a part of the mainstream list cing in a geometric flow pattern which have survived the test of time because of involves all eight dancers moving in the pleasing geometric patterns which coordination with each other. result from their use. We have already Many of the traditional square dance mentioned grand square and spin chain figures of the past were built around thru. Some of the other basics which fit geometric floor patterns. They even had into this category are allemande thar, colorful names which described the pat- Alamo style, do Paso, swing thru, tern like wind up the ball of yarn and cloverleaf, centers in and cast off three- chase the rabbit, chase the squirrel. quarters, wheel and deal, ladies in and Many of these patterns survive today men sashay. You should notice that even though we have dropped the most of these involve all four couples in names. We just call them using modern the dancing action. One of the most terminology. For example, the following fascinating aspects of square dancing star pattern originated from an old to the dancer is the ability to coordinate dance called the "Colorado Double their actions with those of seven other Star." The basic idea is used in many people. singing calls. The imaginative use of these and Heads square through four hands other basics on the mainstream list can Star right with the outside two be used to create many interesting Heads star left in the middle once routines which will move the dancers around through a variety of smooth-flowing Right and left thru the outside two geometric patterns. As a caller, the key

American Scuareciance August '980 13 to visualizing them is to imagine that Interesting geometric floor patterns you are looking down on the square from are particularly adaptable modular straight above. You should be able to choreography. The usual procedure is to draw an imaginary floor pattern for each use several zeros which fit together to dancer which would form an interesting form the larger choreographic pattern. doodle it you drew it on paper. Trace When you mix these zeros in with good various dancers in the following ex- set-ups and good get-outs, you have amples and you will see. many of the ingredients necessary for Four ladles chain three-quarters an interesting and crowd-pleasing tip. Sides right and left thru For example, try this box zero from a Heads half sashay, turn thru, cloverleaf standard eight chain thru formation: Sides slide thru, turn thru, cloverleaf Swing thru, men run,tag the line left Left allemande Couples circulate, wheel and deal Heads square thru, centers in Dive thru and pass thru Cast off three-quarters, ends trade Then add this box zero to the same pat- Centers pass thru, centers in tern: Cast off three-quarters, Swing thru, men run, couples circulate Ends trade, centers pass thru Wheel and deal, dive thru, pass thru.... Left allemande The two box zeros added together Heads square thru, centers in create a much more effective Cast off three-quarters choreographic flow pattern than either Centers pass thru, centers in one by itself. If you will take the time to Cast off three-quarters, ends star thru examine the flow patterns of various Same two square thru, centers in zeros, you will often find certain ones Cast off three-quarters which choreographically compliment Centers pass thru, centers in each other. Every time you can make use Cast off three-quarters of this complimentary action you in- Just the ends star thru crease the dancers' enjoyment of the tip.

SINGLE SQUARE DANCERS, U.S.A.

10th ANNUAL DANCE-A-RAMA Labor Day Weekend August 29,30, 31, 1980 Marriott Hotel, Portland, Oregon National Oregon Callers For Information, Write: Preregistration Chairman P.O. Box 1307, Portland OR 97207

1 4 American Sguaredance August 1980 The Protector

by Beverly "Why won't you come with me? You always went to the dances before. You Swerdlow Brown love the music and especially like the rounds and mixers. I need you. I need Los Angeles, you to go with me. Certainly you can understand that, can't you?" California He sat unmoving on the faded sofa while tears welled up in his eyes. "Don't come crawling to me," she "I've always felt safe when we walked said, staring at the one who irked her. to the hall together." she said, unbutton- His dark eyes followed her as she ing her plain cloth coat, "but tonight moved her small thin body angrily about proved you're a coward!" the tiny living room. He lowered his head as the humilia- "I've given you the best years of my tion inside him swelled. Never had he life," she said, "and when I make a sim- heard her speak so bitingly. He wanted ple request, you turn me down. I want to to growl at her the way she was snarling go square dancing tonight. The group is at him, but he thought better of it and counting on me. If I don't show up...." restrained himself. He wanted to get up and leave forever, "Night is so cold, so dark," she said, but he sensed a danger that he never felt staring out the window. before. The tone of her voice and the Silence filled the room. piercing look in her eyes were clues for Abruptly, she turned around. "I him to remain still. wanted so much to go to the dance. Why "We've been together for fifteen are you doing this to me?" years," she said, standing before him. "I He averted his eyes and was reticent remember when we first met. You were to speak. But what could he say. outside the Town Hall watching through Nothing. She said it all. the door at the annual square dance She moved closer to him and touched event. I guess you never saw anything his brow. "I'm sorry," she sighed. "I like it before. You were standing there didn't mean to yell at you. Really I didn't. alone when I saw you and instantly we I love you. You're all I have. You must took a liking to one another." have a good reason for not wanting to go She looked at herself in the mirror, ad- out tonight." miring her new dance skirt with the ruf- Suddenly, he got up and went toward fled petticoat. the door. "It's true," she said, "we were a team. "You changed your mind," she said, I was so happy with your devotion— but putting on her coat again. "It's not too tonight it's a different story!" late. Oh, I feel so good I could pro- She moved from the mirror and faced menade all the way there. Wait a minute, him. while I get your leash!"

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American Squaredance. August 1980 15 STRAIGHT TALK

We are all witnessing a serious square be very happy at Mainstream. A large dancing dropout problem. I have a percentage of these people refuse to be theory about this that I'm sure you'll find pushed, and therefore become the interesting. dropouts of our activity. The problem, as I see it, is that the If we wish to save this rapidly eroding ability gap between the open club level base of dancers, we must take the or- dancer and the new graduate is widen- dinary out of the Mainstream plateau, ing. This separation is due to two fac- and make it "special," an acceptable tors: 1. New grads are less prepared now goal in itself. In order to accomplish this, than ever before. because the callers are we must eliminate the word Mainstream forced to teach more material each year, altogether! Why not call It "party level&" many times within the same time con- This name would not, only remove the straint as the previous year; 2. There has stigma from this level but would provide: been a "push" for most clubs to leave 1. A socially acceptable plateau for the the Mainstream plateau, and enter the dancer who does not wish to progress Plus levels, so much so that in my area. further; 2. A plateau at which new there are very few true Mainstream graduates can reinforce their knowledge dances left in existence. Even when a of the basics for as long as they wish dance is labeled Mainstream, many before progressing to the Plus levels; 3. dancers attend expecting to dance Plus A comfortable returning point for the 1. graduate dancer who has dropped out What is causing this push? Many and wishes to return to the activity. 4. A clubs feel that, in order to remain com- fun, brushup level for those who are petitive, they must raise their level, at "rusty" due to absence because of vaca- least to Plus 1. Since the presence of tions and illness; 5. A party atmosphere new graduates would effectively lower for those looking for a relaxed. social their level, either they eliminate their dancing session. beginners class altogether, or they make Since many clubs have progressed their "transitional" workshop all but out of this level, it is imperative that new mandatory. The new grad then finds that clubs and/or dances be established. In once their long awaited, six-month (or order to facilitate this goal, callers must better) goal is achieved, it is still not be willing to call at this level! In line good enough; that they must achieve a with this theory, I am initiating a once-a- second goal in order to be an accepted month, Sunday afternoon Party Level club level dancer. There should be a dan- dance. No quarterly selections will be cing plateau for the new graduate, one called, and variety will be achieved with where workshop is not mandatory. That the Mainstream basics themselves. I en- level is Mainstream. courage all dancers/clubs/callers to But no one wants to be a Mainstream establish similar programs in your dancer! Why? Because being a Main- areas. stream dancer has become, in many The level plateau system was cases. "second class." Becoming a plus established so that everyone could find level dancer has now become a socially his own level of maximum enjoyment. I necessary status symbol! do not wish to condemn the clubs that What has caused the creation of this have progressed to Plus 1 or 2. But the unhealthy status symbol? The problem Mainstream level is the plateau from lies in the name itself: Mainstream. which all other levels are achieved, and What is the connotation of the word? it is now a rapidly shrinking base. Its Average, run-of-the-mill, ordinary. Who preservation is mandatory for the health wants to be average? In our society, of square dancing. average is not good enough. Therefore, many dancers are pushed into the Plus Mike Sikorsky levels of dancing who would otherwise Reseda, California 16 America❑ Seuareoance. August 1980 LEGACY SPIN-OFF

C.O.O.L.,SaIt Lake City, Utah angels. A new dancer problem could A Mini-LEGACY called C.O.O.L was best be dealt with by the club; an ex- held on May 31, based on the theme: perienced dancer problem, such as traf- working together. The conference was fic cop, drinking, lack of bathing, by the organized by Dennis Knight, Annabel caller. Byrd and Walt and Louise Cole, all Club/caller responsibilities lie in LEGACY trustees. Bob Osgood con- creating a method of sharing skills, ducted the conference, which was at- talents, experience to get as many as tended by sixty-three Utah leaders. possible to become involved, and to set Problems identified in the first buzz good examples. sessions were: keeping interest and in- The group unanimously desired tegrating new dancers, communication another C.O.O.L. session as soon as in all areas, the problem dancer and possible to get more dancers involved club/caller responsibilities. with leadership. Suggested solutions to keep Interest and integration were: use progressive LUST, New Jersey programming during the dance night Ask any Northern New Jersey dancer and over the months of dancing without how he earned his LUST dangle and you necessarily trying to develop clubs into will get a variety of answers. Don't Plus and Advanced dance levels; use believe any wild stories! LUST is the Nor- angels, but with strict guidelines con- thern N.J. S/D Association biennial Let cerning their role and conduct; continual Us Speak Together Leadership Semi- review of movements currently learned nar— a dialogue between the new gra- or danced with imaginative duate, newly elected officers, old-timers, choreography; teaching, if new dancers Association officers, callers, cuers and are taught at a club dance, by alter- anyone involved in the square dance ac- nating teaching/regular tips; use of tivity who wants to attend. workshops early in evening to keep Many clubs send their entire executive regulars' interest, particularly im- boards to this highly successful venture. mediately after bringing new dancers in- This year a new format will be tried. The to club; use of visitations to other clubs seminar will open with a panel discus- and callers. sion on "Dance Levels—Need- Communications could be improved Abuse—Use." John Kaltenthaler will by: use of seminars in community educa- moderate with Steve Musial, Bruce tion and skills classes; publicity in Busch, and Joe DiSano as panelists. newspapers, through local organiza- Following the presentation, time is allot- tions and churches; more leadership ted for discussion, questions and seminars; within S/D organizations, have observations from the audience. presidency progress through the ranks; Session two has four sessions cover- develop information and education of ing administration, classes, publicity dancerslcallers/cuers/leaders from club and ways to generate interest. The third to area to state to national associations; session has give groupings: administra- educate school boards and school tion, class to club, finances, potpourri systems; develop a liaison board/slate and show and tell. Many discussions will of officers to confer with caller concern- continue around the table at the box ing problems, either good or bad com- supper to follow. An evening dance com- ments. pletes the full day of LUST. LUST 1980 is To help the problem dancer: the club scheduled for the second Sunday in should designate the president or September and registrations are being "special-talent person to help the accepted by Maureen and Eric Pollock. dancer be aware of the problem and the Frank and Nan Habersberger and Doc accepted standards and corrective and Peg Tirrell are coordinating the measures; special group help, i.e. day's activities.

Amerman SQUaredanCe August 1980 17

RAVE

people who are not Western style Just a few lines to say that the dancers about the program, and feel It members of the Western Star S/D Club will help to promote interest in the fall of Morgantown, W.V., who had the op- classes. Sheila Landis portunity to view the Phil Donahue Show on May 17 felt it was the most excellent RECORDS RECORDS RECORDS RECORDS show on square dancing ever presented ce) on TV. .711 CC 12) 28"556 I would like to say that I feel the TV Cral 24 HOURS l3 producers of the show and Lee Kopman °S and Dave Taylor should be recognized in DANCE SOUNCONTFtA your next issue of American Squaredance for their excellent job in presenting this program to the public. The dancers who did the demonstration deserve a big vote of thanks also. ccEP 0DO. We have heard many comments from ;:

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18 American Sguaredance. August 1980 NATIONAL SQUARE DANCE CONVENTION® 3 OTIII JUNE 25, 26, 27, 1981 SEATTLE, WASIIINGTON

The pinnacle of square dancing was on April 17, 1979. reached by the Square and Folk Dance Greater Seattle area square and round Federation of Washington at Atlantic dancers celebrated the 12th of April, the City In 1977 when the National Executive first day of advance registration, with a Committee announced the 30th National "first fighter" dance at the Seattle Square Dance Convention would come Center Ice Arena. Widespread interest to Seattle on June 25, 26, and 27, 1981. and support led to the designation, This announcement climaxed a year under strict guidelines, of 26 additional and a half of preparing the bid to host dances throughout the State Federation the convention and commenced four as "first nighters." The Seattle arena years of planning and preparation to pre- was linked by telephone to other sent an outstanding event in June of designated dances allowing statewide 1981. results to be posted to an easily read tal- Square dance leaders in Washington ly board on the caller's stand. could not possibly have imagined the 4,307 dancers are wearing the distinc- magnitude and grandeur of an event tive 30th National "first nighter" ribbon such as a National Convention when which is gold in color with black letter- they banded together in the spring of ing. Value of the special one time only 1947 to form a state federation of square ribbon has been retained by the destruc- and round dance clubs. Since that time tion of all unused ribbons. the Washington Federation has grown Key committee personnel are: general from Its initial membership of seven chairman, Don & Shirley Blanchard; clubs to the present 240 clubs, who will business chairman, Gus & Millie host the 30th National Convention at the Stricker; education chairman, Lee & Seattle Center. Catherine Eason; program chairman, Bill Plan on attending and dance where & Li! Twilley; publicity chairman, Don & the Square Dance has been designated Helen Hulin; assistant general chair- the official dance of the state. Intro- man, Jake & Kelly Jacobson; registra- duced Into the 48th Legislative Session, tion & housing chairman, Gene & Ella designation of the Square Dance as the Simmons; services chairman, Al & official state dance was approved by the Giorian Lee; social & special events Governor, the Honorable Dixy Lee Ray, chairman, Clancy & Venetta Grunert.

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American Squareclance. August 1980 19 "THE BOSS" by

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Earl Johnston has been a square dance caller since 1943. He has been a professional caller since 1956. Over the years he has called at most of the festivals in the U.S.A. and Canada. He has been involved in caller train- ing for over twenty years as well as club caller for seven clubs in the New England area. When it comes to good sound he seldom has any problems and thinks that pound for pound there is no better amplifier than his Clinton. You too can easily afford the extra edge of first class equipment. Please write or call for full details concern- ing this superb sound system.

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20 American Spar&lance August 1Yeu A GRAND SQUARE DANCER

Marge Richardson brought to Callerlab letters and a tale about the "only" caller in Mexico, who turns out to have a per- sonal history of courage and stamina few callers could rival. From this cor- respondence with Sam and Marla Houston, we reconstruct this story of a "grand square" dancer: Sam Houston was born in Michigan 1973, the Houstons spent a vacation as In 1916. The famous liberator of Texas, guests of friends In Mexico and won also Sam Houston, had a brother Hugh, their International Badges dancing to who Is one of the present-day Sam's Marge Richardson's calling on the patio ancestors. Sam was born with a deform- at San Jose del Tajo. After retiring, Sam ed right hand and foot. The foot was am- became active In square dancing at San putated at age 21. Marla adds, "What Jose del Tajo, as well as attending many Sam Isn't saying Is that he had to make area workshops in order to keep active. his own decision to have It removed, With no live caller in the area, all knowing that from then on he would be dancing Is done to tapes and records. at the mercy of an artificial Ilmb. Few With the help of Jerry Rash, Ralph men have to make that kind of decision Silvius and Gene Trimmer, Sam ac- at any age. Sam's good foot is none too cumulated a turntable, records and a good. Some of us complain of fallen ar- few teaching aids and started a program ches, flat feet and this and that, but Sam for teaching beginning and mainstream walks on a stumpy little bone, with three dancers at San Jose del Tajo. He was toes, no ankle and only one bone in the enrolled for a caller's college this sum- foreleg," mer. Sam worked on a farm until the loss Marla, whom Sam married in 1979, of his foot. Then it became evident that says he has always had to be twice as higher education was the answer and in good to come up to average. He is now 1938 he entered the University of Grand learning a harder lesson, that one does Rapids and worked his way through to not have to be compared to anyone else, the M.S. degree with honors. Prior to and he is relaxing into his own individual graduate school, he married for the first self. However, it was this determination time. After college graduation, Sam that enabled him to work through col- spent two years In a C.P.A. firm, took the lege and graduate school ,learn to fly, required exams, and started his own ride mule-back to the bottom of the practice. Grand Canyon, buy a motorcycle at age After experiencing some health pro- 60 and learn how to ride it. blems, Sam worked as a Revenue Ex- Sam never discourages anyone in aminer with the Treasury Department in his classes, no matter what their dif- Michigan. Finally, his health demanded ficulty. His infinite patience picks up his retirement In 1976. each student in praise and encourage- Due to the persistent persuasion of ment. Sam has become a caller to en• a square dancing neighbor, Sam joined courage others in the mind and body the beginners class In 1970 and the River recreation he appreciates so well, but City Squares in Three Rivers the follow- most of all, in order to "give back to the ing January. He was treasurer of that world some of the blessings he has club and active on several committees. In received." American SeuarerlanCe August 1980 21 CHAPARRAL RECORDS MUSIC PRODUCED BY 1425 Oakhill Drive JOHNNY GIMBLE Plano TX 75075 214-423-7389 Chaparral . RECORDS

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22 American Squaredance August 1980 Steal a Zett,le Peek

At 4 eallet'a Reavt4' 0"4

Don Sherlock Don Sherlock of Streetsvllle, Ontario, (Mississauga) Is a versatile caller of 15 years experience. He manages to call HOEDOWNS regularly for six clubs (two on Wednes- Smooth 'n Easy— Rhythm day nights); he prompts contras and Go Go— Kalox Scottish country dances; has a full pro- Picker Patter— Ranch House gram of one-night stands; and acts as a Maggie— Red Boot disc Jockey (mixing squares, mixers, Jeykl Island Ride— Thunderbird disco, and pop tunes) for company par- (HI Hat— one of favorites) ties and weddings. In addition to all that SINGING CALLS he teaches classes and does workshops Hey Baby, You're Lookin for me— TNT at the advanced level. He calls for a Last Farewell— Lou Mac camper club, and has a very active Blue Eyes Crying in the Rain— Bogan senior club, the Burlington Swingers. He Back on My Mind— B. S. Is past president of the Toronto & Don't It Make Your Brown Eyes Blue— District S/D Association. Marge and Don Circle D are full time In the activity. (Chaparral— one of favorites) Fashions from Teef

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American Squaredance August 1980 25 449 Encore by Mef Merrell Highlights from Past Issues of this Magazine

25 YEARS AGO— August 1955 do nor the interest required to learn One more "round" in the problem of them. In the Grab Bag section of the where rounds fit into the square dance magazine, they present a mixer which picture is contributed by Johnny & uses the simplest of round dance terms Charlotte Davis of Kentucky: "It is our and which can be taught in five minutes theory that if leaders would realize that on the square dance floor. there are two round dance programs In America today, one consisting of rounds 10 YEARS AGO— August 1970 for square dancers and the other of From the Editor's Page: "The rounds for round dancers, then and only Cleveland Plain Dealer headlines read then will the problem of putting rounds 'Best Square Dancers in U.S. Compete across to square dance clubs be for Title at Sheraton.' This was repeated solved." Their reasoning is that most on TV.... We congratulate the recent groups don't like rounds because they 'Challenge Convention' on their public have been introduced to rounds with ity but we wish it reflected a more material they neither have the ability to truthful image of modern western

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26 Amencan SquarrOance. August 980 square dancing.... This is a plea to be held in Louisville— was a phenomenon. careful of the image we project. Let's be They did not know of a single sure the facts we release to the press conventioneer, out of about 19,000 who are accurate!" attended, who caused any trouble.

