ATLANTA Artsmemorial ARTS CENTER FEBRUARY 1976 ..• — |F) H:Fr-F ;*«««».«

Home , Dana Ivey, Lionel Cole, Toni Neal

AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA ArtsMEMORIAL ARTS CENTER FEBRUARY 1976 ..• — |f) H:fr-f ;*«««».« . h« * **.. 1 i 3 3 3 » -g- ♦T" R"i j - r" = ./■~sa535 p wtt—— 'J- Jy'" '*,■ ■ —i * ’ g Of Special Interest AT THE CENTER ELSA PERETTI ini______OPENS HER HEART

ATLANTA COLLEGE OF ART FOR VALENTINE'S DAY

Art College Studio Set Up 18 karat gold heart To Print Posters on a 15-inch Visitors to the Memorial Arts Center may notice the colorful new Atanta chain, College of Art posters displayed outside s 148. the Museum, box office, and Galleria entrances. These posters represent the end product of the newest addition to the art college’s facilities, the Sixteenth Street Silkscreen Studio. The Printmaking department presently accomodates equipment for etching, metalplate and stone lithography and silkscreen; this newly added studio, located around the corner from the Arts Center, is equipped to process and print large-sized (42 by 62 inches) silkscreen posters. ATLANTA PHIPPS PLAZA Basically set up as an instructional Add $2. tor shipping & handling plus sales tax Design Cppyright, Tittany & Co., 1976 facility, the studio is available to advanced printmaking students to design and print posters commissioned by various members Regenstein’s salutes the Atlanta of the Arts Alliance to promote up-coming Symphony and the outstanding leader events, as well as commissions from ship of its League and Women’s Associa outside clients. Members of the faculty act tion presidents—David Goldwasser and as student advisors, helping with design Mrs. William B. Wylly—overseers of the aesthetics, professional presentation, and Symphony’s 1976 Individual Gifts giving technical guidance. Campaign. The goal $110,000. The dates While the client receives an edition of ten —January 27th through February 29th. high-quality original silkscreen posters at a reasonable cost, the student gains valuable experience in large-scale printing Regenstein’s techniques. At the same time, the student Downtown Peachtree, Buckhead, acquires first-hand knowledge of the artist North DeKalb & Perimeter Mall client relationship, preparing him to present artwork on a business level.

Printmakers to Visit Art College While experience with the business side of the art world is all-important in the education of a professional artist, not to be overlooked is direct contact with practicing artists. This semester the printmaking department plans to have four such artists visit the college. Life Insurance is don’t let your the most personal product you'll symphony ever buy ... make sure your agent is a professional who cares about you. The Atlanta Symphony depends on your Tom Flournoy,III,CLU contributions. Ticket receipts 2 Peachtree St. only go so far. Sad to say, Atlanta they do not go for enough. Don’t turn a deaf ear. Give. Give generously.

I >. WISON'S We bid you All the printmakers work within the region, and between them offer a wide range of techniques not often seen and demonstrated. In February, Ben Smith, who presently WELCOME! teaches drawing in both the degree and extension programs of the college, will We're so happy you've demonstrate printing without a press. Mr. come to our collections Smith spoons, rolls and handcolors his unusually large-scale prints in the Japanese of beautiful clothes for the tradition. entire family, home fashions, Dale P. Hill will visit the college in and antiques too. February for a workshop in collograph gifts printing. The designer of one of the city’s Do stay for luncheon or tea Urban Walls in 1973, Ms. Hill constructs at our Bird Cage restaurant, hand-fabricated (rather than etched) plates, using such items as sandpaper, open every shopping day burlap, lace, cardboard, and other found Lord & Taylor, Phipps Plozo objects. In March, Atlanta College of Art Peachtree Road between graduate James Yarborough will Wieuca and Lenox Roads demonstrate color etching, viscosity printing, and other techniques he acquired 266-0600 while studying at Atelier 17 in Paris, where Monday through Saturday he’worked with Stanley William Hayter. 10:00 a.m. to 600 p.m. Bernie Solomon, printmaking instructor at Georgia Southern College in Monday and Thursday Statesboro, will give a workshop in wood evenings until 900 p.m. . engraving in April. Each printmaking student will make a wood engraving using the English process of Thomas Bewick.

Other Art College Events In addition to these workshops, the college sponsors a series of visiting artists, which includes at least one lecture per artist which is free and open to the public. The college also invites the public to visit Gallery 413, which regularly displays work by students, faculty, and regional artists. The Gallery, located in the College on level “A” of the Arts Center, is open from 11 a.m.-4 p.m., Monday through Friday. For further information on visiting artist lectures, exhibits and classes available to the community, as well as information on the commissioning of silkscreen posters, please call 892-3600, ext. 233. The Atlanta College of Art poster (shown on the cover during the printing process) was designed and prnted by Dale Ulrich, presently a senior at the college. SUPPORT YOUR SYMPHONY 18th (ffentury ^Regency chair with faux bamboo turnings from our ^aker furniture collection. ,7^r-

