New Names and Events Announced for Southbank Centre's WOW
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Case Study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis the Female Face of Right-Wing Populism and Ex
Triumph of The women? The Female Face of Right-wing Populism and Extremism 02 Case study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis 01 Triumph of the women? The study series All over the world, right-wing populist parties continue to grow stronger, as has been the case for a number of years – a development that is male-dominated in most countries, with right-wing populists principally elected by men. However, a new generation of women is also active in right-wing populist parties and movements – forming the female face of right-wing populism, so to speak. At the same time, these parties are rapidly closing the gap when it comes to support from female voters – a new phenomenon, for it was long believed that women tend to be rather immune to right-wing political propositions. Which gender and family policies underpin this and which societal trends play a part? Is it possible that women are coming out triumphant here? That is a question that we already raised, admittedly playing devil’s advocate, in the first volume of the publication, published in 2018 by the Friedrich-Ebert-Stiftung Triumph of the women? The Female Face of the Far Right in Europe. We are now continuing this first volume with a series of detailed studies published at irregular intervals. This is partly in response to the enormous interest that this collection of research has aroused to date in the general public and in professional circles. As a foundation with roots in social democracy, from the outset one of our crucial concerns has been to monitor anti-democratic tendencies and developments, while also providing information about these, with a view to strengthening an open and democratic society thanks to these insights. -
ME Is Not a Functional Disorder
ME Association Recipient: Sir Andrew Dillon Letter: Greetings, M.E. is not a functional disorder Comments Name Location Date Comment Carol Bryant Mottram, 2017-09-27 My daughter has ME and clearly this illness is NOT in her England, UK mind it is a physical illness Clare Crofts Rochdale, 2017-09-27 My daughter had Very Severe ME for the last 6years, was England, UK diagnosed as terminal 18 months ago and died in May this year. This disease is horrendous and needs the medical community to take it seriously Sheena young Prestatyn, 2017-09-27 M.E is not a functional disorder and should not be treated as Wales, UK such. Julie Holliday Shrewsbury, 2017-09-27 I have ME and have been treated appallingly by the NHS. England, UK Paul Winter Hailsham, 2017-09-27 I have ME. Some hospitals, such as the National England, UK Neurological Hospital in Queen Square, London, are already routinely ignoring the NICE guidelines and diagnosing people with ME as having FND. This is unacceptable given the mounting evidence that ME is a neuro-imune disease. Jane Iles Cheddar, 2017-09-27 This is too important. NICE need to look at the facts and England, UK listen to ME specialists and more importantly, the sufferers Kathie Cortese UK 2017-09-27 I have got M.E and I know it's not a " functional disorder" NICE need to use more recent up-to-date world studies, and consult with ME patients, and experts on ME Jayne Glover Warminster, 2017-09-27 I don't want other people to suffer the indignity and England, UK humiliation that I have endured for the last 15 years. -
Evanskenny PAG 2019 Doingpoliticsdifferently
Edinburgh Research Explorer Doing politics differently? Applying a feminist institutionalist lens to the U.K. Women's Equality Party Citation for published version: Evans, E & Kenny, M 2020, 'Doing politics differently? Applying a feminist institutionalist lens to the U.K. Women's Equality Party', Politics & Gender, vol. 16, no. 1, pp. 26-47. https://doi.org/10.1017/S1743923X1900045X Digital Object Identifier (DOI): 10.1017/S1743923X1900045X Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Politics & Gender Publisher Rights Statement: This article has been accepted for publication in Politics and Gender https://www.cambridge.org/core/journals/politics-and-gender. This version is published under a Creative Commons CC-BY-NC-ND. No commercial re-distribution or re-use allowed. Derivative works cannot be distributed. © Elizabeth Evans, Meryl Kenny General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 Doing Politics Differently? Applying a Feminist Institutionalist Lens to the UK Women’s Equality Party Elizabeth Evans and Meryl Kenny Paper accepted for publication in Politics & Gender, 21.5.2019 Abstract The UK Women’s Equality Party (WEP) was established in 2015 in order to ‘bring about change by winning – support, votes and seats’. -
Jude Kelly Arts, Often Appearing on National Television and Radio
