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Loop: New Australian Video Art Education Resource Published by National Exhibitions Touring Support ((NETS) Victoria

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Loop: New Australian Video Art Education Resource Published by National Exhibitions Touring Support ((NETS) Victoria LOOPnew Australian video art A NETS VICTORIA TOURING EXHIBITION DEVELOPED BY HAMILTON ART GaLLERY education resource opposite: The Shape of Between 2006 still from DVD sound: Marcus Kaiser Hamilton Art Gallery Collection Courtesy the artist and Gallery Barry Keldoulis (Sydney) contents Teachers’ notes 05 Introduction to the exhibition 06 Starting points: Later years (level 8-10) 11 Middle years (level 5-8) 17 Early years (level 1-3) 21 Online resources 23 Glossary 25 teachers’ notes This education resource is intended as a Pre-viewing planning starting point for generating ideas and Before visiting Loop: new Australian video art it classroom activities before, during and is suggested that you contact gallery staff to after a visit to Loop: new Australian video determine the following: art and is intended to complement and be • Suitability of exhibition content and subject matter for the year level you plan to bring. used in addition to information provided • Whether staff are available to give an in the exhibition catalogue, gallery wall introductory talk. texts and on the NETS website <www. • Opening hours, transport and parking netsvictoria.org.au>. options, cloakroom facilities and whether admission fees apply. The resource includes an introduction to the exhibition, together with suggested Curriculum links points for discussion and practical This education resource draws upon the activities for early, middle and later interrelated and core strands of the Victorian years students. It is suggested that Essential Learning Standards (VELS) for The teachers select relevant sections of this Arts and selected learning outcomes of VCE Art and Studio Arts. resource to compile their own exhibition response sheet for students prior to their Aims planned visit. Through viewing the exhibition students are encouraged to: • Visually analyse and respond to media art works in the exhibition. • Explore the range of media and materials available to contemporary artists and how the way artists use media and materials may contribute to our understanding of their work. • Consider the issues of display, presentation and context involved in the presentation of contemporary video-based artwork. • Use works in the exhibition as a starting point for their own creative investigations. • Research the work of other artists (both contemporary and past) whose work engages with similar themes and ideas. 05 Introduction to the exhibition Artists Loop: new Australian video art showcases video > Daniel Crooks works by five contemporary Australian artists. > Shaun Gladwell As Daniel Palmer has observed: “Video is now > Jess MacNeil part of the practice of many, if not most, of > Arlo Mountford Australia’s best known contemporary artists.”1 > Daniel von Sturmer This exhibition aims to provide regional audiences with an introduction to this art form, Artists’ background which is rarely seen outside of metropolitan Daniel Crooks contemporary art spaces. The artists in Daniel Crooks was born in Hastings, New Zealand Loop: new Australian video art explore themes in 1973 and currently lives and works in Melbourne. including the body, space, time, urbanisation The artist is a graduate of the Auckland Institute of and art history through contrasting techniques Technology and the Victorian College of the Arts School of Film and Television. Crooks’ films and photography particular to the medium of video such as time have been exhibited both locally and internationally. manipulation, animation and image extension. Recent solo exhibitions include: Rijksakademie van The exhibition presents Jess MacNeil’s The Beeldende Kunsten, Amsterdam; Level 2 Project Space, Shape of Between (2006) and Opera House Steps Art Gallery of New South Wales, Sydney (both 2005), (2006); Arlo Mountford’s The Wanderer Meets the and Time Slice held at the Centre for Contemporary Pioneer (2006); Daniel Crooks’ Static No.9 (2005); Photography (CCP), Melbourne (2002). Daniel Crooks work was included in Primavera at the Museum of Shaun Gladwell’s Storm Sequence (2000) and Contemporary Art (MCA), Sydney in 2003. He was a Daniel von Sturmer’s Screen Test (sequence 1-4) resident artist at the Rijksakademie van Beeldende (2004). Kunsten, Amsterdam (2004–05) and at the Australia Council Studio, London, UK (2005). In organising this exhibition curator Daniel Daniel Crooks’ practice includes photography, digital McOwan was particularly interested in exploring media and installation. Using a range of techniques the convergences between painting and including stop-motion animation, time-lapse and time-based works and the ways in which the precision camera motion control Daniel Crooks breaks exhibiting artists’ interests or backgrounds down the conventional relationship between time and in painting had influenced and informed their space. His complex time structures reveal a sensibility video works. seemingly at odds with the ordinariness of the subject matter, including the motion of