The Role of Self-Improvement in Scottish Clubs and Societies
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The Carlyle Society Papers
THE CARLYLE SOCIETY SESSION 2011-2012 OCCASIONAL PAPERS 24 • Edinburgh 2011 1 2 President’s Letter With another year’s papers we approach an important landmark in Carlyle studies. A full programme for the Society covers the usual wide range (including our mandated occasional paper on Burns), and we will also make room for one of the most important of Thomas’s texts, the Bible. 2012 sees a milestone in the publication of volume 40 of the Carlyle Letters, whose first volumes appeared in 1970 (though the project was a whole decade older in the making). There will be a conference (10-12 July) of academic Carlyle specialists in Edinburgh to mark the occasion – part of the wider celebrations that the English Literature department will be holding to celebrate its own 250th anniversary of Hugh Blair’s appointment to the chair of Rhetoric, making Edinburgh the first recognisable English department ever. The Carlyle Letters have been an important part of the research activity of the department for nearly half a century, and there will also be a public lecture later in November (when volume 40 itself should have arrived in the country from the publishers in the USA). As part of the conference there will be a Thomas Green lecture, and members of the Society will be warmly invited to attend this and the reception which follows. Details are in active preparation, and the Society will be kept informed as the date draws closer. Meantime work on the Letters is only part of the ongoing activity, on both sides of the Atlantic, to make the works of both Carlyles available, and to maintain the recent burst of criticism which is helping make their importance in the Victorian period more and more obvious. -
Mathematics Is a Gentleman's Art: Analysis and Synthesis in American College Geometry Teaching, 1790-1840 Amy K
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2000 Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 Amy K. Ackerberg-Hastings Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Higher Education and Teaching Commons, History of Science, Technology, and Medicine Commons, and the Science and Mathematics Education Commons Recommended Citation Ackerberg-Hastings, Amy K., "Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 " (2000). Retrospective Theses and Dissertations. 12669. https://lib.dr.iastate.edu/rtd/12669 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margwis, and improper alignment can adversely affect reproduction. in the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Hume's Objects After Deleuze
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School March 2021 Hume's Objects After Deleuze Michael P. Harter Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Continental Philosophy Commons Recommended Citation Harter, Michael P., "Hume's Objects After Deleuze" (2021). LSU Master's Theses. 5305. https://digitalcommons.lsu.edu/gradschool_theses/5305 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. HUME’S OBJECTS AFTER DELEUZE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Philosophy and Religious Studies by Michael Patrick Harter B.A., California State University, Fresno, 2018 May 2021 ACKNOWLEDGEMENTS Human beings are wholly dependent creatures. In our becoming, we are affected by an incredible number of beings who aid and foster our growth. It would be impossible to devise a list of all such individuals. However, those who played imperative roles in the creation of this work deserve their due recognition. First, I would like to thank my partner, Leena, and our pets Merleau and the late Kiki. Throughout the ebbs and flows of my academic career, you have remained sources of love, joy, encouragement, and calm. -
STEWART, DUGALD, 1753-1828. Dugald Stewart Letter to Olinthus Gregory, 1804
