Tate Americas Foundation Annual Report 2013

Trustees p.4 Introduction p.6 Art Acquisitions p.8 Committees p.32 International Council p.34 Donors p.36 Events p.42 Contribution Categories p.44

Cover Photograph © Jason Schmidt Contents Design and production by Tate Design Studio BOARD OF TRUSTEES Jeanne Donovan Fisher (Chair) Frances Bowes Estrellita Brodsky James Chanos Henry Christensen III Glenn Fuhrman Noam Gottesman Ella Fontanals-Cisneros Sandra Niles John J Studzinski, CBE Juan Carlos Verme

EX-OFFICIO TRUSTEES Tiqui Atencio Demirdjian (Chair, Latin American Acquisitions Committee) Robert Rennie (Chair, North American Acquisitions Committee)

STAFF Richard Hamilton (Director) Virginia Cowles-Schroth (Head of Development) Daniel Schaeffer (Development Officer) Trustees

4 5 I am delighted to introduce the latest annual report of the Tate Americas Foundation. We continue to support the excellent work of Tate in many ways. In 2013, we raised over $7.8 million in cash donations from our supporters in North and South America. Using these gifts over the course of the year we were able to make grants to Tate of nearly $7.4 million. These grants help sponsored numerous projects at all four Tate sites, including the Mira Schendel and Ellen Gallagher:AxME exhibitions at Tate Modern. The most vital focus of our mission is to help Tate grow and strengthen its collection of art from the Americas. We do this in three ways: raising gifts of art from collectors across both continents; using income from our endowment to acquire art by senior artists in these regions; and running two acquisitions committees to acquire contemporary art North and South America. This report includes all acquisitions made in the past year, and highlights six of the most notable. None of this would be possible without exemplary leadership from Tate, in particular Frances Morris (Head of Collections, International Art), Ann Gallagher (Head of Collections, British Art), Mark Godfrey (Curator, Tate Modern), Hannah Dewar (Assistant Curator, Tate Modern), Tanya Barson (Curator, International Art, Tate Modern) and Jose Roca (Estrellita B Brodsky Adjunct Curator of Latin American Art). We are deeply indebted to them, as well as the Chairs of the Acquisitions Committee, for their time and guidance. Our third Artists Dinner, which was held at Skylight Moynihan Station, kicked off Frieze New York in May 2013. It was our most successful event to date with over $2 million was raised over the course of the evening, which featured an auction that raised nearly $500,000. More than 200 people joined the after party for dancing and buffet desserts. Thank you to everyone who made the evening such a spectacular success. We are fortunate to be able host this event every three years, gathering Tate’s family and friends on this side of the Atlantic to celebrate the remarkable institution that is the Tate.

Thank you for your support

Jeanne Donovan Fisher Introduction Chair, Tate Americas Foundation

6 7 Art Acquisitions

8 9 Mark Bradford Riding the Cut Vein 2013

Mixed media on canvas 3350 x 6100 mm (131 7/8 x 240 3/16 inches) To be purchased with assistance from Anita and Poju Zabludowicz, Noam Gottesman, an Anonymous Donor, the North American Acquisitions Committee and Tate Americas Foundation using endowment income © Mark Bradford Photo: Ben Westoby Courtesy White Cube

Mark Bradford (born 1961) is an artist based in Los Angeles known for large-scale paintings made using compressed and sanded paper sourced from merchant posters taken from around the streets near his studio in the African American neighborhood of Leimert Park.

Riding the Cut Vein is made from layers of paper mounted onto canvas. At over six meters wide, it is one of Bradford’s largest works. This work is unusual for Bradford primarily because rather than having an ‘all over’ composition, it is very obviously divided by a diagonal line. The painting might seem reminiscent of the map of Los Angeles, with the ridge of the Hollywood hills separating the city from the valley to the north.

For this particular work, Bradford was thinking about two other ideas connected to mapping. He became interested in the history of highway construction in the United States in the post-World War II period. Bradford has said these highways ‘always cut through poor neighborhoods’ and that African American suburbs were regularly torn apart. As Bradford also remarked, ‘A freeway is a class marker, depending on which side of the freeway you’re on.’ In recalling such highways with its diagonal divide, Riding the Cut Vein therefore alludes to a troubled history of urban experience in African American neighborhoods. Bradford has also said that he has begun to think more about the geological structures underneath Californian cities, and indicated that the diagonal rift in the painting is also an allusion to the San Andreas Fault. It would be wrong to think that Bradford sees Riding the Cut Vein as a landscape, though. Rather, in alluding to the fault, the work in a different way suggests the precariousness of life in California.

Mark Godfrey, Curator, Tate Modern

10 11 Barbara Kruger Who Owns What? 1991/2012

Photographic screen-print on vinyl 2921 x 2794 mm (115 x 110 inches) Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013 Courtesy Sprüth Magers Berlin London

Barbara Kruger was born in New Jersey in 1945. After studying at Parson’s School of Design in New York, Kruger worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture and other publications. Her mixed background in painting and design informed the development of her artistic work, for which she gained international recognition after her participation in Documenta 7, the Venice Biennale and the Whitney Biennial in 1982 and 1983.