Speaking of publicity, a few quotes from the local press at Louisville during In our mobile age, it is just possible the 19th National tell a most revealing that square dancers are on the road story of our activity. From the Courier even more than the average person. Journal: There were only 10 vacant Callers certainly are, spending nearly hotel rooms in the city yesterday, and an hour on the road for every one many others came in the 700 campers behind the mike. Driving is a big part of and trailers that make the Fairgrounds' today's dance activity. Square dancers east parking lot look like a mobile home seldom drink and drive, so it's easy for show. The director of the Louisville them to feel competent and capable, but Convention Bureau said, "The absence they should assume that no one else on of drinking and the scarcity of expense the road is responsible or alert, because accounts— everyone pays his own they cannot identify careless drivers way— means the convention may not be individually in time to avoid them. The the most lucrative In the city's history," careless driver is like a "cocked gun" but he added, "They're all good on the highway. Americans, though, why, where else Excessive speed is the chief cause of would a lady dare leave her purse laying deaths and injuries. Allow that extra around while she went off to dance." few minutes so you can adjust to the Another staff writer reports that driving conditions. Louisville hotel clerks were bewildered Driving home after dances, you may and police officials were relieved, both be a target for the drunk driver, or the agreeing that the 19th National SD driver who has had just enough to make Convention— probably the biggest ever Continued on Page 81 5th ANNUAL JINGLE TAPE FOR HOLIDAY HAPPENING CLOGGING Jekyll Island, Ga. December 5 & 8, 1980

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American Sguareaance, August ]980 27 looking at the large number who have not gotten into a group, or those who ( 4 Az have been away for a while and find many of their former group gone when they return. These people often feel lost Dancing Tips and find it a bit difficult regaining their former enthusiasm, until such time as by Harold & Bausch they can once again become part of a group of friends. They must develop new ties. This is where we lose so many dancers. This month let us talk about We have one club we have called "Square Dance Friends." This is actually for, for 25 years, and two more that have a broad topic, as you will see. We start celebrated their 20th year; we can tell with the friends we make in our beginner you that these clubs have many groups classes. They are the people who help us that make up the club as a whole. The and dance with us, and make it all worth- groups mix well with others at the while. These may stay with you all your dances, but they each have a group with square dance days, or may gradually whom they travel, exchange partners, drift away as you and they meet more and enjoy visiting. When we see a couple dancers and broaden your friendships. who has not yet found a group, we often There are the friends who en- make it a point to Introduce them, or courage you when you join the club, ex- even mention to a couple of the old change partners with you, take you into "stand-bys" that it would be nice if they their squares, or even invite you to go could bring that couple into their "fold." along to a dance somewhere. There are The friendships in square dancing friends too, whom you only see at the are what it is all about! The friendship of club dances. They usually don't become the dancers to the caller is all that keeps close friends because the only time you most callers calling. When I teach a see them is at the club, but still you en- group to dance I think of them as "my joy them and they enjoy you, and they dancers"; they are my friends, and no are friends. one had better discourage them or belit- Soon we see a pattern developing, tle them when they come into the clubs, where two or three couples or more start or they will have Harold to contend with. traveling around together and meeting The dancers who have danced with me at certain dances. These become what is for many years, the dancers who come known as a clique. We often hear cliques to dances wherever I may be calling— being criticized, but after calling for these are my true and tested friends. more than 25 years, we have come to realize that every club is a group of The hand shakes from the cliques or groups of friends. These men, the occasional squeeze from the groups are what keep a club healthy and ladies, the words, "that was a good growing. Most cliques are not, and do dance,"— these things make It all not mean to be. exclusive. They merely worthwhile. are a group of people who enjoy each To all dancers the friendship is others' company and like the same most important. A sense of accomplish- callers, the same clubs, and the same ment is good when we complete a com- levels of dancing. If you genuinely like plex movement, but the approval of our the same things, you could easily friends. and the joy they bring is what become one of that clique. If you look at makes square dancing great. Dance any successful club, you will see that whatever level you wish. It makes no dif- the cliques actually do the work and sup- ference. The friends you have, and the port the club. Again it is the people who sharing of the dance with them are the like to be together to enjoy the same things we love. Maybe the realization things who will work together and get that it takes all eight of us in a square to things done. accomplish the dance is what makes it Friendships develop among people fun, because this proves we need each who associate together, and this is only other, and to be needed is so important. natural. I believe our concern about los- Here's to our square dance ing too many dancers would profit by friends— we love them all. 28 American SQuaredance. Aups1 1980 I'm not offering solutions— I don't claim to know the answer, but I do know that today's dancing is not like it was in the past. Even the national conventions are not quite like they were— here too the dancers are classified and divided. Calling Tips Sad to say, we are dividing our dancers. Soon we will not be one big by Gene trimmer happy group of dancers, but we will have mainstream and maybe plus level in one ( group, advanced in another, and In the early 1950's square dancing challenge dancers all by themselves. It was either the old traditional square will not be the strongly knit group we dance— or the beginning of western have been accustomed to. style square dancing, which of course Magazines are already printing dif- evolved from the traditional dance. The ferent sections in their isues for the dif- change was gradual but continuous, and ferent groups. Callers are starting to today we have two types of square danc- classify themselves as "challenge ing, traditional and western, (or modern) callers." Dancers are heard to say, "We square dancing. are challenge dancers," or "We are ad- But hold on, we are in another transi- vanced dancers." Some say, "We are tion! Our western square dance is being just mainstream dancers." Why they say broken up into levels— and worse yet, "just", I don't know, for they are the vast into different classes of dancing. Now majority. you can't stop progress, and there are As we now find little pockets of tradi- those who do need and want to continue tional dancers, we may someday find lit- on to more and more complex forms of tle pockets of "Basic level" dancers. dance. However, at the rate we are going However, there is one area that we right now— we will soon see that being can count on to keep square dancing a square dancer does not mean you can fun, and available to all who wish to par- dance at any square dance you find, but ticipate, the little three or four square had better check to see if you "fit in." clubs in "Podunk" America. The real hayday of square dancing Years from now if you want to go to a may well turn out to be past, say in the good old fashioned, folksy,friendly 1970's. Today we have basic level clubs, dance— head for the hills and dance mainstream level, plus level, advanced with rural America. level and challenge level. Pity the dancer who is an accomplished mainstream dancer who walks into an advanced or challenge level club expecting to dance! Time was when you could go anywhere Texas— Labor Day SID Festival. Prude Ranch, Ft. Davis; Aug 23 thru Sept. 1, Tommy White, Dick Par. in the country and dance at any club and rish, David Davis, Dennis Egan. Jim Daveit Ted have a good time. Now you had better Young. Loretta Egan. Don & Mary Doerr. Write Prude check your level and their level to see if Ranch, Box 1431, Ft. Davis TX 79734 you are compatible.

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American Squaredance. August 1980 29 CALLERLAB CONFAB mendation from a Callerlab member and A new category of affiliation is send their request and dues to Callerlab, available to those callers who subscribe Box 679, Pocono Pines PA 18350. to and support Callerlab programs and code of ethics but cannot attend the an- CALLERLAB CONVENTION nual conventions. Some callers also Do you ever wonder what goes on at a wish to subscribe to Callerlab publica- Callerlab Convention? A host of topics tions even though they cannot become are scheduled for consideration each members. Thus, the name Subscriber for year, from choreography to committee this new category seemed to be a meetings. During the three days of the double-edged natural. A Subscriber 1980 convention in Miami, sessions were must meet all of the qualifications for well-attended, callers visited the ex- full membership except attendance at a hibitors who displayed their merchan- convention. He/she will receive all dise, and met in special interest groups. publications but will not be eligible to The theme of the meeting was "Attitude participate in Callerlab business by vote and Judgement." or committee assignment and will not be What did it cost a caller to make the covered by Callerlab group insurance. pilgrimage to Miami to sharpen his Dues are the same as for a full member, calling skills and meet with his peers to $40.00. When subscribers attend a con- exchange information? Airfare of about vention, they automatically become full $250. Hotel costs of about $240. Conven- members, having met all other re- tion costs of $95., miscellaneous meals, quirements. If a member is unable to re- cabfare and tips of about $50. and lost tain full status by attending a conven- booking revenues of $350-400, or a total tion every three years, the member may investment in the future of square danc- revert to Subscriber status rather than ing of almost $1,000. per caller. Are be dropped. Those interested in becom- these callers dedicated to improving ing subscribers should obtain a recom- themselves? You bet.

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30 amencan Squaredance. August 1980

to Ani Best Club Trick A

A CLUB THAT "GREW" NEW CALLERS

Many callers have written and asked amounts, Mr. K would suggest some how they can get more experience, ex- young caller just starting out, The Prom- pecially new and upcoming callers. This N-Maids had many of these callers for a is how it was done in the Milwaukee area fun night of dancing. The callers had a in the past. chance to practice without being with The Prom-N-Maids square dance club too large a crowd and being too nervous. was formed about 1949 and danced in Now in the Milwaukee area, many of the several different halls with numerous good callers are callers who practiced in callers. Then the membership dwindled those basements. and the group that was left decided they Prom-n-Maids folded last year. There would no longer look for halls. A number had been many changes. Some of the in the group had basements large men had passed away and many enough for the small group to dance in couples had retired and moved away. In them. October, 1978, one couple was killed in a They did not recruit new members, car accident, while coming home from a because the small group had become square dance. This took the heart out of close friends and enjoyed dancing in keeping the club going. This couple, Red basements just once a month. A few and Sally Hansen recruited Al and Har- members came into the club after it riet Schreiner for lessons by volunteer- became a private party dance. Most of ing their daughters as babysitters for the clubs went dancing at other clubs, the Schreiners. Al and Harriet have but the Prom-N-Maids dancing was kept danced 28 years and handled housing at the fun level. responsibilities for the 28th National One couple, Mr. and Mrs. Knoblach, Convention in Milwaukee. owned and operated a TV, Radio and Perhaps there are other clubs who do Record Store. They held many callers not dance in rented halls. They could purchase records and equipment and give the new and upcoming callers a were active square dancers. chance to practice and still enjoy a very Mr. K enjoyed helping young callers. good evening of dancing. When the club set up its calendar for the once-a-month dance, and were looking Al & Harriet Schreiner for callers who did not charge large Milwaukee, Wisconsin

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Amerfcan Soareoanca. August 1980 31 by Bob Howell easy I eve

This August column is dedicated to our many square dance friends in Texas. All the material has a Texas 4 flavor. Don Buzzingham of College Station, Texas, sends along two dances he says are a must for every dance that he calls in the state. The first was named by Manning Smith, also of College Station, for a country and western dance hall in Bryan where this dance and "Cotton-Eyed Joe" are done quite often. LAKEVIEW SCHOTTISCHE FORMATION: No partner dance; in lines or couples all facing LOD, arms around each other's waists. RECORD: "Sweetheart Schottische" KIK-R206. Will work with any schottische but this has a real "Texas" feel. FOOTWORK: Same throughout, both start on right foot. Counts: 1-4 Grapevine right, hop 5-8 Grapevine left, hop 9-16 Step, hop; step, hop; step, hop; step, hop; (Repeat for remainder of dance)

If you are unable to purchase these records locally, they are available at $1.25 each plus $1.00 handl- ing, from Tip Top Records, 1000 South Coulter, Bryan TX 77801. Send a money order for the total amount. Rhythm Records has also recorded "Cotton-Eyed Joe" and "Texas Schottische," No. 304A. COTTON-EYED JOE FORMATION: Lines or couples facing in LOU, arms around each other's waists. No partner dance. RECORD: KIK-R202 FOOTWORK: Same throughout, both start on Left foot. Counts: 1-4 Cross right foot in front of left foot, kick forward, back up three steps. 5-8 Repeat starting with left foot. 9-16 Repeat counts 1-8 17-32 Eight forward two steps (Repeat for remainder of dance)

Here's a quadrille we've recorded for all who enjoy easy, comfortable dancing. It is named after the ranch owned by the Walshes of Ft. Worth, Texas. NORTH STAR QUADRILLE e RECORD: Grenn 16009 Girls star right three-quarters round, men stroll right one time (Ladies star with right hand three-quarters in 8 counts, while men walk to next position on right in 8) Turn your partner half way round and balance tour in line (Left hand star with arms extended, gents palms up, ladies palms down. Turn half way in 4 counts and balance in an allemande thar star, referred to as "balance the star." Balancing line results in two lines crossed in star formation.) Star left with partner half around and balance the star again. All four ladies chain across. turn them there with style Chain them right back home again and watch their pretty smiles Swing your corner lady now. with a new girl you will dance Promenade her home you do, back to the North Star Ranch. Repeat entire sequence three more times. 07;

32 American Squaredance August 1980 Ede Butlin of Ontario, Canada, wrote the beautiful and simple circle contra called "Maverick Waltz." The two tunes involved are strictly Texas, "Git Along Little Dogies" and "The Streets of Laredo. " MAVERICK WALTZ FORMATION: Not recommended for fewer than 40 dancers. Large circle of couples facing couples, one with backs to COH, one facing COH. MUSIC: Shaw 3302 NOTE: This contra is in waltz rhythm; instructions are in measures, not counts. Start on outside feet, man's L, lady's R, in open position. 1-4 SWING FORWARD; AND BACK; STAR THRU; STEP BACK Swing joined near hands forward and back while doing a step, touch for- ward, and step, touch back; swing joined hands forward and up to star thru as they dance forward, 2,3; step, touch,—; ending with one couple facing LOD, the other RLOD, each man with other lady. t 5-8 SWING FORWARD, AND BACK; STAR THRU, STEP BACK Repeat action of measures 1-4. 9-12 SWING FORWARD, AND BACK; STAR THRU; STEP BACK; 13-16 SWING FORWARD; AND BACK; STAR THRU; STEP BACK; All are now back in starting position. 17-20 CIRCLE LEFT—Circle 12 small steps, once around. 21-24 STAR LEFT— Same 4 star left 12 small steps once around, to end facing to the right of other couples in skirt skaters promenade position. 25-28 HALF PROMENADE— Couples change places in 12 small steps 29-32 PASS THRU TURN AWAY TAKE NEW GIRL TO BEGIN Couples pass thru in six steps, turn away from each other (man to left, lady to right) to face a new person, join inside hands and face across in starting position. Progression has occurred.

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American Souaredance. August 1980 33 Last month's issue, dedicated to Dorothy Shaw, reminded us that— believe It or not— Lloyd "Peppy" Shaw was perhaps our first and foremost choreographic innovator, having created allemande that, shoot the star, do peso. and other Imaginative figures less well-known. Who were the other "greats" in the field of designing today's square dance choreography? We decided to research the subject. Will Orilch, an acknowledged expert, had provided his input before his untimely death. Bill Burleson gave us new Insights. And finally, Don Beck (along with technician Clark Baker) helped Immeasurably with the study. Spotlight On Choreograpl

