DOCSLIB.ORG

ATLANTA Artsmemorial ARTS CENTER FEBRUARY 1976 ..• — |F) H:Fr-F ;*«««».«

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ATLANTA Artsmemorial ARTS CENTER FEBRUARY 1976 ..• — |F) H:Fr-F ;*«««».« AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIAL ARTS CENTER Arts FEBRUARY 1976 ..• — |f) H:fr-f ;*«««».« . h« * **.. 1 i 3 3 3 » -g- ♦T" R"i j - r" = ./■~sa535 p wtt—— 'J- Jy'" '*,■ ■ —i * ’ g Of Special Interest AT THE CENTER ELSA PERETTI ini_____________________ OPENS HER HEART ATLANTA COLLEGE OF ART FOR VALENTINE'S DAY Art College Studio Set Up 18 karat gold heart To Print Posters on a 15-inch Visitors to the Memorial Arts Center may notice the colorful new Atanta chain, College of Art posters displayed outside s 148. the Museum, box office, and Galleria entrances. These posters represent the end­ product of the newest addition to the art college’s facilities, the Sixteenth Street Silkscreen Studio. The Printmaking department presently accomodates equipment for etching, metalplate and stone lithography and silkscreen; this newly added studio, located around the corner from the Arts Center, is equipped to process and print large-sized (42 by 62 inches) silkscreen posters. ATLANTA PHIPPS PLAZA Add $2. tor shipping & handling plus sales tax Basically set up as an instructional Design Cppyright, Tittany & Co., 1976 facility, the studio is available to advanced printmaking students to design and print posters commissioned by various members Regenstein’s salutes the Atlanta of the Arts Alliance to promote up-coming Symphony and the outstanding leader­ events, as well as commissions from ship of its League and Women’s Associa­ outside clients. Members of the faculty act tion presidents—David Goldwasser and as student advisors, helping with design Mrs. William B. Wylly—overseers of the aesthetics, professional presentation, and Symphony’s 1976 Individual Gifts giving technical guidance. Campaign. The goal $110,000. The dates While the client receives an edition of ten —January 27th through February 29th. high-quality original silkscreen posters at a reasonable cost, the student gains valuable experience in large-scale printing Regenstein’s techniques. At the same time, the student Downtown Peachtree, Buckhead, acquires first-hand knowledge of the artist­ North DeKalb & Perimeter Mall client relationship, preparing him to present artwork on a business level. Printmakers to Visit Art College While experience with the business side of the art world is all-important in the education of a professional artist, not to be overlooked is direct contact with practicing artists. This semester the printmaking department plans to have four such artists visit the college. Life Insurance is don’t let your the most personal product you'll symphony ever buy ... make sure your agent is a professional who cares about you. The Atlanta Symphony depends on your Tom Flournoy,III,CLU contributions. Ticket receipts 2 Peachtree St. only go so far. Sad to say, Atlanta they do not go for enough. Don’t turn a deaf ear. Give. Give generously. I >. WISON'S We bid you All the printmakers work within the region, and between them offer a wide range of techniques not often seen and demonstrated. In February, Ben Smith, who presently WELCOME! teaches drawing in both the degree and extension programs of the college, will We're so happy you've demonstrate printing without a press. Mr. come to our collections Smith spoons, rolls and handcolors his unusually large-scale prints in the Japanese of beautiful clothes for the tradition. entire family, home fashions, Dale P. Hill will visit the college in and antiques too. February for a workshop in collograph gifts printing. The designer of one of the city’s Do stay for luncheon or tea Urban Walls in 1973, Ms. Hill constructs at our Bird Cage restaurant, hand-fabricated (rather than etched) plates, using such items as sandpaper, open every shopping day burlap, lace, cardboard, and other found Lord & Taylor, Phipps Plozo objects. In March, Atlanta College of Art Peachtree Road between graduate James Yarborough will Wieuca and Lenox Roads demonstrate color etching, viscosity printing, and other techniques he acquired 266-0600 while studying at Atelier 17 in Paris, where Monday through Saturday he’worked with Stanley William Hayter. 