‘Distinguished manufacturer and distributor through your interior designer or furniture retailer. Showrooms in cAtlanta, Chicago, Cleveland, “Dallas, Grand “Rapids, SJtigh “Point, Sftouston, Cos ^Angeles, ePltiami, SNeu' york, “Philadelphia, San ‘ffrancisco. ATLANTA CHILDREN'S THEATRE Androcles and the Lion, a funny, fast- Sears paced musical for the young and young at heart, is the current production of Atlanta Children’s Theatre. So many ways to Adapted by Aurand Harris, the play is based on an Aesop fable about a slave and Shop at Sears a lion and is written in the style of and SAVE! commedia deU'arte. This form of drama was born in Italy in the middle of the 7 BIG DEPT. STORES sixteenth century and was a low form of open every night and Sunday afternoons comedy performed by a strolling group of players. The actors improvised stock 19 Appliance Catalog Stores characters and travelled about on a wagon all around the Atlanta area which opened up to provide a platform. Director N. Michael Swafford, producer 24 Hour Catalog Shopping Charles L. Doughty, and production by phone from home, call 892-4242 designer Ruth Ann Maddux have collaborated to recreate an authentic Surplus, Bargain Stores production of commedia dell'arte. The with closeouts from catalog and stores entire show is set on a huge wooden wagon which the cast rolls on stage at the start of Special Services the show and closes up and rolls off at the end. Costumes are accurate in color and SEARS CARPET CLEANING detail—such as the slave Androcles dressed call 351-4082 in the bright patches of Arlequin. As each character appears, he plays his SEARS DRAIN & SEWER SERVICE call 875-6601 musical theme on the recorder, guitar, drums, or cymbals. Then throughout the SEARS DRIVING SCHOOL play this theme is repeated by the musician call 352-3400 who accompanies the show on the celeste, a symphonic instrument resembling a small FLOWERS BY SEARS organ which emits bell-like tones. call 325-0337 (Atlanta) Director Swafford has worked with or 422-0656 (Marietta) ACT as co-director of Treasure Island and as choreographer for numerous SEARS MEAT & FROZEN FOOD productions and has appeared in Johnny call 325-5359 Moonbeam and Robin Hood. Last year he SEARS RENT-A-CAR produced and directed an original show. call 261-6700 (Buckhead) Walls, which played in the Town and or 659-5010 (Downtown) Gown Theatre in Birmingham, Alabama. Androcles, the slave, is portrayed by SEARS TERMITE & PEST CONTROL Howard Jordan, a speech and drama call 351-4082 graduate of Mercer University. Jordan has PLEASE SEE YOUR TELEPHONE DIRECTORY appeared in productions of the Academy FOR MANY MORE Theatre and recently was dance coach for a motion picture filmed in Georgia by Universal Motown. Bingo Long and the Traveling All-Stars and Motor Kings will be released this year and will star James Earl Jones and Richard Pryor.

continued following program notes ’ TWO ON THE ISLES > Heller has 2 local offices in the Caribbean and 6 in the Southeast to give you on-the-spot business loans.

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of Georgia MIIIIM Atlanta, Georgia: 100 Northcreek. Suite 640. 404-261-6840 ■ Birmingham, Ala. ■ Miami, Fla. ■ Columbia, S.C. ■ New Orleans, La. ■ Jacksonville, Fla. ■ San Juan, P R. ■ Kingston, Jamaica THE ALLIANCE THEATRE COMPANY

DAVID BISHOP, Producing Director

presents

THE MIRACLE WORKER

WILLIAM GIBSON

with

AMY BAILEY SUZANNE CALVERT THEODORE MARTIN BARBARA BENJAMIN KAREN CHURCHILL PYPER PETTY MIMI BENSINGER LIONEL COLE PHILIP PLEASANTS BRAD BLAISDELL MITCHELL EDMONDS MARY NELL SANTACROCE MILDRED BROWN DANA IVEY TAMMY TIREY DENISE BURTON RONIT WALKER

Directed by FRED CHAPPELL

Music composed especially for this production by DON TUCKER Production Designer Lighting by MICHAEL STAUFFER MICHAEL LAYTON Costume Designer Production Stage Manager PATRICIA McMAHON s t eph en j. Mc Co r k l e Production Manager Technical Director DAN B. SEDGWICK ERIK MAGNUSON IN 1907, JACK DANIEL’S NEPHEW said, “All Goods Worth Price Charged.” We’re still saying it in times like these. Mr. Lem Motlow put this slogan on jugs and crocks of his uncle’s whiskey. You see, he knew that no other whiskey was made with pure, iron-free water. And that other distiller mellowed his product through hard maple CHARCOAL MELLOWED charcoal before aging. Mr. Motlow 6 knew value when he saw it. DROP And still today, though Jack Daniel’s 6 is priced above most whiskeys, a BY DROP sip will prove its worth.