Rickey Holden 1949 Alamo style circulate Ed Epperson 1957 0 Will Orlich ,;'All eight spin the top Chuck Raley Chuck Raley All eight circulate Vern Smith 1963 Lloyd Shaw 1938 /Allemande thar Jim Davis 1972/ Leland Cooper All eight swing thru Jack Leary 1965 Lee Kopman 1971 vAnything and roll Ed Gilmore Herb Greggorson 1948 Around one two to a Jim Faulkenberry, line Clarence Watson 1959 Cal Golden Arkie (Concept) Deuce Williams 1967 Larry Dee oey deucey Madeline Allen II four couples (con- Dick Kenyon 1963 cept) Bill Hansen 1957 Bend the line Don Beck 1974 Jim Stewart 1968 .,(3ox circulate Chuck Raley Boys circulate John Ward viSoys run • Deuce Williams 1973 Dick Kenyon 1961 vSoys fold • Deuce Williams 1968 Tracy Johnson 1959 Cast off (also Jim • Don Williamson 1970 York) • John Ward Jim York 1953 Vtalifornia twirl Dick Kenyon 1961 Lloyd Litman 1963 Centers circulate Rosa Crispino 1977 Vern Smith 1963 4enters run John Stockman 1970 Ron Schneider 1976 ossfire Ron Schneider Lee Kopman 1968 aril-cross Jerry Halt Gordon Blaum nters in/out Lloyd Shaw 1941 Joe Prystupa 1963 ioverleaf Ed Foote Jack Lasry lover and Holman Hudspeth 1966 Ron Schneider 1970 Couples hinge Lee Kopman Gordon Densmore 1963 vCrossfold Chuck Raley Clarence Watson 1961 4urlique Jack Murtha 1966 Jack McKay 1952 ./Courtesy turn Will Orlich 1970 Pat Pattison 1940 Xrosstrail thru Howard Liffick 1962 Bill Jordan vcross run Holman Hudspeth 1965 Chuck Raley 1963 %/Circulate Don Beck 1975 / Will Orlich 1964 %/Couples circulate Ed Gaut 1959 Lee Kopman 1975 %.21Sase left/right Lee Kopman 1974 v-C9ordinate Melvin Roberts 1973h Bill Castner 1958 ,,couples wheel around Ed Gilmore Lee Kopman 1,-6tain reaction Oscar Hilding 1971 Ray Watkins Dixie twirl Holman Hudspeth 1970 Bill Owen 1956 ../Dixie chain Lee Kopman 1974 Bill Costner 1957 „..-Dixie grand Don Williamson 1970 Madeline Alien, Vern Smith, Jerry HeIt 1957 ,,Dixie style to a wave John Ward 1963 Dewey Berry 1972 ,/Diamond circulate Lee Kopman 1971 Madeline Allen 1956 ,-Double pass thru Ed Gilmore 1950 Lloyd Shaw ,...-Do paso Manny Amor Ed Duriacher This gallery of choreographers wouldn't be complete wl least choreo composers if not choreo inventors. They are •• • • • • • • • • • • • doge, Johnny Davis, Les Gotcher, Jack Livingston, Joe Lew burg and others 34 American Squaredan The list below, from elemo style to zoom, does not follow CaIlerlab levels, and Includes both forerunner figures and those In common usage. It does not list our most common basics such as promenade, swing, etc., which are so traditional the authors are not known. Certain concepts are shown, such as Arkle and progressives, since they have espoused families of material. New dancers will be surprised to learn that load the boat was "Invented" almost 15 years ago. Space didn't permit listing all advanced and challenge basics, but we have the list available for those who may write for It. (Ask for IN.form 0/C-9.) Tell us, please, about omissions or errors and we'll print these in months to come . Meanwhile, hats off to those who wrote the stuff we dance— "Peppy" Shaw, "Jonesy" Jones. Chuck Raley, Jim York, Ed Gilmore, Will Orilch, Lloyd Litman, Holman Hudspeth. Jay King, Clarence Wat• son, Madeline Allen, Bill Castner, Jonn Ward, Deuce Williams, Jack Leary, Lee Kopman, and many, many more. er S 01141••••••••••••••••••••••••••••••• VIght chain thru Lee Kopman 1969 Scoot back Ends circulate I Ed Mlchl 1960 0,8tar thru flds run Harlan Moody 1965 thru vextend the tag Rod Blaylock 1967 ....Spin chain thru explode the wave Chet Smith if-Slip the clutch ...Ends turn in Carl Wamsley 1978 ,Stroll and cycle Whit Whitcomb 1971 ,,,Spin chain the gears Face In/out, etc. & Jay King %/Pan the top Red Porter Single file circulate Fan: Tom Tarieton Holman Hudspeth 1964 ./ Spin the top Ray Vlerra 1964 ',Split circulate Fold line: V. Callahan Jerry Halt 1971 ',Sweep a quarter 1--Ferris wheel Del Coolman 1962 thru Hinge & trade: Ron Ed Hollow 1965 v-Swap around Schneider Herb Greggerson 1945 Spilt the ring ./Plip the diamond Bill Hansen 1957 ,/Square thru vfollow your neighbor Buford Evans uare chain thru ...flutter wheel Clarence Watson 1981 bstitute ."Girls run Lloyd Shaw of the star vGlrls fold Clarence Watson 1959 viplilt square thru .wand weave Jim Lees ...Spread (Concept) v-Half tag the line Jim York "Suzie Q Half tag and anything Fenton (Jonesy) Jones1949 ,fT,t1row In clutch Illegitimate chain Will OrlIch 1969 vTag the Ilne .onside out, outside In Pat Lewkowlcz 1941 vreacup chain Invert the column Harry Dunkle 1967 /trade the wave --toad the boat Frannie Heintz viclotivate Manny Amor 1971 /triple scoot back ,Ocean wave (balance) Roger Chapman 1970 /triple trade ,,,-Pass to the center Will OrlIch 1976 1f-touch 1/.,1/:, '/4 ...Partner tag Dick Bayer v-Peel off (or Ed Gaut) Gus Greene 1976 v Track 1.2-3-4 'Pass the ocean Harry Dunkle 1967 .-Tyade the wave Ong pong circulate Lloyd Litman 1965 /trade ..Pair off Bill Davis 1969 lfjade by Pair line: Geo. Elliott Wayne Moyers 1964 turn thru ("Peel the top Lee Kopman ,f-Transfer the column Tandem (concept) Progressive (concept) Stan Burdick 1965 ..,FTernake the thar Madeline Allen 1958 ,/Those who can (con.) ...Relay the deucey Jim York 1954 ,...0-turn back vfiecycle Mel Rich 1961 ...Neer left/right i/Peverse flutter wheel Lloyd Shaw ..Wagon wheel 1967 „Afgalk and dodge Holman Hudspeth Aun Clarence Watson 1960 eel and deal ,/ 1g zag All Bill Shymkus 1,,Froll away half sashay Gus Greene 1972 ./Zoom ,..filound off Seesaw without the names of a few other notables who are at re Fred Christopher, Bob Osgood, Lee Helsel, Al awls. Earl Johnston, Frank Lane, Bill Peters. Ed Fralden.Brun- • • • • • • • • • • • • • 35 lance. August 1980 OE SPECIAL INTEREST TO THE cedure certainly adds greatly to the HIGH FREQUENCY OANCER ... overall success of any dance or conven- & ADVANCED PROC;P.AM111 1/2 and ADVOCATE( tion. The floors were listed as C-1 C C-21/2 . Next year the Convention will 11 again be held in Butler, on June 18, 19 and 20. In 1982, the Convention will move to the Sheraton in Philadelphia with four halls in operation, one for each level, C-1 through C-4. 29th NATIONAL S/D CONVENTION C.\\•?.\)-\) 7)44' Approximately fifty callers were on by Jim Kassel hand to call advanced through C-3. Lee Kopman conducted the introduction to The two big conventions are now over Advanced Level and it was terrific. for 1980. They occurred a week apart In Sets in Motion of Atlanta sponsored June. The National Challenge conven- trail-end dances and after-party dancing. tion was the third week in June at Butler, The Seagraves were co-ordinators. Ad- Pennsylvania, and the National Square vanced Trail End dance was held June Dance Convention the fourth week in 25th at the Al Chymia Temple and the June at Memphis, Tennessee. A number Challenge Trail End dance the same of dancers and callers try to make both night at the Sheraton Motor Inn. The conventions which sure gives them quite Challenge after-party dances were at the a workout In two successive weeks. We Sheraton all three nights. The advanced will give a short account of each conven- after party dances were at the Al Chymia tion in this issue and hope to add more Temple on Thursday and Friday and at next month. the Hilton Inn, Memphis Airport, on Saturday. More next month on the 29th. 14th NATIONAL CHALLENGE CONVEN. TION AIDS FOR ADVANCED CALLERS The 14th National Challenge Conven- A few Issues ago we mentioned that tion was held in Butler, Pennsylvania, Hilton Audio Products put an A-1 basics during the third week in June. Atten- teaching course on their file card dance was the highest ever, with system. Here is what they say, "We've dancers from twenty states and Canada had a lot of good feedback since we attending. It was a sellout with a waiting released our teaching course for the ad- list. Seventy-five squares of dancers at- vanced (A-1) basics. The teaching course tended. for the A-2 Basics Is in process and we Thirty-two hours of challenge were hope to have It available by fall. provided during the three-day event, and Incidentally, at least two of the the majority of the dancers attended a publishers of materials for callers are trail end dance the day before the con- now including an advanced supplement vention began. in their monthly notes. Of course, there's Two halls at different levels were in an extra charge for this but they are operation continuously: one at C-2'/2 good and it clearly indicates a trend. level and the other at C-11/2 level. In addi- There Is tremendous growth in Ad. I tion, special C-4 sessions were schedul- vanced Dancing. ed. This variety of levels was considered PALS very successful and will be continued in Russ and Nancy Nichols send me the future. their PALS Newsletter regularly. There is The eleven staff callers, who were much activity and promotion In the chosen by vote of the dancers at last Toledo area. All levels A-1 through C-31/2 year's event, were: Jeff Barth, Dewey seem to be well taken care of and this is Berry, Jim Davis, Ed Foote, Keith Gulley, no easy task. Clubs, tape groups, local Dave Hodson, Ross Howell, Lee Kop- and visiting callers, camping weekends, man, Ron Libby, Norm Poisson and John are among the activities scheduled at Preston. The same callers were elected various places through the summer by the dancers for 1981 months. They reported that the Ohio The callers followed the announced State Convention really profited from levels and used the lists of calls the influx of advanced and challenge designated for each floor. This pro- dancers. 36 American Sguareaance August 7980

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Arrer'Cdn SQUetlaanCP A ugus' , 98G 37 CALLERS' QUESTIONS

TURN AND LEFT THRU (Burleson -1197)

[ From facing couples or ocean waves, all turn thru, and after the pull by, courtesy turn your partner to end in facing From Gene Pearson, Groves, Texas: couples. (Left side dancers always I have two different definitions for swing courtesy turn right side dancers.) This is thru (one which states, "from right-hand usually called to half-sashayed couples, ocean waves, ends turn adjacent which allows a "normal" courtesy turn. dancers half by the right and then the From normal couples facing: swing thru, centers turn half by the left," and turn and left thru equals two ladies another which states that "from left- chain. hand ocean waves, the centers turn half EXAMPLES BY ED: by the right and then turn the ends half Heads lead right and circle to a line by the left"). After asking forclarification Pass the ocean, swing thru, the author of the first definition states, Turn and left thru, curlique "from left-hand waves, call left swing Split circulate, boys run thru." Which is correct? Left allemande ANSWER: Both definitions are correct Heads lead right and circle to a line (as far as they go). When in right hand Right and left thru, rollaway, waves, the ends do turn first by the right Pass the ocean, turn and left thru and then the centers by the left. I'm sure Square thru three-quarters the first definition refers to the standard Left allemande position and the second to the all posi- tion concept. Heads square thru four, pass the ocean Keep In mind that a swing thru Spin the top, turn and left thru always starts with a right hand; Pass the ocean, spin the top therefore, when in a left hand wave and Turn and left thru, left allemande the call Is swing thru the centers must turn half right first and then turn the Half-sashayed Couples Turn thru ends half left. You must call left swing thru if you wish the ends to turn first O from a left-hand wave. Conversely, If you call left swing thru from a right-hand wave, the centers will turn half left and then turn the ends half right. CJ

38 American Squaredance. August 1980 Courtesy Turn Heads pass thru, round one to a Ilne Swing thru, turn and left thru Pass thru, wheel and deal, Centers turn and left thru, zoom and Square thru three-quarters ri Left allemande Heads square thru four, circle half Heads square thru four, slide thru To a two-faced line, centers hinge Dixie style to a wave, left swing thru Diamond circulate, diamond circulate Trade the wave, turn and left thru Flip the diamond, Turn and left thru Left allemande Pass to the center, square thru 3/4 Heads lead right and circle to a line Left allemande Ocean wave, trade the wave Heads square thru four Left swim] thru, trade the wave Right and left thru, rollaway Turn and left thru, flutter wheel Swing thru, girls run Left allemande Boys hinge, diamond circulate Heads pass the ocean, sides rollaway Girls swing thru, boys quarter in Ping pong circulate Extend, single hinge, centers trade Centers turn and left thru Turn and left thru, Zoom and pass thru Left allemande Left allemande Heads square thru four, ocean wave Heads lead right and circle to a line Scoot back, turn and left thru Rollaway, pass thru, wheel and deal Pass to the center, square thru 3/4 Centers pass thru, curlique Left allemande Centers trade, swing thru, scoot back Heads pass the ocean Single hinge, turn and left thru Ping pong circulate, centers trade wave Circle to a line, crosstrall thru Others rollaway, centers left turn thru Left allemande Turn and left thru, square thru 3 Heads lead right and circle to a Ilne Trade by, left allemande Pass the ocean, swing thru, boys run Heads square thru four, curlique Girls hinge, 6x2 acey deucey Single hinge, turn and left thru Ocean wave, swing thru Dive thru, square thru three-quarters Turn and left thru, others quarter In Left allemande Centers pass thru, left allemande Heads lead right and circle to a line Heads square thru four, circle half Curlique, coordinate, boys run To a two-faced line, centers hinge Turn and left thru, pass to the center Diamond circulate, boys swing thru Square thru three-quarters Girls quarter in, extend, single hinge Left allemande Centers trade, swing thru Heads square thru four, curlique Turn and left thru, pass thru Scootback, split circulate, single hinge Trade by, pass thru, trade by Turn and left thru, flutter wheel Star thru, pass thru, wheel and deal Left allemande Centers right and left thru, pass thru All pass thru, left allemande Heads pass the ocean Ping pong circulate, centers trade wave Others rollaway, centers left turn thru Turn and left thru, dive thru Square thru three-quarters Left allemande Heads lead right and circle to a line Dixie style to a wave, left swing thru Trade the wave. turn and left thru Pass thru, left allemande Heads lead right and circle to a line MAKE ME A LINE Ocean wave, centers only Turn and left thru, others single hinge by Dick Bayer Walk and dodge, clover and pass thru DESCRIPTION: From quarter tag forma- Star thru, pass thru, wheel and deal tion (ocean wave between and parallel to Zoom and pass thru, left allemande facing couples) or three-quarter tag for-

39 Amencan Squarecance August 1980 matIon (ocean wave between and Heads pass thru, go round one parallel to back to back couples), ocean To a line, pass thru wave dancers recycle and sweep a Three-quarter tag, make me a line quarter to assume the center positions Star thru, square thru three-quarters of facing lines of four; at the same time, Left allemande the outsides turn quarter In to face each Heads lead right and circle to a line other and assume the end positions of Ends only load the boat the facing lines of four. Centers spin the top, make me a line EXAMPLES by Ed: Pass thru, tag the line in, pass thru Heads lead right and circle to a line Wheel and deal, zoom and pass thru Pass the ocean, extend Left allemande (+2 APD) Four ladies chain, in 0 Heads half square thru, swing thru Boys run, ferris wheel Centers make wave, ping pong circulate Make me a line Left allemande (MS + APD) Heads square thru four, swing thru Boys run, bend the line Make me a line Right and left thru, ladles lead Dixie style to a wave, extend [3) 40 Make me a line, pass thru Wheel and deal, girls pass thru [Th O Star thru, ferris wheel Square thru three-quarters Left allemande 0 411 (MS + APD)

0 CI Heads square thru four, ocean wave Trade the wave, extend, make me a line Pass thru, wheel and deal Pass thru, wheel and deal Girls swing thru, extend, scootback Girls swing thru, ping pong circulate Boys run, pass thru, wheel and deal Make me a line, Pass thru Centers square thru three-quarters Wheel and deal, centers turn thru Left allemande (MS +) Slide thru, partner trade Heads lead right and circle to a line Left allemande (+ 1 APD) Right and left thru, curlique, circulate Heads pass the ocean, trade the wave Center four single hinge, fan the top Make me a line, pass thru Others trade, make me a line Tag the line in, star thru, pass thru Pass thru, wheel and deal, Trade by, left allemande (+ 1) Boys pass thru, touch a quarter Four ladies chain, heads square thru Boys run, promenade home..(MS+ APD) Four hands, swing thru, trade the wave Heads pass thru, go round one to a line Extend, make me a line, pass thru Centers pass the ocean, ends star thru Wheel and deal, boys swing thru Make me a line, pass thru Ping pong circulate, make me a line Wheel and deal, centers star thru Pass thru, boys fold, star thru Clover and turn thru, slide thru Promenade home (+ 1) Pass thru, wheel and deal Heads right and left thru, rollaway Square thru three-quarters Lead right and circle to a line Left allemande (Ladies break), pass thru Heads lead right and circle to a line Wheel and deal, centers ocean wave Pass thru, three-quarter tag Ping pong circulate, make me a line Make me a line, star thru Centers sweep a quarter more Trade by, pass thru, left allemande Right and left grand (+1) Heads square thru four, swing thru Heads square thru four, swing thru Boys run, three-quarter tag Trade the wave, centers trade Make me a line, pass thru, girls fold Trade the wave, extend, make me a line Star thru, wheel and deal Pass thru, half tag, split circulate Left allemande Centers trade, boys run, wheel and deal 40 American Soar&lance August 1980 Zoom and square thru three-quarters Bill has suggested the left-hand version Left allemande .(+ 1) be called letabout for easier pronuncia- Head ladies chain, chain back tion. Letabout follows the same traffic Dixie style to a wave, pattern as rightabout except starts with Make me a line, reverse flutter wheel the other hand (left), and has the same Star thru, trade by, star thru effect on rightabout as a left square thru Pass thru, wheel and deal, Dixie grand has on a square thru. Left allemande ( +2) EXAMPLES by Bill: Heads lead right and circle to a line Heads square thru four, rightabout one Swing thru, spin the top, extend Pass thru, wheel and spread Make me a line, pass thru, half tag Rightabout two, touch a quarter Scootback, boys run, ferris wheel Track and trade, ferris wheel Centers star thru, others lead right Centers square thru three-quarters Left allemande (MS) Letabout, left allemande Heads pass thru, chase right Heads pass thru round one to a line Single hinge, ping pong circulate Rightabout two, curlique Make me a line, star thru, trade by Track and trade, tag the line in Pass thru, trade by, left allemande..(MS1) Rightabout two, pass thru rightabout three Heads swing thru double, sides divide Wheel and deal, centers Slide thru, rightabout two, swing thru And touch a quarter, make me a line Pass thru, tag the line In Extend, right and left grand Square thru four, trade by Heads rightabout three, pass thru Left allemande (MS + ) Star thru, rightabout three Left allemande Heads square thru four, sides rollaway Rightabout three, pass thru, bend line Curlique, track and trade Couples circulate, wheel and deal Slide thru, rightabout one Left allemande Heads square thru four, swing thru Boys run, girls trade, bend the line Rightabout one, left allemande Heads square thru four, swing thru Boys run, bend the line, rightabout two Pass thru, wheel and deal Centers rightabout two, Dixie grand RIGHTABOUT (1,2,3) Right, left, right, left allemande by 13111 Davis Heads lead right and circle to a line Facing couples do a standard square Right and left thru, rightabout two thru the number of hands given and then And roll, right and left grand quarter in to face the adjacent dancers (in their own foursome). Heads lead right and circle to a line From "normal" couples: Pass thru, partner trade and roll Rightabout 1 = star thru; slide thru; ex- Rightabout two, right and left grand plode and; Heads lead right and circle to a line Rightabout 2 = right and left thru; half Pass the ocean, swing thru, boys trade square thru, quarter in; Rightabout two, right and left grand Right about 3 = right and left thru, star Heads lead right and circle to a line thru; square thru three-quarters, quarter Pass the ocean, swing thru, boys run in; Couples circulate, tag the line right Rightabout 4 = zero. Ferris wheel, centers rightabout two NOTE: Although rightabout can be easi- Pass thru, right and left grand ly taught and, in fact, needs no walk-thru FIGURES by Ed: provided your dancers can do square Heads rollaway, rightabout two thru APD, it does prove choreo- Slide thru, rightabout lour graphically valuable in APD use. Give it a Left allemande good workout and you will discover its versatility. Heads lead right and circle to a line American SOuaredance August 1980 41 Pass thru, wheel and deal, Heads slide thru, hocus pocus Centers pass thru, ocean wave, recycle Wheel and deal, girls pass thru Rightabout one and roll Star thru, ferrls wheel Right and left grand Square thru three-quarters Heads square thru four, spin the top Left allemande Rightabout three, swing thru, recycle Heads pass thru round one to a line Rightabout one, pass thru, wheel & deal Touch a quarter, circulate two Zoom and pass thru, left allemande Boys run, hocus pocus, bend the line Heads square thru four, swing thru Star thru, zoom and pass thru Boys run, girls hinge Left allemande Diamond circulate, boys rightabout two Heads lead right and circle to a line Girls circulate and quarter in, Ends box the gnat, all slide thru Boys pass thru, split the girls Hocus pocus, pass thru, wheel and deal Round one to a line, pass thru, boys fold Girls swing thru, turn thru Star thru, boys trade, bend the line Boys courtesy turn them, star thru Left allemande Pass thru, trade by, left allemande Heads lead right and circle to a line Heads pass thru, round one to a line Centers box the gnat, all pass thru Pass thru, wheel and deal Bend the line, rightabout three Double pass thru, hocus pocus Swing thru, boys run, rightabout three Pass thru, girls crossfold, touch 1/4 Circle to a line, left allemande Recycle, pass thru, trade by Left allemande Heads half square thru, hocus pocus Ends crossfold, square thru 3/4 Left allemande Sides rollaway, heads square thru four Hocus pocus, ends fold Centers pass thru, left allemande by Will Orlich: Heads to the right and circle four Head gents break and line up four Forward eight and back with you Bend the line and pass thru California twirl, then bend the line Heads rollaway, lead right, circle four Crosstrail thru to your corner, swing her Ladles break to a line, touch a quarter Promenade and don't slow down Hocus pocus, boys cross run, girls trade Head gents and the girl with you Wheel and deal, left allemande Wheel around and backtrack, keep going Heads lead right and circle to a line Don't slow down, sides wheel around Pass thru, wheel and deal, And backtrack, all four couples Double pass thru, boys run, hocus pocus Left allemande, right and left grand Couples circulate, bend the line Side couples pass thru, separate Star thru, track two, recycle Go round two, line up four Left allemande Those who can right and left thru Heads right and left thru, sides rollaway Forward eight and back like that Heads lead right and circle four Bend the line and box the gnat Men break to a line, slide thru Those who can right and left thru HJCUS pocus, recycle, pass to the center Forward eight and back like that Square thru three-quarter Bend the line and box the gnat Left allemande Those who can right and left thru Heads square thru four, centers in Forward eight and back like that Cast off three-quarters, hocus pocus Bend the Ilne and box the gnat Cast off three-quarters, ends crossfold Those who can right and left thru Centers square thru three-quarters Forward eight and back like that Left allemande Bend the line and box the gnat Heads lead right and circle to a Ilne Change girls, left allemande Rollaway, star thru, hocus pocus Allemande left, Alamo style Ends fold, left allemande Partners right and balance awhile 42 American Sovedance August 1980 PO BOX 216, CEM GREnn BATH OH 44210

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Boys cross over, girls turn about All promenade, sides backtrack Balance In, balance out Pass thru, on to next and square thru 3/4 Girls cross over, boys turn about Bend the line, pass thru, box the gnat Balance In, balance out Right and left thru the other way back Allemande left, weave by two, do-sa-do Crosstrall thru and find corner Promenade, head couples wheel around Left allemande Right and left thru the two you found Heads lead to the right, split those two Crosstrall thru to a left-hand swing Go around one, lines of four forward & Boys star right across the land back Corners all left allemande Turn thru, bend the line, pass thru Promenade, don't slow down Bend the Ilne, turn thru, centers arch Heads backtrack and pass thru Ends turn In, square thru, count four On to the next and square thru 3/. Separate around one and star thru Those who can California twirl Same two lead left, left allemande BADGE MOLDERS Protect your clothing A from pin holes and tears (A) DOUBLE SIDED SNAP-ON . . . Snaps between, and to both, pocket and pocket flap of western shirt.

