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História:Georg Friedrich Händel 1685–1759

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História:Georg Friedrich Händel 1685–1759 Rozhovor: N. Hržková : Na Slo- vensku vyzerala „normalizácia“ na pohōad veōmi humánne / Jazz: Kapitoly z dejín jazzového klavíra VII. McCoy Tyner, Rozhovor: 2009 2,16 € 65,- Sk J. Abercrombie / Hudobné diva- 10 ROČNÍK XLI dlo: Hry o Márii B. Martinĝ História: Georg Friedrich Händel 1685–1759 obalka mont.indd 2-3 18. 11. 2009 0:30:55 obalka mont.indd 4-5 18. 11. 2009 0:31:06 OBSAH Editorial Obsah Vážení žitatelia, Spravodajstvo, koncerty,y, festivalfestivalyy Slovenská lharmónia, Symfonickýký orchester Slovenského rozhlasu, ŠKO Žilina, v novembri si na Slovensku N. Hržková RRevúckeevúvúckeúckke auaugustovégustovéustové koncerty,koncertykooncn errty rozhovor rozhovor s prof.rof MilanomMili aanom TTurkovTurkoviurko iſoomm – sstr.tr. 2 pripomíname 20 rokov od pádu Železnej opony. MiniproMinipropro l Dôvodov na oslavu nie je Máriaáriaáia PoruPorub Po b žinováiniáová – str.str.r. 5 veōa. „V slovníku nielen propagandistov a agitátorov Folklóro ó a demagógov, ale tzv. RudolfRudolf PatrnPatrnžiakiaak – píšíšħalkáralkáár z TerchovejTerchoh vev j – str.str. 9 reprezentantov spoložnosti chýbajú opä základné pojmy G. F. Händel ħ Rozhovorozhovo o a kategórie ōudskej existencie, Chcem vytvori podmienkyky pre trvalýý rast kvalityy – rozhovor s novýmvý riadite om ako dobrožinnosħ, empatia, ħ ō solidarita; žesħ a svedomie – ŠKO Žilina Vladimírom ŠalagomŠalag o dôstojnosti a slušnosti ani Naa Slovensku vyzerala „normalizácia“ na pohōad veōmi humánne – rozhovorrozhovo nehovoriac,“ stanovil už v roku s mumuzikologiuziikkoolol gi žkoukou prof.prof. NaNaŵou HrHržkovoukok vov u E. SczepaSczepe aņskaska - LangeLang – str.str. 1010 1995 v predhovore ku knihe Hudba a pravda nelichotivú J. Abercombie HistóriaHistórió a diagnózu „novej“ spoložnosti Il Caro Sassone – G. F. Händel ädl v Taliansku TaliansTli k P. Zají ajjíížek – str.str. 14 skladateō Roman Berger. Pragmatizmus, skepsa, rezignácia, sebaōútosħ, Hudobnéob é divadlodivadld ad o pokrivené hodnoty a zlé medziōudské vzħahy sú HryHry o MáriiMáriii bezbez kulískuulíís a kostýmovkostýmov P. UngerUnger – str.str. 1717 ešte stále v mnohých prípadoch dozvukmi obdobia Bravoavov pre BoccanegruBoccanBoccaneBoccanegrg u – str.str. 1818 pred rokom 1989, ktoré bolo fatálnym i pre hudbu. O normalizácii, požas ktorej režim nižil Zahrania žieie ōudí, o „ostrovoch slobody“, akými boli v Poōsku Ostravskéravskév é dny y 200920 2 09 – str.str. 19 19 Varšavská jeseŅ a na Slovensku Smolenické BerlinererlineriFti Festspiele Festspielp semináre, si môžete prežítaħ v rozhovore Zürich:Züüürich:rich: MojžišM ojžiš v maskám askážoch,oochch faraónfa araón prip ri sporákusps sporáporáákuk – str.str. 2222 s muzikologižkou profesorkou Naŵou Hržkovou, Drážážŵany:y:: Verdi v SemperovejSemperov ej opereooperp jednou zo zakladajúcich osobností festivalu ÚtržkyÚtržÚ ržkyžkky notového tvého éh papierapaappiera iera alebo Kto bol Walter Kaufmann?Kaufma A.A. SchindlerSchindleri – str.str. 24 Melos-Étos. Nádej, že prekonanie tejto spoloženskej traumy JazzJazz nebude trva biblických 40 rokov, dávajú ħ Kapitolypitolyit l z dejín dej jíí jazzovéhoj vého