Who Owns What? 1991/2012 is a large-scale photographic screenprint on vinyl depicting the image of a man’s hand holding a small red box against a black background. The provocative question ‘WHO OWNS WHAT?’ is superimposed on the object’s profile, which resembles a building block or a product package such as a cigarette pack, occluding the space normally dedicated to the product’s brand. The artist took a found photograph and layered it with text, addressing a system of visual, linguistic and ideological references associated with the production and selling of commodities. The large size of the vinyl and the graphic treatment of the text deliberately mimic the language of advertising with the intention of disrupting it. The text speaks directly to the viewer, implying a reconsideration of questions of property and class, and commenting on the distribution of economic power in society.

Kruger’s artistic practice has been broadly concerned with the way the advertising and mass media industries contribute to the construction of stereotypes, as well as to the perpetuation of systems of inclusion and exclusion within society. The artist has been particularly preoccupied with the oppression of women and gender-based politics. Her recognizable slogans confront the viewer on issues of feminism, consumerism, power and desire, advocating a more active way of looking and seeing.

Gaia Tedone

12 13 Nam June Paik 1932 – 2006 Flux Fleet 1974

Antique metal irons, enamel oil paint 229 x 1575 x 178 mm (9 x 62 x 7 inches) Presented by the Hakuta Family (Tate Americas Foundation), 2013 © Nam June Paik Estate

Nam June Paik was born in Seoul, Korea. He is considered the founder of video art and a pioneering figure whose media and television experimentations radically renegotiated the boundaries of contemporary art in the twentieth century.

Following an education in Tokyo, Paik arrived in Germany in 1956 as an aspiring composer. He immersed himself in the New Music scene around Cologne and established influential and enduring friendships with artists including Merce Cunningham, John Cage and Joseph Beuys. He also encountered George Maciunas, under whose leadership Fluxus had developed, who later invited him to join the movement. Fluxus was collaborative, anti-authorial and international, and envisaged as an attempt to counter the artificialities of traditional artistic canons. With a name that evoked ideas of change and flow, it deliberately included banal everyday materials in a confrontational act, employing improvization and paradox to innovative effect.

Fabricated in New York in 1964, Flux Fleet incorporates six antique irons – five small and one large – arranged on the floor in a line. Each is inscribed on one side with naval terminology in enamel oil paint: ‘Fluxus Fleet’, ‘Destroyer’, ‘Cruiser’ and ‘Battleship’ in white paint and ‘Submarine’ in black. Conceived in the spirit of Fluxus, the work is deliberately banal, incorporating and elevating everyday objects to the status of an artwork. Individuality is also removed from the equation, in an act that is characteristic of the anti-authorial aesthetic of the movement, as the artist’s role is reduced to simple reappropriation with white paint. Forming a ‘fleet’ of ships which sail along the floor in military procession, the irons – symbols of household maintenance and domestic banality – celebrate the mundane and the ordinary, whilst addressing branding in a playful act that is both humorous and paradoxical.

Hannah Dewar, Assistant Curator, Tate Modern

14 15 Miguel Ángel Rojas On Porcelain 1979 Sobre porcelana

6 silver gelatin prints Printed c.1980 89 x 127 mm each (3 ½ x 5 inches each) To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee ©Miguel Angel Rojas Courtesy of Sicardi Gallery, Houston

One of the most important Colombian artists of his generation, Miguel Ángel Rojas was one of the first artists in Colombia to work on issues of race, class, and sexual difference. He has continued his production to the present day, focusing on social and political issues.

Rojas began his career in the 1970s, creating homoerotic, large-scale drawings of body parts rendered in a hyper-realistic manner. At that time, Colombian society was still quite conservative and intolerant, and thus Rojas’s early works are at once a document, a declaration of personal principles and his way of taking a stand against the status quo. These works were made at a time when photorealism was particularly relevant in Colombia, but Rojas spurned objectivity, instead employing his own interests and worldview as a means of expression.

Photographs taken at the Faenza Theatre launched a series that Rojas continuously references in the rest of his work; indeed, they constitute a source of imagery he has addressed and reworked time and again. The Faenza, Mogador and Imperio were movie theatres built in the early twentieth century that gradually fell into decay as their surrounding neighborhoods became dilapidated and other parts of the city became more affluent. Sobre porcelana (On Porcelain) captures the anonymous sexual encounter of two men inside the public bathroom of the Faenza theatre. The photograph appears to have been taken from a peephole, thus reinforcing the idea of the covert gaze. The viewer is turned at the same time into a voyeur and an accomplice of the artist as he surreptitiously documents a private act in a public place.