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Don Hadlock-A 24813 Broadmore Ave., Hayward, CA 94544 Amerman Sg✓arepance. August '980 43 29-31. Write Ralph Morast, 6303 E. 153rd St, Grandview MO 64030. Indiana- Labor Day Weekend, Turkey Run State Park, Marshall; Aug. 29-Sept. 1; Forsyth, Daugherty, Muellers. Write M. Forsyth, 9901 Pendleton Pike 4177, Indianapolis IN 48238. New Hampshire- Labor Day Weekend, the Inn, East Hill Farm, Troy; Aug. 29-Sept. 1; George Hodgeson, Roger Whynot, George Fogg, Ralph Page, Tony Saletan. Write Ralph Page, 117 Washington St, Keene NH 03431. Tennessee- 2nd Ann. Gatla-Fun-Fest, Gatllnburg; Sept. 5-6; Upper East Tenn. Callers Assoc. Write PO Box 199, Bristol TN 37620. Indiana- Round A Rama Institute, Aug. 12-17, Indiana University, Bloomington; Iry & Betty Alabama- 4th State Festival, Montgomery; Sept. Easterday, Eddie & Audrey PalmquIst, Bob & 5-6; Lae Swain, Richard & JoAnn Lawson & Bobble Cain. Write Institute, 1125 Haven Rd, Alabama callers & leaders. Write Dewey L. Glass, Hagerstown MD 21740. 1051 Druid Hills Dr, Montgomery AL 38111. Georgia- 18th Ann. Jekyll Island Jamboree, Wisconsin- Hoday Weekend, Wisconsinalr Re- Buccaneer Motor Lodge. Aug. 14-17; Bob Bennett, sort; Sept. 5-7. Write Elmer Elias, 1571 S. 57th St, Rod/Blaylock, Marty & Byrdie Martin. Write Bob W. Allis WI 53214. Bennett, 2111 Hillcrest Dr., Valdosta GA 31601. Minnesota- Shindig 80, Duluth; Sept. 5-7; Gary Wisconsin- 21st S&RID Convention, Univ. of Shoemake, Elmer Sheffield, Lou & Pat Barbee. Wisc., Oshkosh; Aug. 15-17. Write St D, Box 414, Write PO Box 6472, Duluth MN 55806. Omro WI 54963. Nebraska- State Convention, Omaha; Sept. 12-13. North Carolina- Mid-Summer Dance of Folk & Write Frank & Phyllis Lane, 3111 So. 161st Circle, SID Federation, N.C. Fairgrounds, Raleigh; Omaha NE 68130. August 16. Call Tom Weatherington, 779-1386. Indiana- Potawatoml Weekend, Angola; Sept. Washington- 24th Ann. Festival & Salmon 12-14. Write Bill Peterson, 30230 Oakvlew, Livonia Barbecue, Western Dance Center, Spokane; Aug. MI 48154. 22-24; Denny Lantz. Write Larry & Marge Mosolf, Georgia- 16th Fall Roundup, Bell Auditorium, W. 215 Hoerner Rd, Spokane WA 99218. Augusta; Sept. 13; Pat Barbour, Bill Prather, Colorado- 12th Ann. Peach Festival, Two Rivers Dewey & Lib Parnell. Write Dan Martin, 422 Kemp Plaza, Grand Junction; Aug. 22-23; Walt Cole. Dr, Augusta GA 30909. Write Ernie & Catherine Lax, PO Box 1171, Grand Junction CO 81502. Utah- Lagoon Hoedown, Farmington; Aug. 29-30; Bachelors 'N' Bachelorettes Benny Mann, Al Horn, Charles & Betty Mllispaw. International, Inc. Write 750 8th St, Ogden UT 64404. Square and Round Dancing Oregon- 10th Dance-A-Rama of Single Square For Dancers, USA, Portland; Aug 29-30. Write Elmer Carter, PO Box 1307, Portland OR 97207. SINGLE ADULTS Illinois- 26th S&R/D Festival, Kewanee; Aug. 29-31; Chuck Meyers, Jerry Story. Jim Young, Dale Thirty Years Experience! McRoberts, Bud & Win Cherry. Write Gloria Inquiries invited for affiliation Pemble, 1312 McMullen Ave, Kewanee IL 61443. or for starting new groups in the Pennsylvania- Kon Yacht Kickers' Jamboree, U.S. and Abroad! Conneaut Lake Park; Aug. 29-Sept. 1. Write Jim & Cheryl Moore, 1115 S. Cottage St, Meadville PA Jay M. Metcalf, International President 181.15. 1039 W. Edgeware Rd., Los Angeles CA Missouri- 22nd Western Mo Callers Wkshp. 90026 Ph. 213-623-6913 Assoc. Festival, State Univ., Warrensburg; Aug.

New New f2.50 each 4. 505 Shipping Send Check Of Money Order, Visa Of Mastercard No. Colors Available are Red, Blue, Green, Brown, Black, to MEGIE'S SIGNS & ENGRAVINGS Yellow, Plnk, Fluorescent Red, Green, Blue & Orange. 11063 Soizman Road, Cincinnati OH 46242 Two-Tons Colors Available to Clubs on Request No C.O.D.'S Dealer Inquiries Invited Minimum Order 50

44 American Squaredance August 1980 •Record• DEALERS Badges ARIZONA Clay's Barn PO Box 790 ARMETA— Dept. B Sierra Vista AZ 85835 Original Fun Club Badges Dancer accessories, caller equipment PO Box 22221 FLORIDA Milwaukee OR 97222 ROCKIN' RHYTHMS Free List On Request P81 Box 528 CENTURY CLUB Palm Harbor FL 33583 Merit Badge of Distinction. Join today. Phone 813-784-3294 PO Box 57 INDIANA Westfield MA 01086 B-BAR-B RECORD SERVICE (317-241-0008) Cost: 51.50 plus 30! postage 8313-15 Rockville Rd. (I-485 Exit 138) Indianapolis IN 48224 JIM & BONNIE 'S Mail Orders Invited & Guaranteed 4420 Tennyson Records shipped same day Denver CO 80212 303-477-1594 ILLINOIS Activity & Club Badges DANCE SOUNDS PO Box 41042 MARMAC SPECIALTIES Chicago IL 80841 6713 Kennedy Lane (703-241-0870) Square, Round, Folk & Contra Records Falls Church VA 22042 CROSS-COUNTRY RECORD SERVICE Free Fun Badge Catalogue 7145 1/2 W. Belmont Ave. PAULY'S 1715-845-3979) Chicago IL 80834 PO Box 72 Records/Callers Supplies/Newcomb Equipment Wausau WI 54401 MAINE Engraved and Jeweled Badges DAVE'S RECORD SERVICE 70 State St. — New address H & R BADGE & STAMP CO. 614-471-3735 Augusta ME 04330 Engraved Badges & Rubber Stamps from our Design or Yours— Harold & Roberta Mercer Tel. 207-823-3888 2585 Mock Rd., Columbus OH 43219 Caller Supplies & New Air-Conditioned S/D Hell MICHIGAN GRAND SQUARE ENTERPRISES THE ALLEMANDE SHOP 1827 Sentinel Point Rd . 1574 Maslen Rd. Sebring FL 31070 Hasiett MI 48840 Chuck Leamon, Caller & Owner The Place Designed with People In Mind Send for free flyer. MINNESOTA J-J RECORDS KA-Mo ENGRAVERS 1724 Hawthorne Ave E. PO Box 3447 St. Paul MN 55108 Albuquerque NM 87110 812-774-5732 3D Club & Fun Badges Free Catalogue FAIR N' SQUARE RECORD SHOP Division of Palomino S/D Service Send for Catalog 7738 Morgan Ave. South (812-889-95011 LINCOLN SIGN AND PLAQUE CO. Minneapolis MN 55423 10 Woodlawn Dr. No. Warren PA 16365 MISSOURI Badges, License Plates, Bell Buckles SKIP'S RECORD SERVICE 1908 Edgemont Arnold MN 83010 NEW YORK WORLDTONE MUSIC, INC. 230 7th Ave. (23-24 Sts.) Box ASO Special New York NY 10011 (212-891-1934) Round. square, ballroom, folk dance records Catalogs; Mail & phone orders accepted S/D TOURNAMENT OF ROSES PARADE FLOAT NORTH CAROLINA Publicizes square dance year round. Be a part of RAYBUCK'S Record Service Callers Supply this art Send S1 CO and receive a Rose for your Route 1, Box 212 badge SQUARE DANCERS OF AMERICA, Box 2, Advance NC 27008 Altadena CA 91001 OHIO F & S WESTERN SHOP 1553 Western Ave. 24th Annual Jubilee, Santa Clara Fairgrounds, San Toledo OH 43809 Jose, CsIll.; October 10-11.12, 1960. John S Shirley Jones, Bailey Campbell, Bob II Bobby Cain, Vic TENNESSEE Kesrls. Write P.O. Box 1599, Los Oslo* CA 95030. THE DO-SI-DO SHOP INC 1138 Mosby Rd. (901-308-4953) Memphis TN 38116 American Sguareaance August 1980 45 TEXAS EDDIE'S & BOBBIE'S RECORDS Box 17551 — 1835 S. Buckner Dallas TX 75217 214-398-7508 5/D Products VIRGINIA SQUARE DANCE SEALS (Since 1985). Five color, BIG -0" RECORD SERVICE eye-catching Seals on your correspondence are an PO Box 798 "Invitation to square dancing." Order from BILL Springfield VA 22150 703-971-2588 CRAWFORD, Box 18/442, Memphis TN 38118, Samples on request. One sheet (50 Seals), 504; 3 WASHINGTON sheets, Si; 10 shims, $3; 20 emu', Ss. Shipped DECKER RECORDS nod. Write for prompt details and samples. 504 N. Sargent Spokane WA 99208 YAK STACK 509-924-9181 Sound Columns for Callers Fast Mail Order Service Write PO Box 184, Wenham MA 01984 Cell: 617-468-7338

SQUARE DANCE DRESSES/SKIRTS/BLOUSES/. S/D Record JUMPERS: Dealers write for details on business let- Review Service terhead. DeLoris, 847 Central (ASC8, Horton KS 88439 PLASTIC SLEEVES— 7" Heavy duty. 25 for $4.50. TENNESSEE 50 for $7.00. 100 for $12.03 IncludIng UPS shipping. THE DO-SI-DO SHOP INC. Send 25it for sample. Also ROUND/BALLROOM 1138 Mosby Rd. DANCE CATALOGS. Comprehensive, up-to-date. Memphis TN 38118 Send 254 to: WORLDTONE MUSIC, INC. 230 7th Ave., Box ASD, New York NY 10011. CLOGGERS DO IT WITH ENTHUSIASM! Bumper sticker, $1.00 ppd. from Rockln' Rhythms, Rt. 1 DISTRIBUTORS Box 528, Casa Vista Drive, Palm Harbor FL 33583. TWELGRENN ENTERPRISES DRESS CATALOG— 80 Designs for Square and PO Box 216 Round Dancers. Send $1.50 to Betty's, PO Box Bath OH 44210 29723, Richmond VA 23229. Member NASROS EMBLEMS CUSTOM EMBROIDERED, Minimum 10, Thread-Letter Embroidery Corp. CB, 1929 E. MONTHLY 52nd St., Indianapolis IN 46205. (317) 257-1424.

SERVICES FOR SALE: One T-50 Newcomb Amplifier-Turnta- for Callers ble, two high-strength J-H Adjustable Fold-up Notes Stands, Two Colortone Model 380 Column SUPPLEMENTAL NOTES Speakers. All in excellent condition. Call after 6 Tren Keith, 3510 Denver St. pm 1-502-845-7310 or write John L. Thompson, Rt. Memphis TN 38127 1, Box 159, Eminence KY 40019. 12 issues yearly, $11.00— Free sample THE SQUARE DANCE POSITION GAME NEWS 'N NOTES $8.95 (plus $1. postage & handling) Al Deuce Earl Ed For Callers, Teachers, All Level Dancers PO Box 2223 Mass. Residents add 404 Sales Tax Vernon CT 08088 Order from: Russell L. Rockets SCVSD CALLERS NOTES 87 Forest Glen, Rm. 321, Longmeadow MA 01108 Bill Davis 1359 Belleville NEW CATALOGUE AVAILABLE — $1.00. Here s Sunnyvale CA 94087 where you'll find what you're looking for! Complete square dance service. PALOMINO SW SERVICE, MAINSTREAM FLOW FOR CLUB CALLERS 7738 Morgan Ave. So., Minneapolis MN 55423. Gene Trimmer, 103 Rosewood Paragould AR 72450 For the Club Caller & Teacher Ev le CIA cll. rtioni.a.k Send 154 stamp for sample copy. 13 1.ucl xh 5Mtt MINNESOTA CALLERS NOTES Min sager, Coca- Warren Berquem 06040 975 County Rd 92N Maple Plain MN 55359 Square Dance Address Labels - 500 for $2.50, Square Dance Napkins— Beverage or luncheon 901, NATIONAL CALLER'S REPORT Coasters, 60t; Place mats, £03t; Stationery, 81.50; PO Box 8577, Siphon, Gardens S/D Greeting or Xmas Card Ass't., 10 for $1.75; Bradenton FL 33507 Dancing Couple Key Tag, 801, Name Tags, Advanced Supplement Added 50/52.50; Decals-- Dancing Couple, 501, Crossed Free Sample Copy on Request Squares, 401. Please send 754 with order f TORONTO & DIST. 8/D ASSOCIATION Postage & Handling. Send for FREE Brochure— Dept. SDM 1 SQUARE SPECIALTIES. PO Box 1085, Manchester CT 06040. 30 Kingewell Crescent Scarborough Ont. Can. M1 L 3E1 48 American Seuareeance August 1980 DANCE-A-ROUND AND HAVE FUN— S3.80 by mall. Abbreviations, Positions, Symbols & Terms written In easy-to-understand words. Order from Betty & Clancy Mueller, 112 Hollybrook Dr., New S/D Products Whiteland IN 48184. GREETING CARDS FOR ' DANCERS SEW WITH DISTINCTION: "Promenade" Guide GET WELL — BIRTHDAY — GENERAL to Better Sewing; published by Toledo Area S/D $2.25/ Box of 12. plus 4% Tax in Indiana Callers Association. Cost; $2.00 +254 handling. Order from CadoBrand, 3002 Schaper Dr. Order from Clarence & Ruth Reneger, 138 N. Ft. Wayne IN 46806 McCord Rd., Toledo OH 43815. CALIFONE S/D SOUND SYSTEMS. 30 Day Trial. Satisfaction Guarented or 100% Refund. Bob MAINSTREAM PLUS S/D CALLS: The Plus 1, Mason, Box 205A, Almond NY 14804. Dial Plus 2 and Quarterly Selection lists and 38 other popular calls. Each call fully Illustrated using our 807-276-2442. unique system. Dancers everywhere are using this SNAP FASTENERS— Create unique western wear book to good advantage Edited by Ed Foote. $5.96 with our side selection of pearl and metal snap pp. SQUARE DANCING FOR LEARNERS: The fasteners. Quality sewing supplies. Send for Free first 89 calls on the Callerlab lists fully Illustrated. Catalog. The Campau Company, Box 20632-AD, Text explanations of the workings of square Dallas, Texas 75220. dancing outside of the call definitions. A must for new dancers being exposed to modern-day class pressures. Bulk prices available. Edited by Ed Foote & Bill Kramer $5.95 pp. BASIC CALLS FOR ADVANCED AND CHALLENGE S/D: The Caller- lab Advanced and C-1 Challenge lists fully Illustrated plus all of the essential variations. This Books book Is being used all over the world by advanced SINGING THRU PLUS TWO: The book designed to workshops and challenge tape groups. Edited by help you teach CALLERLAB Q.S., PLUS 1 & PLUS Ed Foote. $5.95 pp. Send check to: Tech. 2 figures. Contains definitions, teaching hints & 110 Documentation Services, 58 S. Patterson 0108, singing calls. Cost: $6.00 ppd. from Gene Trimmer. Santa Barbera CA 93111. 103 Rosewood, Paragould AR 72450. DIRECTORY OF SINGLES SQUARE DANCE The 1980 TOP TEN featuring definitions of all the CLUBS: Complied especially for single dancers by Calierlab Lists (MS, QS, +1, +2, A-1, A-2, C-1 Single Square Dancers USA, Inc. The Directory and C-2) in five separately alphabetized dictiona- lists singles clubs throughout the USA, their places ries. Analysis of the frequency of use of of dance, the day of the week and a telephone Mainstream calls with teaching order. Illustration contact number. Price: $2.00. Quantity discount to of All the formations of square dancing with all clubs and associations. Send order to Yellowrock APD arrangements for the most popular formations. Book, L. Richard Woodyatt, 1600-11R Lehigh Pkwy $6.00 (US). Order from BILL DAVIS, 1359 E., Allentown PA 18103. Belleville, Sunnyvale CA 94087. Also bl-monthly supplements, $6. per calendar year. NATIONAL SQUARE DANCE DIRECTORY— STEP-CLOSE-STEP ROUND DANCE BASICS (78 Over 7000 square dance clubs In the U.S. and exercises) $4.25 ppd. 10 week dancer-proven around the world information on club and contact course, dance positions, RID terminology, mixers, person's address and phone no. A must for basic styling hints and helps on teaching. Order traveling. Only $4.00 per copy. Send to National from Frank Lehnert, 2844 S. 109th St., Toledo, Ohio S/D Directory, PO Box 54065, Jackson MS 39208. 43611. Allow 4 to 6 weeks for dellvery. AFTER PARTY FUN: $3.00 plus 501 mailing. Con- tains two books combined Into one, with new THE POCKET DICTIONARY OF SQUARE DANCE material that will put life into your club or festival. CALLS— Complete descriptions of all calls on the Edited by the man who originated after party fun at Mainstream Plus 1-Plus-2-Advanced 1-Advanced 2 dances and festivals. Order from Ray Smith, Star Lists. Most calls have a practice dance routine. Harbor, Malakoff TX 75148. $2.35 per copy includes Handling. Quantity rates available on request. Pocket Dictionary, P.O. Box SQUARE DANCERS ENCYCLOPEDIA; $7.00; 2223, Vernon CT 08086. 3193 movements listed. Terms, Rules Diagrams and supplements 3 times a year. MINI-BOOK, $4.00. Basics, Extended Basics, Plus SIGHT CALLING SIMPLIFIED— Use this book the 1 & 2, Advanced I & II, C1, C2, C3 In a 5" x 8" first night. Based on the premise that anyone can book. sight call. $8.50. Order from Whitey Aamot, 916 DIAGRAMMED GUIDE, $4.00. 243 movements. 3rd Ave. SE, Waseca MN 56093. Loaded with help for beginning dancers. ADVANCED DIAGRAMS. $8.00. Plus I & Plus II, Advanced I & 11, C1 & C2, all diagramed; 81/2 " x 11" book. 1980 update. Snap open binders allow supplement additions to all books. Order from BIll Burleson, nes Fox Ave., Minerva, ecords OH 44657. rHE NASHVILLE SOUND PLUS YOU. Square QUICK-TEACH FUN DANCES FOR RECREA- dance callers, we have recorded backgrounds of TIONAL GROUPS by Jack & Helen Todd. Retail beat-loved country hits like Jambaleya, Release $5.00. This book is for callers and teachers, to help Me, Rocky Top you sing with during dance breaks. them attract new people to square dancing via Exactly what you're looking for. Seven records avail one-night stands. Book Is keyed to available able. Lyric sheets Included. Write: NSY Produc- records. Order from your local dealer, or from tions, PO Box 40384SQ, Nashville TN 37204. Tweigrenn, Box 218, Bath OH 44210. 47 American SQuafeClarrCe. August 1980 BOOGIE WOOGIE BUGLE BOY— Atlantic 45-2964 Choreography by Bill & Carol Goss Peppy Bette Midler vocal, a busy and lively high- intermediate two step. s14 SECRET WALTZ— Blue Star Choreography by Dave & Jeanne Trowel) ROUND REVIEWS Pretty music and a good easy intermediate waltz. MEMORIES YOU GAVE TO ME— Marline 6011 by Frank & Phyl Lehnert Choreography by Charles & Dorothy DeMalne Good music with a Dean Martin vocal; a flowing REMEMBRANCE WALTZ— Grenn 14286 three-part two step-foxtrot. Choreography by George & Joyce Kammerer TOGETHER— UA x1329 Pretty music and a comfortable easy-intermediate Choreography by Ray & Anne Brown waltz with international steps in Part B. Good music with a Crystal Gayle vocal for a dif- WHO WOULDN'T LOVE YOU— Orenn 14286 ferent and interesting intermediate cha cha. Choreography by Bill & Virginia Tracy YOU WANT MY PANTS TO GET UP AND DANCE— Good music and a peppy easy two step. Capitol 4621; Chore() by Bob & Rosemary Holiday I'LL WALTZ WITH YOU— CEM 37038 Vocal (Dr. Hook) and a slightly different easy- Choreography by Peg & Dot Thrall intermediate cha cha. Good "My Heart Cries For You" music and a flowing easy-intermediate waltz. CANADIAN CAPERS— CEM 37038 Choreography by Peter & Beryl Barton Catchy and different music; easy two step with a EL DORADO slightly different gimmick. SKI FEVER— Polydor 2067 Choreography by Cheri & Larry Phillips ED 201 ED 101 Good peppy music and a moving intermediate two SUBDIVISION BLUES TELL ME WHAT IT'S LIKE step put together a little differently. by Den Poling by Jerry Bradley Medford, Oregon DELLA— Jeremiah 1000 Medford, Oregon ED 301 Choreography by Cheri & Larry Phillips A GOOD GAL IS HARD TO FIND Catchy music and a nice easy two step by Ron Welsh A GOODNIGHT MEDLEY— Hoctor 658 Denair, Calif. Distributors: Corsair-Continental & Twelgren Inc. Choreography by Al & Lynda Brewer Producted by Jerry Bradley Enterprises, 1372 Ra- Pretty music, a medley, and a comfortable in- mada, Medford OR 97501 (503/ 779-3877 termediate foxtrot.