10:00 a.m. to 600 p.m. Bernie Solomon, printmaking instructor at Georgia Southern College in Monday and Thursday Statesboro, will give a workshop in wood evenings until 900 p.m. engraving in April. Each printmaking student will make a wood engraving using the English process of Thomas Bewick. Other Art College Events In addition to these workshops, the college sponsors a series of visiting artists, which includes at least one lecture per artist which is free and open to the public. The college also invites the public to visit Gallery 413, which regularly displays work by students, faculty, and regional artists. The Gallery, located in the College on level “A” of the Arts Center, is open from 11 a.m.-4 p.m., Monday through Friday. For further information on visiting artist lectures, exhibits and classes available to the community, as well as information on the commissioning of silkscreen posters, please call 892-3600, ext. 233. The Atlanta College of Art poster (shown on the cover during the printing process) was designed and prnted by Dale Ulrich, presently a senior at the college. SUPPORT YOUR SYMPHONY 18th (ffentury ^Regency chair with faux bamboo turnings from our ^aker furniture collection. ,7^r- ‘Distinguished manufacturer and distributor through your interior designer or furniture retailer. Showrooms in cAtlanta, Chicago, Cleveland, “Dallas, Grand “Rapids, SJtigh “Point, Sftouston, Cos ^Angeles, ePltiami, SNeu' york, “Philadelphia, San ‘ffrancisco. ATLANTA CHILDREN'S THEATRE Androcles and the Lion, a funny, fast- Sears paced musical for the young and young at heart, is the current production of Atlanta Children’s Theatre. So many ways to Adapted by Aurand Harris, the play is based on an Aesop fable about a slave and Shop at Sears a lion and is written in the style of and SAVE! commedia deU'arte. This form of drama was born in Italy in the middle of the 7 BIG DEPT. STORES sixteenth century and was a low form of open every night and Sunday afternoons comedy performed by a strolling group of players. The actors improvised stock 19 Appliance Catalog Stores characters and travelled about on a wagon all around the Atlanta area which opened up to provide a platform. Director N. Michael Swafford, producer 24 Hour Catalog Shopping Charles L. Doughty, and production by phone from home, call 892-4242 designer Ruth Ann Maddux have collaborated to recreate an authentic Surplus, Bargain Stores production of commedia dell'arte. The with closeouts from catalog and stores entire show is set on a huge wooden wagon which the cast rolls on stage at the start of Special Services the show and closes up and rolls off at the end. Costumes are accurate in color and SEARS CARPET CLEANING detail—such as the slave Androcles dressed call 351-4082 in the bright patches of Arlequin. SEARS DRAIN & SEWER SERVICE As each character appears, he plays his call 875-6601 musical theme on the recorder, guitar, drums, or cymbals. Then throughout the SEARS DRIVING SCHOOL play this theme is repeated by the musician call 352-3400 who accompanies the show on the celeste, a symphonic instrument resembling a small FLOWERS BY SEARS organ which emits bell-like tones. call 325-0337 (Atlanta) Director Swafford has worked with or 422-0656 (Marietta) ACT as co-director of Treasure Island and as choreographer for numerous SEARS MEAT & FROZEN FOOD call 325-5359 productions and has appeared in Johnny Moonbeam and Robin Hood. Last year he SEARS RENT-A-CAR produced and directed an original show. call 261-6700 (Buckhead) Walls, which played in the Town and or 659-5010 (Downtown) Gown Theatre in Birmingham, Alabama. Androcles, the slave, is portrayed by SEARS TERMITE & PEST