José Roca, Estrellita B Brodsky, Adjunct Curator of Latin American Art

16 17 Joaquin Torres-Garcia 1874 – 1949 Arte Constructivo 1938

Ink and pencil on paper 120 x 156 mm (4 ¾ x 6 1/8 inches) To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee Courtesy of Galeria Ginocchio

Joaquin Torres-Garcia, a major, foundational figure of Latin American modernism, was born in Montevideo, Uruguay, in 1874, where he died in 1949, having also lived and worked in France, Spain and the United States. In Uruguay, Torres-Garcia was to embark on a program of activities to introduce ideas from cubism, neo-plasticism and constructivism to Uruguay

Arte Constructivo 1938 is a drawing in ink and pencil on paper. Typically for Torres-Garcia, the composition employs a series of compartments in which he situates pictographs. He developed this style of formal organization during his years in Europe, however the content here is distinctively Latin American. Arte Constructivo was made in 1938 when Torres Garcia was working on ideas for both his book The Tradition of the Abstract Man: Constructivist Doctrine and his architectural-scale Cosmic Monument 1937–38.

Arte Constructivo is compositionally close to two other works made in 1938; a painting in tempera on board named Magic Graphism (Grafismo magico) and a drawing for The Tradition of the Abstract Man. In these works Torres-Garcia made a self-conscious effort to integrate the language of European modernism – cubism, neo-plasticism and constructivism – with the complex abstractions in architecture, textile and ceramic found in Pre-Columbian art. He drew heavily on Pre- Columbian cosmogony, which was also a focus of his interest at this time. Torres-Garcia looked particularly to the art and culture of the Incas and other Andean civilizations as a means to promote the notion of a distinctive and long-founded tradition of Indo-American abstraction. This was both because of the absence of archaeological ruins and material culture in Uruguay, but also because of the symbolic import of the sophistication of Incan and Pre-Incan civilization as matching anything that Europe could offer, and the place of an abstract language in the architecture and aesthetic productions of these cultures. Such a theoretical basis for the promotion of avant-garde aesthetic ideas in the Americas illustrates one of the most distinctive and fundamental aspects of Latin American modernism – modernism from Europe was not received unchanged and merely imitated but was transformed to address a new set of ideas, especially involving questions of identity and resistance, and in the process produced new hybrid and unique 18 forms of avant-garde art. 19

Tanya Barson, Curator, International Art, Tate Modern Charline von Heyl Jakealoo 2012

Oil and acrylic paint on canvas 2083 x 1880 mm (82 x 74 inches) To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee Courtesy of the artist and Petzel, New York

Charline von Heyl was born in 1960 in Mainz, Germany and has lived and worked in New York since 1994.

Jakealoo is a powerful example of Von Heyl’s work, bringing together ideas about layering and trickery, brushwork and drawing, color and monochrome, and dryness and liquidity. Von Heyl starts each painting without any preset idea for a composition, putting down shapes and strokes, and responding to these with successive layers. She describes the painting as if it were a separate being making claims on her that she has to answer. Each painting might go through several stages in the process of being made, and might appear very different from one day to the next. At times a translucent top layer of paint will allow earlier shapes and colors to show through, and this is the case in Jakealoo; in the bottom and top right-hand corners, orange and red stripes are visible through an upper white layer.

While the artist aims to create bold compositions, she does not want her paintings to be read as images that can be immediately consumed. Each painting has to delay its viewer, and slow viewing has to be complex and rewarding. One means to slow down viewing is to use layering since viewers might be intrigued by shapes and colors that lie underneath the top surface. Knowing that the attentive viewer of Jakealoo will be drawn to its half-concealed composition, Von Heyl also teases them by appearing to offer a glimpse of an early layer of color. In the lower right corner, a black rectangle acts as a little ‘window’, as if to let a viewer see through the white paint to the orange and red stripes below. Close-up to this window, it becomes clear that the red and orange here are actually laid down on top of the white. The window is a trick that brings the viewer towards the painting.

Mark Godfrey, Curator, Tate Modern

20 21 Latin American Art Acquisitions

Feliza Bursztyn Sheila Hicks Carmelo Arden Quin 1913 – 2010 Joaquin Torres-Garcia 1874 – 1949 Untitled 1968 Ganem 1968 Carres 1951 Arte Constructivo 1938