éh klavíraklav kl í VII. – McCoyy TynerTyTyne M. TóthTóóth – str.str. 2626 projekty mladých hudobníkov. Napríklad tých, IvanIvan PoledPooledŅákák (1931–2009) (19311931–2 2009)009) / Jesenný Jesenn ý jazzj azz ktorí v Slovenskom rozhlase uviedli zažiatkom Pohodaohoda JohnaJ Abercrombieho Abercrombiehi októbra kompozíciu Mira Tótha Pašie Štefana H. „Kultúra je ‚Ariadnina niħ, uržujúca smer k Transcendencii,“ píše tiež vo svojej knihe Roman V zrkadle žasu...asu... Berger. Musíme sa ju snažiħ sledovaħ. violonviolonilo oonželistaelis st ta Richardic a d VandraVaVanddra L.. DohnalováDohnaloo allováá – str.str. 323 Príjemné žítanie praje źo ppoožúva...úva... Andrej Šuba Patríciaat ící ia ElexováEle Elexová – str.str.r. 3535 RecenzieRecenzice e – str. 3636 Kam/kedy,m/kedy, InformácieInformácie – str. 4040 Hudobný život • Vychádza v Hudobnom centre, Michalská 10, 815 36 Bratislava Distribúcia a marketing: Rút Veselová (tel: +421 2 59204846, fax: +421 2 59204842, [email protected]) • Adresa redak- Zapísané v zozname periodickej tlaže MK SR pod ev. žíslom EV 3605/09 cie: Michalská 10, 815 36 Bratislava 1, www.hudobnyzivot.sk • Gra cký návrh: Peter BeŅo • Tlaž: Patria I., spol. s.r.o. Redakžná rada: Boris Lenko, Alžbeta Rajterová, Igor Wasserberger, Vladimír Zvara • Rozširuje: Slovenská pošta, a.s., Mediaprint-Kapa a súkromní distributéri • Objednávky na predplatné prijíma každá Šéfredaktor: Andrej Šuba – Spravodajstvo, História (tel: +421 2 59204845, 0905 643 926, pošta a doružovateō Slovenskej pošty, alebo e-mail: [email protected] • Objednávky do zahranižia vybavuje Slovenská [email protected]) pošta, a.s., Stredisko predplatného tlaže, Uzbecká 4, P.O.BOX 164 , 820 14 Bratislava 214, e-mail: zahranicna.tlac@slposta. Redakcia: Robert KoláĶ – Spravodajstvo, Skladba mesiaca, Recenzie CD, DVD, knihy (kolar@ sk Objednávky na predplatné prijíma aj redakcia asopisu. Používanie novinových zásielok povolené RPPBA Pošta 12, hc.sk) Peter Moty ka – Jazz, Minipro l, o po úva ([email protected]) ž ž ź ž d a 23. 9. 1993, . 102/03. • Indexové íslo 49215. ISSN 13 35 41 40 • Obálka: L. Raj anová • Výtvarná spolupráca: Externá redakžná spolupráca: Andrea Serežinová – Hudobné divadlo, Zahranižie Ņ ž ž ž Jazykové redaktorky: Dorota Balcarová, Eva Planková Lenka Rajžanová • Názory a postoje vyjadrené v uverejnených textoch nie sú stanoviskom redakcie. Redakcia si vyhrad- zuje právo redakžne upravovaħ a krátiħ objednané i neobjednané rukopisy. Texty akceptujeme len v elektronickej podobe. • Vyhōadávaħ v dátach uverejnených v tomto žísle môžete na adrese www.siac.sk 1 obsah.indd 1 17. 11. 2009 23:32:02 REAKCIE Bratislavský chlapženský zbor (zbormajsterka Magdaléna RovŅáková) spoluúžinkoval 20. 9. AD HŽ 9/2009: javovala sa u neho neistota v presved- zúžastnil, i keŵ by bol možno jediným v Hamburgu pred dvojtisícovým Štátna lharmónia Košice – 40 rokov hudby žení o správnosti vlastných názorov, uchádzažom. Pravdou však je, že k re- auditóriom v Brittenovom Vojnovom zažalo mu to v ožiach orchestra uberaħ gulérnemu konkurzu na post koncert- rekviem spolu s Hamburger Vážená redakcia, na autorite s žím boli samozrejme spo- ného majstra v štátnom orchestri, kde Symphoniker a so sólistami, medzi rád by som zareagoval na žlánok jené ŵaōšie negatíva jeho pôsobenia. Po