CONTROL Howard Jordan, a speech and drama call 351-4082 graduate of Mercer University. Jordan has PLEASE SEE YOUR TELEPHONE DIRECTORY appeared in productions of the Academy FOR MANY MORE Theatre and recently was dance coach for a motion picture filmed in Georgia by Universal Motown. Bingo Long and the Traveling All-Stars and Motor Kings will be released this year and will star James Earl Jones and Richard Pryor. continued following program notes ’ TWO ON THE ISLES > Heller has 2 local offices in the Caribbean and 6 in the Southeast to give you on-the-spot business loans. LENDING MORTGAGE DEPARTMENT DEPARTMENT • Accounts Receivable • Real Estate Loans Financing • Land Acquisition Loans • Equipment Leasing • First and Second • Inventory Loans Mortgages • • Overseas Financing • Construction Loans of Georgia MIIIIM Atlanta, Georgia: 100 Northcreek. Suite 640. 404-261-6840 ■ Birmingham, Ala. ■ Miami, Fla. ■ Columbia, S.C. ■ New Orleans, La. ■ Jacksonville, Fla. ■ San Juan, P R. ■ Kingston, Jamaica THE ALLIANCE THEATRE COMPANY DAVID BISHOP, Producing Director presents THE MIRACLE WORKER by WILLIAM GIBSON with AMY BAILEY SUZANNE CALVERT THEODORE MARTIN BARBARA BENJAMIN KAREN CHURCHILL PYPER PETTY MIMI BENSINGER LIONEL COLE PHILIP PLEASANTS BRAD BLAISDELL MITCHELL EDMONDS MARY NELL SANTACROCE MILDRED BROWN DANA IVEY TAMMY TIREY DENISE BURTON RONIT WALKER Directed by FRED CHAPPELL Music composed especially for this production by DON TUCKER Production Designer Lighting by MICHAEL STAUFFER MICHAEL LAYTON Costume Designer Production Stage Manager PATRICIA McMAHON s t eph en j. Mc Co r k l e Production Manager Technical Director DAN B. SEDGWICK ERIK MAGNUSON IN 1907, JACK DANIEL’S NEPHEW said, “All Goods Worth Price Charged.” We’re still saying it in times like these. Mr. Lem Motlow put this slogan on jugs and crocks of his uncle’s whiskey. You see, he knew that no other whiskey was made with pure, iron-free water. And that other distiller mellowed his product through hard maple CHARCOAL MELLOWED charcoal before aging. Mr. Motlow 6 knew value when he saw it.
Load more

Recommended publications
  • Digital Playbill
    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
    [Show full text]
  • Rollins Alumni Record, Reunion 1993 Rollins College Office Ofa M Rketing and Communications
    Rollins College Rollins Scholarship Online Rollins Magazine Marketing and Communications Spring 1993 Rollins Alumni Record, Reunion 1993 Rollins College Office ofa M rketing and Communications Follow this and additional works at: http://scholarship.rollins.edu/magazine Recommended Citation Rollins College Office of Marketing and Communications, "Rollins Alumni Record, Reunion 1993" (1993). Rollins Magazine. Paper 324. http://scholarship.rollins.edu/magazine/324 This Magazine is brought to you for free and open access by the Marketing and Communications at Rollins Scholarship Online. It has been accepted for inclusion in Rollins Magazine by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. ■■BWM^B VOLUME 11 NUMBER r^^UT S JTX u N H Copeland has his last serve in 38 years Legendary Tars FRESHMAN STAR JON GOLDFARB WAS In attendance was John Tiedtke, a spry 85. Tiedtke had not only pulling off the most incredible feat in donated money for the courts, but also recommended Rollins hire a 29- mentor retires as the history of Rollins College ten- year-old Ocala recreation director named Norm Copeland. Advantage, Division ll's nis—and that's saying something, Rollins. A former Tars player and member of the undefeated teams of considering Jack Kramer held serve 1948-49, Copeland retires as Division IFs winningest coach. winningest coach there. Goldfarb was leading his unde- He won his first national title in 1966 despite not having any athletic feated opponent. He needed only five grants-in-aid. He could award five academic scholarships, but "I had to points to beat Norm Copeland and stop a legendary victory streak look at SAT scores first, not their tennis records.