For Rating Formula. Choreography Order ASD inform #P7 Ratings * * by Dave & Shirley Fleck, Toledo, Ohio SQUARE DANCE: 61.126 Gypsy Feet RCA447-0908 P1-74/0 = 74 INTERMEDIATE: 176-250 Magic Moments Windsor 4765A P2-84/10 = 94 It's Like We Never There Goes My Said Goodbye Col 1-11198 P2-152/35= 187 203 Everything Parrot 5N59038 P2.97/0 = 97 Only You HTR 5018 P2.178/25 = You Can Have Her Chaparral C801 P2.100/0 = 100 Just In Time Timrk 9378 P3-181/25 = 208 P3-211/0 = 211 Saucy Two Step HIR501A P2.100/0 = 100 Mardi Gras Hctr 45DH 808A Let's Get It RCA PB11918 P2.99/5 = 104A Something's New Decce 31778 P3-194/30 = 224 Stuck On You RCAGS417-0827 P2-108/0 = 108 HIGH INTERMEDIATE: 251.299 Wrong Road Sierra 718B P2-85/27 = 112A Blue Moon Cha Cha Chap C1000 P2.235/28 = 260 What'll I Do HI-Hat 983 P2.117/13= 117 Bicycles of Belsize Tlmrk 9378 P4.253110 = 263a EASY INTERMEDIATE: 1216176 Memories Timrk 898B P3-248118 = 284 Memphis National Return To Me Capitol 8048 P4.260/15=275 Boogie TP 3000 P2-128/0 = 128 Smoke Gets in Eyes RCA447-0917 P3.250/30 = 280e Touch of Your Lips Timrk 895 P2128/0 = 128 Love's Last Word Timrk 4721 P4-293/0 = 293A Johnson's Swing Wnder 4765 P2.13310 = 133A ADVANCED: 300-349 Hello Dolly Moir H1781A P3-139/0 = 139A Clio/ens Roper 247 P4-296/25 = 321 Those Lary-Hazy- Crazy Days Starline 8211 P2-134/10 = 14-41 CHALLENGE: 350 Timrk 9206 P4.352/25 = 377 Together UAX 1329Y P2-141/5 = 148 Chasing Rainbows Timrk 911A P4-382/6 = 388 Sugar Daddy WBS 49160 P2-132/30 = 182 Paradise Tool

48 American SguarKlance August 1980 JUMP SHOUT BOOGIE— Roadrunner 501 Caller: Randy Dougherty We rated this one "D" for different. The tune was not your typc,al square dance tune. The beat is there and is great fun to dance to. The figure Ran- dy used is nothing standard, but mainstream basics in a way that is different but surprisingly SQUARE REVIEWS easy to follow. Our hats are off to the superb Job Randy did on the flip. FIGURE: Heads flutter by John Swindle wheel, sides promenade a quarter, double pass ] thru, cloverleaf, centers star thru, back away, four ladies chain three-quarters, sides face, grand Our review dancers again had a full afternoon square eight steps, swing corner, promenade. dancing to 32 singing calls. We have grown ac- SUGARFOOT RAG— Chaparral 307 customed to repeats of songs we have reviewed Caller: Gary Shoemake on other labels. We had one new label and were We really don't know how to describe this one. really pleased with the sound. One comment Gary does as good a job as any we have heard him overheard was, "It won't be long before every or any other caller do. The quantity of words may caller has his own label!" turn some callers off. In fact, we don't think you'll WHENEVER YOU'RE AROUND— Roadrunner 104 hear many callers try this one, but everything is Caller: Paul Marcum there to make a terrific record: timing, beat, You have never heard of this song by this title, but figure What more could you ask for? You'll have the tune is that of Conway Twitty's "I'd Just Love to hear this to believe it. Great job, Gary. FIGURE: To Lay You Down." Paul did a super job of chang- Heads promenade half, sides star thru, pass thru, ing the lyrics; in fact, Paul and the Roadrunners right and left thru, rollaway, turn thru, left did an outstanding job on this record all the way. allemande, weave the ring, do-sa-do, promenade. The instrumental sound is there, a great beat, smooth-flowing figure, and superb calling. There CHAIN GANG OF LOVE— Four Bar B 6024 are two key changes in this release just as there Caller: Mike Sikorsky are in the original country western version. Here's another "Chain Gang." All the record pro- FIGURE: Heads promenade half, square thru, ducers did fine jobs on this tune. Surely someone right and left thru, veer left, ladies trade, bend the has to lose when so many companies pick the line, pass thru, U-turn back, star thru, trade by, same song. Since all the releases had good swing, promenade points, buyers will more than likely pick their favorite labels. Mike does a great job with a not- CHAIN GANG OF LOVE— Ranch House 210 too-hard figure and his use of a grand square in Caller: Darryl McMillan the opener and break will give one the opportunity Ranch House keeps turning them out. The review to sing some of the original song. FIGURE: Heads dancers felt this recording had a little edge on the square thru, right and left thru, rollaway, touch a others they've danced. Darryl had a little quarter, split circulate, walk and dodge, partner assistance on the tag lines. Ranch House gave us trade, slide thru, swing, lett allemande, pro- a very danceable beat, and Darryl put together a menade. figure that was interesting but not mind-boggling. FIGURE: Heads promenade half, right and lett BLUE HEARTACHE— Red Boot 250 thru, flutter wheel, sweep a quarter, pass thru, Caller: Johnny Jones right and left thru, swing thru, boys run, half tag, When you listen to the music on this one, it swing, promenade. sounds fast but the dance moves very well Johnny used a Plus 1 figure. The instrumental G000NITE LITTLE GIRL— Longhorn 1022 side has a vocal back-up. The tune is an old coun- Caller: Rocky Strickland try western number that Red Boot has adapted You might recognize this tune under the name, very well into a square dance song. FIGURE: "Say Si Si." Rocky changed the lyrics and title Heads square thru, single circle to a wave, boys just a little. The instrumental is the typical Kalox trade, boys run, girls single hinge, diamond cir- sound. A smooth even beat, easy to follow and culate,flip the diamond, ladies trade, recycle, dance to, was enhanced by a super job of calling sweep a quarter, slide thru, swing, promenade. by Rocky. The dancers followed the figure very well and were pleasantly surprised at the way he SEND ME DOWN TO TUCSON— Hi-Hat 5018 worked them into a promenade with a new part- Caller: Ernie Kinney ner. FIGURE: Heads promenade halt, pass thru, This is the first of many Hi-Hat releases this partner trade, square thru, right and lett thru, month. Ernie's figure is quite different, using swing thru, boys trade, boys run, tag the line, basics in a way we haven't seen in any recent face left, promenade. singing calls. The dancers enjoyed the change.

American Sguaredance. August 1980 49 FIGURE: Heads square thru, do-sa-do, curlique, GONNA BUILD A MOUNTAIN— HI-Hat 5014 scoot back, walk and dodge, U-turn back, pass Caller: Ernie Kinney the ocean, recycle, swing, left allemande, pro- When we danced this, we realized that the called menade. side is slower than the instrumental side. There OLD SIDE OF TOWN— Blue Star 2108 are two key changes which can be driven to liven Caller: Marshall Flippo Key C up the floor. Ernie gives us a fine example of his Speaking of different figures, Flip put one on us voice range on the ending. FIGURE: Heads square here! In his opener he did an all eight walk and thru, do-sa-do, swing thru, boys run, ferris dodge. On the cue sheet, he furnishes alternate wheel, do-sa-do, pass thru, swing corner, left breaks and figures. Here is a fine example of the allemande, promenade. creative choreography discussed at Callerlab. The LEAVIN' LOUISIANA— Rainbow 401 Instrumental side has a little vocal harmony on the Caller: Gary Weston tag lines. FIGURE: Heads square thru, do-sa-do, This fairly new label has an interesting sound. The swing thru, boys run, tag the line, girls zoom, key on this one may be difficult for some callers. boys left turn thru, girls sashay, swing, promenade. The instrumental sounds busy and the called side I'LL SEE YOU IN MY DREAMS— Happy Tracks is wordy, but this could be a very interesting song 102; Caller: Skip Stanley to use. Gary did a good job on the flip, but sound- We want to welcome this new label and wish it ed strained at times. FIGURE: Heads promenade success. This first release has a really great half, curlique, walk and dodge, swing thru, boys sound. The song is full of hot licks and a great run, bend the line, right and lett thru, flutter sounding steel, In fact, this label has a very wheel, sweep a quarter, pass thru, swing, pro- distinct sound. Skip does a good job on the flip. menade. FIGURE: Heads square thru, do-sa-do, swing OVER THE RAINBOW— Rainbow 301 thru, boys run, half tag, scoot back, single hinge, Caller: Kirby Humble girls trade, recycle, swing, left allemande, pro- What other label should put this song out? Callers menade. may have a little trouble with the instrumental. SIOUX CITY SUE— Brahma 103 These new labels are putting out super good Caller: James Maxey sounds. Kirby used a very simple figure but it Brahma has picked an old tune, but it is a jumpy moved and timed well. FIGURE: Heads square little one that moves right along. James uses some thru, do-sa-do, swing thru, boys trade, boys run, very interesting combinations of basics in his bend the line, star thru, dive thru, square thru opener, break and closer. He also used last three-quarters. swing, promenade. quarter's Callerlab selection in his figure. ON THE ROAD TO LOVING YOU AGAIN— UR 153 FIGURE: Heads square thru, do-sa-do, make a Caller: Ron Russell wave, girls trade, linear cycle, sweep a quarter, Ron does a super job calling the flip side of this slide thru, square thru three-quarters, swing, disc and the instrumental is just great. Ron used promenade. more basics than needed and the dancers tell far- LET'S GET IT WHILE THE GETTING'S GOOD— ther and farther behind. There is no time to do the Happy Tracks 101; Caller: Bill Kramer left allemande at the end of the figure, and bend We are impressed with the sound on this new the line and flutter wheel was awkward. FIGURE: label. Both releases had good, sharp, clean Heads square thru, do-sa-do, swing thru, boys sound. Bill put a figure on this one that timed well run, bend the line, flutter wheel, square thru and the word meter was superb. A key change in three-quarters, swing, left allemande, pro- the middle of the closer added the finishing touch. menade FIGURE: Heads promenade half, sides square I'LL DO IT ALL OVER AGAIN— Bogan 1320 thru, right and left thru, eight chain six, swing, Caller: Tim Ploch promenade. This tune sounded very familiar but we just could STOP AND SMELL THE ROSES— HI-Hat 5015 not place it. As usual on Blue Star, the beat is Caller: Ernie Kinney there. Tim uses follow your neighbor and spread Here's another chance to buy this song for your in a way that dances very nicely. FIGURE: Heads record case if you did not purchase it several square thru, do-sa-do, curlique, follow your years ago when it was issued on a different label. neighbor and spread, swing thru, boys run, ferris This is a little more "jazzed-up'' version than the wheel, centers pass thru, swing, promenade. original. Ernie used a simple figure that would be I AIN'T GOT NO BUSINESS— Sun Ra 1605 good for classes or half-way dances. FIGURE: Caller: Jerry Rash Heads promenade halt, do-sa-do, slide thru, pass This is the second time around for this song. The thru, right and lett thru, pass to the center, Sun Ra instrumental sounds great and Jerry does square thru three-quarters, left allemande, do-sa- a fine job on the flip, but the beat was a little hard do, swing corner, promenade. ContInuod on Peg* 52 50 American Sguaredince, August t980 Hidden among the letters below are sixty dances and/or dance steps. Words read up, down, forward, backward, and diagonally. Some letters may be used more than once. ID Symonds Kansas City, Missouri POT ORTYEKRUTREDOWA BREAKDOWNATBELLYLO Z H ESS AHCLOCQOLOKLEG TKISSHIMMYSSYCEREN Z R AITDROWSDUSHMIERA .1 IPFOOA AUONS A ANSKIT 1 K OWBWISGUIRNRLBOEE SGMJNNTAPLDOABMURU CARIOCAHEECVCANCAN MHEGRAPSUCHACHACUI HONTORTFOLKCOBFLQM Answers to Puzzle- ED 1. February AEACPOONBEAJA ZZOS A 2. T 14. F 3. F 15. F BDVONXGLWOELPPAGIB 4. T 16. F 5. F 17. T A OAU'T AIASTL AT A A ARM 8. T 18. F NWPR AMLINEGEOKRLR A 7. F 19. T C4 8. F 20. T ENOTBKEZTLAWRLTOOS 9. T 21. F 10. F 22. T RTWOSTEPETSENOSPM0 11. T 23. T 12. T 24. F ALLETNAR ATEPIPNROH 13. F 25. F ANSWER TO LAST MONTH'S PUZZLE:

ALE GET BIG MAC LEAD FROE AFTER BEAUX BM013 WHO CAN I COUNT ON— Ron Mlneau BM012 SLOTRAC/CAUTION— Hoedowns TELO LENS BM011 KELTON HOLLEY— Hoedown RETS AULD BM010 AIN'T LIVING LONG LIKE THIS— S TARE Jay Henderson EPI BM009 DOWNTOWN KNOXVILLE— Ron ✓ ERSE BM008 LITTLE FARTHER DOWN THE ROAD— STEP EGGS Jeanne Moody Briscoe BOAR ARUG BM007 GYPSY MAN— Jay BMOCS NEW YORK— Jay FANCY DUPLE BM005 GRASS WON'T GROW— Jeanne ALIT BEEN I f you are unable to get our recordS at your dealer TLC RED write to me. Mac McCuller, at 2907 Johnson Ave San Luis Obispo CA 50401

2nd BERMUDA S&R DANCE FESTIVAL AND WORLD CONVENTION Sponsored by Bermuda Dept of Tourism Hosted by Mid-Ocean Promenaders Square Dance Club of Bermuda January 4.11, 1981

Flights from all key cities Convention rates at ten hotels Varied levels of dancing DICK JONES, New Jersey Panels JIM PURCELL, Massachusetts Clinics CHUCK STINCHCOMB, Maryland Workshops CHARLIE 4 BETTYE PROCTER, Texas and Beautiful Bermuda Write: Bermuda SID Convention, PO Box 145, Avon MA 02322