Jude is much in demand as a commentator and spokesperson for the Jude Kelly arts, often appearing on national television and radio. She has repre- sented Britain within UNESCO on cultural matters, served on the Arts Artistic Director, Southbank Centre Advisory Committee for Royal Society of Arts, and jointly chaired with Lord Puttnam the Curricula Advisory Committee on Arts and Creativity. Jude is chair of Metal, a member of the London Cultural Consortium, a member of the Dishaa Advisory Group, sits on the board of Creativity, Culture & Education, the board of New Deal of the Mind, she is Chair of the Trustees for World Book Night, and sits on the on the Cultural Olympiad Board which is responsible for the ongoing framework for delivering the creative, cultural and educational aspects of London’s Olympic and Paralympic Games in 2012. She is visiting Professor at Kingston University, Leeds University and Shanghai Performing Arts School and holds several honorary degrees from national and Jude Kelly is the Artistic Director of Britain’s largest cultural institution, international universities. Southbank Centre. She is an award-winning director of over 40 productions for stage and screen. In her 30-year career, Jude founded Solent People’s Theatre and then Battersea Arts Centre, establishing it as a national venue. Themes In 1985, she joined the York Festival as Artistic Director and then the Royal Creative Journeys: Riding risks to empowerment Shakespeare Company, before becoming the founding director of the West Yorkshire Playhouse in Leeds. As Artistic Director and then CEO of the Dare to Inspire: Putting creativity at the heart of leadership country’s largest regional theatre, she established the West Yorkshire Playhouse as an acknowledged centre of excellence on a local, national and Cultural Pulses: Education, Development & Diversity international scale, developing an ever-expanding policy of access for all. -
14.02.20 #Changemakers2020 Change Makers Conference 2020
Change Makers Conference 2020 A partnership between the Arts Council / An Chomhairle Ealaíon and MA Festive Arts THE (University of Limerick) TRANS- FORMATIVE POWER OF FESTIVALS 14.02.20 #CHANGEMAKERS2020 CHANGE MAKERS CONFERENCE 2020 01 WELCOME The partnership between the Arts Council and the MA in Festive I am delighted to welcome delegates, speakers and Arts underpins the very first Change Makers festival conference. guests to the Irish World Academy of Music and It is that partnership and the support of a number of festival Dance, University of Limerick for the Change Makers stakeholder agencies that has led to this event, one which we conference in partnership with the Arts Council of hope will establish a greater understanding of festival practice Ireland. The practice of creative festival-making is at and support festivals capacity building in the future. the heart of the MA Festive Arts programme. Since its foundation in 2013, we have learned from the skill, The title, Change Makers acknowledges the dynamic and creativity and knowledge of the festival community strategic role that festivals play in the overall arts ecology in in Ireland and beyond. We have learned that festival- Ireland and in the broader arenas of cultural tourism, community making involves working closely across the cardinal development and urban regeneration. Inherent in the festival points of people, place, artwork and artist, building form is the permission to experiment and to respond to the meaningful interactions and experiences that can changing landscape and environments in which they take place. be transformative for communities. Given all that As such, festivals are a transformative platform that afford artists we have learned, it is wonderful to welcome that a space to innovate, audiences to experience arts in different community back to UL, and to have the opportunity ways and encourage broader civic actions. -
MAKING CHANGE HAPPEN! 7 – 9 September Kettering
MAKING CHANGE HAPPEN! 7 – 9 September Kettering ConferenCe ISSUe Hosted by Sandi Toksvig CONTENTS 04 Message from Women’s equality Party Leader 05 Welcome from Women’s equality Party Co-founders 07 Timetable at a glance FOUR PLAY AT 08 & 46 Making change happen 10-11 About the Women’s equality Party 12 About party conference CONFERENCE 13 Map of Kettering 14 - 15 Your guide to conference 16 - 17 Four Steps to taking part in Party Business 18 Kettering Conference Centre floor plan 22 Day 1: What’s on the agenda 23 - 29 Day 2: What’s on the agenda 30 - 31 Day 3: What’s on the agenda 34 Visitor experience Sophie Willan e velyn Mok Sophie Duker Ada Campe 35 Food Stalls Sophie Willan makes nominated for Female Sophie Duker describes Ada Campe’s act blends bold, unapologetic work Comedian of the Year herself as a “sexy- comedy, magic, regret 36 - 37 Exhibitors that is raucously funny and Show of the Year at cerebral comedy and shouting. A devotee and completely original. the 2017 Swedish Stand- underdog” and is quickly of variety and caba- 38 - 40 Who’s who: Women’s equality Party team Her work is political to Up gala, evelyn mok is establishing herself as ret, she has performed the core, but it doesn’t the best thing to come one of the most exciting throughout the UK for feel like it. out of Sweden since… new acts on the circuit. years. 41 - 45 Who’s who: Conference speakers @sophiewillan iKeA? @sophiedukebox @AdaCampe @evelynMok WOMEN’S EQUALITY 7:30pm PARTY COMEDY NIGHT Saturday 8 September 2 womensequality.org.uk Conference ISSUe 2 3 Welcome to the Women’s Equality Party’s second-ever party conference and to Kettering, a town famous according to its Conservative MP Philip Hollobone “as the home of Weetabix breakfast cereal”. -