    [Show full text]
  • Saluting the Classical Tradition in Drama
    SALUTING THE CLASSICAL TRADITION IN DRAMA A SEQUENCE OF PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The Corcoran Gallery of Art The English-Speaking Union The Royal Shakespeare Company The Royal Academy of Dramatic Art A GALA TRIBUTE TO SIR JOHN Monday, April 19 JUDI DENCH and PAUL SCOFIELD are only two of the stars you’ll see if you help us commemorate the birthday centennial of a man who was widely regarded as the most influential dramatic artist of his era. Highlighting a period of festivities that will be co-sponsored by such institutions as the BBC, THE GARRICK CLUB, THE NATIONAL PORTRAIT GALLERY, THE NATIONAL THEATRE, THE GIELGUD THEATRE THE ROYAL ACADEMY OF DRAMATIC ART, THE ROYAL SHAKESPEARE COMPANY, and THE THEATRE MUSEUM will be a sprightly revel in the West End venue Shaftesbury Avenue London that was renamed for Sir John in 1994. Hosted by media personality NED SHERRIN, this event will feature vignettes by CLIVE FRANCIS, PETER HALL, Curtain 7:30 p.m. DAVID HARE, ROSEMARY HARRIS, MARTIN JARVIS, BARBARA JEFFORD, IAN PRIME SEATS $150 MCKELLEN, MICHAEL PENNINGTON, IAN RICHARDSON, DONALD SINDEN, and OTHER SEATS $40 TO $110 other luminaries. To reserve tickets through the Guild, call (202) 234- 4602. To order through the box office, call 011 44 870 890 1105. DANA IVEY Thursday, May 20 DANA IVEY, who won an Obie Award when she created the title role in an Off-Broadway Driving Miss Daisy (1986-87), had received a previous Obie as Melanie in Quartermaine’s Terms (1982- 83).
    [Show full text]
  • 1 D E a N S O F F I C E University Plaza Atlanta, GA 30303-3083
    D E A N S O F F I C E University Plaza Atlanta, GA 30303-3083 Phone: 404/651-3990 Fax: 404/651-3996 www.gsu.edu/sps MEMORANDUM To: Ron Henry, Provost and Vice President, Academic Affairs From: Roy Bahl, Dean Subject: Annual Report for 2002 Date: May 27, 2003 The Andrew Young School of Policy Studies had another productive year in 2002. The number of students choosing majors in our College increased by 23 percent, and our overall credit hours grew by 18 percent (the largest increase in the University for the 4th year in a row). In total, we saw about 4000 students this year. Nine Ph.D.s finished in economics and human resource development. About 250 papers and books were published or accepted in 2002, in many of the best journals in the respective fields. We edit or co-edit eight journals, and this year refereed for over 120 others. Faculty and research associates made 180 presentations at professional meetings, in special symposia and as invited lectures. During 2002, we worked on externally funded projects that totaled about $41 million. Our research had real world policy applications. We are heavily involved in helping find solutions for rural health care delivery problems, not just in Georgia but also across the country. We are supporting the state in evaluating pre-K programs, with policy analysis of environmental problems, in helping establish the parameters for a policy in long-term health care, with learning needs of state and community rehabilitation organizations, and with continuing advice on fiscal reform.