Stainless steel, modified motor, wire Raw silk Lacquer on wood Ink and pencil on paper 630 x 740 x 560 mm 230 x 120 mm (9 x 4 3/4 inches) 870 x 900 mm 120 x 156 mm (4 3/4 x 6 1/8 inches) (24 3/4 x 29 1/8 x 22 inches) frame: 350 x 240 mm (34 1/4 x 35 1/3 inches) To be purchased by Tate Americas To be purchased by Tate Americas (13 3/4 x 9 1/2 inches) To be purchased by Tate Americas Foundation, courtesy of the Latin Foundation, courtesy of the Latin To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee American Acquisitions Committee, Foundation, courtesy of the Latin American Acquisitions Committee Estrellita B Brodsky and Becky Mayer American Acquisitions Committee Armando Andrade Tudela Miguel Angel Rojas Film #2 (Espace Niemeyer / Lamp Untitled 1968 Tacna-Arica c. 1957 On Porcelain 1979 Infrarouge) 2007 Sobre porcelana Stainless steel, motor, wire Vicuña, glossy cotton 16mm film transferred to DVD; color, 9 mins 51 secs 500 x 2200 x 500 mm 235 x 145 mm (9 1/8 x 5 3/4 inches) 6 silver gelatin prints (19 3/4 x 86 2/3 x 19 3/4 inches) Overall display dimensions variable frame: 350 x 240 mm Printed c.1980 To be purchased by Tate Americas (13 3/4 x 9 1/2 inches) 89 x 127 mm each Edtion 1 of 5 Plus 2 APs Foundation, courtesy of the Latin To be purchased by Tate Americas (3 1/2 x 5 inches each) To be purchased with the American Acquisitions Committee, Foundation, courtesy of the Latin Lent by Tate Americas Foundation, assistance of Juan Carlos Verme Estrellita B Brodsky and Becky Mayer American Acquisitions Committee courtesy of the Latin American (Tate Americas Foundation) Acquisitions Committee, 2013 Fernanda Gomes Troubled Twill 1956 – 7 Untitled 2013 Cotton Wood, paint, nails 205 x 120 mm (8 x 4 3/4 inches) 1980 x 2000 x 100 mm (78 x 78 3/4 x 4 inches) To be purchased by Tate Americas Foundation, courtesy of the Latin To be purchased by Tate Americas American Acquisitions Committee Foundation, courtesy of the Latin American Acquisitions Committee

22 23 North American Art Acquisitions

Mark Bradford Lee Friedlander Louise Lawler Splash 2006, printed 2012 Riding the Cut Vein 2013 Rest on the Flight into Egypt and August 30 photographs, gelatin silver print Sunlight 1997, printed 1999 Photograph, cibachrome print Mixed media on canvas on paper on paper 3350 x 6100 mm Dimensions variable Photograph, cibachrome print 743 x 594 mm on paper (131 7/8 x 240 1/8 inches) To be purchased by Tate Americas (29 1/4 x 23 1/3 inches) To be purchased with assistance Foundation, using endowment 397 x 495 mm Number 3 in an edition of 5 (15 2/3 x 19 1/2 inches) from Anita and Poju Zabludowicz, income Purchased with assistance Noam Gottesman, an Anonymous Number 2 in an edition of 5 from the Karpidas Family Donor, the North American Rachel Harrison Purchased with assistance (Tate Americas Foundation), 2013 Acquisitions Committee and XLT Footbed 2013 from the Karpidas Family Tate Americas Foundation using (Tate Americas Foundation), 2013 Wall Pillow 2010, printed 2012 endowment income Wood, polystyrene, cardboard, cement and acrylic paint Hand’ Craft 2005, printed 2006 Photograph, cibachrome print George Condo 2235 x 1524 x 1016 mm on paper Mental States 2000 (88 x 60 x 40 inches) Photograph, cibachrome print 940 x 762 mm (37 x 30 inches) To be purchased by Tate Americas on paper Number 3 in an edition of 5 plus 1 Oil paint on canvas Foundation, courtesy of the North 267 x 286 mm artist’s proof 1321 x 1321 mm (52 x 52 inches) American Acquisitions Committee (10 1/2 x 11 1/4 inches) Purchased with assistance Purchased with assistance Number 4 in an edition of 5 from the Karpidas Family from the Karpidas Family Barbara Kruger Purchased with assistance (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 Who Owns What? 1991/2012 from the Karpidas Family (Tate Americas Foundation), 2013 Photographic screen-print on vinyl Drums First 2006, printed 2007 43 drawings 2921 x 2794 mm (115 x 110 inches) Given by the Widow 1993 Photograph, cibachrome print Various mediums Purchased with assistance on paper Dimensions variable from the Karpidas Family Photograph, cibachrome print 1213 x 965 mm (47 3/4 x 38 inches) Purchased with assistance (Tate Americas Foundation), 2013 on paper Number 3 in an edition of 5 from the Karpidas Family 394 x 495 mm (Tate Americas Foundation), 2013 (15 1/2 x 19 1/2 inches) Purchased with assistance from the Karpidas Family Number 5 in an edition of 5 (Tate Americas Foundation), 2013 Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

