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Homecoming and Liminality in Walter Scott's Guy Mannering1
Céline Sabiron Sorbonne - Paris IV Homecoming and Liminality in Walter Scott’s Guy Mannering 1 “He cannot deny, that, looking round upon the dreary region, and seeing nothing but bleak fields, and naked trees, […], he did for some time suffer melancholy to prevail upon him, and wished himself again safe at home” (I, 1: 3): Walter Scott’s Guy Mannering opens on this epigraph, a quota- tion from Samuel Johnson 2 which serves as a motto for the whole novel. The idler, the Londoner Will Marvel, feeling estranged and yearning for home, while lost in the wilder and more desolate county of Devon- shire, mirrors most of the characters of Scott’s fiction. Whether a tourist, like the Englishman Guy Mannering visiting the north of England and extending his “tour into the adjacent frontier of the sister country” (I, 1: 3), or an outcast, like the orphan Brown and the gypsy Meg Merrilies, the exile is temporarily or permanently away from his home—epito- mized by a house or a family—or even his homeland. Either internal or external, either involuntary as the result of abduction, expulsion, and banishment, 3 or, in a more figurative sense, self-imposed and prompted by business or curiosity, the exilic journey is accompanied by a feeling of disorientation and homesickness, a “crippling sorrow of estrangement”, 4 especially among the Scots in an age marked by the “consolidating of national consciousness”. 5 Both displaced and out of place, the exile is an eccentric 6 outsider leading his decentred life outside habitual order, 7 and longing to return home. -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Samuel Baker the University of Texas at Austin [email protected]
Samuel Baker The University of Texas at Austin [email protected] 5/13/2009 Scott’s Stoic Characters: Ethics, Sentiment, and Irony in The Antiquary, Guy Mannering, and “The Author of Waverley” Published in Modern Language Quarterly (2009) 70 (4): 443–471: Cite only from published version. https://doi-org.ezproxy.lib.utexas.edu/10.1215/00267929-2009-011 Whomever one reads on the question, it seems that Walter Scott created “the classical form of the historical novel” by standing at a locus of contradiction. According to the most influential such accounts, Scott “portrayed objectively the ruination of past social formations, despite all his human sympathy for, and artistic sensitivity to, the splendid, heroic qualities which they contained”; he could accomplish such feats of mediation because he was “two men … both the prudent Briton and the passionate Scot."1 These accounts of Scott’s contradictory investments–by Georg Lukács and David Daiches, respectively–find an emblem in the title Virginia Woolf gave her essay on Scott's late-life journal. Referring to how Scott installed modern lighting at his pseudo- medieval estate, Woolf calls her piece “Gas at Abbotsford.”2 Such formulations became 1 Georg Lukács, The Historical Novel [1937], Hannah and Stanley Mitchell, tr. (Lincoln, Neb.: Univ. of Nebraska Press, 1983), pp.54-55; David Daiches, “Scott’s Achievement as a Novelist” [1951], in Literary Essays (Chicago: Univ. of Chicago Press, 1967), 92. 2 Virginia Woolf, “Gas at Abbotsford” [1940], in Collected Essays, 4 vols. (New York: Harcourt Brace, 1967), 1:128-138. touchstones for Scott criticism some decades ago.3 Many critics since have adopted the concept of a split Scott that, whatever their other differences, Lukács, Daiches, and Woolf share. -
THE GUY MANNERING the U.S. Ship Guy Mannering Was Built at New
THE GUY MANNERING The U.S. ship Guy Mannering was built at New York by William H. Webb, New York, for Robert L. Taylor and Nathaniel W. Merrill's line (called in Liverpool the Black Star Line) of sailing packets between New York and Liverpool, and launched in March 1849. Dimensions: 1,418 tons; 190 ft x 42 ft 6 in x 29 ft 8 in (length x beam x depth of hold); 3 decks (the first three- decked merchant vessel built in the United States); draft load 24 ft. The name Guy Mannering was derived from a romance published by Sir Walter Scott in 1815; Taylor & Merrill had already given names derived from Scott's works to two earlier ships built for them by William H. Webb, the Marmion (1846), and the Ivanhoe (1847). It's inaugural trip from New York to Liverpool was in April/May 1849. Her return voyage saw her sail from Liverpool on May 22nd 1849, arriving in New York on June 28th 1849 with a passenger list of mainly Irish emigrants but a small subset of 58 lead miners and their families from the Allendale area of Northumberland, England, who had been been blacklisted following an industrial dispute. The ship's passenger list from this voyage may be seen at http://www.genuki.org.uk/big/Indexes/PassengerLists/GuyMannering.html Passenger lists for subsequent trips from Liverpool to New York in 1851 and 1854 show the same preponderance of Irish emigrants. March 1851 - http://www.immigrantships.net/v7/1800v7/guymannering18510303_02.html August 1854 - http://www.immigrantships.net/v7/1800v7/guymannering18540816.html The ship plied other routes apart from Liverpool – New York. -