Orchestrated Public Space: the Curatorial Dimensions of the Transformation of London's Southbank Centre
Alasdair Jones Orchestrated public space: the curatorial dimensions of the transformation of London's Southbank Centre Book section Original citation: Originally published in: Golchehr, Saba, Ainley, Rosa, Friend, Adrian, Johns, Kathy and Raczynska, Karolina, (eds.) Mediations: Art & Design Agency and participation in public space, conference proceedings. London, UK : Royal College of Art, 2016, pp. 244-257. Reuse of this item is permitted through licensing under the Creative Commons: © 2016 The Author CC-BY-NC 4.0 This version available at: http://eprints.lse.ac.uk/68373/ Available in LSE Research Online: November 2016 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. ORCHESTRATED PUBLIC SPACE The Curatorial Dimensions Of The Transformation Of London’s Southbank Centre A. Jones Keywords: Public Space, Open Space, Curation, Southbank Centre, Ethnographic ABSTRACT Since 1999, London’s Southbank Centre, an assemblage of arts venues and constituent public spaces in central London, has been undergoing a gradual ‘transformation’ that continues to this day (Southbank Centre, 2016). In addition to works to refurbish the arts venues, this transformation has involved the renewal of the public realm between, around and (most infamously) beneath those venues. Using ethnographic data I seek to unpack the curatorial dimensions of the redesign and reappropriation of public space at this site. 244 1. INTRODUCTION A curious tension characterises contemporary This paper adds to a sparse but growing writing about urban public space. -
KC3 Play Guide R1 Compr
PLAY GUIDE 2016 2017 About ATC .................................................................................................................................................. 1 Introduction to the Play ............................................................................................................................. 2 Meet the Playwright ................................................................................................................................... 2 Meet the Characters .................................................................................................................................. 3 The Real Royals ......................................................................................................................................... 5 The Line of Succession .......................................... ................................................................................... 12 British Parliament and Positions .............................................................................................................. 13 British Politics ........................................................................................................................................... 16 Royal Rituals ............................................................................................................................................. 18 King Charles and the Bard ....................................................................................................................... -
Welcome from the Research Dean
ISSUE 6, MICHAELMAS TERMS 2017 Welcome from the Research Dean Welcome to the sixth edition of the Saïd Business School Research As ever, it’s great to see so many Newsletter, the first of the 2017 to 2018 academic year and my first interesting and innovative research papers as Associate Dean of Research. I’d like to thank Felix, my predecessor, and publications being produced. Please for all his hard work over the last few years. Under Felix’s leadership, do remember to Act on Acceptance so the School’s research activities and outputs expanded in scale, scope, we can keep fully up to date with what is and quality, and we are in a strong position to plan for the future. I look being published. I am sure I don’t need to forward to continuing along these lines, and introducing the School’s new remind you of the importance of this for research strategy, which we will discuss with Faculty in early 2018. ensuring your work is recognised through the proper channels. For those of you producing working papers, we are As always, Michaelmas term brought new arrivals and activity. We able to host these on SSRN through the Saïd Business School Working Paper welcomed 11 new DPhil students, 12 new postdoctoral researchers, series – see page 7 for more information about this and Act on Acceptance. and four new faculty members. We opened the new Business Research Hub (see page 2), which is a workspace for researchers in the Mars We celebrate some of the best of this work each term through the Dean’s Mutuality in Business project, the Ford Foundation Programme on Seminars: this term, we invited Amir Amel-Zadeh to talk about his research Corporate Ownership and Purpose, and the Oxford/EY project on on financial disclosures and, our previous host, Felix Reed-Tsochas to show Changing Conceptions of Corporate Purpose. -