    [Show full text]
  • Calabasas Enterprise Volume 50, Number 34 Serving Calabasas Since 1963 October 29, 2020 NEWS in BRIEF
    At Last! Nighttrek Report: Do You Know Your Volume 39, NumberA New 34 Restaurant What to See in the November Sky Woodland Hills October 29, 2020 Opens in See page 11 History? ***WhenCalabasas stripping in - take out date line below Valley Vantage - we’re getting doubleEnter lines!!! Our Contest to Win a Gift Card See Page 6 See Page 12 L A S V I R G E N E S A N D CALABASAS ENTERPRISE Volume 50, Number 34 Serving Calabasas Since 1963 October 29, 2020 NEWS IN BRIEF Liberty Canyon Bridge Image Released The National Wildlife Federation has released renderings of the final design of the wildlife bridge that will span the 101 Winning in the “scary” category was this home on Melba Avenue. Freeway at Liberty Canyon in Agoura. Designed by Chicago- based Living Habitats, the $88 million project, funded by public and private funds, should begin construction next Not Trick or Treating? Visit These Haunted Houses Instead year. The 165-foot bridge will cross over all 10 lanes of the freeway and Agoura Road, and is designed to allow urban The second annual “Halloween categories. went to Jeramieh Nicklasson, wildlife, specifically mountain lions, to cross the 101 Freeway Houses on Display” contest is They saw houses that looked 23500 Justice St., and third place safely. It will be planted with native vegetation. The National underway in West Hills, judged like a ride at Disneyland, a spooky went to the Chapman Family, Wildlife Federation and #SavetheCougars have raised $15 by impartial professionals to find cemetery, singing pumpkins, 6900 Melba Ave.
    [Show full text]
  • ADMISSIONS Casting Announcement
    LINCOLN CENTER THEATER CASTING ANNOUNCEMENT BEN EDELMAN, ANDREW GARMAN, JESSICA HECHT DANA IVEY, SALLY MURPHY TO BE FEATURED IN LINCOLN CENTER THEATER’S UPCOMING PRODUCTION OF “ADMISSIONS” A NEW PLAY BY JOSHUA HARMON DIRECTED BY DANIEL AUKIN PERFORMANCES BEGIN THURSDAY, FEBRUARY 15 OPENING NIGHT IS MONDAY, MARCH 12 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Ben Edelman, Andrew Garman, Jessica Hecht, Dana Ivey, and Sally Murphy will be featured in its upcoming production of ADMISSIONS, a new play by Joshua Harmon, directed by Daniel Aukin. ADMISSIONS will begin previews Thursday, February 15 and open on Monday, March 12 at the Mitzi E. Newhouse Theater (150 West 65 Street). In ADMISSIONS, Sherri Rosen-Mason (to be played by Jessica Hecht) is head of the admissions department at The Hillcrest School, fighting to diversify the student body. And alongside her husband (Andrew Garman), the school's Headmaster, they've largely succeeded in bringing a stodgy institution into the twenty-first century. But when their only son (Ben Edelman) sets his sights on an Ivy League university, personal ambition collides with progressive values, with convulsive results. ADMISSIONS is a new play that explodes the ideals and contradictions of liberal white America. ADMISSIONS will have sets by Riccardo Hernandez, costumes by Toni-Leslie James, lighting by Mark Barton, and sound by Ryan Rumery. Joshua Harmon's play Bad Jews received its world premiere at Roundabout Underground, transferred to the Roundabout's Laura Pels Theatre, and has since become one of the most produced plays in the United States.
    [Show full text]
  • Annual Public Involvement Report
    Annual Public Involvement Report GDOT Statewide Transportation Improvement Program (STIP) FY 2014-2017 Annual Public Involvement Report Table of Contents 1. Introduction .......................................................................................................................................... 3 2. Public Involvement Process .................................................................................................................. 4 3. Public Meeting Summary: FY 2014‐2017 .............................................................................................. 6 3.1 Meeting Materials ......................................................................................................................... 7 3.2 Meeting Notification ..................................................................................................................... 8 3.3 Summary of Meeting Attendance ................................................................................................. 9 4. Lessons Learned .................................................................................................................................. 11 Figures Figure 1. GDOT District Map ......................................................................................................................... 5 Figure 2. FY 2014‐2017 STIP Public Meeting Locations ................................................................................ 7 Tables Table 1. FY 2014‐2017 STIP Public Meeting Schedule .................................................................................