trams, trains, elevators and city pedestrians. Many of his video artworks explore As artists experiment with and extend the the boundaries of the medium itself. With Static No.9 (a possibilities of time-based mediums such as small section of something larger) the artist continues his video and film the terminology and language investigation into space and time incorporating slices of used to describe their work constantly shifts video footage of pedestrians and abstracting them into and changes as well. The term ‘new media’, shapes mimicking strands of DNA. which has previously been used to refer to Daniel Crooks is represented by Anna Schwartz Gallery. artworks incorporating video and film is no longer appropriate, as from the late 1950s Shaun Gladwell artists have been experimenting with these Shaun Gladwell was born in 1972 and grew up in time-based media. The more accurate term Sydney’s western suburbs. He completed an Honours ‘media arts’ is currently used to refer to video degree at Sydney College of the Arts, University of art and has been used as such in this resource. Sydney and postgraduate research at the College of Fine Arts (COFA), University of New South Wales. In 2001 he completed Associate Research at Goldsmiths College, University of London, and has since undertaken numerous residencies and commissions. His work has been exhibited in major national and international exhibitions. Gladwell’s works in performance, video, painting and sculpture are inspired by and critically engage personal history, memory, art history and contemporary culture. Gladwell has explored the relationship of the body in space and the culture of extreme sports (in particular the practice of skateboarding) in a series of works Linework (2000), Kickflipper: fragments edit (2000-03) 06 and Storm Sequence (2000). In Storm Sequence the artist executes a series of freestyle skateboard moves on a flat building provided the source material for the video work space of concrete above the crashing waves at Sydney’s Opera House Steps. In these, the artist has traced and iconic Bondi Beach. The slowed down footage of the delineated the figures and their various trajectories in skateboarder, shot slightly from below, is mesmerising opaque white paint. In Opera House Steps the artist has and hypnotic. Taking inspiration from British artist used digital manipulation to meticulously remove the William Turner’s sublime land and seascapes, the work physical forms of people using the steps, leaving only reflects on the romantic notion of the isolated artist. their shadows as evidence. The dramatic tension in the work builds as drops of rain appear on the camera’s lens; dark clouds gather on the On a recent stay in Varanasi, India Jess MacNeil filmed horizon; and the artificial ‘storm’ of electronic noise boats on the River Ganges at twilight. In The Shape created by sound artist Kazumichi Grime herald the of Between, the artist plays with time and focal point: imminent arrival of a storm. extending one hundred seconds of this original footage to almost thirteen minutes. The artist has slowed, and Shaun Gladwell is represented by Anna Schwartz looped the video: the four boats and their occupants Gallery. never complete their journey, which is circuitous and unending. Daniel von Sturmer Jess MacNeil is represented by Gallery Barry Keldoulis, Daniel von Sturmer was born in 1972 in Auckland, New Sydney. Zealand. He completed a Bachelor of Arts in Fine Arts in 1996 and a Master of Arts (by Research) in 1999, both at RMIT University, Melbourne. Further studies were Arlo Mountford undertaken at the Sandberg Institute, Amsterdam, Arlo Mountford was born in 1978 in Honiton, Devon, Netherlands in 2002-2003. The artist has exhibited in United Kingdom. He arrived in Australia in 1983 and numerous group and solo exhibitions both nationally lives and works in Melbourne. He completed a Diploma and internationally; some of his most recent exhibitions of Fine Art at the Western Australian College of Art, include: Screen Test, Dunedin Public Art Gallery, Design and Multimedia, Perth in 1998 and a Bachelor of Dunedin, New Zealand (2004); A Molecular History of Fine Art (Sculpture) at the Victorian College of the Arts Everything, Australian Centre for Contemporary Art, (VCA) in 2002. Since 2001 he has held solo exhibitions Melbourne (2004); and Material From Another Medium, at artist run spaces and group exhibitions in Australia, Centre for Contemporary Photography, Melbourne most recently his work was included in 21st Century (2001). Daniel von Sturmer was one of three artists to Modern, the 2006 Adelaide Biennale of Art at the Art represent Australia at the 52nd Venice Biennale, 2007 Gallery of South Australia and Imagine…the creativity with his exhibition in the Australian Pavilion, The Object shaping our future at Heide Museum of Modern Art, of Things. Melbourne (2006). Arlo Mountford was awarded the 2002 ‘ANZ Award’ as a result of his participation in Daniel von Sturmer is known for his ‘experiments Proud at the Victorian College of the Arts. He held a with space’. His video installations and architectural studio residency at Gertrude Contemporary Art Spaces, interventions confound the viewer’s sense of space, Melbourne in 2003.
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