Tennessee Whiskey *90 Proof • Distilled and Bottled by Jack Daniel Distillery .Lem Motlow, Prop., Inc., Lynchburg (Pop. 361), Tenn. 37352 Placed in the National Register of Historic Places by the United States Government. THE MIRACLE WORKER

CASTfm order of appearance) A Doctor...... Theodore Martin Kate ...... Mimi Bensinger Keller...... Mitchell Edmonds Helen ...... Denise Burton Martha...... Pyper Petty Percy...... Lionel Cole Aunt Ev...... Mary Nell Santacroce James...... Brad Blaisdell Anagnos...... Philip Pleasants Annie Sullivan ...... Dana Ivey Pi’wj ...... Mildred Brown Blind girls ...... Amy Bailey, Barbara Benjamin, Suzanne Calvert, Tammy Tirey, Ronit Walker A Servant...... Karen Churchill

TIME: The 1880’s. * PLACE: In and around the Keller homestead in Tuscumbia, Alabama; also, briefly, the Perkins Institution for the Blind, in Boston.

The Alliance Theatre Company would like to express sincere appreciation to the following firms and individuals for their assistance in our operations: Atlanta Antiques Exchange American Eagle Antiques Corp. William Bowers Brenau College Colonial Hardware Mr. Lester Hosch Peachtree Galleries M. Ringel & Sons Antique Co. Sunlighting Lamp & Shade Center WAGA-TV Channel 5 WKLS Radio WSB-TV Channel 2 WXIA-TV Channel 1 I Harry Wing—Optician Their Broadway. Versus Our Peachtree.

There’s nothing like the thrill of it. Except may Now, there’s really nothing like the thrill of it. be the price. Consider $8.00 for parking—with luck. At the Midnight Sun Dinner Theatre. Enjoy a night Twelve to fifteen dollars for the show—per person. of dining on the town and a Broadway nit — all for And if you came to go out to dine after the produc only $17. Feast yourself from a classic Danish smor tion, it’s about $20 a head. (Not to mention the $5.00 gasbord as an elegant Broadway production is per to $8.00 tip for your waiter.) Take your calculator. formed before your very table. The thrill of it all may be getting back to your The only dull part of the evening may come car and home. Safely. when you return to your car. Parked in a covered- garage. Absolutely free. And leave for home. Safely. The Midnight Sun Dinner Theatre. • Group rates American Express and all major cred it cards accepted . Call 577-7074 for reservations

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The Store For The New Atlanta Woman DANA IVEY will be remembered for her brilliant portrayal of “Elizabeth Proctor” in last season’s The Crucible. Miss Ivey was for several years one of Canada’s most distinguished actresses and has appeared as leading lady with major theatre companies across Canada and the U.S.A. She is now Director of Drama Tech at Georgia Tech and has taught private acting classes here. For several years, she was host of “Atlanta Arts” as well as several programs of classical music on WGKA. She has worked with Forrest Tucker and Betty Garrett in Plaza Suite and has performed with Theatre Calgary and the St. Lawrence Cen ter for the Performing Arts, as well as having appeared with Tony Randall and Jack Klug- man in The Odd Couple. A classical actress who studied acting under a Fulbright Scholar ship in London. Miss Ivey has also appeared recently on NBC with Robert Culp in the “American Oddyssey” series and has starred in six TV dramas produced in Montreal. Atlanta audiences will remember her for her delightful role as “Sister Woman” in Cat on a Hot Tin Roof, and the “Nurse” in Romeo and Juliet.

BARBARA BENJAMIN is a member of the 1976 Studio Company and is in the cast of the Alliance Theatre’s 1976 Revue. She also performed in Many Happy Returns and Charles II, which played on Sunday afternoons in the Studio Theatre. She has appeared in ATC’s production of The Crucible as “Mercy Lewis” and “Nancy” in The Boy Friend.

MIMI BENSINGER has been acting in the theatre for fifteen years, dividing her time between classical work and popular comedies and dramas. Among the former have been A Midsummer Night’s Dream, Electra, The Marriage Proposal, The Doctor in Spite of Himself and The Rivals, and the latter, The Crucible, See How They Run and Renee Taylor and Joseph Bologna’s Lovers and Other Strangers. Last season at the Alliance she created the role of “Mary Morstan” in Sherlock Holmes and the Sign of the Four. . . . Ms. Bensinger’s early plays include Born Yesterday, Barefoot in the Park, Will Success Spoil Rock Hunter and Any Wednesday. Most recently she appeared in The Tender Trap with Tab Hunter and Niel Simon’s Last of the Red Hot Lovers. This past summer Ms. Bensinger played “Mary” in Norman, Is That You? at the Beverly Dinner Playhouse in New Orleans.

BRAD BLAIDSDELL just completed the role of “Milo Crawford” in The Last Meeting of the Knights of the White Magnolia. He has appeared with the Alliance Theatre Company as “Bobby” in The Boy Friend, as “George Gibbs” in Our Town and as “Tybalt” in Romeo and Juliet. He is a former member of the Alliance Theatre’s Studio Company and has appeared in numerous productions including Brown Pelican, Ah! Wilderness, and Hamlet. He appeared as “Buddy” in Theatre Atlanta’s production Arthur and has also appeared in Theatre of the Stars productions. Recently he appeared off-Broadway at the Equity Library Theatre as “Tommy” in the critically acclaimed production of Tenderloin. His film credits include Together for Days with Clifton Davis and Lois Childs.

