Venice and the Rhino a Symposium Saturday, 24 November 2018

Total Page:16

File Type:pdf, Size:1020Kb

Venice and the Rhino a Symposium Saturday, 24 November 2018 Beauty and the Beast: Venice and the Rhino A Symposium Saturday, 24 November 2018 PROGRAM A world without rhinos and a world without Venice is unimaginable. And yet both Venice and the Rhinoceros have become victims of their desirability and objectification as luxury objects – both consumed without discrimination by an ever- expanding consumer class. This shimmering city and magnificent beast might seem an unlikely pairing. However, not only are both threatened with extinction in the face of unfettered consumption, but the rhinoceros is embedded emblematically in the city: Marco Polo provided one of the earliest descriptions of the Sumatran rhinoceros; a rhino is portrayed in an ancient mosaic in the heart of the city’s basilica; and a visiting rhinoceros to the city is commemorated in a famous eighteenth-century painting by one of Venice’s great artists. The symposium brings together an international group of artists, conservationists, poets, writers, and historians, who together will explore the often surprising intersections between these two endangered objects of mass luxury consumption. The recent and artificial construction of rhino horn as a unique object of desire will be placed within its longer history; the tale of Clara the rhino in Venice will be elucidated; the artists contributing to the exhibition will be introduced; and the complex threads involved in the mass tourism market of Venice with its destructive consequences on one of the world’s most beautiful of cities will be unraveled. Catherine Kovesi Organiser and Curator emporium.org.au This free and public symposium, which contextualises and launches the accompanying exhibition ‘Rhinoceros: Luxury’s Fragile Frontier’, examines the paradoxical magnificence and fragility of both Venice and of the Rhinoceros. SYMPOSIUM 24 November, 2018 Palazzo Contarini Polignac EXHIBITION 24 November - 21 December, 2018 Magazzino Gallery, Palazzo Contarini Polignac Registration is required to attend the symposium Symposium Program and place numbers are limited. Register via Eventbrite: eventbrite.com.au > beauty-and-the- beast-venice-and-the-rhino-a-symposium 09.30 Registration and Coffee Bikem de Montebello Welcome to the Palazzo Contarini Polignac 10.15 Managing Director, Palazzo Contarini Polignac Ronna Bloom The Night the Rhinos Came: Poems of Fragility I 10.30 Poet in Residence, Sinai Health Toronto Catherine Kovesi Introduction. Luxury’s fragile frontiers + how a symposium 10.45 University of Melbourne came about… Jane Da Mosto Venice: A Fragile and Resilient City 11.15 Executive Director, We are here Venice 11.45 Coffee Break Lynn Johnson Reinventing Magnificence: status from contribution 12.15 Founding Director, Nature Needs More 12:45 Lunch Break Ronna Bloom The Night the Rhinos Came: Poems of Fragility II 13.45 Poet in Residence, Sinai Health Toronto Glynis Ridley Keynote. One of a Kind: Clara the Rhinoceros in eighteenth- 13.50 University of Louisville century Venice and the tale of a missing horn Sophie Bostock Clara in Qatar: The story of a Meissen porcelain 14.45 Orientalist Museum, Qatar Bruno Martinho Rhino horns and scraps of unicorn: The sense of touch 15.00 European University Institute and the consumption of rhino horns in early modern Iberia 15.30 Coffee Break Catherine Kovesi Gigi Bon: Her Oeuvre, her Wünderkammer, and how Venice 16.00 (with Gigi Bon) became a Rhino Sabrina Ardizzoni Shih Li-Jen: His Oeuvre, and his vision of the rhino and 16.30 University of Bologna unfettered consumption Ronna Bloom The Night the Rhinos Came: Poems of Fragility III 17.00 Poet in Residence, Sinai Health Toronto 17.30 Drinks and a Vernissage Rhinoceros: Luxury’s Fragile Frontier Welcome to the Palazzo 10.15 Contarini Polignac. Winnaretta – Edmond and Love for Venice Bikem de Montebello Biography Managing Director Bikem de Montebello has degrees in Political Science from Palazzo Contarini Polignac Bosphorus University, and in Fashion from Parsons School of Design in Paris. She completed her Masters in International The American-born Winnaretta Singer (1865-1943), Relations at Johns Hopkins University SAIS Bologna Center, daughter of Isaac Singer (inventor of the mass-produced and has a MSc in Luxury Management from Sup de Luxe, sewing machine), married