    [Show full text]
  • Cajon-Essentials-Part-1-Article-Oct-2015.Pdf
    Cajon Essentials PART 1 BY BYRON MARK If there’s just one groove that you have to master on the Cajon - ‘4-to-the- 4-to-the-floor on the Cajon requires layered drumming (making two floor’ would be a high contender! Whether you’re playing soul, RnB, shuffle, different tones simultaneously). reggae, funk or electronic dance music, this foundational beat is common As the name suggests, the defining feature of this 4-to-the-floor rhythm through all styles…and of course hit the mainstream in the early 1970’s in is a strong constant bass - falling on beats 1, 2, 3 and 4. You’ll get the Disco music, with huge thanks to Earl Young’s drumming in The Trammps. strength in the bass by allowing the energy to come from your shoulders, I have adapted this groove specifically for the Cajon, however, unlike travelling down through your arm and then onto the middle top third area most Cajon playing which is linear (making only one sound at a time), on the Cajon (see illustration above). The next important feature is a strong backbeat - mimicking the snare sound on beats 2 and 4. It is here you begin the layered playing, where beats 2 and 4 have the bass and snare sounding at the same time, meaning that both hands are striking the Cajon at the same time. The snare sound is made from hitting the top left or right of the Cajon, with the middle and ring fingers creating the attack. KEY Layered Groove with Bass and Snare tones The final step is to add the hi-hat element into your groove (shown below).
    [Show full text]
  • RADIO REVIEW (16/Fr Year of Publication)
    AN D RADIO REVIEW (16/fr Year of Publication) No. 458. WEDNESDAY, JUNE. 6TH, I928. VOL. XXII. No. 23. production, as did also the introduction of valves Editor: HUGH S. POCOCK. specially designed for low- frequency amplification. Assistant Editor: F. H. HAYNES. Editorial Offices: 1x6 -117, FLEET STREET, LONDON, E.C.4. Shortcomings of Loud -speakers. Editorial Telephone: City 9472 (5 lines). For quite a considerable time, however, the loud. Advertising and Publishing Offices: speaker remained a source of some disappointment to DORSET HOUSE, TUDOR STREET, LONDON, E.C.4. those who aimed at the ideal. Many of the early types Telephone: City 2847 (13 lines). 'telegrams: "Ethaworld, Fleet, London." of loud- speaker were, of course, excellent in their way, COVENTRY : Hertford Street. and were often superior in their performance 9btegrame- "Cyeliet, Coventry." Telephone to the sets 5210 Coventry. to which they were connected, but with BIRMINGHAM: Guildhall Buildings, Navigation Street. the improvement Teleprarne: "Autopress, Birmingham." Telephone: 2970 and 2971 Midland. in the receiver itself the shortcomings of the loud -speaker MANCHESTER : 260, Deansgate. became more apparent, and to -day it can be said that Te.egrante: "Ilife, Manchester." Telephone 8970 City (4 lines). it is the loud- speaker, and in particular the moving coi.' Subscription Rates : Home, 17s. 4d. ; Canada, 17s. 4d.; type, which has served to introduce a new standard in other countries abroad, 199. 6d. per annum. broadcast reproduction. As )many of the circuits and apparatus described in these pages are covcr:d by patents, readers are advised, before making use of then, to satisfy themselves With a well- designed receiver operating a modern coil - that they would not be infringing patents.
    [Show full text]
  • Read the Performance Program Here!
    IRISH REPERTORY THEATRE A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN Irish Repertory Theatre Presents In association with Bonnie Timmermann THE CORDELIA DREAM BY MARINA CARR DIRECTED BY JOE O'BYRNE STARRING STEPHEN BRENNAN AND DANIELLE RYAN cinematography & editor set design costume design sound design & original music NICK ROBERT JESSICA DAVID RYAN BALLAGH CASHIN DOWNES production manager stage manager press representatives general manager LEO AIDAN MATT ROSS LISA MCKENNA DOHENY PUBLIC RELATIONS FANE TIME & PLACE The Present - Dublin, Ireland Running Time: 90 minutes, no intermission SPECIAL THANKS Anthony Fox, Eva Walsh, Rhona Gouldson, Archie Chen, and a very special thanks to the Howard Gilman Foundation for their support of our digital initiatives. The Cordelia Dream was first presented by the Royal Shakespeare Company at Wilton’s Music Hall on December 11, 2008. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST STEPHEN BRENNAN the Paycock (Guthrie Theatre, (Man) Stephen was a Minneapolis), Sorin in The Seagull member of the Abbey (Dublin Festival), John Bosco in The Theatre company from Chastitute (Gaiety, Dublin), The Captain 1975, playing a wide in Woyzeck in Winter (Galway Festival/ variety of roles including Barbican) and Hornby in A Kind of Joe Dowling's production Alaska (Pinter Festival, Lincoln Centre).