MILDRED T. BROWN has a masters degree from Atlanta University and her A.B. from Spelman College. She attended the School of Dramatic Arts at Theatre Atlanta for four years. While at the school she played in Women at the Tomb, Miss Phipps, “The Interview” from America Hurrah and Lord Byron’s Love Letter. On the professional stage she played in The Member of the Wedding, Dark of the Moon, The Little Foxes, Streetcar Named Desire, and Cat on a Hot Tin Roof.

DENISE BURTON is a student at Oakcliff Elementary School in Doraville, Georgia, where she has acted in some class plays. Her mother states that she is always dancing and singing and skipping around, acting out silly things around the house, but that she had no idea that she could and would act professionally. The play’s director, Fred Chappell, says that she is perfect for the role and has the right appearance in addition to her extraordinary acting ability. DOWNTOWN, PEACHTREE & CAIN LENOX SQUARE, NORTHLAKE, GREENBRIAR, CUMBERLAND

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People Who Care About People Care About Gittings Colour Portraits git t ings THE PORTRAIT PHOTOGRAPHERS OF ATLANTA I PHIPPS PLAZA 261-5550 L —--1 KAREN CHURCHILL, a member of Alliance Theatre’s 1976 Studio Company is a native of Cincinnati, Ohio, but was educated at Spelman College in Atlanta. She has appeared this season in the Alliance Theatre’s 1976 Revue and was a member of the cast of Many Happy Returns and Charles H, which played on Sunday afternoons in the Studio Theatre. Among her acting credits are “Magnolia” in Dr. B.S. Black and the “Sargent” in South Pacific.

LIONEL COLE, an outgoing child of seven and a half, loves to be seen and heard, according to his mother. When told of the opportunity to be in a show at the Alliance Theatre by his teacher at the Cascade Branch of the Montesori School, he jumped at the chance. Lionel loves music and is the son of Atlanta musician Freddy Cole.

MITCHELL EDMONDS just completed the role of “Rufe” in The Last Meeting of the Knights of the White Magnolia. Mr. Edmonds recently returned from the PAF Theatre in New York where he was appearing as “Atticus” in To Kill a Mockingbird. Last season he appeared on the Alliance stage as “Dr. Watson” in Sherlock Holmes and the Curse of the Sign of the Four. He received critical acclaim for his sensitive portrayal of “Minister Hale” in The Crucible. He appeared as “Dr. Chumley” in Alliance Theatre’s comedy Harvey, played the role of “Richard” in ACT’s productions of When You Cornin’ Back Red Ryder?, and delighted ATC audiences with his portrayal of “Percival Browne" in Alliance Theatre’s opening production of The Boy Friend. He was the Director of the 1975 Studio Company. He directed Butterflies Are Free for the Cortland Repertory Theatre in Cortland, New York, two summers ago, and appeared in productions there this past summer. Mr. Edmonds is the author and director of this year’s Studio Company production, Many Happy Returns.

THEODORE MARTIN, last seen as “Olin Potts” in ATC’s The Last Meeting of the Knights of the White Magnolia is known to Atlanta audiences as founder and Artistic Director of Theatre Projects/'Atlanta Inc. and has appeared here and on Broadway in Red, White and Maddox, as well as his latest role as “Jerry” in Two for the Seesaw. He has also appeared as “John-Paul Marat” in Marat/Sade, “Tom” in Glass Menagerie, and “Brutus” in Julius Caesar.

PYPER PETTY is an eight year old local Atlanta area elementary school student. Mr. Chappell, director of Miracle Worker, felt she was perfect for the part of “Martha” when she auditioned for him some weeks ago.

PHILIP PLEASANTS received rave reviews recently for his stunning performance as “Col. Kinkaid” in The Last Meeting of the Knights of the White Magnolia. Last season he played “Sherlock Holmes” in Sherlock Holmes and the Curse of the Sign of the Four. He also portrayed “Reverend Samuel Parris” in The Crucible. Earlier this season he delightd Atlanta audiences with his portrayal of “Elwood P. Dowd” in Alliance Theatre’s Harvey and “Lord Brockhurst’’in Alliance Theatre’s show The Boy Friend. He appeared with ATC last season as “Mr. Webb” in Our Town, “Mr. Morse” in The Hot L Baltimore, and “Count Dracula” in the smash hit Count Dracula. With Theatre of the Stars he was a member of the cast of Summer and Smoke with Eva Marie Saint, Oliver with Vincent Price, Marne with Ann Miller and portrayed “ Thomas Cromwell” in A Manfor All Seasons with James Daly. He appeared in Atlanta with Theatre Atlanta Off Peachtree’s production of Dylan Thomas’ Under Milkwood. He appeared on NBC with Robert Culp in the production Give Me Liberty, playing the part of John Hancock and received critical acclaim for this role. Mr. Pleasants will appear this spring on an NBC Movie of the Week production. Judge Horton and the Scottsboro Boys, starring Arthur Hill and Vera Miles.

MARY NELL SANTACROCE is appearing with the Alliance Theatre for the fourth season. Her roles have included the stern headmistress in The Prime of Miss Jean Brody, Sunday Brunch at the Rib Room. An elegant alternative to Instant Coffee and Dick Tracy.