Prince Edmond de Polignac, a Paris. She worked for many years marketing cosmetics, in composer of music, in 1893. In 1900 Winnaretta bought the international brand management and product development fifteenth-century Palazzo Contarini, on the Grand Canal, as a for brands/companies such as Nivea, La Prairie, Lancôme birthday gift for Edmond and hence the Palazzo’s combined and Biotherm in Paris, Zurich, and Hamburg. She has taught name - Contarini Polignac. Living between Venice and the history of fashion at Esmod fashion school and Bilgi Paris, Winnaretta was a well-known patron of the arts, University, Istanbul. Currently she is managing a fifteenth- sciences, and letters, first together with her husband, and, century palazzo, Palazzo Contarini Polignac, in Venice. after his death in 1901, continued to use her fortune to benefit these fields. In her welcome address, Bikem will briefly outline Winnaretta’s extraordinary contributions to the cultural life of the city of Venice and the ways in which this palace was to become an indispensable and very active outpost of her salon in Paris, a celebration of her love for Edmond and their mutual love for Venice – the fragile city. For more www.palazzocontarinipolignac.com/ Introductory: Luxury’s 10.45 fragile frontiers + how a symposium came about Catherine Kovesi Biography Organiser and Curator Catherine Kovesi is an historian of early modern Italian University of Melbourne History at the University of Melbourne, with an especial research focus on debates surrounding luxury consumption This symposium and accompanying exhibition were born in the early modern world. In 2013-15 she was an from a series of wondrous encounters in the city of Venice international partner in the Leverhulme Trust-funded and beyond with three remarkable people: the Venetian research network: ‘Luxury and the Manipulation of Desire: artist Gigi Bon, the Taiwanese artist Shih Li-Jen, and the Historical Perspectives for Contemporary Debates’. Her British-born Australian-based wildlife conservationist Lynn forthcoming edited book Luxury and the Ethics of Greed in Johnson. In this paper I outline these encounters and the Early Modern Italy (Brepols, 2018) derives from this research ways in which all three protagonists through their divergent collaboration. She has published widely on sumptuary law, on work interrogate a burning issue of our day, namely the luxury consumption in Italy more broadly, and on the social, impact of unregulated desire and consumption on two of political and religious life of Florence and Venice in particular. our most ancient and seemingly enduring world treasures: She is currently working on the spending habits, and artistic the 1500-year-old city of Venice and the 50 million-year- and religious patronage networks of the seventeenth- old rhinoceros. Both this beautiful city, and this mighty beast century Venetian Doge Leonardo Donà dalle Rose. She has share an unexpected dilemma of fragility in the modern age been bringing students from the University of Melbourne to of consumption, and both are facing grave threats to their Venice since 2007. longevity. Luxury has a long and not entirely reputable past, and this paper also outlines this longer history of luxury, and that of its more distinguished counterpart - magnificence. These two concepts in the longue durée provide the context for the rich and varied papers and interventions for the day. For more https://findanexpert.unimelb.edu. au/display/person4916 10.30 The Night the Rhinos 13.45 Came: Poems of Fragility, 17.0 0 I + II + III Ronna Bloom Biography Poet in Residence, Sinai Ronna Bloom is the author of six books of poetry. Her most Health; Poet in Community, recent book, The More (Pedlar Press, 2017) was longlisted for the 2018 City of Toronto Book Award. Ronna’s poems University of Toronto have been recorded by the Canadian National Institute for the Blind, translated into Spanish and Bengali, and have been For this project in Venice, Ronna will write and present used in the work of filmmakers, doctors, academics, spiritual poems that reflect on fragility, loss, and the possibilities leaders, and architects. of contact, empathy, and salvage through presence. Ronna is currently Poet in Community at the University of Toronto and Poet in Residence in the Sinai Health System. In these roles, she offers health care professionals, students, patients, and visitors opportunities