American Sguaredance. August t980 51 to follow. FIGURE: Heads promenade half ,square MY OWN KIND OF HAT— HI-Hat 5019 thru, right and left thru, pass thru, trade by, curli- Caller: Ernie Kinney que, scoot back, scoot back, swinn corner, pro- The sound Hi-Hat put Out here is slightly different menade. than usual. The beat is there and Ernie's figure HOLDING THE BAG— Sun Ra 1007 dances very well. The tag lines tell you all about Caller: Claude Ross outlaws and southpaws but we have our own kind We've lost count of the times this song has been of hat. FIGURE: Heads square thru, right hand danced by the review dancers. Claude uses a star, do-sa-do, curlique. scoot back, swing, pro- mainstream figure on the first two figures and a menade. Plus 2 figure on (rib last two. The Plus 2 figures ALL THAT KEEPS ME GOING— Lore 1182 seemed to time better FIGURE: Heads promenade Caller: Bob Graham Key G half, right and left thru, star thru, pass thru, What we have here is kind of a modified Western swing thru, boys run, ferris wheel, square thru swing. The song was easy to dance to and Bob three-quarters. swing. promenade. gave all kinds of opportunities to sing lines from 00000000000000000000000000000000000000000000 BUTTONS-n-BOWS SID Wear 3167 S. Seneca 1316-524-62351 Wichita KS 67217 GEORGIA Mastercharge/ VISA /Catalogue C&M WESTERN WEAR ALABAMA Full Line S/D Attire, Accessories 3820 Stewart Rd 14041455-35911 WAI1E S SQUAREDANCE & Doraville GA 30340 WESTERN WEAR LOUISIANA Your Satisfaction Guaranteed 7925 Highway 90 West CAMPER PARTS & S/D APPAREL Theodore AL (Mobile) 36582 ILLINOIS Mike Litzenberaer 205-653-7926 KATHLEEN'S SID SHOP 1306 Corporate Square 508 W Chestnut St. Slidell LA 70458 1504-641-6011) ARIZONA Chatham IL 62629 Have store. will travel DART SPECIALTIES SHOPPE 3 Ways — Stop In, Write or 6810 S Central. Phoenix AZ 85040 Call 217-483-2627 MAINE 1602-268-62131 Apparel, Acc , Car- WHEEL AND DEAL SHOP INC ryon Luggage (Dress. Suit. Shoe. SQUARE DANCE ATTIRE Rt. 115 Yarmouth Rd. Boot. Petti-Purse. Banner Case) 7145 ,'2 W Belmont Ave. Gray ME 04039 Send long SASE for Free Brochure Chicago IL 60634 Free Catalog Available Full Line S/D Attire & Accessories GREAT AMERICAN SID APPAREL MARYLAND FLOTA'S SID & WESTERN WEAR 'Great American Petticoats' 113 S 32nd St DIXIE DAISY 4830 East Main St Mt Vernon IL 62864 1355 Odenton Rd Mesa AZ 85205 Ph 618-244-4110 Odenton MD 21113 602-830-0330 Ooen 7 Days A Week MICHIGAN CALIFORNIA IOWA RUTHAD 1313-841-05861 SQUARE DANCE FASHIONS VIK-ARDIE'S SID & West. Shop 8869 Avis 3339 Amherst Lane 2008 Bennett (515-277-8787) Detroit MI 48209 San Jose CA 95117 Des Moines IA 50310 Prettier, perkier petticoats & Send for a Free Catalog SID & Western Wear for Men pantalettes Petticoats. Sissy Pants & Misc Women & Children THE ALLEMANDE SHOP COLORADO INDIANA 1574 Haslett Rd DORIS' SQUARE DANCE SHOP B-BAR-B SID APPAREL Haslett MI 48840 8575 West Colfax Ave. 6313-15 Rockville Rd. 1465 Exit 13B The Place Designed Denver CO 80215 Indianapolis IN 46224 With People in Mind Ph 232-0327 See our own dress designs Complete Line of S/D Apparel Sizes 3-24 "2 MINNESOTA PALOMINO S/D SERVICE FLORIDA LAZY J RANCH 7738 Morgan Ave So. QUALITY WESTERN SHOP Wheeler. Ind — 219-759-3118 Minneapolis MN 55423 1894 Drew St . Clearwater FL 33515 Mailing address. RR2 Send for catalogue — S1 00 813-446-8791 Hobart IN 46342 Member of NASRDS -Florida's Oldest & Best We Make Our Own Petticoats Mail Orders Invited & Guaranteed KANSAS MISSOURI WESTERN SQUARES ELAINE'S KOLLECTION OF SID THE SQUARE DANCE SHOPPE 2527 West Pawnee (316-943-85941 INTERNATIONAL ATTIRE. 2030 North 12 Ave 13530 Tesson Ferry Rd. Pensacola FL 32503 Wichita KS 67213 Everything for the Square Dancer St Louis MO 63128 904-433-4052 Phone orders 1-314-842-2278 New Catalog Si, Refundable on order DOROTHY'S SID SHOP. INC NEW MEXICO 3502'1 Strong THE SQUARE FAIR SHOP Kansas City KS 66106 A & H SQUARES AND FLARES 7408 Atlantic Blvd. 904-725-2511 1-913-262-4240 5517 Central NE Jacksonville FL 32211 Master Charge/Visa — Catalog 354 Albuquerque NM 87108 Sci Dancers Serving Sq Dancers MC VISA 0000000000 52 American Squaredance. August 1980 the song. FIGURE: Heads square thru, do-sa-do, Four Bar B put some wicked licks on the in- swing thru, boys trade, turn thru, left allemande. strumental side and a really pretty sound for the weave the ring, swing, promenade dancers to do a grand square in the middle break. WHEN I'M GONE— Coyote 201 Bob does a fine job but his figure was just a little Caller: Bob Elting awkward. FIGURE: Heads square thru, split the This song has been around before. The music is outside two, around one to a line, pass thru, ends fine and Bob did a fair job on the flip, but the beat fold, square thru, third hand curlique, scoot back, is just not one of the best square dance beats. scoot back, swing, promenade. FIGURE: Heads lead right, circle to a line, right THANK YOU FOR THE ROSES— Bogan 1321 and left thru. pass thru, bend the line, star thru, Caller: James Martin Key C-D do-sa-do, square thru three-quarters. swing, pro- This tune is tine for a change of pace It's a little menade sentimental. James' figure worked well but the EVERYBODY S SOMEBODY'S FOOL— Four Bar B opener's ending left one standing too long. There 6025; Caller: Bob Camillo Continued on Pegs SO 00000000000000000000000000000000000000000000

LEE'S CALICO COUNTRY Mail Orders 1704 Moon N.E. (505-294-2834) Available from 3/1 Albuquerque NM 87112 Calico Country Originals these Shops Send for free brochure Fashions NEW JERSEY SQUARE TOGS THE CATCHALL THE CORRAL, John Pedersen, Jr 11757 US 42 1813 Ninth 41 Cooper Ave Ph 201-229-2363 Sharonville OH 45241 Wichita Falls TX 76301 West Long Branch NJ 07764 Records Available Too , Square & Round Dance Regalia SiD Apparel. Accesories. Patterns Catchall Cust. Originals by Chris Member NASRDS, Visa & M/C OKLAHOMA COUNTRY SQUARE C BAR S S/D Apparel & Records NEW YORK 5632 East Mockingbird Lane WHEEL 'N DEAL SID SHOP 1705 N Sheridan Dallas TX 75206 RFD 4. Post Rd. Lawton OK 73501 Send for Free Catalog' Canton NY 13617 Apparel & Accesories for the Square and Round Dancer Phone Orders: 315-386-2457 MARJAC OF DALLAS !RONDA Square Dance Shoppe PENNSYLVANIA 522 S. Montreal, Dallas TX 75208 759 Washington Ave. 1266-57201 BLEAM'S S/D APPAREL Nylon Organdy Petticoats— Best Irondequoit, Rochester NY Sylvia & Bill Bleam Quality; Discount on Group Order Everything for the Square Dancer Star Rte. 212 Wholesale ACM. Also Welcome Richlandtown PA 18955 DO-PASO 215-346-7838 ONELL'S APPARAL (806-799-1642) 203 Vermont St. 4818 Louisville Ave Buffalo NY 14213 TINGUE'S SQUARE WEAR Lubbock TX 79413 Phone Orders 1-716-885-9473 1987 Yale Av., Williamsport PA Square & Round Dance Supplies 17701 Catalog Available Phone 717-323-2543 Square & Round Dance Records Only complete supplier in Central Pa SKY RANCH SADDLERY Mail orders prepaid E of Miss. River VIRGINIA 109-111 So. Main St. (668-2644) BETTY'S BITS & PIECES Central Square NY 13036 1110 Westbriar Drive Western Store & Gift Center SOUTH CAROLINA Richmond VA 23233 S/D Headquarters MARTY S SID FASHIONS 804-740-9643 404 Cherokee Dr 1803-268-0240) Send for Free Catalog C&M'S SQUARE DANCE SHOP Greenville SC 29615 Hartfield-Centralia Rd S/D Clothing for Men & Women SQUARE-ROUNDER Mayville NY 14757 Square Rounder Bldg. Square Dance Clothing TENNESSEE Goshen VA 24439 703-997-9104 SHIRLEY'S SID & Mail Order Shop THE DO-SI-DO SHOP Prompt Shipment Rt. 9-D. Hughsonville NY 12537 1138 Mosby Rd. Master Charge — Visa Catalog of S/D Patterns, sewing Aemphis TN 38116 KERNS KORRAL notions, trims, S/D apparel & .,end for Free Catalog 1963-D Rt. 17 accessories. Send .50 plus .25 post . Grafton VA 23692 NICK'S WESTERN SHOP 804-723-1519 ROCHESTER SHOE STORE 245 E. Market & Cherokee S/D One-Stop Shopping, K-Mart Plaza Kingsport TN 37660 Master Charge & Visa Mattydale NY 13211 Phone Orders 1-615-245-6221 Discount Prices WYOMING Send for Free Catalog TEXAS THE MELTING POT & OHIO FAVVCETT'S SID SHOP L & L DANCE CORRAL M & H WESTERN FASHIONS 412 W Sam Houston PO Box 37 (307-348-7319) 13002 Lorain Ave (216-671-51651 Pharr TX 78577 (512-787-1116) Elk Mt. WY 82324 Cleveland OH 44111 Everything for the Square Dancer Complete Line of S/D Apparel Dancer's Shopping Delight Largest S/D Shop in South Texas Various Hand-Made Gift Items ►0000000 000000000C American SguareClance August 1980 53

4: iqr.fr'k C11

C` / ova (r,,, People oe 6. ('1,„$,). .6 e ... 0(.8' '-v IN THE NEWS ct• .c. C., EDDIE POWELL

Co-Editor, So You Want To Be A Caller , 614-866-6603 or 614-866-2636 , 1699 Brice Road. Reynoldsburg_ OH 43068 RAMON MARSCH MAINSTREAM ...!*-..,e., . PLUS 1 and 2 ADVANCED 10222 BUNDYSBURG RD., N.W. MIDDLEFIELD, OHIO 44062 PHONE f216] 632-1074 MARSCH-MELLOW-S,VOOTH Calling-Traveling Full Time Jerry and Becky Cope of Andy's Trout Farm and Square Dance Resort in MICRO PLASTICS Dillard, Georgia, are already in mid- I line -Slim Jim- $1.00 season of resort programming Just for Name only dancers, and remind everyone that there t`.. ), regular size $1.10 ,„.4. JOHN Name and town are some good, cool Georgia mountain HANDS or design $1.25 weeks left for late registrants. Bob and Name and town Mary Greene are assisting the Copes AMTOWN. STATE and design $1.25 State shape $2.00 this year with all programs, and a dif- Name. town. design ferent lineup of callers entertains each and club name $1.75 week. A new dining hall adds attractive We Design Club Badges space this year, and a Cotillion Ball each Order Any Badge in Any Color— Black, White week has been well-received. Blue, Green Brown, Red, Yellow, Walnut. From Cleo Shore, Pomona, Califor- Send check with order, add 15f per badge postage nia (reprint in her "Square Chatter" col- MICRO PLASTICS Box 847 Rifle, CO 81650 (3031 625-1718 umn from The Highlander) we learned r that country western singer, Charlie Pride, Is an honorary member of the A YOU GET A HALL— Square D S/D Association. "He was I'LL DO THE CALL, chosen because he represents the high standards of moral and spiritual ED elements we like to associate with all square dancers. This man excels in his liCiwil FRAIDENBURG profession and has even written several songs that we square dance to." (Quoted from April-June, 1980, issue of ,. Grapevine..) 1910 Poses vile Rd.. Route 10 Fontana Village Resort in North Midland. Michigan 48640 Carolina has Inaugurated a Hall of Fame Phone (5171 • 5 -9524 and recently announced the 1980 AVAILABLE TO CALL IN YOUR AREA choices of names (past and present 54 AITIVICV SQUaredanCe August 1980 leaders) to be honored: Louis (deceased) and Ann Calhoun, who preceded Tex STAND-UP TOTE Brownlee as Fontana's recreation direc- welts upright at your tor; Ruy (deceased) andJeennotte Camp, side while your hands are busy. Blue longtime members of the Swap Shop d•ncers•rescrsened staff; A.B. (deceased) andPaullne Col- (not • heat transfer) eman, longtime members of the Fun on sturdy natural c•nyits. 15" high. Fest staff; O.A. and Susan (deceased) Machine wrnahable. Fetch (Mr. Fetch was general manager $8.75 ppd. SEND at Fontana when the original Swap Shop STAMP FOR FREE CATALOG. was conceived and nursed the festivals Square Things along until his retirement in 1972); Jamie Box 325 Dept. BK (deceased) and Myra Newton, longtime Wilmette IL 50091 4—wadalift. w members of the Fun Fest staff, and Paul (deceased) and Helen Pats, longtime members of the Swap Shop staff. In honor of the fiftieth wedding an- BOB CONE niversary of Shorty and Dorothy Hoff- 4321 So. 19th Street mem, their children and grandchildren Ft. Smith AR 72901 had an open house at the Pittsfield Phone: 501-646-8155 Union Grange, Ann Arbor, In July. The I - Hoffmeyers have been active In square dance calling for the last thirty-five No gimmicks— Just lots of years, at present being members of the experience and much considera- Michigan SID Leaders and the Ann Arbor tion given to program. Call or Callers. Shorty has been president of Write for Dates, Rates and both groups. They are also members of Schedule. Callerlab. The Hoffmeyers have two sons and four grandchildren, and still teach classes through the Ann Arbor CALLERS Recreation Department and for Senior NEW CALLERS Citizens. 0I V EXPERIENCED CALLERS %,:ik... • Paul Hartman,of Wheaton, Maryland, ALL CALLERS sends this excerpt from a book, Square Dance by R.J. McNair, published in 1951. There is available to you a, wealth of On Dec. 24, 1872, there appeared In material in our most usable "Square the Rocky Mountain News the following Dance Callers Reference Notes." Easy comments on a new quadrIlle:..."Jenkins material, new material, old material, mentions a new dance called the "Kiss all written by and for our members. Quadrille," which promises to be In LIABILITY INSURANCE, too!! vogue In Washington this season and For a free mailing, send a postcard to: which, for our edification, he is good S/D CALLERS ASSN. SO. CALIFORNIA enough to describe so that we think that 14433 Dunnet Aye., Ls Mirada CA 9045314 we understand at least the main and most notable part of It. When It comes to WES TAYLOR "swinging corners" each gentleman kisses his partner, and very delightful it must be. May we be suffered to consider Mainstream this delicious terpsichorean insanity as Plus 1 and 2 a happy augury? In the mad mazes of the political dance, changed now from the 332 West Street war performance into something more Groveport OH 43125 pacific, are members of Congress to kiss 614-836-3846 each other?" Present day politics would seem to Indicate that the custom of Con- gressional bussing never really caught Club Dates & Classes on. it is a relief, however, to find that One Nighters & Workshops politics was a "made maze" in those days, too.

American Squa,eclance August '980 55

Casino Center in downtown Las Vegas. He will celebrate his 30th birthday this year. INTER- Callers Ward Hamlen and Ron Sowash were on hand to keep the NATIONAL dancers moving at a brisk pace as the crowd of happy onlookers gathered around. Several talented musicians also NEWS performed. The event was a fun time for all, and a good way to let tourists know that square dancing is alive and doing well in the Las Vegas area. Ova G. Elms STREET DANCE Las Vegas, Nevada When Vegas Vic spoke again recently from the marquee of the Pioneer Club in MAYFEST Las Vegas, Nevada, 16 squares of 67 couples participated in the Eastern dancers celebrated the occasion with a Nebraska R/D Association's third annual street dance. Mayfest held at the Nebraska Center. Vegas Vic, 40-foot sign In the likeness Univ. of Nebraska, Lincoln in late May. of a cowboy, formerly greeted passersby Friday's get-acquainted dance was with a wave of his arm and a genial emceed by Wally Wade and John "Howdy, pardner." However, he was Chunka, with the cueing done by ENRDA silenced seven years ago to comply with cuers. On Saturday, Charlie and Bettye an ordinance regulating public address Proctor taught four dances. In the even- systems. ing they performed "Wonderland By The familiar figure, who at one time Night" and "Edelweiss." New officers was the symbol of the city, has remained were installed. Sunday's review session a quiet but visible part of the scene in and farewell dance concluded the

B. & S. SQUARE DANCE SHOP A FWItEREITCEAFTMALOG Billy and Sue Miller MAGNET, INDIANA 47555 Phone 812-843-5491 RINGO DANCER The shoe most square dan- cers wear. 1/2 " heel with Ideal for Round Dancers elast t binding around shoe. 1 1/2 " heel, all leather up- - trap across instep. pers, cushioned insole for Black and White $18 95 comfort 5-10 narrow, 4-10 Yellow, Pink, Red, medium,' 5-10 wide Hot Pink. Orange $19 95 Black/W hite Silver and Gold $20.95 Red/ Navy / Brown $23.00 MAJES1 IC Glove tanned leather. Size Sizes 4-11— Med. Indiana Add 4% Sliver/Gold $24.00 and Narrow. Sales Tax Slim available 6 thru 12N, 4 thru 12M, 1/2 sizes. Steel shank for sup- Classics available in black/ W5.4* port. white, all sizes. $13.95 No Black & White guarantee Navy. Re.J. Brown $22.00 Prices subject to change without notice. Silver r Mold $24.00 POSTAGE ON SHOE ORDERS: $1.25 on one; 2 or more, $1.00 each SISSY SHORTIE MID-THIGH KNEE LENGTH STRETCH COTTON PETTI PANTS With 1' 4 " nylon lace The mid-thigh has 8 rows of lace and knee length has 9 rows of lace. These are made for us exclusively and they're made true to size. Colors are white, lime, black, yellow. blue. pink, red, orange, purple, hot pink, multicolor, roy- al, red, white and blue combination, brown, navy. lilac and kelly. Order mid-thigh or knee length in S-M-L-XL. Sissy Pants 6 rows of lace Size! S-M-L-XL. Shorties — 3" legs, $5.50 $7.00 $7.00 or 2 pr for $13.00 8 rows of lace. Postage 80d on one; 2 or more, 604 each SLIPS — Made by B & S We have one of the finest 50 yd nylon marquisette slips. Cotton top, wide elastic band. 4 tiers on 18- and up. Our slips are stiff enough to insure long life. Order 1" shorter than skirt 15-23' and other lengths by special order. All multi slips-52 00 more $21.95 plus $1.50 post- Colors: white, black, blue, pink, yellow, red, hot pink. pale green, mint, lime green & age. 35 yd slips $19 95 multi-color, turquoise, orange. bright yellow. lilac, royal. brown. navy. dark purple. plus $1.50 postage On kelly, red, white and blue combo nr any other color combo of listed colors. 2 or more psi. is $1 ea .