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Support Low price time clock helps small Your companies meet strict requirements Symphony of wage-hour law The Atlanta Symphony Orches tra is an integral part of our community life. The Magic Pan Creperies urge you to give the Symphony your full support.

LATHEM TIME RECORDER COMPANY Open daily for luncheon 200 Selig Dr., S.W., Atlanta, Ga. 30336 dinner and late supper Telephone 404/691-0400

Lenox Square Cumberland Mall TIME RECORDERS 266-8424 432-3115 PROGRAM TIMERS Master Charge TIME STAMPS BankAmerlcard • American Express WATCHMAN CLOCKS “Big Mama” in Cat on a Hot Tin Roof, and the wacky sister in Harvey, and “Rebecca Nurse” in The Crucible. In recent years she has also played James Daly’s wife in A Man for All Seasons, the German housekeeper in Sound of Music with Ann Blythe, and the mother of Professor Higgins in My Fair Lady with Michael Allinson and Hans Conried. Ms. Santacroce teaches at Georgia State University in the Speech and Drama Department. She proudly proclaims that her greatest contribution to the theatre is being the mother of DANA IVEY, who is portraying “Annie Sullivan” in The Miracle Worker.

AMY BAILEY, SUZANNE CALVERT, TAMMY TIREY AND RONIT WALKER are area school students.

MICHAEL LAYTON (Lighting Designer) in the past has designed over eighty productions in the eastern U.S.A. Most recently production designer of the Beverly Dinner Playhouse in New Orleans, La., Mr. Layton has created the settings and lighting for a long list of stars, such as Van Johnson, Sylvia Sidney, Vivian Vance, Frank Sutton, Dana Andrews, Dorothy Lamour, and Imogene Coca. Originally from Oregon, Mr. Layton now resides permanently in New York when not on assignment.

MICHAEL STAUFFER (Production Designer) has served as production designer for the Washinton Theatre Club, Barter Theatre, and Cortland Repertory Theatre. Well known as the design co-ordinator for the Guthrie Theatre in Minneapolis for two and a half years, he also designed shows for the Folger Theatre, PAF Playhouse, and a number of summer stock and dinner theatres. Last year, Mr. Stauffer designed the sets, costumes, and lights for the Alliance Theatre’s production of The Crucible.

PATRICIA McMAHON (Costume Designer) comes to the Alliance Theatre from Corte Madrea, California. She received her A.B. in Theatre from University of California at Berkley and her M.A. in Theatre at the University of Illinois. Miss McMahon has designed the costumes for Ten Little Indians, A Dolls House, Winnie the Pooh, Killing of Sister George and Falstaff for the Krannert Center for Performing Arts. She was also costume designer for the University of Illinois Summer Repertory Theatre and has taught costume construction there.

FRED CHAPPELL, ATC’s resident director this season opened 1976 with his hit show The Last Meeting of the Knights of the White Magnolia. In past seasons at the Alliance, Mr. Chappell has directed such outstanding productions as A Midsummer Night’s Dream, The Crucible, The Boy Friend, Romeo and Juliet, Cat on a Hot Tin Roof, Oh, Coward!, Jaques Brel, and Tobacco Road. Mr. Chappell returns to the Alliance Theatre after opening Don Tucker’s new musical, Same Painted Pony in New York. He recently completed his second highly successful summer season as artistic director of the Cortland Repertory Theatre in Cortland, New York. In the past few years, Mr. Chappell has directed an off-Broadway showcase production entitled Very Dry and on the Rocks and the Christmas revue for the Manhattan Savings Bank. He has served as guest director at the Springer Opera House in Columbus where he directed the hit productions Gypsy and Good News, and Mr. Chappell has also received critical acclaim as a guest director for several productions in Fort Lauderdale, Florida, and the Lamplighter Dinner Theatre in Montgomery, Alabama. Prior to his career with the Alliance Theatre Company, Mr. Chappell was a member of the Theatre Atlanta’s professional acting company for three years. He appeared on Broadway in the company’s controversial hit, Red, White and Maddox, and he served as actor and director of the National Touring Company of the same show. Montag & Caldwell incorporated / Investment Counsel

2901 FIRST NATIONAL BANK TOWER ATLANTA. GEORGIA / 404 658-1190 I stand for quality always have, always will and I am here 26 hours a day to prove it. If I don't wander by your table ask for me. ----- \ Guffey’s of Atlanta Reservations urged. Atlanta’s Finest Clothing § Fondues for Men A better mixed drink . DOWNTOWN: N employees who give a damn PEACHTREE CENTER £ and an atmosphere both (BEHIND THE SCULPTURE) genuine and relaxed. UPTOWN: TOWER PLACE (OPENING FEBRUARY 76) UNDERGROUND ATLANTA RESERVATIONS 577-1800

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Saluting the Magnificent Atlanta Symphony and its brilliant music director and conductor, Robert Shaw, and urging your dedication in its annual fund drive.