to articulate their experiences through writing and poetry. Her Spontaneous Poetry Booths and Prescriptions for Poetry have appeared in hospital waiting rooms, bookstores, fundraisers and arts events in Canada and abroad. Since Ronna’s first visit in 2015, she has returned to Venice four times, feeling an urgency to understand and connect to the place through writing and presence. For more https://ronnabloom.com Venice: A Fragile 11.15 and Resilient City Jane da Mosto Biography Executive Director, we are Jane da Mosto trained as an environmental scientist here Venice (MA, Oxford University, M. Phil. Imperial College London) and gained international experience as a consultant on Venice is a paradoxical city built right in the middle of sustainable development. After working in London in a dynamic and unstable coastal lagoon system yet it management consultancy
Recommended publications
  • Clara: a Brief Biography
    Clara: A Brief Biography In a culture awash in instant and global access to information and images, it’s difficult to imagine the impact that a female Indian rhinoceros could have had on 18th-century Europe. But during her 17 years touring the continent, everyone wanted to make her acquaintance. Miss Clara, as the hefty quadruped would affectionately come to be known, was the Age of Enlightenment’s equivalent of a modern day rock star. In 1738, Jan Albert Sichtermann, a director of the Dutch East India Company adopted a one-month-old female rhino from the Assam region of India. She spent her first two years at his family’s estate near present-day Calcutta. Although quite tame—she was allowed to roam throughout the house and would often amuse dinner guests with her table skills—she would soon grow too large to be in the house without causing damage. Dutch sea captain Douwemout Van der Meer of the Dutch East India Company acquired the young rhino when she was about three years old. After a seven-month sea voyage around Africa, Van der Meer and his rhino arrived in the Dutch port of Rotterdam in July of 1741. She was stabled and pastured in Leiden and Amsterdam and exhibited in the Netherlands for several years before she made her first trip abroad to Hamburg, Germany in 1744. Known as the “Dutch” Rhino, she acquired her nickname “Miss Clara” four years later when she visited the German town of Würzburg in August 1748. Caring for a growing rhino on the road—at the age of eight she weighed nearly 5,000 lbs.
    [Show full text]
  • TFO Tour 2017
    Tongyeong Festival Orchestra European Tour 2017 Celebrating the 100th Anniversary of Isang Yun (1917-1995) 23 September to 2 October 2017 Program Maurice Ravel: Le Tombeau du Couperin Isang Yun: Violin Concerto No. 3 (1992) Isang Yun: Harmonia (1974) Maurice Ravel: Ma Mère l´oye (Ballett) Clara Jumi Kang Violin Tongyeong Festival Orchestra Heinz Holliger Conductor Inquiries: Tongyeong International Music Foundation www.timf.org [email protected] Tongyeong Festival Orchestra Following the example of Lucerne, Switzerland, Tongyeong Festival Orchestra (TFO) was created to enhance the musical spectrum of the Tongyeong International Music Festival, and to serve as an artistic ambassador for Tongyeong City, a UNESCO Creative City of Music. Since the festival’s first edition in 2002, TIMF has been striving to assemble highly qualified musicians in order to build its own ensemble. In 2011, then Alexander Liebreich initiated a collaboration of musicians from Ensemble TIMF with the Munich Chamber Orchestra, thus for the first time building a truly international Festival Orchestra. From then on, the group was assembled annually, performing at home and abroad. At the opening of the new Tongyeong Concert Hall in 2014, TFO was again led by Alexander Liebreich and included musicians from Ensemble TIMF, Polish National Radio Orchestra of Katowice, and from major international symphony orchestras, such as NDR Hamburg, Munich Philharmonic, Kremerata Baltica, Osaka Philharmonic, Melbourne Symphony and Sydney Symphony Orchestra. In 2015, TFO truly became a musical centerpiece of the Tongyeong International Music Festival. Following the festival theme „Voyages“, the orchestra went abroad to play in Japan and China. Performing together with violinist Gidon Kremer and German conductor Christoph Poppen, the orchestra consisted of musicians mainly from Korea, Japan and China to create a musical bridge between the three countries.