STEWART, DUGALD, 1753-1828. Dugald Stewart Letter to Olinthus Gregory, 1804 Emory University Pitts Theology Library 1531 Dickey Drive, Suite 560 Atlanta, GA 30322 404-727-4166 Descriptive Summary Creator: Stewart, Dugald, 1753-1828. Title: Dugald Stewart Letter to Olinthus Gregory, 1804 Call Number: Manuscript Collection No. 266 Extent: 0.01 cubic ft. (1 folder) Abstract: Consists of one handwritten letter addressed to Mr. Olinthus Gregory in Woolwich, from Dugald Stewart in Edinburgh. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Citation [after identification of item(s)], Dugald Stewart Letter to Olinthus Gregory, Archives and Manuscript Dept., Pitts Theology Library, Emory University. Processing Processed by Courtney Williams, 2003. Collection Description Biographical Note Dugald Stewart was born on November 22, 1753 in Edinburgh, Scotland. At the age of 13, he studied at the University of Edinburgh where his father was the chair of the mathematics department. He eventually taught in the mathematics department with his father, then took over as chair after his father’s death. In 1785, he was made the professor of moral philosophy at the University of Edinburgh. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Dugald Stewart Letter to Olinthus Gregory, 1804 Manuscript Collection No. 266 Stewart’s chief concern was to formulate a philosophy of the mind through the use of the inductive method of Sr. -
Champ Math Study Guide Indesign
Champions of Mathematics — Study Guide — Questions and Activities Page 1 Copyright © 2001 by Master Books, Inc. All rights reserved. This publication may be reproduced for educational purposes only. BY JOHN HUDSON TINER To get the most out of this book, the following is recommended: Each chapter has questions, discussion ideas, research topics, and suggestions for further reading to improve students’ reading, writing, and thinking skills. The study guide shows the relationship of events in Champions of Mathematics to other fields of learning. The book becomes a springboard for exploration in other fields. Students who enjoy literature, history, art, or other subjects will find interesting activities in their fields of interest. Parents will find that the questions and activities enhance their investments in the Champion books because children of different age levels can use them. The questions with answers are designed for younger readers. Questions are objective and depend solely on the text of the book itself. The questions are arranged in the same order as the content of each chapter. A student can enjoy the book and quickly check his or her understanding and comprehension by the challenge of answering the questions. The activities are designed to serve as supplemental material for older students. The activities require greater knowledge and research skills. An older student (or the same student three or four years later) can read the book and do the activities in depth. CHAPTER 1 QUESTIONS 1. A B C D — Pythagoras was born on an island in the (A. Aegean Sea B. Atlantic Ocean C. Caribbean Sea D. -
The Golden Cord
THE GOLDEN CORD A SHORT BOOK ON THE SECULAR AND THE SACRED ' " ' ..I ~·/ I _,., ' '4 ~ 'V . \ . " ': ,., .:._ C HARLE S TALIAFERR O THE GOLDEN CORD THE GOLDEN CORD A SHORT BOOK ON THE SECULAR AND THE SACRED CHARLES TALIAFERRO University of Notre Dame Press Notre Dame, Indiana Copyright © 2012 by the University of Notre Dame Press Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Taliaferro, Charles. The golden cord : a short book on the secular and the sacred / Charles Taliaferro. pages cm Includes bibliographical references and index. ISBN-13: 978-0-268-04238-7 (pbk. : alk. paper) ISBN-10: 0-268-04238-1 (pbk. : alk. paper) 1. God (Christianity) 2. Life—Religious aspects—Christianity. 3. Self—Religious aspects—Christianity. 4. Redemption—Christianity. 5. Cambridge Platonism. I. Title. BT103.T35 2012 230—dc23 2012037000 ∞ The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. CONTENTS Acknowledgments vii Introduction 1 CHAPTER 1 Love in the Physical World 15 CHAPTER 2 Selves and Bodies 41 CHAPTER 3 Some Big Pictures 61 CHAPTER 4 Some Real Appearances 81 CHAPTER 5 Is God Mad, Bad, and Dangerous to Know? 107 CHAPTER 6 Redemption and Time 131 CHAPTER 7 Eternity in Time 145 CHAPTER 8 Glory and the Hallowing of Domestic Virtue 163 Notes 179 Index 197 ACKNOWLEDGMENTS I am deeply grateful for the patience, graciousness, support, and encour- agement of the University of Notre Dame Press’s senior editor, Charles Van Hof. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
127179758.23.Pdf