Sandy Springs Roswell Road at 285 252-2256 ALLIANCE THEATRE COMPANY DAVID BISHOP — PRODUCING DIRECTOR

DAVID COKER, Chairman MRS. BERNARD STEVENS, President Bo a r d o f Spo n s o r s Al l ia n c e Th e a t r e Gu il d

Administrative St a f f : Associate Manager...... Victoria Mooney Director of Public Relations/Advertising...... Sue Deer Carmichael Administrative Associate...... Baxter Joy Public Relations Assistant ...... Pamela M. Li Subscription Coordinator...... Pat Groen Box Office Manager...... Chip Murray House Manager -...... Steve Cucich Photographer ...... Charles Rafshoon Artists...... Ken Ragan

Pr o d u c t io n St a f f : Production Manager...... Dan B. Sedgwick Production Stage Manager Stephen J. McCorkle Assistant Stage Manager ...... Allan Wright Production Designer...... Michael Stauffer Associate Designer ...... Michael Layton Costume Designer ...... Patricia McMahon Technical Director...... Erik Magnuson Properties...... Michael Berkman Lighting Technician...... Carol Graebner Scenic Technicians...... Stanley Konczynski, Ralph Walker, Stuart Sweet Costumer...... Patricia Sweet

STUDIO COMPANY TECHNICAL APPRENTICES David Baker Patricia Crawford Trey Altemose Sheila Quinlan Barbara Benjamin Nancy LeBrun Allen Northern Lynn Van Horn Dennis Burton Tom Moran Karen Churchill Chester Clarke returns to ACT in the role of Pantalone, the Old Miser. Clarke TICKLE appeared in Treasure Island, Thirteen Clocks, and Punch and Judy. He has a long list of acting credits and has served as an YOUR instructor of the Alliance Theatre School, artistic director of the Mime Theatre of FANCY! Atlanta and guest choreographer of the Southern Ballet and the Ruth Mitchell At the funniest show in Atlanta! See The Dance Company. Wits’ End Players in the hilarious new revue at Empire Dinner Showcase. And Diane Seymour and Dan Bonnell play enjoy all you can eat at our fabulous the forever young lovers, Isabella and Buffet Dinner— 7 p.m. Only $10.50 per Lelio. Miss Seymour is a graduate of the person, plus tax. Dinner show Tuesday through Saturday. Late show Fridays. Boston University School of Fine Arts and Saturdays 11:15 pm—$3.50 per person most recently toured dinner theatres entertainment charge. Free parking. throughout the Southeast as Sally in For reservations, call 892-2227. Special Group Rates Available. Beginner’s Luck. Bonnell has appeared in several Theatre Sheraton- of the Stars productions including See Saw Biltmore Hotel with Lucie Arnaz, On a Clear Day with 817 West Peachtree Street. N E Shirley Jones, and as Jesus in Godspell. He Sheraton Hotels and Motor Inns Worldwide earned the bachelor of arts degree in acting and directing from Indiana University. The bragging, strutting captain is played by veteran performer Ben Jones who has appeared in productions of the Alliance Repertory Theatre, Theatre of the Stars, and ACT. Jones also has numerous credits in films and commercials. Both the Prologue and the Lion are portrayed by Earl Miller. Miller has been a company member of the New Cosmos Cultural Theatre and the Academy Theatre. He recently appeared in Rabbits, Rascals and Rhymes. The musician is played by Robert Ray, who off-stage really is one, performing nightly at the Sandpiper. Ray also has been seen in many area theatre roles. D. Wayne Hughes is production stage manager assisted by Wayne Klitsch, Steve Woods is technical director with Carol Graebner, electrician and lighting designer, and Carol Hammond, costumer. Androcles and the Lion is performed Monday through Friday at 10 a.m. and 12 noon through February 18 on the Alliance Theatre stage of the Memorial Arts Center. Saturday matinees at 2:30 p.m. are scheduled February 7 and 14. Tickets are $1.90 and can be reserved by calling 892- 2414. Atlanta Symphony Orchestra Robert Shaw, Music Director and Conductor

Thursday, Friday and Saturday evenings, 8:30, February 5, 6, 7, 1976 Sunday afternoon, 2:30, February 8, 1976 MICHAEL PALMER Conducting VIKTOR TRETYAKOV, Violin

PROGRAM

MENDELSSOHN Symphony No. 4 in A Major, Op. 90 (“Italian”) (1833) Allegro vivace Andante con moto Con moto moderato Presto

PROKOFIEV *Concerto No. 2 in G minor for Violin and Orchestra, Op. 63 (1935) Allegro moderato Andante assai Allegro, ben marcato

INTERMISSION

BRAHMS Tragic Overture, Op. 81 (1880)

BARTOK The Miraculous Mandarin: Suite for Orchestra, Op. 19 (1919)

*First performance at these concerts

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM 90.1, Tuesday evening at 8:30 p.m.