    [Show full text]
  • 0Fzvu [Download Free Pdf] Clara: the (Mostly) True Story of the Rhinoceros Who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone
    0fzvu [Download free pdf] Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a Online [0fzvu.ebook] Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a Pdf Free Emily Arnold McCully audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #80130 in Books McCully Emily Arnold 2016-06-07 2016-06-07Original language:EnglishPDF # 1 11.88 x .39 x 9.75l, 1.25 #File Name: 055352246948 pagesClara The Mostly True Story of the Rhinoceros Who Dazzled Kings Inspired Artists and Won the Hearts of Everyone Wh | File size: 78.Mb Emily Arnold McCully : Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a before purchasing it in order to gage whether or not it would be worth my time, and all praised Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a: 0 of 0 people found the following review helpful. Five StarsBy MishellyMy daughter loves this! Such a. Cute story and the pictures are so elegant!0 of 0 people found the following review helpful. Five StarsBy CustomerIt will be a nice gift for our grandchildren. Glad I discovered it.0 of 0 people found the following review helpful.
    [Show full text]
  • Archbp. = Archbishop/Archbishopric; B
    Cambridge University Press 978-0-521-88909-4 - German Histories in the Age of Reformations, 1400-1650 Thomas A. Brady Index More information Index Abbreviations: archbp. = archbishop/archbishopric; b. = born; bp. = bishop/bishopric; d. = died; r. = reigned/ruled Aachen, 89, 207, 252, 303, 312 Albert V ‘‘the Magnanimous’’ (b. 1528,r. absolutism, 7. See also European imperial 1550–79), duke of Bavaria, 294 nation-state Albert ‘‘the Stout-hearted’’ (1443–1500), duke academies: Bremen, 253; Herborn, 253, 279 of Saxony, 244 Acceptance of Mainz, 92n13 Albertine Saxony. See Saxony, Albertine acculturation, 289n101 Alcala´de Henares (Castile), 210 accumulation, benefices, 57n25 Alexander VI (r. 1492–1503), pope, 144 Adalbero (d. 1030), bp. of Laon, 29–30, 34, 49 Alexander VII (r. 1655–67), pope, 401n83, 410 Admont, abbey (Styria), 81 Alfonso I (b. 1396,r.1442–58), king of Naples, Adrian VI (r. 1522–23), pope, 145n63, 208 93 AEIOU, 91 Allga¨u, 193 Agnes (1551–1637), countess of Mansfeld- alliances, confessional: Catholics 1525, 215; Eisleben, 365 League of Gotha 1526, 215; Protestants 1529, Agricola, Gregor, pastor of Hatzendorf 216; Swiss cities with Strasbourg and Hesse (Styria), 344 1530, 217. See also Smalkaldic League Agricola, Johannes (1494–1566), 39 Alsace, 18, 23, 190; religious wars, 239; Swabian agriculture, 31 War, 119 Agrippa of Nettesheim, Cornelius (1486–1535), Alt, Salome (1568–1633), domestic partner of 54n10 Archbp. Wolf Dietrich von Raitenau, 306 Ahausen (Franconia), 368 Alte Veste, battle 1632, 382 Alba, duke of, Francisco Alvarez de Toledo Altenstetter, David (1547–1617), goldsmith of (1507–82), 238n41, 250n80 Augsburg, 332 Alber, Erasmus (1500–53), 264, 281 Alto¨ tting, shrine (Bavaria), 286 Albert (b.