by bolo normálne, že šancu dostanú aj ktorými bol i slávny britský tenorista Lýdie Urbanžíkovej, ktorý napísala odchode L. Slováka získal R. Zimmer iní uchádzaži a miesto získa najlepší z John Mark Ainsley. Dielo naštudoval pri príležitosti 40. výrožia založenia (na požudovanie mnohých) post šéfdi- nich, nikdy nedošlo. [...] Jeú rey Tate, nový šéfdirigent orches- orchestra Štátnej filharmónie v Koši- rigenta. Okrem iného to bola i „z núdze tra. Nemecká kritika opísala výkon ciach. Autorka, ktorá vyštudovala de- cnosħ.“ Predovšetkým to však bol jeden Súhlasiħ možno s tým, že v histórii slovenského zboru ako „krištáōovo jiny hudby, vie sama najlepšie, akou z viacerých omylov v živote ŠfK a trval ŠfK sa striedali víħazstvá s porážkami. žistý a presný“. dôležitou je pre históriu presnosħ a dlhých 5 rokov. R. Zimmer nebol na Nemožno však porážky vyhlasovaħ (hž) pravdivosħ – najmä v detailoch, od tento post zrelý vtedy, nedorástol naŅ za svetlé momenty a úspechy. Vŵa- ktorých sa neskôr môže mnohé od- ani nikdy potom. źomu autorka v tom- ka tomu, že patriotmi orchestra sme Bratislavské gitarové kvarteto víjaħ. Je pre mŅa preto nepochopi- to kontexte hovorí „posun v interpre- boli všetci, ktorí sme ho zakladali a (M. Slobodník, M. Tomašoviž, teōné, že sú v žlánku „nepresnosti“, tažných nárokoch na orchester“, tomu iste i mnohí z tých, ktorí prišli neskôr R. Krajžová, M. Krajžo) sa v októbri ktorých sa dopúšħajú ōudia nein- pamätníci z pódia hovoria v lepšom (a teda nielen tí, ktorí vŵaka svojim predstavilo na koncertoch v nemec- formovaní alebo tí, ktorí z rôznych prípade žalostná stagnácia. Prežudes- dnešným postom dostávajú priestor v kom Wuntsorfe a v Hannoveri. Medzi dôvodov majú problémy povedaħ, ne potom vyznieva priradenie Zimmera médiách a pri každej príležitosti to o predvedenými dielami bola i Sonata že „žierne je žierne a biele je biele“. k menám JiĶího Bůlohlávka a Stanislava sebe opakujú), vedeli sme i po poráž- da camera Ladislava Kupkoviža. V žlánku sa píše, že zásluhou riaditeōa Macuru. O pánovi Koutníkovi si tiež kach vstaħ a pustiħ sa opäħ s chuħou (hž) Júliusa Kleina bol zápas o Dom ume- nemyslím, že niežo niekam posunul, do práce. Napriek tomu sa neviem ani nia ako stále sídlo ŠfK, dovedený do ale to je už môj súkromný názor... dnes mlžky preniesħ ponad vyhlásenia, Uplynulý mesiac oslávila významné úspešného konca. Záleží samozrej- ktoré za svetlé momenty oznažujú aj životné jubileum klaviristka Helena me na uhle pohōadu. Z toho môjho, Ukážkou prerábania histórie je i žasħ, oné omyly a zlyhania, pretože sa jed- Gáú orová (1914). Študovala na ak vezmeme do úvahy detail, že celá kde pani Urbanžíková tvrdí, že sa mu- ná o úželové dezinformácie a pokusy Mestskej hudobnej a organovej kauza sa k dnešnému dŅu ešte stále zikológ a prvý riaditeō ŠfK Dr. źížek so o prispôsobenie histórie kohosi pred- škole v Bratislave u Š. Németha- nachádza na súde, sa mi tvrdenie šéfdirigentom B. Režuchom a prvým stavám... Ak pripustíme tento spôsob Šamorínskeho, na Lisztovej akadémii p. Urbanžíkovej javí ako dezinfor- koncertným majstrom Karolom Pet- deformovania histórie, hoci len v zdan- v Budapešti a súkromne u B. Bartóka. mácia. Ak sa však raz stane, žomu róczim podujali postaviħ
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