The Dillinger Escape Plan Irony Is a Dead Scene Mp3, Flac, Wma
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Coming out on June 14Th 2011
Coming out on June 14th 2011, new releases from Actors and Actresses, Geza X, Hardgirls, Kudrow, Naked Raygun, Slow Gherkin, The Holy Mess, The Preachers, The Saint Catherines, and The Tigermilks Exclusively Distributed by INDEPENDENT LABEL COLLECTIVE Actors & Actresses Street Date: We Love Our Enemy LP 06/14/2011 INFORMATION: Artist Hometown: Kansas City, MO For Fans Of: Low, Juno, Autolux, Swervedriver Actors&Actresses are a 3 piece from Kansas City, MO who mix synthetic, pre-recorded and organic sounds to produce alternately chilling backdrops and intense sequences of heavy post... whatever. While the stage presence of the band is relatively calm, the visual accompaniments filmed and edited by drummer Dave Sumner provide textural kinetics, without actually overpowering the complex rumble the band creates. Triggered samples and treated drum loops roil in the background, while the overpowering down-tuned bass ARTIST: ACTORS & ACTRESSES played by vocalist Scott Bennett bursts at the seams. Moving forward TITLE: WE LOVE OUR ENEMY and aft through the stereo field, Andrew Schiller’s guitars provide CAT#: Sheath028v eerie whines alternating with roaring walls of chords. The band can FORMAT: LP deftly move from a vast downpour to a quite intimate and delicate GENRE: shoegaze indie rock singularity, often within mere measures. The lean arrangements of BOX LOT: 12 the band’s material allow for the players to concoct a sound all their SRLP: $16.98 own yet deliver full sets of songs, each one sounding very different UPC: 798546267017 from the last. As record reviewers often note, it’s easy to hear where EXPORT: NO RESTRICTIONS A&A’s influences originate, but they’re somehow able to bring it all within their hazy machinery and make it all seem new again. -
The Dillinger Escape Plan Irony Is a Dead Scene Mp3, Flac, Wma
The Dillinger Escape Plan Irony Is A Dead Scene mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Irony Is A Dead Scene Country: US Released: 2002 Style: Math Rock, Hardcore MP3 version RAR size: 1524 mb FLAC version RAR size: 1127 mb WMA version RAR size: 1227 mb Rating: 4.4 Votes: 361 Other Formats: MIDI AU AA WMA AC3 AIFF MP4 Tracklist Hide Credits A1 Hollywood Squares A2 Pig Latin B1 When Good Dogs Do Bad Things Come To Daddy B2 Written-By – Richard D. James Credits Bass – Liam Wilson Drums, Percussion, Keyboards – Chris Pennie Engineer – Chris Badami Guitar – Brian Benoit Guitar, Keyboards – Benjamin Weinman Keyboards, Sampler – Adam Doll Mastered By – Alan Douches Mixed By – Steve Evetts Producer – Benjamin Weinman, Chris Pennie, Mike Patton Voice, Sampler, Percussion – Mike Patton Written-By – Mike Patton (tracks: A1 to B1), The Dillinger Escape Plan (tracks: A1 to B1) Notes Original pressing on orange transparent vinyl with black mix. Unknown copies made. One of a kind copy, or perhaps a few out of 100 orange copies got some black color mixed in from the black vinyl pressing. Release labels incorrectly state this record plays at 45rpm, however it plays at 33⅓rpm. Record housed in a PVC sleeve with printed paper insert serving as the front cover. with s fold creating a small flap which serves as the rear sleeve containing all release information. © & ℗ 2002. Manufactured and distributed by Lookout! Records. Barcode and Other Identifiers Barcode: 763361981110 Matrix / Runout (Hand-etched Runout Side A): BH-011-A "TOM WANTED -
Metal Obs' Numéro 38
Metal Obs’ numéro 38 - Mars 2010 Metal Obs’ n°38 - Mars 2010 MENSUEL METAL GRATUIT DISTRIBUÉ EXCLUSIVEMENT DANS LES MAGASINS FNAC RÉDACTEUR EN CHEF Geoffrey PAUFERT (Fnac Valenciennes) SECRÉTAIRE DE RÉDACTION Will «Of Death» HIEN RÉDACTION Will Of Death, Yazan «Yath» El Safadi, Gaetan Soleil, Olivier «Breizhjoker» Le Pan, Regis «min cousin» Van- denbussche, Lucie, Looner, Luna , Gilles «Der Kaiser» Kaeser, Jonathan Deladerrière, Charlélie Arnaud, Mathieu Saadati, Seigneur Fred, J-C Baugé. MAQUETTE: Geoffrey Paufert WEBMASTER : Jean-Noël Bonnaillie REMERCIEMENTS aux labels, à la FNAC et à tous les vendeurs metal, les chargés de communication FNAC, Mathieu Barville, Jean-Luc Muller, Charles-Henry Provost, Virginie Binard, Karine S., Sylvain F., Sabrina C.A., God for giving us the faith (non, on déconne) NOUS CONTACTER : [email protected] www.metalobs.com www.myspace.com/noiseweb Edité par H.I.M Media Régie publicitaire - HIM MEDIA n° de siret 502 909 344 000 17 [email protected] A l’occasion du retour de LOUDBLAST sur scène, raflez des t-shirts et des sweats issus du nouveau merchandising du groupe, en répondant à la question suivante : Quel était le titre de la première démo du groupe et son année de pa- rution ? Envoyez votre réponse par mail, en précisant nom et adresse à : [email protected] pour lui rendre hommage. Le son de Vision Of Splendor est particulièrement per- cutant et fin à la fois. Vous avez fait appel à R3myBoy de l’Ahddenteam pour le mixage et le mastering. Vous pouvez nous en dire un peu plus ? On a fait la connaissance de Rémy grâce à notre ancien bat- teur François au moment où on a décidé d’enregistrer l’al- bum. -
Pompeu Fabra University Master's Thesis Voice Transformations For
Pompeu Fabra University Master's Thesis Voice Transformations for Extreme Vocal Effects Author: Supervisor: Oriol Nieto Jordi Bonada Master's Thesis submitted in partial fulfillment of the requirements for the degree: Master's in Information Technologies, Communications and Audiovisuals September 14, 2008 Voice Transformations for Extreme Vocal Effects by Oriol Nieto is licensed under a Creative Commons Attribution-Non-Commercial-No Derivative Works 2.5 Spain License. http://creativecommons.org/licenses/by-nc-nd/2.5/es/ Abstract Extreme Vocal Effects in music are so recent that few studies have been carried out about how they are physiologically produced and whether they are harmful or not for the human voice [1][2]. Voice Transformations in real-time are possible nowadays thanks to new technologies and voice processing algorithms [3]. This Master's Thesis pretends to define and classify these new singing techniques and to create a mapping between the physiological aspect of each EVE to its relative spectrum variations. Voice Transformation Models based on these mappings are proposed and discussed for each one of these EVEs. We also discuss different transformation methods and strategies in order to obtain better results. A subjective evaluation of the results of the transformations is also presented and discussed along with further work, improvements, and working lines on this field. 4 Resum Els Efectes de Veu Extrems en la m´usica s´ontan recents que pocs estudis han estat portats a terme sobre com es produeixen fisiol`ogicament i si s´onrealment dolents per a les cordes vocals o no [1][2]. Les transformacions de veu a temps real s´onpossibles avui en dia gr`aciesa les noves tecnologies i als nous algoritmes de processament de veu [3].