56 American Squaredance August ,980 festival. The fourth annual Mayfest will be held on May 15-17, 1980, with Frank and Phyl Lehnert as the featured teachers. Don Jef fares Bellevue, Nebraska

BAR-NONE SADDLE-ITES Last March Bar-None Saddle-ites of St. Rose, Louisiana, graduated 62 couples, who were taught by Glen Dohre, Mike Koehl and Chuck Goodman. Club membership is now close to 700. The Greenies had 42 lessons, and after the tenth lesson they danced twice a week. The Graduation Party featured the calling of Gloria Rios, a well-known caller from Nova Scotia. The class Dld you get Yours? presented the caller couples with six 1980 "NATIONAL CONVENTION" PIN! beautiful pewter tankards. This fine pewter pin is a great remem- Chuck Goodman brance and fine keepsake from the 1980 St. Rose, Louisiana National Square Dance Convention in Memphis, Tennessee. FRONT LINE COVERAGE Our own co-editor, Cathie Burdick, is To Order Your 1980 S/D Pin, responsible for the unusual needlepoint Send $3.00 + 50 c Handling to creation on the cover, with a little help ADIRONDACK FUR & LEATHER SHOP from the art department [Stan], which is Rt. 30A, Johnstown NY 12095 another way to "spin you a home-spun yarn" for August.

c•., NEW- RELEASE VERSATILE MUSIC ---r FOR THE A CW-149 LOVIN' ON PROFESSIONAL 1ecord ' CW-153 ON THE ROAD CALLER TO LOVING YOU AGAIN DistributeC by Corsair Continenta, "SMOOTHIES" "CONTEMPORARY" "TRADITIONAL"

CW-151 After Sweet CW-126 East Bound and CW-107 Louisiana Man Memories Down CW-129 Something to CW-138 Christmas Song CW-137 Boogie Grass Band Brag About CW-133 Legend In My CW-125 Give Me Back My CW-134 Walkin' Shoes Time Blues CW-149 All Around CW-139 Hello Mexico CW-146 Sweet Melinda Cowboy CW-143 That's Life CW-150 My Jamaica CW-147 Loyal' Cajun Style

mill Ron Parry Nelson Watkins Ernie Nation Brunc Wise Ron Russell Ron Hunter

Ame,ca, Saua,eaaDce Auq.,st 7980 57

E XIT IZ111I. N. I XL BkS1(

CALLERLAB APPROVED EXPERIMENTALS MAINSTREAM Extend (the tag) Track Two See page 37, ASD, Ping pong circulate Track and trade July '80 issue, or buy Roll (as an extension from) Dixie derby "Aleinstream" book a. Adjacent columns trade & roll Linear cycle for $4 from this b Centers of wave or 2-faced lines magazine to got trade and roll full descriptions of calls c Half tag trade & roll as listed end grouped d Partner trade & roll by Callerlab ASD PULSE POLL EXPERIMENTALS CAUTION: Not recommended for dancers below PLUS level activity. PLUS ONE ASD— Not a Callerlab level 1 Anything & roll 2. Chase right PLUS TWO 3. Coordinate 1. All eight spin the lop Magic column 4. Diamond circulate 2. All eight swing thru _Couple up 5. Flip the diamond 3. Anything and spread Z...Beau/. belle hop „Plant, touch & anything : 6. Pair off 4. Crossfire 7. Peel the top 5. Curley cross 5:,...-Load the windmill 8. Single circle to a wave 6. Dixie grand 6 Mlni chase 9. Spin chain the gears 7. Explode the wave r Diamond recycle 10. Teacup chain 8. Follow your neighbor • er Wave the column 11. Trade the wave 9. Load the boat pocus 12. Triple scoot 10. Relay the deucey 10. Right/left about 13. Triple trade 11. Remake the thar 14. Turn & left thru 12 Swap around THREE GOOD REASONS TO CHOOSE A S/D VACATION AT DILLARD, GA.

1. QUALITY SQUARE DANCE PRO- 3. ENJOY RAINBOW TROUT AND A GRAMS APRIL THROUGH OCTOBER FAMOUS TROUT FARM. Andy's Trout FOR EVERY LEVEL OF DANCING— Farm won the State Award for Beginner through Challenge: Nationally Outstanding Farm as early as 1967. known callers and programs limited to Come see why! Luxurious accommoda- ten squares— Get individual attention! tions and good country cooking, served family-style, are two good reasons by themselves. Rustic cottages and full 2. SPEND A WEEK IN THE BEAUTI- service campground, too! FUL MOUNTAINS OF NORTHEAST For lull info, write: GEORGIA. The oldest mountains in the world offer lush vegetation and breath- taking vistas— but no problems travel- ling in and around them. In your free time, enjoy whitewater canoeing, ruby and garnet hunting, thrilling airplane rides and shopping for mountain crafts. BOX 129 DILLARD GA 30537

58 American Squansgance August 1980 Round Dance

CLASSICS ROUND DANCERS' ROUNDS 1 Spaghett, Rag 1. Apres L'Entreinte 2 Hold Me 2. Halleluiah 3 Answer Me 3. Comin' In the Back Door 4 Feelin' 4. Non Dimenticar 5 Dream Awhile 5. Sheik of Araby 6 My Love 6. Sunrise. Sunset 7 Folsom Prison Biues 7 Nighty Night 8 Birth of the Blues 8. Let Your Lovelight Shine 9 Dancing Shadows 9. Games Lovers Play 10 In the Arms of Love 10 All Or Nothing At All

TOP TEN ADVANCED ROUNDS SQUARE DANCERS' ROUNDS (Courtesy Carousel Clubs) 1. All Night 2. Basin Street 1 Apres L'Entreinte (Dam) 3. it Somebody Loves You 2. Pare Est° (Roberts) 4 Calahan 3. Aphrodiel• (Ward) 4 Wine, Women and Song (Stier) 5 Shanty Town 5 Halleluiah (Reeder) 6. StumblIn' Along I Love the Nightlife (D Ahoisol 7. By The Light of the Silvery Moon 8 7 Andante Waltz (Howard) 8 Good Luck Charm 8 Roses of Picardy Julius) 9. Little White Moon 9 Memories (Berton) 10 Vaya Con Dios 10 Ei Coco (Easterdayi

Johnnie Wykoll Don Williamson Elmer Sheffield Johnny Jones

RED BOOT RELEASES RB249 TIMBER by Ralph Silvius R0250 BLUE HEARTACHE by Johnny Jones RB251 ARCHIE'S SONG by Don Williamson RED BOOT STAR RELEASES Cal Golden RBS1252 RAINY DAYS AND STORMY NIGHTS by Elmer Sheffield, Jr RBS1253 ARE YOU READY FOR THE COUNTRY by Johnnie Wykoff RBS1254 ARE YOU ON THE ROAD TO LOVING ME by Allen Upton RBS1255 SUGAR DADDY by Elmer Sheffield. Jr GOLD STAR RELEASES Mike Noose GS711 DRIFTWOOD by Cal Golden GS712 GOD BLESS AMERICA by Cal Golden COMING SOON P1CKIN' THE WILDWOOD FLOWER SON OF CLAYTON DELANEY I WISH I WAS 18 AGAIN TAKE MY LOVE TO RITA NEVER GOING TO TAMPA WITH ME Alien AFTER YOU'VE GONE Tipton DANCER

AlmwrCar, SCluairlanCe AugLISF r980 59 is a key change in the middle. FIGURE: Heads IT'S A SIN TO TELL A LIE— Lore 1181 promenade half, square thru, curlique, cast oft Caller: Glenn Green Key: A Flat three-quarters, girls trade, recycle, pass thru, The same good music from Blue Star several years trade by, swing, left allemande. promenade. back is here again on their other label. Glenn put BURGERS AND FRIES— HI-Hat 5016 together a nice figure. FIGURE: Heads square Caller: Bob Wickert thru, do-sa-do, swing thru, boys run, couples cir- This tune, also released not too long ago. has culate, wheel and deal, pass thru, trade by. great music and Bob does a fine job, but swing, lett allemande, promenade. something about the beat just did not turn the KWALIGA— Top 25353 dancers on. FIGURE: Heads promenade half, right Caller: Brian Hotchkles and left thru, flutter wheel, sweep a quarter, pass FIGURE: Heads star thru, do-sa-do, pass thru, curlique, scoot back twice, swing, pro- thru, right and left thru, pass thru, clover flow, menade. swing thru, boys run, terris wheel, pass thru, COCONUTS— HI-Hat 5017 swing, promenade Caller: Tommy Cavanagh ARCHIES— Red Boot 251 Hi-Hal has given us a novelty tune from the for- Caller: Don Williamson ties. Tommy fit right in with this tune. FIGURE: Speaking of novelty songs! This one would be Heads promenade, pass the ocean, extend, swing great for after parties. To tell you the truth, we thru. boys run, Ferris wheel, right and left thru, could not believe Don did this song. We did miss square thru three-quarters, swing, promenade. Archie and Edith. Don's figure worked well and SOUTHERN BOUND— Scope 647 the instrumental is just like the theme song, Caller: Mac McCullar but. Scope has a really terrific sound on the instrumen- I'D RATHER GO ON HURTING— C Bar C 556 tal of this disc. Mac does a great job calling but Caller: Bob Poyner the crosstrail thru following a tan the top was a lit- We could not hear Bob well enough on the flip to tle awkward. FIGURE: Heads go up and back, do- dance this one. FIGURE: Sides promenade three- sa-do, touch a quarter, walk and dodge, do-sa- quarters, heads swing thru twice, ping pong cir- do, curlique, scoot back, single hinge, tan the culate, recycle, touch a quarter, left allemande, top, cross trail thru, swing corner, promenade. do-sa-do. swing corner, promenade. rr FOUR BAR B RECORDS

r-7.0 •r -"Z ''77w 1 •

ow ea a

Bin Volner Bill Owsley NEW RELEASES 48-6024 CHAIN GANG OF LOVE— Mike 4B-6025 EVERY BODY'SSOMEBODY'S FOOL-Bob 4B-6026 A GOOD OLD COUNTRY SONG— Bill V. 4B-6027 ARE YOU ON THE ROAD TO LOVING ME AGAIN— Mary 46-6010 RED BANDANA— Mary 4B-6011 40 MILES FROM POPLAR BLUFF— Bob 4B-6012 I WILL SURVIVE— Bill 48-6013 GHOST RIDERS IN THE SKY— Mike 48-6014 WILL YOU BE LOVING ANOTHER MAN 4B-6015 KENTUCKY IN THE MORNING— Bill 48-6016 RAMBLIN' MUSIC MAN— Bob r.,1,ke Sikorsky 4B-6019 ALL THE GOLD IN CALIFORNIA— Bob Mary Lindner 4B-6021 IT'S CRYING TIME AGAIN— Bill 4B-6022 HOLDIN' THE BAG— Bob & Bill

Box 7-11, MACKS CREEK, MO 65786 314-363-5432

60 American SeuaredanCe August 1980

himself socially acceptable— and lethal. Make YOUR drink for the road coffee. Crashes on streets and highways have killed and injured millions more Amer- LEE icans than all the wars we have ever fought. Today's driver must arm KOPMAN himself with concentration, a defensive attitude, and a serious study of the rules Now Available of the road. On Reel or Cassette Thecenterfold introduces a "Triumph INSTRUCTIONAL TAPES of Term Standardization"— making for Advanced, C-1, C-2 Levelsof Dancing better communication and acceptable plateaus of dance knowledge a reality for square dancers everywhere. Listed are three levels of basics, proposed for Minus a couple to make up a square? Try three distinct plateaus of square dance our Two Couple Tapes. 6 Tapes in experience: The foundation— 50 Basics; a set. Each tape 2 hours of dancing. the extended program— 25 Basics; and 50 experimental basics. These plateaus are separated only by one's inclination and ability to progress from one to Also Available— Our Newly Revised another and the availability of instruc- Glossary of S/D Calls tion. The frist two groups were researched and chosen by the Gold Ribbon Committee of Sets In Order, the last group was written by Willard Orlich For Details, Write to LEE KOPMAN and published by American Square- 2965 Campbell Av., Wantagh NY 11793 dance.

...... V9/40.N- „a\ ti 104, •4,.ra% "0 0)% New Flip WW1-50 AMANDA by Mike Seastrom Singing Calls WW1-54 WILD BULL RIDER by Larry Jack WW1.55 VIRGINIA by Mike Seastrom WW1•56 ALABAMA by Larry Jack 200 San Bernardino Ave.#102, Rialto CA 92376 Ph. 714-874-0513

SINGING CALLS DANCING JUST FOP WIN5100 HOLDING THE BAG by Ruse Young WIN5101 AIN'T LIVIN' LONG LIKE THIS Winhsor Recona by Larry Jack

ROUND DANCE

WIN4766 MAPLE LEAF RAG/OBJECT OF MY AFFECTION WIN4767 JA•DA/TONIGHT YOU BELONG TO ME

American Souareilance August i980 61 DOUBLE-LOCKING WITH INTERLOCKING SQUARES This house signifies that its owners are really into some delightful recrea- tion. So much so, they designed and had Installed black wrought iron security bars with interlocking squares on all the Houston Huff 'N' Puffers" in Perry Ga. windows and doors. Word has it that but the house Is located in Unadilla, Ga. they are both square dancers with "The Submitted try Dot & Lloyd Mashburn

fl

Harold Thomas Bob Ferrell Bill Wentz Aaron Lowder Jerry Biggerstalf Danny Thomas ME-103 AFTER THE BA' — Bob (Ireet Hoedown) RECORDS ME-105 SLIPPING AWAY— Harold oPY ME•107 LOOKOUT MOUNTAIN— Jerry wi-V) ME-108 CAN'T WAIT ANY LONGER— Harold INC. ME-109 DON JUAN— Danny ME-11D WE BELIEVE IN HAPPY ENDINGS— Bob NOTE: We are dIstributIng our own records ME 112 THAT'S ALRIGHT— 8111 Dealers should contact us ME•113 LISTEN TO A COUNTRY SONG— Aaron MELODY RECORDS. INC. Rt. 8, Box 259AA, Lancaster SC 29740 (Ph 801285-0314)

C-040 In the Shadows of Love by Daryl Clendenin '7.0111N001: C-039 Let's Get It While the Gettin's Good by Daryl C-037 You're Sixteen by Gordon Sutton RECORDS C-036 Cuddle Up A Little Closer by Daryl Clendenin 7915 N. Clarendon, C-035 Rainy Day People by Randy Dibble Portland OR 97203 C-034 Laura by Daryl Clendenin C-033 Second Hand Satin Lady by Jim Hattrick

Order from your record dealer or direct

oenll'Flandy Dibble Go' On Sutton Distributed by Corsair Continental

62 American Souaredance August 7980

EXCITING SQUARE AND ROUND DANCING HOLIDAY Grand Strand, Myrtle Beach, South Carolina

CONVENTION CENTER '7C

" z:N (4?-14 September 18,19 & 20, 1980

Harold & Judy Hoover Bobby Lepard

Kip Garvey

4 Tony eZe Oxendine Clogging Instruction: John lnabinet Bill Nichols "Seaside Memorial Golf Capital Golf Tournament U.S.A." September 19 & 20, 1980 Low Off-Season Motel Rates Beachwood Golf Club For information: Barbara Harrelson, 419 Hawthorne Road, Lancaster, SC 29720 Tel. (8031 285-6103

Square 'Em Up with Hi-Hat & Blue Ribbon Square Dance Records 1500 Brand New on HI-Hat HH6020 FREE AND EASY by Joe Johnston Try these Oldies on HI-Het HH481 ASPHALT COWBOY by Joe Johnston HH478 FLY AWAY AGAIN by Joe Johnston HH492 I'LL PROMISE YOU TOMORROW by Jo* Johnston

Recent Rol on HI-Het HI HHS019 MY OWN KIND OF HAT by Ernie Kinney HH5018 SEND ME DOWN TO TUCSON by Ernle Kinney HH5017 COCONUTS by Tommy C•vsnsph HH5016 BURGERS AND FRIES by Bob Wkskers HAT HH6015 STOP AND SMELL THE ROSES by Ernie Kinney HH6014 GONNA BUILD A MOUNTAIN by Ernie Kinney Distributors: Corsair-Continental & Twelgren Records Produced by Ernie Kinney Enterprises, 3925 N. Tollhouse Rd Fresno CA 93726

Bob Vinyard Joe Porritt 12150 Franclar 724 Palatka Rd. Bridgeton MO 63044 Louisville KY 40214 314-739-8744 502-368-6815 St. Louis Louisville JP105 I DON'T KNOW WHY, Bob JP205 I DON'T DRINK FROM THE RIVER, Joe JP401 TENNESSEE SUNSHINE, Bob & Joe JP402 FOUR IN THE MORNING, Bob & Joe JP501 JOPAT/JOLEE (Hoedown) (Excellent for clogging) JP104 LOOKING FOR SOMEONE LIKE YOU, Bob JP204 GONNA HAVE A BALL. Jo* JP103 SELFISH, Bob JP201 WHEN YOU SAY LOVE, Joe Distributed by Corsair, JP101 BLUE MOON OF KENTUCKY, Bob Twelgren, Old-Timer JP302 . R/D 0111e/Donna Loehr

American Squareance August 1980 63 Los Alamos NM; Feb. 7. Bob & Marilyn Gill AMERICAN PI Harlingen TX; Feb 8. Jerry & Soundra Rash Carrollton GA: Feb. 12. Wayne & Louise Abbey SOURRE ORNCE Columbus GA: Feb. 13, James & Judy Medlock Bronson FL (Gainesville). Feb. 20. Paul Greer SUBSCRIPTION DANCES Montgomery AL; Feb. 21. Wayne Nicholson Columbus OH; Feb. 22. Dick & Roberta Driscoll Dillard GA. Aug. 9, Jerry & Becky Cope Richmond VA: Aug. 16, Linwood Hasty Plainwell MI (Kalamazoo); Mar. 18, Howard Cowles Dayton OH. Aug. 24. Walt E. Dot Wilson Mil!vine NJ: Mar. 21. Ralph Trout Anderson SC: Aug 25 Carol Brown Hastings NE. Mar. 25. Wes Mohling Lancaster SC. Aug 26. LaVerne & Barb Harrelson St. Louis MO. Mar. 26. Bill & Dottve Stephenson Charleston SC. Aug 27. Treva Owen White Plains NY; Mar. 28, A. J. Webel Huntsville/Madison AL: Aug. 29, Rich Long Irwin PA. Mar. 29. David & Bertha Vint Peoria IL; Sept. 5. Dean Larimore Parkersburg WV; April 3, Keith & Karen Rippeto Madison WI: Sept 7, Bob & Marge Throndsen Orlando FL. April 4, John & Linda Saunders Berea OH. Sept. 15, Al & Lou Jaworske Watertown SD; April 10. Perry Bergh calling Belleville IL. Sept. 19, Joe & Marilyn Obal Jackson IL, April 11, Bob Smith Wausau WI: Sept 24, Bob & Pauline Holup Rapid City SD; April 12. Mr. & Mrs. Phil Zacher Hardy AR: Sept. 26. Sam McNitt Charleston WV: April 22, Erwin Lawson Bay City TX; Sept. 27, Zoy Hann Altoona PA, April 23, Emil, Ruth Corle Kingsville TX. Sept 28, Ken & Judy Curtis Cincinnati OH: April 27, Foster Eubank Houston TX; Oct. 2, Myrtle Stunnell Tifton GA. May 29. Fred Reuter Sheffield PA; June 7. Howard & Mary Johnson Wyoming MI, Oct. 14. Roger Nichols calling Bristol, TN; June 9, Jim & June Criswell Oak Lawn IL; Oct. 17. Mel Mozwecz Memphis TN: June 10. Ed & Sally Ramsey Johnstown PA; Oct. 19. Jim & Dot Karl Mtn. Home AR: June 11, Murel Partee Versailles OH; Oct. 23, Bill Swallow York, PA; July 16. Don & Roberta Spangler Centralia IL. Oct 24, Dave Schilling Minerva, NY; July 22, Mary & Bill Jenkins Toledo OH, Oct 26. Bob, Mary Hart: Jack, Lill May Broads'bin, NY; July 31. Evelyn Heath W. Lafayette IN; Oct. 31. Dayrl Merrill Ogallala NE. Nov. 2. Cal & Linda Peters Kansas City MO; Nov. 3. Jim & Barbara Jefferies Hudson NY. Nov 7. Eleanor & Bill McIntyre Berlin Pa. Nov. 9. Rov & Ruth Romesburg Ray ND; Nov 11, Sheldon Thom Specials Minot ND; Nov. 12, Arnold & Nobuko Strebe Devils Lake ND. Nov. 13, Carroll Carlson Portland Or. Nov 16. Ed. Mary Warmoth RED ROCK RAMBLERS. Lyons. Colorado. 22nd London Ont. Canada; Nov. 28, Ken Brennan Summer of Saturday Square Dances: Every Farmer City IL. Nov. 30, Virginia & Roger Barlow Saturday. Elementary Gym. 4th & Stickney, Ft. Lauderdale, FL; Dec. 3, Vern Johnson Lyons Rounds cued at each dance. Call 823-6692 Zephyrhills FL. Dec. 4. Bob & Dee Barnes for information. Ft. Walton Beach FL: Dec. 6. Joe Vaccari TEN GREAT WEEKS OF DANCING: Spring Fling, Plant City FL. Dec 7. Marty. Byrdie Martin Swap Shop, Rebel Roundup, Accent on Rounds Gonvick MN: Dec 27, Don & Martha Littlefield with Squares, Fun Fest and Fall Jubilee. For details Grand Forks ND: Jan. 3. Virgil & Ruth McCann write Tex Brownlee, Fontana Village Resort, Fon- Medford OR; Jan. 9. Jerry Bradley tana Dam NC 28733. Va. Beach VA: Jan 16. Dick Jackson Sebring FL. Jan. 17, Max Newgent ROYAL HOLIDAY Square/Round Dance weekends Deerfield Beach FL: Jan 18. Jerry Seeley - Spring and Fall; National Callers: at Interlaken Gulfport MS; Jan 23. Carmen Urbati Resort Village, Lake Geneva, Wisconsin. Write: Milwaukee WI: Jan 29. Jack. Gladys Smith Bill & Jacque Blevins, 1257 Franklin Lane, Buffalo Carlsbad NM; Feb 6. James & Thelma Lowery Grove, Illinois 60090.