—>4/ PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY THIRD SERIES VOLUME II DIARY OF GEORGE RIDPATH 1755-1761 im DIARY OF GEORGE RIDPATH MINISTER OF STITCHEL 1755-1761 Edited with Notes and Introduction by SIR JAMES BALFOUR PAUL, C.V.O., LL.D. EDINBURGH Printed at the University Press by T. A. Constable Ltd. for the Scottish History Society 1922 CONTENTS INTRODUCTION DIARY—Vol. I. DIARY—You II. INDEX INTRODUCTION Of the two MS. volumes containing the Diary, of which the following pages are an abstract, it was the second which first came into my hands. It had found its way by some unknown means into the archives in the Offices of the Church of Scotland, Edinburgh ; it had been lent about 1899 to Colonel Milne Home of Wedderburn, who was interested in the district where Ridpath lived, but he died shortly after receiving it. The volume remained in possession of his widow, who transcribed a large portion with the ultimate view of publication, but this was never carried out, and Mrs. Milne Home kindly handed over the volume to me. It was suggested that the Scottish History Society might publish the work as throwing light on the manners and customs of the period, supplementing and where necessary correcting the Autobiography of Alexander Carlyle, the Life and Times of Thomas Somerville, and the brilliant, if prejudiced, sketch of the ecclesiastical and religious life in Scotland in the eighteenth century by Henry Gray Graham in his well-known work. When this proposal was considered it was found that the Treasurer of the Society, Mr. -
Objective Beauty and Subjective Dissent in Leibniz’S Aesthetics
Zlom1_2018_Sestava 1 23.3.18 11:39 Stránka 67 Carlos Portales OBJECTIVE BEAUTY AND SUBJECTIVE DISSENT IN LEIBNIZ’S AESTHETICS CARLOS PORTALES According to the classical view, beauty is grounded on the universe’s objective harmony, defined by the formula of unity in variety. Concurrently, nature’s beauty is univocal and independent of subjective judgement. In this paper I will argue that, although Leibniz’s view coincides with this formula, his philosophy offers an explanation for subjective dissent in aesthetic judgements about nature. I will show that the acceptance of divergences on aesthetic value are the result of a conception of harmony that includes qualitative variety and dissonance. I. INTRODUCTION Leibniz’s aesthetics fall within the Pythagorean tradition in so far as he agrees that the beauty of the universe is an objective value grounded on the harmony of the cosmos. In this view, harmony is a property of systems, defined as unity in variety, which is univocal and indifferent to subjective judgement. In this paper I argue that, despite Leibniz’s complete adherence to this formula, his interpretation explains and justifies the subjective dissent in aesthetic judgements. I show that the possibility of valid divergences regarding the aesthetic value of nature is the result of a Leibnizian conception of the universe’s harmony, which includes qualitative variety and dissonance. The secondary objective of this paper is to present some aspects of the underrepresented views of Leibniz on beauty and aesthetics in general. Even though aesthetics as a discipline was baptized by a Leibnizian philosopher – namely, Alexander Baumgarten –, few papers and book chapters explain Leibniz’s own views on the topic. -
Raeburn : English School
NOVEMBER, 1905 RAEBURN PRICE, 15 CENTS anxa 84-B 5530 Jjpueiniipntljlu. RAEBURN J3atK^anO*<iuU&C[ompany, Xtybligfjerg 42<H)auncji^treEt MASTERS IN ART A SERIES OF ILLUSTRATED MONOGRAPHS: ISSUED MONTHLY PART 71 NOVEMBER, 1905 VOLUME 6 a 1 1 u t* 1X CONTENTS Plate I. Portrait of Mrs. Strachan Worcester Art Museum, Worcester, Mass. Plate II. Portrait of Lord Newton National Gallery of Scotland, Edinburgh Plate III. Mrs. Ferguson and Children Owned by R. C. Munroe-Ferguson, Esq. Plate IV. Portrait of Sir Walter Scott Collection of the Earl of Home Plate V. Portrait of Sir John Sinclair Owned by Sir Tollemache Sinclair Plate VI. Portrait of Mrs. Campbell of Balliemore National Gallery of Scotland, Edinburgh Plate VII. Portrait of John Wauchope National Gallery of Scotland, Edinburgh Plate VIII. Portrait of Mrs. Scott-Moncrieff National Gallery of Scotland, Edinburgh Plate IX. Portrait of James Wardrop of Torbanehill Owned by Mrs. Shirley Plate X. The Macnab Owned by Hon. Mrs. Baillie Hamilton Portrait of Raeburn by Himself : Owned by Lord Tweedmouth Page 22 The Life of Raeburn Page 23 ’ Abridged from Edward Pinnington's ‘ Sir Henry Raeburn The Art of Raeburn Page 30 Criticisms by Armstrong, Pinnington, Brown, Van Dyke, Cole, Muther, Stevenson The Works of Raeburn : Descriptions of the Plates and a List of Paintings Page 36 Raeburn Bibliography Page 42 Photo-angravings by C. J. Ptttrs Son: Boston. Prass-work by tht Evantt Prass : Boston complata pravious ba ba consultad library A indax for numbars will found in tba Rtadar's Guida to Pariodical Litaratura , which may in any PUBLISHERS’ ANNOUNCEMENTS SUBSCRIPTIONS: Yearly subscription, commencing with any number of the 1905 volume, $1.50, payable in advance, postpaid to any address in the United States or Canada.