    [Show full text]
  • From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire
    Cornelia Aust From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire Abstract: This article examines the different styles of attire that had emerged by the eighteenth century among Jews in Poland and German-speaking lands. It ar- gues that Jews in both regions developed their attire from older styles of dress that had fallen out of fashion among German burghers and Polish noblemen, re- spectively. Nevertheless, the distinguishability of Jews and Christians and distinc- tions among Jews according to social status, gender, and geographic origin were never clear-cut issues. Picturing a Hasidic Jew in Jerusalem or New York today, with a long black coat, a silk or satin caftan on Sabbath, and a black (fur) hat, many believe that this or similar attire has been the typical dress of (East European) Jews throughout time.1 However, dress and appearance have always undergone continual change and are a rather fluid marker of identity and belonging. Though Jewish law traditionally prescribes that Jews be distinguishable from their non-Jewish neighbors, and Christian and Jewish authorities have since the thirteenth century explicitly stipulated distinctive dress, such normative prescriptions do not allow for the conclusion that Jewish men and women have always been recognizable by their dress. Likewise, the fact that Jews were sometimes forced to wear distinctive signs does not mean that they were other- wise invisible as Jews or could pass as Christians when not wearing a discrimi- natory sign.2 Nevertheless, by the end of the eighteenth century there seems to have been a clear sense of a “Jewish attire”.
    [Show full text]
  • Two Portraits of the Prince Ladislas-Sigismund Vasa from the Collections in Wawel Castle Re-Examined
    Rocznik Historii Sztuki, tom XXXVII PAN WDN, 2012 KATARZYNA KRZYŻAGÓRSKA-PISAREK INDEPENDENT ART HISTORIAN LONDON TWO PORTRAITS OF THE PRINCE LADISLAS-SIGISMUND VASA FROM THE COLLECTIONS IN WAWEL CASTLE RE-EXAMINED INTRODUCTION This article aims to re-evaluate the existing evidence concerning the attribution and provenance of the two portraits of the Polish Prince Ladislas-Sigismund (1595–1648), later King Ladislas IV, formerly ascribed to the Flemish master Peter Paul Rubens, and now to his workshop and his school or circle respectively. Both pictures are at present in the Wawel Castle in Cracow, and are the two most important works associated with Rubens and his studio in Poland. As both paintings originally came from British collection, so they might benefit from being reviewed from this perspective. The first one is a half-length (to the knees) portrait on long-term loan from the Metropolitan Museum, New York1, described there as workshop of Peter Paul Rubens, Ladislas-Sigismund IV, King of Poland, c. 1624, oil on canvas, 49¼ ϋ 39¾ in. or 125.1 ϋ 101 cm, Inv. n. 29.100.13 (fig. 1). The second one is a full-length equestrian portrait by the school or circle of Rubens, Ladislas-Sigismund, Prince of Poland on horseback, after 1624, oil on canvas, 259 ϋ 185.5 cm, Wawel Castle, Cracow, State Collection of Art, Inv. n. 6320 (fig. 3). Later known as King Ladislas IV, the Polish Prince was the son of the King Sigismund III Vasa and his first wife Anne of Austria (1573–1598), also known as Anna Habsburg.
    [Show full text]
  • The Contribution of New States to the Development of International Law, 32 Santa Clara L
    Santa Clara Law Review Volume 32 | Number 3 Article 4 1-1-1992 The onC tribution of New States to the Development of International Law Mochtar Kusuma-Atmadja Follow this and additional works at: http://digitalcommons.law.scu.edu/lawreview Part of the Law Commons Recommended Citation Mochtar Kusuma-Atmadja, Symposium, The Contribution of New States to the Development of International Law, 32 Santa Clara L. Rev. 889 (1992). Available at: http://digitalcommons.law.scu.edu/lawreview/vol32/iss3/4 This Symposium is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara Law Review by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. SYMPOSIUM THE CONTRIBUTION OF NEW STATES TO THE DEVELOPMENT OF INTERNATIONAL LAW Mochtar Kusuma-Atmadja" I. If we view the term international law in a broad sense, including the law of nations, then the history of international law is a very old one, as there was already a law of nations (ius gentium) in Roman times. If on the contrary, we view the term in a narrower sense, meaning the law that governs relations between nation-states, then international law is relatively new as it is only a few hundred years old. Modern international law, as a system of law that governs the relations between states, was born when the modern soci- ety of nations came into existence. The 1647 Treaty of Westphalia is usually taken as the moment of the birth of the modem society of nations.