24 25 Untitled 2014 Breathing 1996 − 2000 Susan Rothenberg Richard Tuttle Strangers in the Night 2009 – 10 System VI, White Traffic 2011 Photograph, cibachrome print Ceramic, epoxy, gold leaf and on paper encre de Chine Oil paint on canvas Wood, fibre board, aluminium, bolts, 1003 x 1118 mm (39 1/2 x 44 inches) Vase, dish and cup, overall 2057 x 2927 mm vinyl-coated steel cable, wire, foam, Styrofoam, Spandex mesh, terracotta Number 5 in an edition of 5 dimensions variable (81 x 115 1/4 inches) clay, halogen lamp, ceramic, electrical Purchased with assistance To be purchased with the Purchased with assistance cord, acrylic paint and oil-based from the Karpidas Family assistance of Agnes Gund and from the Karpidas Family marker (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 Tate Americas Foundation, using endowment income 2540 x 2896 x 2896 mm (100 x 114 x 114 inches) Untitled (from the Gauguin Series) Andrew Lord Purchased with assistance 2004 − 12 Paul Sharits 1943 − 1993 Three Vases. Fist 1985 – 6 from the Karpidas Family Shutter Interface 1975 (Tate Americas Foundation), 2013 Ceramic Ceramic 4 screen 16mm loop projection Three vases, overall dimensions 410 x 317 x 394 mm with 4 separate soundtracks, color variable (16 1/8 x 12 1/2 x 15 1/2 inches) Charline von Heyl Indefinite duration Jakealoo 2012 Purchased with assistance Purchased with assistance from the Karpidas Family To be purchased by Tate Americas from the Karpidas Family Oil and acrylic paint on canvas (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 Foundation, using endowment income 2083 x 1880 mm (82 x 74 inches) To be purchased by Tate Americas Julie Mehretu Lorna Simpson Biting 1996 − 8 Foundation, courtesy of the North Mogamma, A Painting in Four Parts: Twenty Questions (A Sampler) 1986 American Acquisitions Committee Ceramic, epoxy, gold leaf and Part 3 2012 encre de Chine 4 gelatin silver prints, 6 engraved Ink and acrylic paint on canvas plastic plaques Two spouted pots, overall James Welling 13 Photographs from dimensions variable 4572 x 3658 mm (180 x 144 inches) 647 x 647 mm (25 1/2 x 25 1/2 inches) The Light Sources Series Purchased with assistance To be purchased with the assistance of Tiqui Atencio Demirdjian and To be purchased by Tate Americas from the Karpidas Family Inkjet prints (Tate Americas Foundation), 2013 Ago Demirdjian, Andreas Kurtz and Foundation, courtesy of the North Tate Americas Foundation American Acquisitions Committee Dimensions variable

To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee

26 27 Gifts

Louise Bourgeois 1911 – 2010 Variation for Four Hands and One Foot 1994 Manuel Alvarez Bravo Luc Delahaye 21 Prints 1902 – 2002 Man Sleeping, Dubai 2008 Plaster Various mediums 178 x 483 x 457 mm 10 photographs Photograph, C-Print on paper Dimensions variable (7 x 19 x 19 inches) Gelatin silver prints on paper 2360 x 3000 mm (93 x 118 inches) Lent by the American Fund for the Given by Rosamond Bernier 203 x 254 mm each Number 1 in an edition of 10 Tate Gallery, courtesy of the Easton in Honor of John Russell (8 x 10 inches each) Foundation, 2013 (Tate Americas Foundation), 2013 Presented by Jane Theaster Gates and Michael G. Wilson Civil Tapestry I 2012 Triptych for the Red Room 1994 11 Prints (Tate Americas Foundation), 2013 Fire hoses and wood Aquatint, drypoint and engraving on Various mediums COUM Transmissions 1969 – 1976 1790 x 3320 x 90 mm paper, triptych Dimensions variable (Genesis P-Orridge; Peter (70 1/2 x 130 3/4 x 3 1/2 inches) Christopherson, 1955 – 2010) 27 3/4 x 111 3/4 inches Given by Rosamond Bernier in Promised gift of Pamela J Joyner The British Government 1975 Lent by the American Fund for the Honor of John Russell and Alfred J Giuffrida Tate Gallery, courtesy of the Easton (Tate Americas Foundation, 2013 (Tate Americas Foundation), 2013 Six wooden boxes: adhesive, Foundation, ARTIST ROOMS 2013 plastic, glass, cardboard, printed Brodsky & Utkin paper, handprinted black and Sam Gilliam Femme 2007 (Alexander Brodsky white photographs by Genesis Carrousel Change 1970 and Ilya Utkin) P-Orridge and Peter Christopherson, Gouache on paper Projects 1981/90 taxidermied rats Acrylic on cotton canvas 23 1/2 x 18 inches 204 x 305 x 153 mm each 2998 x 23369 mm Portfolio of 35 Etchings Lent by the American Fund for the (8 x 12 x 6 inches each) (118 1/8 x 920 1/8 inches) Tate Gallery, courtesy of the Easton Dimensions variable Promised gift of Amy Gold and Brett Promised gift of Pamela J Joyner Foundation, ARTIST ROOMS 2013 Artists Proof 15/30 Gorvy (Tate Americas Foundation) and Alfred J Giuffrida Presented by Frayda Presented by Frayda (Tate Americas Foundation), 2013 and Ronald Feldman and Ronald Feldman (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013