The use of recording devices or cameras during concerts is strictly prohibited. Looking For A Business Home? ATLANTA SYMPHONY ORCHESTRA Exciting Concert Programs Scheduled In March Jli For audiences of the Atlanta Symphony John Hunsinger! Company Orchestra, March will come in like an imposing lion, and depart with something Commercial and Industrial Real Estate of an enigma. 1819 Peachtree Road, Northeast Opening the month in Symphony Hall 404 - 351 *6813 Chicago, Denver, San Francisco, Dallas, Tokyo, Paris will be guest conductor Otto-Werner Mueller, whom Atlanta concertgoers may remember from last October. Not only is his conducting imposing, but so is his appearance—being well over six feet tall, Dine Mueller disdains the use of a podium while Nearby conducting. before the He will conduct the Atlanta Symphony show on March 4, 5, 6, and 7 in Gustav Mahler’s at Symphony No. 1 in D Major, and Mozart’s Concerto No. 5 in A Major for Violin and 1 CROSSROADS Orchestra, featuring the talents of Miriam restaurant and lounge Fried, the brilliant young Israeli who has 1556 peachtree st. toured the world playing with the major open every day - 875-6375 orchestras.

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1132 W. PEACHTREE ST., N.W. X7 ATLANTA, GA. 30309 PHONE: 404 -873-1092

Violinist Miriam Fried, left, and pianist Misha Dichter, right, will perform in March with the INSURANCE Atlanta Symphony. FINANCIAL SERVICES The Atlanta Symphony’s music director and conductor Robert Shaw will conduct concerts on March 18, 19, and 20. Featured THE LATE that week will be the second subscription NIGHT series appearance of the Atlanta SUPPER.. . Symphony Orchestra Chorus, directed by Mr. Shaw, and the dulcet voice of soprano Mattiwilda Dobbs, world famous coloratura born and raised here in Atlanta. The ASO Chorus will perform Husa’s served monday Apotheosis of This Earth, Miss Dobbs will thru friday 10 pm until 2 am be featured in Strauss’ Six Songs, and 590 WEST Shaw will conduct the Orchestra in atop ^buffer's ATLANTA HOTEL Hindemith’s Mathis der Maier. The enigma closing out the month of PROGRAM NOTES by Paul Affelder and Leonard Burkat Symphony No. 4, in A Major, Op. 90 The finale, Presto, is the most (Italian) Felix Mendelssohn characteristically Italian of the (1809-1847) Symphony’s four movements. It is in the Mendelssohn was fond of traveling, and style of a saltarello, a lively Roman country his wanderings were often reflected in the dance that dates from the sixteenth music he composed. A trip to the century. It is a leaping dance performed by Highlands in 1829 inspired the Scotch a man and woman, the latter holding her Symphony and the Hebrides Overture. In apron up throughout the various steps, and 1830 and 1831, he went to Italy for long is almost always in fast triple meter. stays in Rome and Naples and he wrote Mendelssohn may have seen the saltarello, home from Rome in February, 1831, “I am who rhythm resembles the tarantella’s, at making great progress with my Italian Carnival time in Rome. Symphony. It will be the most mature The Italian Symphony is scored for two thing I have ever done.” He expected to flutes, two oboes, two clarinets, two finish it in Naples, he said, but in fact he did bassoons, two horns, two trumpets, not. timpani and strings. It was perhaps an invitation in (Copyrighted) November, 1832, from the London Philharmonic Society to compose “a Concerto for Violin and Orchestra No. 2, symphony, an overture, and a vocal piece” in G minor, Op. 63 Sergei Prokofiev that gave Mendelssohn reason to complete (1891-1953) the score, in March, 1833, in Berlin. It was Prokofiev wrote his First Violin first performed by the Society, under the Concerto, in D Major, in 1913, but it was composer’s direction, in May and made a not performed until 1922. The Second great impression on the audience—as did Concerto dates from 1935, shortly after the Mendelssohn’s performance of the solo composer returned to Russia from his part in the the Mozart D minor Piano sixteen-year stay in America and Western Concerto. Europe. Mendelssohn was not satisfied with his There is a big difference between the two work. He made many revisions in the violin concerti. The First is marked by that score, considered writing a new first brittle, steely glint that characterized so movement, and never released it for much of Prokofiev’s earlier work. There is publication during his lifetime. For that also a good deal of opportunity, within the reason, the Scotch Symphony, when framework of the Concerto, for the display published in 1843, was called No. 3 and the of the soloist’s virtuosity. The G minor Italian Symphony, published in 1851, is Conerto, on the other hand is decidedly No. 4. romantic and lyrical in style and spirit. The Italian character of this Symphony The Second Violin Concerto was written appears principally in its vivacious first at the request of a group of French and last movements. The underlying musicians expressly for the Belgian rhythm of the first, Allegro vivace, suggests violinist, Robert Soetens. It started out to an Italian dance, the tarantella, although be a sonata for violin and piano, but the music follows the prescribed sonata Prokofiev soon changed his mind and allegro form for the symphonic first converted it into this violin concerto. He movements. The tarantella took its name began it in Paris and completed it in either from the town of Taranto or from Russia. the tarantula spider whose poisonous bite Robert Soetens gave the G minor the wild dance was thought to cure. Concerto its world premiere in Madrid The second movement, Adante con with the Madrid Symphony Orchestra, moto, is a solemn processional that used to under Enrique Fernandez Arbos, on be described as a pilgrims’ march, and the December 1, 1935. A violinist named Fisch- third is a smooth-flowing minuet, Con mann played it in Moscow the following moto moderato, with an ingratiating year, and on December 17, 1937, Jascha middle section. Heifetz introduced it to America at a March will be Sir Edward Elgar’s Enigma Variations, to be conducted March 25, 26, 27, and 28 by guest conductor Dennis Russell Davies. Mr. Davies is the music director of the Saint Paul Chamber Orchestra in Minnesota. Also on that week’s program will be Telemann’s Overture in D Major, Garett f JAAVV List’s Songs, and Rachmaninoffs r>jApAn€s€ RtsrAuRAnr 1 Rhapsody on a Theme by Paganini, w 1893 Piedmont Rd. at Cheshire Bridge featuring the pianistic virtuosity of American Misha Dichter.