Southbank Centre Announces Shortlist for WOW Women in Creative Industries Awards
Date: Thursday 1 February, 2018 Contact: Phoebe Gardiner, [email protected] 020 7921 0967 / Naomi French, [email protected] 020 7921 0678 Southbank Centre announces shortlist for WOW Women in Creative Industries Awards Southbank Centre today announces the shortlist for its WOW Women in Creative Industries Awards, including Imogen Heap, Lubaina Himid, FKA Twigs, Glenda Jackson, Reni Eddo-Lodge and Rachel Whiteread, nominated by a panel of power-house judges and awarded on Wednesday 7 March. Women in Creative Industries Awards judges (L-R) Dame Julia Peyton-Jones DBE, Nikesh Shukla, Deborah Williams, Jude Kelly, Sarah Crompton, Jenny Sealey MBE, Martin Green and John McGrath. Not pictured: Amy Lamé, Anne-Marie Curtis and Maria Balshaw CBE. Set up in 2016 by Jude Kelly CBE, Artistic Director, Southbank Centre, and founder of WOW - Women of the World, the WOW Women in Creative Industries Awards recognise significant achievements made by women in the arts, tech, music, film, games, media, fashion and advertising, and celebrate the women and men progressing equality in the arts and creative industries. They were the first ever cross-sector awards to honour women and genderqueer or non-binary people, who are leading the way in the creative industries. The winners will be announced at a ceremony at Southbank Centre’s Royal Festival Hall, from 12pm on Wednesday 7 March 2018 as part of the Women in Creative Industries Day, the first day of Southbank Centre’s WOW London 2018 -
Experience the World As It Should Be
EXPERIENCE THE WORLD AS IT SHOULD BE Festival Programme 2021 30 July – 1 August the Museum of East Anglian Life, Stowmarket, Suffolk 1 CONTENTS INTRODUCING Introduction 3 For Writers 4 PRIMADONNA & THE PRIMADONNAS For the Curious 7 For Fun! 12 The Festival The Founders For Kids 16 Welcome to Primadonna, the UK’s most Primadonna was founded and is run by 17 empowering new festival, set up to spotlight the women from across the worlds of publishing, artistry of women and non-binary people, as well entertainment and the arts. Us ‘Primadonnas’ Event Programme as creatives of all genders, ethnicities and economic wanted to create a festival of brilliant writing, borne status whose voices are not often enough heard. out of a desire to give prominence to work by Friday 18 We focus on writing and reading but we also women and spotlight authors from the margins. showcase the best of the arts, from music to fi lm, We also want you to have a lot of fun: the festival Saturday 20 theatre to comedy. has always been designed to be a thoroughly We call it ‘the world as it should be, for one joyous as well as inclusive and accessible experience. Sunday weekend’. 22 But you know all that: you’re here. And we hope We programme a mix of big names and emerging you’ll agree we’ve put on a programme of amazing talent, as one of the things we’re trying to do is Speakers’ Info 24 speakers, brilliant events and unique experiences. open up the publishing industry and arts/culture more generally to new voices, and new ideas. -
WOW London 2019
PRESS RELEASE – Tuesday 5 February 2019 IMAGES CAN BE DOWNLOADED HERE Website / Twitter / Instagram Facebook WOW London 2019 ● WOW LONDON 2019 BRINGS THE WOW COMMUNITY TOGETHER TO ASK ‘WHAT NOW?’ AND ‘WHAT NEXT?’ IN AN UNMISSABLE TWO-DAY PROGRAMME ● CELEBRATING RECENT ACHIEVEMENTS, EACH DAY WILL ALSO TAKE A FRANK LOOK AT ONGOING EQUALITY ISSUES IN DIALOGUE WITH A RANGE OF INSPIRING SPEAKERS WOW – Women of the World – has announced two major events across International Women’s Day 2019 to address the state of gender equality today. On Friday 8 March in What Now? looks at the here and now. From politics to financial empowerment, from toxic masculinity to the intersection of sexism, racism and homophobia here are the subjects that matter most collated from WOW Thinkins around the world. Annie Lennox leads a conversation on Global Feminism, and how local activism can turn into international solidarity; Julia Gillard, the first woman Prime Minister of Australia, talks about resilience and her mission to dispel the myths about female leadership, and we put money high on the agenda with a challenge to talk more about our personal finances – in particular, our pensions. Other speakers include: Gina Miller, the woman who successfully challenged the UK government's authority to trigger Article 50; Rizzle Kicks musician and actor Jordan Stephens on the effects of toxic masculinity; Scarlett Curtis, curator of Feminists Don’t Wear Pink (and Other Lies); Maisie Williams (Game of Thrones), actor and co-creator of daisie, a new online community for creative collaboration; stand-up comedian Rosie Jones; cellist and singer Ayanna Witter-Johnson as well as spoken word from some of the UK's best established and up and coming poets.