28 29 Goshka Macuga Flux Fleet 1974 Untitled 1974 1982 – 83 Drawing no. 4 ‘Path of Movement of a Point’ after K. Malevich (1922) 2003 Antique metal irons inscribed with Mixed media assemblage with enamel oil paint TV case, pastel, oil paint and TV 1790 x 3320 x 90 mm 229 x 1575 x 178 mm antennae (70 1/2 x 130 3/4 x 3 1/2 inches) (9 x 62 x 7 inches) 1321 x 1220 x 178 mm Presented by Victoria Gelfand- Presented by the Hakuta Family (52 x 48 x 7 inches) Magalhaes and Pedro Magalhaes (Tate Americas Foundation), 2013 Presented by the Hakuta Family (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 Office 1990 – 2002 Julie Mehretu Untitled c. 1975 Auguries 2010 Video, monitor, Venetian blind, found model of an office Oil paint on wood 12-panel aquatint with spit bite from 1124 x 711 x 559 mm 581 x 838 mm 48 plates (44 1/4 x 28 x 22 inches) (22 5/8 x 32 7/8 inches) 2210 x 4572 mm (87 x 180 inches) Presented by the Hakuta Family Presented by the Hakuta Family Promised gift of Pamela J Joyner (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 and Alfred J Giuffrida (Tate Americas Foundation), 2013 Three Eggs 1975-1982 Matt Saunders 1932 – 2006 Lilian Harvey #1 2012 Nam June Paik 1932 – 2006 Video installation with closed circuit Can Car 1963 camera, Sony KV-4000 color Silver gelatin print on television receiver, emptied Sony fiber-based paper Coffee cans, wheels, electric motor KV-4000 color television receiver 57 7/8 x 39 3/4 inches 108 x 400 x 133 mm and 2 hens’ eggs Promised gift of Erica (4 1/4 x 15 3/4 x 5 1/4 inches) 1956 x 1220 mm (77 x 48 inches) and Alex Friedman Presented by the Hakuta Family Presented by the Hakuta Family (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013 (Tate Americas Foundation), 2013

30 31 Latin American Patricia Moraes and Pedro Barbosa North American *Massimo Marcucci Acquisitions Committee Catherine and Michel Pastor Acquisitions Committee *Lillian and Billy Mauer Catherine Petitgas *Liza Mauer and Andrew Sheiner Tiqui Atencio Demirdjian (Chair) *Robert Rennie (Chair) Isabella Prata and Idel Arcuschin *Nancy McCain Monica and Robert Aguirre *Carol and David Appel Frances Reynolds Della and Stuart McLaughlin Karen and Leon Amitai Jackie Appel Erica Roberts Marjorie and Marc McMorris Luis Benshimol Abigail Baratta Judko Rosentock and Oscar Stavros Merjos Billy Bickford Jr and Oscar Cuellar Dorothy Berwin and Dominique Levy Hernandez Gregory R Miller Estrellita and Daniel Brodsky Laurel and Paul Britton Guillermo Rozenblum Megha Mittal Carmen Busquets Dillon Cohen Lilly Scarpetta and Roberto *Shabin and Nadir Mohamed Trudy and Paul Cejas Pumarejo Matt Cohler Jenny Mullen Patricia Phelps de Cisneros Catherine Shriro *Beth Rudin De Woody *Elisa Nuyten and David Dime David Cohen Sitton Norma Smith James Diner Amy and John Phelan Gérard Cohen Susana and Ricardo Steinbruch Carla Emil and Rich Silverstein Nathalie Pratte HSH the Prince Pierre d’Arenberg Juan Carlos Verme Mrs Wendy Fisher Melinda B and Paul Pressler Patricia Fossati Druck Tania and Arnoldo Wald Amanda and Glenn Fuhrman Liz Gerring Radke and Kirk Radke Lily Gabriella Elia Juan Yarur Torres Victoria Gelfand-Magalhaes (Social *Laura Rapp and Jay Smith Fernanda Feitosa and Heitor Martins Member) Kimberly Ritcher Angelica Fuentes de Vergara Marc Glimcher (Social Member) Amie Rocket and Anthony Munk Mauro Herlitzka Pamela J Joyner and Alfred J Giuffrida *Donald R Sobey Yaz Hernandez Monica Kalpakian *Robert Sobey Rocio and Boris Hirmas Said Elisabeth and Panos Karpidas *Beth Swofford Anne-Marie and Geoffrey Isaac *Christian Keesee *Dr Diane Vachon Nicole Junkermann Anne Simone Kleinman and Thomas Christen and Derek Wilson Jack Kirkland Wong Alin Ryan Lobo *Celine Robitaille Lamarre and *Donor Fatima and Eskander Maleki Jacques Lamarre Becky Mayer Marjorie and Michael Levine Solita and Steven Mishaan James Lindon (Social Member)