TNT147 NICE AND GENTLE (Hoedown) w. Patter) by Al Brundage TNT148 MERRY OLDSMOBILE by Gene Trimmer TNT149 SOMEONE LOVES YOU RID Merle Davis TNT150 CALAHAN. Round by Bud Parrott TNT151 AIN'T SHE SWEET by Al Brundage IRFIDORt.7 TNT152 SUGAR BLUES by Al Brundage St. Albans VT 05478 TNT153 I REMEMBER, Round by Dave Fleck Ken Crowley Gordon Fineout TNT154 HELLO LOVE by Hank Hane TNT155 TAKE ME OUT TO THE BALL GAME Al Brundage Gene Trimmer by Gene Trimmer TNT156 MONDAY MORNING BLUES (Round) by Steve Brissette TNT157 REAL MADRID by Ken Crowley TNT158 TAKE ONE STEP 80 (RID) Frank Lehnert TNT159 BRIGHT & BREEZY (RI DI Pete Metzger Mike Trombly

64 American Speare0ance August 1980

( Book Nook by Mary Jenkins

CONTRA CALLING MADE EASY by Stew Shecklette

"Contra Calling Made Easy" pro- "Contra Calling Made Easy" was vides one with information necessary to designed primarily for the caller who interpret the many varied explanations knows nothing about contra or contra of the dance formations which the new calling but has the desire to learn. contra caller is expected to understand. However, it is highly recommended that The book is a result of applied areas one becomes thoroughly familiar with of instructional design including; pro- the basic figures which are common in grammed instruction, instructional tech- the contra dance. nology, individualized instruction, and Many of our problems In square danc- other methodologies involving the iden- ing today, I believe, can be traced to tification of instructional objectives. Em- callers/teachers who have not first learn- phasis is placed on making instruction ed to dance properly and well. How can more effective, efficient, relevant and one teach what he or she does not student centered. know? Therefore, before attempting to These materials were developed by learn to prompt contras, no matter how Stew Shacklette, a course designer for easy, one should dance contras well. the U.S. Army Armor School at Ft. Knox, Much thought and many hours of work Kentucky. have gone into this 118-page workbook Through this material, one can learn and the cassette tapes. All should be of the background information for the great help to the learner. basics of contra dance and develop the If you really want to learn to prompt skill of calling contras. This is a self- contras, send $10.00 to Stew Shacklette study course with specified learning out- at 460 Long Needle Road, Brandenburg comes. This is not a "read-about" KY 40108, get a copy of this book and course. This is a "workshop" type of get going! Contras are fun! They are course which requires actual participa- becoming more popular In many places. tion. Try contra dancing- you may like it! &Ak AAA A AAA

F.4.E::•:: HALL CHAMPAIGN ILL CHAMPAIGN. ILL ••• • ORO :KAM FOR IONA a MAI, 50c per letter • .•• ".: /.• (••• • .•••••• %.7 4„ W( USE CUP TYPE IMPORTED AUSTRALIAN RHINESTONES RLAcA OR VniITE BADGE MIN CAME OE SION( COLON CRYSTAL CV*/ 010( 01 1 5 .5( SAP•141•1 Btu! B.C. DIAMOND GR115 I/MOOT GREEN TOPA/ RUST RID ROSIE JONQUIL *Alf NEST AQuAAIAPINI 0* AURONE 1100111E Color Sbr POI *Woo Letters Appee• It' Tao - Isle. 51110 To in N. Send 3 15( stamps for catalog MARE% Co. on badges, stickers, accessories, etc. Boo .311, Champaign, 111 61870

American &BMW/anus. August 1980 65 ,111C.•11;4•;„t;4•;,•;4•;2;404;111/...:• .•;;41b4;

:::.41::#.:10::4 11*.:::. ;.*:::. LI 1\j E-0' -TY ID SQUARE DANCE BOOK SERVICE

CALLERC AID IIIIIES BOOKS AVAILABLE ARE EASY SING-A-LONG CALLS $3.00 PROGRESSIVE WORKSHOP $3.00 CALLER CLINIC 56.00 CHOREOGRAPHY GIMMICKS $6.00 SET UP AND GET OUT $6.00 MAINSTREAM SQUARE DANCING $4.00 MAINSTREAM PLUS ONE & TWO . S4.00 MODERN CONTRA DANCING $3.00 TEACHING TOTS TO DANCE $3.00 WINDMILL SYSTEM $3.00 FIRST STEPS TO CONTRA S3.00 ACCOMPLISHING BETTER CALLING $4.00 WHEELING AND DEALING $3.00 HOEDOWN HERITAGE $3.00 MATCH A MELODY 54.00 MODERN MODULE MODE $3.00 ALLEMANDE LEFT with the Mentally Handicapped $5.00 SOLO DANCES $7.00 LEADERSHIP-SHAPE Thoughts for Leaders $7.00 DIPLOMAS CLIP ART I $3.00 Square/Round— 10d: Clogging— 15d CLIP ART II $4.00 Promotional Folders: 100/$6 00 CLOGGING $4.00 IN-forms (guides, helps)— For list THE FUNNY WORLD OF and partial lists, see ASD ads in issues. SQUARE DANCING $4.00 SOUNDING THE HALL $3.00 ABC'S of RID $10.00 Include $1.00 postage & handling with each order Inquire about Quantity Prices Postage on ABC'S-51.50

ORDER FROM AMERICAN SQUAREDANCE MAGAZINE P 0 BOX 488 HURON OHIO 44839

• ••••••4%;• b4;.• •,•.•±;4 •• •••• • • • lb••• d lb✓• • • d •• ••• •••••:,•;40;2....• 0•4;411:..,;4 lb;Willie.;4•;2;11.;.•..."4•;2;111,i..?..;4.;4 •f• •••• •••• •••• 44Fr7.0.4,447•!•117.47.4 17;7417:40-7;74•17:01771•:•.41.•-•/...41,4,41...4•.•.4- /.0.• I...4 O..7‘..7.•M$05740747.•Pr.",111.7:410.0.••••• . .

qtt $.-Ge ri ivkinwt. 6 F.4471.1. i

The world Is too dangerous for anything but truth, too small for anything but love. William Sloane Coffin

66 American Sguaredance August 1980 HALPO INDUSTRIES TRIANGLE DISTRIBUTORS, INC. Also Distributed By: MARCUS MIX ASSOC. 3865 Signal Dr., Columbus OH 43227 400 Frisbee Ave., Santa Rose CA 95401 614-837-7235 (707) 584-6843 MITY MITE SPEAKER • Compact Size • Light Weight - Only 20 lbs. • Super Sound • Ideal For Traveling Callers This speaker dares to be different! Our sound-secret is the hl-compliance full-range 6x9 oval speakers working in unison to generate rich bass and midrange sounds. The super tweeters extend the clear, crisp highs to the limit. 80 watts RMS power capacity (120+ peak). Covers up to 30 squares easily. 4 ohm im- pedance. 30-18k hertz frequency response. Sturdy particle board cabinet covered with cherry wood for- mica for lasting beauty. Contrasting grille covering. Built-In stand holder with slight forward tilt. Dimen- sions: 8"w x 8"d a 22"h. Shipping weight 25 lbs. ALL ALUMINUM SPEAKER STANDS • Light Weight - Only 11 lbs. • Folds To Compact Size. Heavy duty structural aluminum: full adjustable telescoping post with knob screw locks; folding tripod legs; gold trimmed to match speaker system; fully anodized for protection and beauty. Folded length 37". Extended height 84". Shipping weight 12 lbs. NOTE: The figures Stated with speakers indicate the speaker may be used with receivers and amplifiers delivering up to the stated (RMS) continuous power per channel, driven to clippings 10% of the time, on normal music source material. Call or Write for Further Into. VISA & MASTER CHARGE WELCOME THESE SPEAKERS MAY BE USED WITH ANY KNOWN SQUARE DANCE AMPLIFIER ON THE MARKET TODAY.

4- ELIZABETHTOWN *All Kentucky City ••:Ip Annual Festival 411.1.. MAINSTREAM SQUARE DANCING INCLUDING PI.US 1 & 2 Rounds by Dick & Crystal Taylor

Oa. 109 11 &0 1980 Elown Community IL Cnvion1.2, Center SOU I ii MULBERRY ST. & BY-PASS \LOCAL CALLERS Fred Jackson & Phil Robinson, Sat. Oct. 11, 2 PM - 5 PM NATIONAL CALLERS k‘-' Elmer Sheffield, Jr., Fri. Oct. 10, 8 PM - 11 PM ,su PR` avel''s Allen Tipton, Sat. Oct. 11, 8 PM - 11 PM ctOt '— WS' Al "Tex" Brownlee, Sun. Oct. 12, 2 PM - 5 PM prizes (of SIO per Couple Advance Registration TO PRE-REGISTER, WRITE: Deadline: Sept. 15th ALL KENTUCKY CITY ANNUAL FESTIVAL. County Fair Squares, 218 Poplar Drive $15 per Couple thereafter. Hardin Elizabethtown, Kentucky 42701 1 Night Only, $6 per Couple

67

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"Hurry up, honey, only 45 minutes before tree first tip."

1014E VA MAIL LVE scope records

rr, NEW RELEASES Q SC648 COUNTRY MEMORIES Called by Ron Mineau SC647 SOUTHERN BOUND Called by MacMcCuller

0 RECENT RELEASES SC646 HAPPY TRACKS, Don't miss it! Caller: Keith Lethbridge Australia. SC644 SHANTYTOWN — Don SC643 ANGELINE— Ron )SC641 DEED I DO— Mac SC640 SISTER KATE— Ron I). SC639 DO YOU EVER THINK OF ME—Wes e; SC635 YODELING KATY— Joanne Box 1448, San Luis Obispo CA 93406 Tel- 605-543-2827 Last month's Issue, dedicated to Dorothy Shaw, reminded us that— believe It or not— Lloyd "Peppy" Shaw The list below, from alamo style to zoom, does not follow Callerlab levels, and includes both forerunner figures was perhaps our first and foremost choreographic Innovator, having created allemande thar, shoot the star, do and those In common usage. It does not Ilst our most common basics such as promenade, swing, etc., which are peso, and other Imaginative figures less well-known. Who were the other "greats" In the field of designing so traditional the authors are not known. Certain concepts are shown, such as Arta' and progressives, since they today's square dance choreography? We decided to research the subject. Will Orlich, an acknowledged expert, have espoused families of material. New dancers will be surprised to learn that load the boat was "Invented" had provided his input before his untimely death. Bill Burleson gave us new Insights. And finally, Don Beck (along almost 15 years ago. Space didn't permit listing all advanced and challenge basics, but we have the list available with technician Clerk Baker) helped Immeasurably with the study. for those who may write for it. (Ask for IN-form NC-9.1 Tell us, please, about omissions or errors and we'll print these In months to come . Meanwhile, hats off to those who wrote the stuff we dance— "Poppy" Shaw, "Jonesy" Jones, Chuck Raley, Jim York, Ed Gilmore, Will Orlich, Lloyd Litman, Holman Hudspeth, Jay King, Clarence Wat• eon, Madeline Allen, Bill Castner, Jonn Ward, Deuce Williams, JackLasry, and many, many more, Spotlight On Choreographer S 0114001,111111••••••••••••••1110411••••1141141111b

Rickey Holden 1949 Alamo style circulate Ed Epperson 1957 1 Eight chain thru Lee Kopman 1969 Acoot back Will Orlich III eight spin the top Chuck Raley Ends circulate Ed Mich' 1960 velar thru Chuck Raley All eight circulate Vern Smith 1963 ..---trids run Harlan Moody 1965 ,,-Slide thru Lloyd Shaw 1938 Allemande thar Jim Davis 1972# ,/Extend the tag Rod Blaylock 1967 v-Spin chain thru Leland Cooper /Ail eight swing thru Jack Lasry 1965 ,Explode the wave Chet Smith vtllp the clutch Lee Kopman 1971 v Anything and roll Ed Gilmore ...Inds turn In Carl Wamsiey 1978 1/Stroll and cycle Herb Greggorson 1948 vAround one two to a Jim Faulkenberry, Whit Whitcomb 1971 chain the gears line Clarence Watson 1959 Face in/out, etc. di Jay King Cal Golden Arkie (Concept) Deuce Williams 1967 ',fan the top Red Porter Single file circulate Larry Dee coy deucey Fan: Tom Tarieton Holman Hudspeth 1964 .i Spin the top Madeline Allen II four couples (con- Dick Kenyon 1963 ,vFold Ray Vierra 1964 v/Split circulate cept) Fold Ilne: V. Callahan Jerry Halt 1971 1/Sweep a quarter Bill Hansen 1957 Bend the line Don Beck 1974 '-'Ferris wheel Del Coolman 1962 Swing thru Jim Stewart 1968 ,-Sox circulate Hinge & trade: Ron Ed Hollow 1965 y/Swap around Chuck Raley Boys circulate Schneider Herb Greggerson 1945 Split the ring John Ward vtoys run • Deuce Williams 1973 /Flip the diamond Bill Hansen 1957 ,-Square thru Dick Kenyon 1961 v9oys fold • Deuce Williams 1968 .Follow your neighbor Buford Evans h, uare chain thru Tracy Johnson 1959 Cast off (also Jim • Don Williamson 1970 'clutter wheel Clarence Watson 1961 ubstltute York) • John Ward Girls run Lloyd Shaw hoot the star Jim York 1953 Voalifornia twirl Dick Kenyon 1961 v-GIrls fold Clarence Watson 1959 %/Split square thru Lloyd Litman 1963 Centers circulate Ross Crispino 1977 ./Giand weave Jim Lees h.-Spread (Concept) Vern Smith 1963 4enters run John Stockman 1970 v-Half tag the line Jim York Ron Schneider 1976 vC ossflre Ron Schneider Half tag and anything Fenton (Jonesy) Jones1949 ThrowInQ clutch Lee Kopman 1968 r11-cross Jerry Helt Illegitimate chain Will Orlich 1969 v'SiTaurz°gIethe line Gordon Blaum v enters in/out Lloyd Shaw 1941 ..rnside out, outside in Pet Lewkowlcz 1941 h/Teacup chain Joe Prystupa 1963 loverleaf Ed Foote Invert the column Harry Dunkle 1967 /4 rade the wave Jack Leery lover and Holman Hudspeth 1966 --toad the boat Frannie Heintz Ron Schneider 1970 Couples hinge Lee Kopman ,,,Motivate Manny Amor 1971 /Triple scoot back Gordon Densmore 1963 vCrossfold Chuck Raley ,,,,,Ocean wave (balance) Roger Chapman 1970 /Mole trade Clarence Watson 1961-C9rlique;t4 Jack Murtha 1966 ,,,--Pass to the center Will Orlich 1976 ouch 'A , 1/2, % Jack McKay 1952 purtesy turn Will Orlich 1970 ,-Partner tag Dick Bayer Pat Pattison 1940 /Crosstrail thru Howard LiffIck 1962 /Peel off (or Ed Gaut) Gus Greene 1976 v.-Track 1-2-3-4 Bill Jordan h/cross run Holman Hudspeth 1965 sass the ocean Harry Dunkle 1967 %,--Tr/t raade the wave Chuck Raley 1963 ,,./Circulate Don Beck 1975 pong circulate Lloyd Litman 1965 Will Orlich 1964 %/Couples circulate Ed Gaut 1959Ong.-'Pair off Bill Davis 1969 "jade by Lee Kopman 1975 v.-Cliase left/right Pair line: Geo. Elliott Wayne Moyers 1964 iturn thru Lee Kopman 1974 ..-Ccordinate Melvin Roberts 1973k Peel the top Lee Kopman , Transfer the column BIll Castner 1958 vCouples wheel around Ed Gilmore Progressive (concept) Stan Burdick 1965 Tandem (concept) Lee Kopman v.-Chain reaction Oscar Hilding 1971 F7emake the thar Madeline Allen 1958 , Those who can (con.) Ray Watkins Dixie twirl Holman Hudspeth 1970 --Relay the deucey Jim York 1954 vil-turn back Bill Owen 1956 v--Dixie chain Lee Kopman 1974 yRecycle Mel Rich 1961 --Neer left/right Bill Castner 1957 „,..-Dixie grand Don Williamson 1970 iReverse flutter wheel Lloyd Shaw , -Wagon wheel Madeline Allen, Vern Smith, Holman Hudspeth 1967 . Walk and dodge Jerry Helt 1957 v.-Dixie style to a wave John Ward 1963 Aun Clarence Watson 1960 ANheel and deal Dewey Berry 1972 ,'Diamond circulate Lee Kopman 1971 v-fto I I Bill Shymkus dig zag Madeline Allen 1956 ,Double pass thru Ed Gilmore 1950 II away half sashay Gus Greene 1972 Zoom Lloyd Shaw ,---Do paso Manny Amor vRound off Ed Duriacher Seesaw This gallery of choreographers wouldn't be complete without the names of a few other notables who are at least chore() composers If not choreo inventors. They are Fred Christopher. Bob Osgood. Lee Helsel, Al Brun •• • • • • • • • • • • • dage, Johnny Davis. Les Gotcher, Jack Livingston, Joe Lewis, Earl Johnston, Frank Lane, Bill Peters, Ed Fraiden- •• • • • • • • • • • • • burg and others 35 34 American Sguaredance August 1980