    [Show full text]
  • Rollins Alumni Record, Fall 2007 Rollins College
    Rollins College Rollins Scholarship Online Rollins Magazine Marketing and Communications Fall 2007 Rollins Alumni Record, Fall 2007 Rollins College Follow this and additional works at: http://scholarship.rollins.edu/magazine Part of the Higher Education Commons Recommended Citation Rollins College, "Rollins Alumni Record, Fall 2007" (2007). Rollins Magazine. Paper 5. http://scholarship.rollins.edu/magazine/5 This Magazine is brought to you for free and open access by the Marketing and Communications at Rollins Scholarship Online. It has been accepted for inclusion in Rollins Magazine by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. 20351_backup:78791_Alumni Record 11/14/07 2:07 PM Page A FALL 2007 20351_backup:78791_Alumni Record 11/14/07 2:08 PM Page B AS SEEN IN THE SEPTEMBER 30, 2007 They’ll be the center of our world, too. Ranked #1 among Southern master’s-level universities —U.S. News & World Report MBA ranked 37th nationally and 1st in Florida —Forbes Magazine DISCOVER THE WORLD OF ROLLINS. ROLLINS COLLEGE FOR MORE INFORMATION, VISIT WINTER PARK/ORLANDO, FLORIDA www.rollins.edu/info Educating for Global Citizenship and Responsible Leadership OR CALL 407.646.1573 20351_backup:78791_Alumni Record 11/14/07 2:08 PM Page 1 TRUSTEES OF ROLLINS COLLEGE Allan E. Keen ’70 ’71MBA, Chairman of the Board F. Duane Ackerman ’64 ’70MBA ’00H, Vice Chaiman of the Board Theodore B. (Ted) Alfond ’68 Francis H. (Frank) Barker ’52 ’06H OLLINSALUMNI RECORD William H. Bieberbach ’70 ’71MBA Jacqueline L. Bradley R FALL 2007 William K. Caler, Jr. ’67 Glenn C.
    [Show full text]
  • National Shakespeare Competition 2013 30Th Season
    National Shakespeare Competition 2013 30th Season The English-Speaking Union National Shakespeare Competition is a school-based program designed to help high school students develop their speaking and critical thinking skills and their appreciation of literature as they explore the beauty of the language and the timeless themes in Shakespeare works. In the Competition, students read, interpret, and perform monologues and sonnets in three qualifying stages—at the school, community, and national levels. Since its beginnings with 500 students in NYC, the ESU National Shakespeare Competition has given more than 250,000 young people of all backgrounds the opportunity to discover Shakespeare’s writings and to communicate their understanding of his language and message. Celebrating its 30th anniversary this year, the Competition currently involves 59 English-Speaking Union Branch communities nationwide. Every spring, the winners of the local Branch Competitions come to New York City to take part in the ESU National Shakespeare Competition semi-finals held at Lincoln Center. In the semi-finals, all contestants perform a monologue and a sonnet onstage. In the last phase of the Competition, those students selected as finalists present a cold reading of a monologue from one of Shakespeare’s plays in addition to their prepared monologues and sonnets. The winner of the ESU National Shakespeare Competition receives a full tuition scholarship to the Royal Academy of Dramatic Art’s Young Actors Summer School in London, England. The runner-up receives a full tuition scholarship to the American Shakespeare Center’s Theatre Camp in Staunton, Virginia, and third place is awarded $500 by The Shakespeare Society.
    [Show full text]