Committees

32 33 Argentina Stefan Edlis and Gael Neeson Carla Emil and Rich Silverstein Alan Faena Mrs Doris Fisher Mrs Wendy Fisher Brazil Amanda and Glenn Fuhrman Andrea and Jose Olympio Pereira Kenny Goss Paulo AW Vieira Noam Gottesman Mimi and Peter Haas Fund Canada Andy and Christine Hall Mrs Susan Hayden Anonymous (1) Marlene Hess and James D Zirin Ms Ydessa Hendeles Pamela J Joyner and Laura Rapp and Jay Smith Alfred J Giuffirda Robert Rennie and Carey Fouks C Richard and Pamela Kramlich Jacqueline and Marc Leland Peru Mr Eugenio Lopez Nancy and Howard Marks Mario Testino Mr and Mrs Donald B Marron Diana Widmaier Picasso United States Robert Rennie and Carey Fouks Anonymous (1) Sir John P Richardson, KBE Gabrielle Bacon Michael S Smith Anne H Bass Norah and Norman Stone Nicolas Berggruen John J Studzinski CBE Olivier and Desiree Berggruen Mrs Marjorie Susman Frances Bowes David Teiger The Broad Art Foundation The Hon Robert H Tuttle and Mrs Maria Hummer-Tuttle Bettina and Donald L Bryant Jr Angela Westwater and David Meitus Melva Bucksbaum and Raymond Learsy Christen and Derek Wilson Richard Chang Michael Zilkha International Mr Douglas S Cramer and Mr Hubert S Bush III Venezuela Julia W Dayton Council Tiqui Atencio Demirdjian and Barney A Ebsworth Ago Demirdjian North and South American Members

34 35 Donors $100,000+ Laura Rapp and Jay Smith The Bryan Lourd Trust Nick and Alma Robson Foundation Fatima and Eskander Maleki Donations received Deborah Loeb Brice Foundation Lady Lynn Forester de Rothschild Becky and Jimmy Mayer between January 1, 2013 and The Daniel and Estrellita Brodsky Donald R Sobey The Nadir and Shabin Mohamed December 31, 2013 Family Foundation Juan Carlos Verme Foundation Council for Canadian American Yana and Stephen Peel Relations Christen and Derek Wilson The Jose Olympio Pereira Christina and John Chandris Charitable Fund James Chanos $25,000–$49,999 Melinda B and Paul Pressler Steven Cohen Karen and Leon Amitai Frances Reynolds Dr Kira and Neil Flanzraich The Annenberg Foundation Katherine and Kathy Sachs Noam Gottesman Artworkers Retirement Society The Fran and Ray Stark Foundation Maria and Peter Kellner Luis Benshimol Tania and Arnoldo Wald The Manton Foundation Debra and Leon Black Mr and Mrs Donald B Marron in honor of Estrellita Brodsky $10,000–$24,999 Catherine and Franck Petitgas and Pamela J Joyner Amy and John Phelan Laurel and Paul Britton Anonymous (2) The Zabludowicz Trust Cecia and Nicolas Cattelain Ghazwa Mayassi Abu-Suud Richard Chang Monica and Robert Aguirre $50,000–$99,999 Henry and Constance Christensen III The Annenberg Foundation in Honor Patricia Phelps de Cisneros of Elizabeth K Kabler Belstaff USA HSH the Prince d’Arenberg Carol and David Appel The Bowes Family Foundation Lily Gabriella Elia Jackie Appel Ella Fontanals-Cisneros Carla Emil and Rich Silverstein Karen Cawthorn Argenio Dior Friends of Heritage Preservation Tiqui Atencio Demirdjian and Mrs Doris Fisher Fund Ago Demirdjian Jeanne Donovan Fisher Angelica Fuentes de Vergara Maria Baibakova Amanda and Glenn Fuhrman Gagosian Gallery Abigail and Joseph Baratta Lydia and Manfred Gorvy Barbara Gladstone Gallery Cynthia Lewis Beck Agnes Gund Andy and Christine Hall Desiree and Olivier Berggruen Hayden Family Foundation Hauser & Wirth Dorothy Berwin and Dominique Levy Pamela J Joyner and Marlene Hess and James D Zirin Billy Bickford Jr and Oscar Cuellar Alfred J Giuffrida Marguerite Hoffman David Birnbaum Lisson Gallery Jewish Communal Fund Blessing Way Foundation Cindy and Howard Rachofsky Christian Keesee Charitable Trust Broeksmit Family Foundation Liz Gerring Radke and Kirk Radke Donors Reginald Van Lee Carmen Busquets