    [Show full text]
  • City of New Prague Historic Context Study
    City of New Prague Historic Context Study “We live not alone in the present, but also in the past and future. We can never look out thoughtfully at our own immediate surroundings but a course of reasoning will start up, leading us to inquire into the causes that produced the development around us, and at the same time we are led to conjecture the results to follow causes now in operation. We are thus linked indissolubly with the past and the future. If, then, the past is not simply a stepping-stone to the future, but a part of our very selves, we cannot afford to ignore, or separate it from ourselves as a member might be lopped off from our bodies; for though the body thus maimed, might perform many and perhaps most of its functions, still it could never again be called complete.” - Charles S. Bryant ii Table of Contents Acknowledgments ………………………………………………………………………………………………………………………..iv City of New Prague’s Historic Context Study……………………………………………………………………………...... v Timeline………………………………………………………………………………………………………………………………….… vii Map of New Prague ……………………………………………..…………………………………………………………………… viii Brief History of New Prague………………………………………………………………………….……………………….…… 1 Context 1 - Early History ……………………………………………………………………………………………………………… 4 Context 2 - Agriculture and Agribusiness …………………………………………………………………………………….11 Context 3 - Transportation ………………………………………………………….…………………………………………….. 23 Context 4 – Commerce ………………………………………………………………………………………………………………. 31 Context 5 – Religion…………………………………………………………………………………………………………………… 47 Context 6 – Civic Life
    [Show full text]
  • Clara M. Chu Mortenson Center for International Library Programs, UIUC Library
    Curriculum Vitae Clara M. Chu Mortenson Center for International Library Programs, UIUC Library E-mail: [email protected] 142 Undergraduate Library, MC-522 Webpage: http://www.library.illinois.edu/mortenson 1402 W. Gregory Dr., Urbana, IL 61801 USA Date: January 6, 2021 (217) 300-0918 EDUCATIONAL BACKGROUND Ph.D. & M.L.S. University of Western Ontario, Library and Information Science, 1992 & 1985, respectively. B.A. University of British Columbia, Spanish Language & Literature (major), Psychology & French (minor), 1982. Other Education Monterey Institute of International Studies (California), Translation and Interpretation (English/Spanish/French), 1982-83. One year of studies in the M.A. degree program. National Autonomous University of Mexico, Spanish Language and Literature Program, Summer 1981. Languages: English, Spanish, French (basic), and Cantonese (spoken). AREAS OF SPECIAL COMPETENCE IN LIBRARY AND INFORMATION STUDIES Equity, Diversity and Inclusion in Library and Information Services and Education Social and Critical Studies of Library and Information Practices User Information Behavior and Needs Assessment International and Comparative Library and Information Services Other Areas of Competence: Multiple Literacies, Research Methodology, Strategic Planning TEACHING and ADMINSTRATIVE EXPERIENCE Director, Mortenson Center for International Library Programs, and Mortenson Distinguished Professor, University of Illinois at Urbana-Champaign (UIUC), 2015-present. Professor (0% appt.), School of Information Sciences (formerly Graduate School of Library and Information Science), UIUC, 2015-present. - Field Leader, Engaged Learning in Costa Rican Libraries (Study Abroad), March 2018. Professor Emerita, Department of Information Studies, UCLA, 2011-present. (Associate Professor, 2000-2011, Assistant Professor, 1992-2000, Acting Assistant Professor, 1990-92) Adjunct Professor, School of Information Technology, University of Pretoria (South Africa).
    [Show full text]
  • “Jaksonas” from Lithuania to America
    “Jaksonas” From Lithuania to America Edward Jackson edited by Anthony Cianciarulo and Irene Jackson Henry December 2002 1 2 “Jaksonas” From Lithuania to America Edward Jackson edited by Anthony Cianciarulo and Irene Jackson Henry December 2002 3 4 INTRODUCTION summer the subject of memoirs arose in conversation with Tony Cianciarulo, and I gave him the draft to read. He not only read it When I came to the United States and learned the language, my but edited them. Later I copied some photos and added them to friends and acquaintances often asked about the circumstances of the draft and then forgot the entire thing. my arrival in this country. Occasionally I told the story to our daughter Irene, our son Ray, and many other people. But once in Marie Manson then sent us a book about her life, so I sent her the a while, questions about our life during the war would come up. draft of my memoirs, and she again encouraged me to finish Several times I had long conversations about the Civil War, them. United States history and World War II with my friend Jim Barrett, and the subject of our adventures in Europe during the In the fall and winter of 2002-2003, our daughter Irene and her ward would come up. Once while I was a member of the husband Bill visited us, and I decided to arrange the memoirs in a Northwest Kiwanis Club, I told the story as part of a program. new format of a half-size page. Irene took the entire thing into her hands, and scanned the photos into the text.