The Author of Waverley, with His Various Personas, Is a Highly
Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott's historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland. -
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J. -
Memoir Joseph Train, F. S. A. Scot
MEMOIR J S O EPH T RA IN, F . S . CO A . S T THEANTIQUARIAN CORRESPONDENT OF SIR WALTER SCOTT. B Y O PA T T ER S O N J H N , " A U TH OR o r S H A DOWS o r w a s PA ST . M M RR A G LA S G O W : T H O A S U A Y N D S O N . ED INB U RG H : J OH N MENZ IES. ‘ MD CCCLV II. 7 7 ! " TTP KJ E PREFA C . IN offering to the public this Memoir of JOSEPH I of w riter h as no TRA N, the Antiquary Galloway, the thin u m apology, convinced as he is that such a g is necessary . ! He must acknowledge that the materials were i scanty. Many d sadvantages were in the way . Had e gr ater time been expended, and more careful research h as been made, the writer no doubt but that a more minute Memoir might have been produced ; b ut while his ac he laments this , he begs to tender grateful know ledgm ents to those kind friends who have warm o h s ly entered into his views . Am ng t e e h e is happy m thus publicly to mention the na es of Mr. R . W . - n of G reenock . Trai , the Inland Revenue, , and Mr l of Wi liam Bennet, Burntisland, whose assistance has been both valuable and frequent . Trusting that this Mem oir of Train may be ac c ep table to his many friends, and those who have read of him in connexion with Sir Walter Scott, the writer dedicates it to the world . -
Guy Mannering;
¥^»^ ^j!i LIB RAR.Y OF THE U N 1VER.SITY Of ILLINOIS Sc<y?q v.i Digitized by the Internet Archive in 2010 with funding from University of Illinois Urbana-Champaign http://www.archive.org/details/guymanneringoras01scot GUY MANNERING; THE ASTROLOGER. GUY MANNERING OR, THE ASTROLOGER, BY THE AUTHOR OF *« WAVERLEY." 'Tis said that Tfords and signs have power O'er sprites Id pJanetary hour; But scarce I praise their venturous part, Who tamper with such dangerous art. Im}^ of the Last Minstrel, IN THREE VOLUMES. VOL. I. EDINBURGH: Printed hy James Ballantyne and Co. )R LONGMAN, HURST, REES, ORME, AND BROWN, LONDON; AND AKCHIBALD CONSTABLE AND CO. EDINBURGH. 1815. GUY AIANNERING; 01?, THE ASTROLOGER,, VOL. ». GUY MANNERING; OR, THE ASTROLOGER. CHAPTER 1. " He could not deny, that, looking round upon tlie dreary re- gion, and seeing nothing but bleak field?, and naked trees, hills obscured by fogs, and flats covered with inundation?, he did for some time suffer melancholy to prevail upon him, and wished himself again safe at home." Travels of Will. Marvel, Idler, No. 49. It was in the beginning of the month of November, 17—, when a young Englisl gentleman, whohad just left the university of Oxford, made use of the hberty afFurded him to visit some parts of the north of Eng- land; and curiosity extended his tour into the adjacent frontier of the sister country. He had visited, upon the day that opens our history, some monastic ruins in the 4 CUY MANNERING. couiity of Dumfries, and spent much of the day in makmg drawings of them from dif- ferent points ; so that, upon mounting his horse to resume his journey, the brief and gloomy tvvihght of the season had already commenced, His way lay through a wide track of black rnoss, extending for miles on each side and before him. -
The Antiquary, Complete
The Antiquary, Complete Sir Walter Scott The Project Gutenberg EBook of The Antiquary, Complete, by Sir Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Antiquary, Complete Author: Sir Walter Scott Release Date: August 17, 2004 [EBook #7005] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ANTIQUARY, COMPLETE *** Produced by David Widger THE ANTIQUARY BY SIR WALTER SCOTT, BART. COMPLETE VOLUME ONE I knew Anselmo. He was shrewd and prudent, Wisdom and cunning had their shares of him; But he was shrewish as a wayward child, And pleased again by toys which childhood please; As---book of fables, graced with print of wood, Or else the jingling of a rusty medal, Or the rare melody of some old ditty, That first was sung to please King Pepin's cradle Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. _Waverley_ embraced the age of our fathers, _Guy Mannering_ that of our own youth, and the _Antiquary_ refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. -