36 37 David Cohen Sitton Liza Mauer and Andrew Sheiner The Hon Ambassador Robert H Ronald and Rita McAulay Foundation Gerard Cohen Nancy McCain and Mrs Maria Hummer-Tuttle Nightingale Code Foundation Matt Cohler Marjorie and Marc McMorris Dr Diane Vachon Friedrich Petzel Gallery Columbus Foundation Della and Stuart McLaughlin White Cube Diana Widmaier Picasso Julia W Dayton Scott and Suling Mead Michael G and Jane Wilson Royce Pinkwater Beth Rudin de Woody Angela Westwater and David Meitus Lois & Andrew Zaro Family Thaddaeus Ropac Charitable Trust James Diner Stavros Merjos Dame Jillian Sackler Erica Drake Charitable Trust Gregory R Miller Carol Saper $5,000–$9,999 Patricia Fossati Druck Mr Rohan Mirchandani Marc Spiegler Barney A Ebsworth Solita and Steven Mishaan Nicolas Berggruen Norah and Norman Stone Shirley Elghanian Megha and Aditya Mittal Elena Bowes Michael Uva Mrs. Wendy Fisher Dr Kenneth Montague The Broad Art Foundation Paulo AW Vieira Johanna and Leslie J Garfield Jenny and Richard Mullen Alla and William Broeksmit Women’s Caucus for Art Emily Goldner and Michael Elisa Nuyten and David Dime Bettina and Donald L Bryant Jr Humphries Averill Ogden and Winston Ginsberg Melva Bucksbaum and $1,000–$4,999 Mauro Herlitzka Veronique Parke Raymond Learsy Stephanie Alemeiba Harriet Heyman and Michael Moritz Mrs Chandrika Pathak Alicia Bythewood Carolyn Alexander Rocio and Boris Hirmas Said Sydney Picasso Kemal Has Cingillioglu The Edward Ariowitsch Foundation Huo Family Foundation Azature Pogosian Coty and Audrey Wallrock Anne-Marie and Geoffrey Isaac Isabella Prata and Idel Arcuschin Helene and Michel David-Weill Cynthia Lewis Beck Pamela Johnston Nathalie Pratte Füsan and Eczacibaşi Jill and Jay Bernstein HRH Princess Firyal of Jordan Kimberly Richter Richard Edwards Daphne and Robert Bransten Nicole Junkermann Erica Roberts Jay Franke and David Herro Spencer Brownstone Monica Kalpakian Amie Rocket and Anthony Munk Brooke Garber Neidich in Jill Capobianco Elisabeth and Panos Karpidas Judko Rosenstock and Oscar honor of Glenda Bailey and Arlene and John Dayton Anne Simone Kleinman and Hernandez Sarah Jessica Parker Richard Edwards Thomas Wong Kareem and Dania Sakka Alexander Gray Jennifer Eldredge John S and James L Knight Lilly Scarpetta and Roberto Pumarejo Estate of Renée Granville Grossman Foundation Sharon Ergas The Search Foundation Mimi and Peter Haas Fund Celine Robitaille Lamarre and Amy and Vernon Faulconer Edward Siskind Yung Hee Kim Jacques Lamarre Lee Fennema Norma and David Smith C Richard and Pamela Kramlich Agnès and Edward Lee Lt Commander Paul Fletcher Robert Sobey Jacqueline and Marc Leland Jolana Leinson and Petri Vaino David Gordon Susana and Ricardo Steinbruch Galerie Lelong Arthur Levine Foundation Marjorie and Louis Susman Massimo Marcucci and The Philip James Lindon and Irene Toll Gage Foundation Alin Ryan Lobo Beth Swofford Magnan Metz Gallery Lillian and Billy Mauer David Teiger

38 39 Sir Ronald Grierson Under $1,000 Richard S Hamilton Stefan Edlis and Gael Neeson Caroline Hansberry Karen Freeman Katherine Ireland Larry Mathews and Brian Saliman Jeanne and Mickey Klein in honor of Pamela J Joyner John B Missing Dasha Shenkman Nina Moaddel Jennifer Smith Michelle Morphew Jacqueline M Stewart Melanie and David Niemiec Deborah Norton Donors of Works of Art Veronique Parke Lauren Prakke Rosamond Bernier Susanna Hong Rodzynek The Easton Foundation Susan and Elihu Rose Frayda and Ronald Feldman Amanda Sater Erica and Alex Friedman Sylvia Scheuer Victoria Gelfand-Magalhaes Jennifer Smith and Pedro Magalhaes Kimberly and Tord Stallvik Amy Gold and Brett Gorvy Taya Swiris The Hakuta Family John Townsend III Pamela J Joyner and Alfred J Giuffrida Gordon VeneKlasen Linda and Stephen Waterhouse Cheyenne Westphal

6 Chris Dercon, Elisabeth Karpidas and 1 2 Jessica Morgan

Events 12

10 11 42 43 Contribution categories Planned giving opportunities

Tate Americas Foundation welcomes For further information on bequests, gifts from individuals, foundations life income plans (in exchange for and corporations who wish to cash, marketable securities or other contribute towards the success of assets – including works of art), or Europe’s leading art institution. making a gift by credit card, wire Support may be given for general transfer, shares and stocks, projects or directed towards please contact: specific ones (including acquisitions, scholarship, exhibitions, capital Richard Hamilton projects, international programs Director or the endowment). Tate Americas Foundation 520 West 27 Street Unit #404 New York, NY 10001 Membership Tel: 212 643 2818 Fax: 212 643 1001 Support may be made on Email: [email protected] an annual basis, to one of Visit: www.tateamericas.org three membership schemes:

$1,000 Patron Please contact us or visit $15,000 North American www.guidestar.org if you Acquisitions Committee wish to see IRS Form 990. $15,000 Latin American Acquisitions Committee

Works of art

Support is welcomed from collectors who wish to strengthen Tate’s collection by making outright or fractional gifts in works of art. Please contact us, in the first instance, to allow us to confirm that Tate is able to accept your gift.