    [Show full text]
  • Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz University of South Florida
    University of South Florida Scholar Commons Outstanding Honors Theses Honors College 4-1-2011 Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/honors_et Part of the American Studies Commons Scholar Commons Citation Torchynowycz, Alexa, "Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice" (2011). Outstanding Honors Theses. Paper 17. http://scholarcommons.usf.edu/honors_et/17 This Thesis is brought to you for free and open access by the Honors College at Scholar Commons. It has been accepted for inclusion in Outstanding Honors Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. 1 Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz Thesis Mentor: Helena Szépe, Ph.D. Professor of Art History University of South Florida Thesis Committee Member: Elisabeth Fraser, Ph.D. Professor of Art History University of South Florida Spring 2011 2 Abstract This paper examines the painting titled The Exhibition of a Rhinoceros (1751) by the Venetian artist Pietro Longhi and its context within the art patronage of the Venetian patrician Giovanni Grimani ai Servi. Study of the decline of Venice‟s political power during the eighteenth century, the lineage of rhinoceros imagery begun by the famous Renaissance German artist, Albrecht Dürer, and Italian collecting practices of naturalia influenced by the sixteenth century natural scientist, Ulisse Aldrovandi, were factors in the development of the thesis. Previously, many art historians have interpreted The Exhibition of a Rhinoceros as representing the “spectacle” of Venetian Carnival.
    [Show full text]
  • Imaginations and Configurations of Polish Society. from the Middle
    Imaginations and Configurations of Polish Society Polen: Kultur – Geschichte – Gesellschaft Poland: Culture – History – Society Herausgegeben von / Edited by Yvonne Kleinmann Band 3 / Volume 3 Imaginations and Configurations of Polish Society From the Middle Ages through the Twentieth Century Edited by Yvonne Kleinmann, Jürgen Heyde, Dietlind Hüchtker, Dobrochna Kałwa, Joanna Nalewajko-Kulikov, Katrin Steffen and Tomasz Wiślicz WALLSTEIN VERLAG Gedruckt mit Unterstützung der Deutsch-Polnischen Wissenschafts- stiftung (DPWS) und der Deutschen Forschungsgemeinschaft (Emmy Noether- Programm, Geschäftszeichen KL 2201/1-1). Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Wallstein Verlag, Göttingen 2017 www.wallstein-verlag.de Vom Verlag gesetzt aus der Garamond und der Frutiger Umschlaggestaltung: Susanne Gerhards, Düsseldorf © SG-Image unter Verwendung einer Fotografie (Y. Kleinmann) von »Staffel«, Nationalstadion Warschau Lithografie: SchwabScantechnik, Göttingen ISBN (Print) 978-3-8353-1904-2 ISBN (E-Book, pdf) 978-3-8353-2999-7 Contents Acknowledgements . IX Note on Transliteration und Geographical Names . X Yvonne Kleinmann Introductory Remarks . XI An Essay on Polish History Moshe Rosman How Polish Is Polish History? . 19 1. Political Rule and Medieval Society in the Polish Lands: An Anthropologically Inspired Revision Jürgen Heyde Introduction to the Medieval Section . 37 Stanisław Rosik The »Baptism of Poland«: Power, Institution and Theology in the Shaping of Monarchy and Society from the Tenth through Twelfth Centuries . 46 Urszula Sowina Spaces of Communication: Patterns in Polish Towns at the Turn of the Middle Ages and the Early Modern Times . 54 Iurii Zazuliak Ius Ruthenicale in Late Medieval Galicia: Critical Reconsiderations .
    [Show full text]