Guy Mannering Or the Astrologer Vol. I by Sir Walter Scott
Guy Mannering Or The Astrologer Vol. I By Sir Walter Scott Guy Mannering or the Astrologer Vol.I by Sir Walter Scott INTRODUCTION The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work, the production ceased to bear any, even the most distant resemblance. The tale was originally told me by an old servant of my father's, an excellent old Highlander, without a fault, unless a preference to mountain dew over less potent liquors be accounted one. He believed as firmly in the story as in any part of his creed. A grave and elderly person, according to old John MacKinlay's account, while travelling in the wilder parts of Galloway, was benighted. With difficulty he found his way to a country seat, where, with the hospitality of the time and country, he was readily admitted. The owner of the house, a gentleman of good fortune, was much struck by the reverend appearance of his guest, and apologised to him for a certain degree of confusion which must unavoidably attend his reception, and could not escape his eye. The lady of the house was, he said, confined to her apartment, and on the point of making her husband a father for the first time, though they had been ten years married. -
Guy Mannering, Or the Astrologer Sir Walter Scott
Guy Mannering, or the Astrologer Sir Walter Scott The Harvard Classics Shelf of Fiction, Vol. IV. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents Biographical Note Criticisms and Interpretations I. By Thomas Carlyle II. By Richard Holt Hutton III. Carlyle on the Waverley Novels IV. Richard Holt Hutton on Scott’s Women V. Walter Bagehot on the Waverley Novels VI. Ruskin on Scott’s Women List of Characters Introduction to Guy Mannering (1829) Additional Note Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Chapter XXIX Chapter XXX Chapter XXXI Chapter XXXII Chapter XXXIII Chapter XXXIV Chapter XXXV Chapter XXXVI Chapter XXXVII Chapter XXXVIII Chapter XXXIX Chapter XL Chapter XLI Chapter XLII Chapter XLIII Chapter XLIV Chapter XLV Chapter XLVI Chapter XLVII Chapter XLVIII Chapter XLIX Chapter L Chapter LI Chapter LII Chapter LIII Chapter LIV Chapter LV Chapter LVI Chapter LVII Chapter LVIII Notes Glossary Biographical Note SIR WALTER SCOTT belonged by descent to a large family which had for generations lived in the border counties of the south of Scotland, and many of whose members had been heroes of such exploits as their descendant was to make familiar to all the world. His father, Walter Scott, the first of the stock to become a city dweller, was by profession a writer to the signet; his mother, Anne Rutherford, was the daughter of a professor of medicine in Edinburgh University. -
(2012) Hospitality, Nation and Empire in Walter Scott's Waverley Novels
Chiu, Kang-Yen (2012) Hospitality, nation and empire in Walter Scott’s Waverley novels. PhD thesis. http://theses.gla.ac.uk/3729/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Hospitality, Nation and Empire in Walter Scott’s Waverley Novels Kang-yen Chiu Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of English Literature School of Critical Studies College of Arts University of Glasgow November 2012 2 Abstract This research is a study of the notion of hospitality in the novels of Sir Walter Scott from a postcolonial perspective. Through the analysis of various acts of hospitality in the Waverley Novels, this thesis intends to examine how the notion of hospitality is represented as one of the most significant, ancient Scottish traditions defended and performed by people who have less power in society, but is abused by those (often the ruling class) who intend to use it as a mechanism to increase their existing power. Therefore, through the analysis of power relations between various host and guest characters, this thesis attempts to demonstrate the ways in which those groups who are under the rule of hegemonic power are constructed as the subaltern, a postcolonial term derived from the Italian Marxist Antonio Gramsci’s usage in the Prison Notebooks.