ASO Women's Association Announces Activities

A Meet-The Artists Luncheon will be held on Wednesday, March 17 honoring music director and conductor Robert Shaw and Mattiwilda Dobbs, soprano. The luncheon begins at 12:30 p.m. in the Members’ Room and reservations can be made by calling Mrs. Carroll Berry at 993- 4331. Two open rehearsals are scheduled in March. The first will be Wednesday, March 17. A pre-concert lecture will be held beginning at 6:30 p.m. in the Walter Hill Auditorium, followed by the rehearsal in Symphony Hall. On Wednesday, March 24, the rehearsal of guest conductor Dennis Russell Davies will be open to the public, beginning at 10 a.m. in Symphony Hall.

BUILDS THINGS. REMEMBER THAT.

THE PINKERTON & LAWS COMPANY Member Associated General Contractors of America Guest conductor Otto-Werner Mueller, right, 2700 Cumberland Parkway, N.W. returns in March to conduct Atlanta Sym Atlanta 30339 / 432-0171 phony, and Atlantan Mattiwilda Dobbs, left, will perform March 18-20. PROGRAM NOTES of the piece when he wrote, “The Tragic concert of the Boston Symphony Orches Overture is among the greatest works of tra, conducted by Serge Koussevitzky. Brahms, by its structure, and by its depth This is one of the very few violin of feeling. There is no hysterical outburst; concertos that opens with a long solo no shrieking in despair; no peevish or sullen woe; no obtruding suggestion of phrase. The violin continues to lead personal suffering. The German throughout most of the lyrical first movemen, Allegro moderato, and lyricism commentators have cudgelled their brains to find a hero in the music: Hamlet, Faust, prevails, too, in the Andanta assai, where the violin sings a hauntingly beautiful this one, that one. They have labored in melody over a serenade-like accom vain. The soul of Tragedy speaks in the music.” paniment of plucked strings. Only in The Tragic Overture is scored for the final Allegro, ben marcato is virtuosity piccolo, two flutes, two oboes, two brought to the fore, in music of strong clarinets, two bassoons, four horns, two rhythms and dramatic tension that mounts trumpets, three trombones, tuba, timpani until the very last measures o the work. and strings. (Copyrighted) The Concerto is scored for two flutes, two oboes, two clarinets, two bassoons, Suite from The Miraculous Mandarin, two horns, two trumpets, bass drum, snare Op. 19 Bela Bartok (1881-1945) drum, triangle, castanets and strings. Bartok composed the music for the one- (Copyrighted) act pantomime The Miraculous Mandarin Tragic Overture Johannes Brahms between October, 1918, and May, 1919, (1833-1897) but the work had to wait some years for a Brahms wrote the Tragic Overture and stage performance. The reason for the its lighter companion piece, the Academic delay was that the story by Manyhert Festival Overture, in the little Austrian Lengyel was so gruesome and unsavory village of Ischl during the summer of 1880. that it was feared it would offend the It was first performed at a concert of the audience. The work was presented for the Vienna Philharmonic Orchestra first time in Cologne in 1925, but it was conducted by Hans Richter on December banned after a single performance. There 26. were plans to give the pantomime in Sketches in his notebook show that Budapest in 1931 in connection with the Brahms had some of the musical ideas that celebration of Bartok’s fiftieth birthday, became part of the Tragic Overture ten but the production got only as far as the years or more before he wrote it. When he dress rehearsal, at which point it was called had finished the two pieces, he sent them to off by the censors. Another unsuccessful his publisher with a letter asking, “What attempt was made to present it in the are your ideas about overtures? Are these Hungarian capital in 1941. It was not until two (which, I assure you, are excellent) 1946, a year after Bartok’s death, that it worth fifteen hundred or two thousand came to performance there. Meanwhile, it thalers each (including four-hand piano was seen in Prague, and has since been arrangements)? You will no doubt say, and performed in several other European rightly, that no more overtures are needed centers. In September, 1951, theNew York as long as Weber’s, Cherubini’s, and City Ballet gave the first stage production Mendelssohn’s are available.” Simrock of the work in America, with revised evidntly thought otherwise, for he paid choreography by Todd Bolender. Brahms the larger of the two amounts, The plot of The Miraculous Mandarin is which was a generous sum. this: In a shabby room, three robbers have The title Tragic Overture has long been a as their accomplice a girl whose business it puzzle. Brahms had trouble deciding on is to lure prospective victims from the the name and wrote to a friend, “In earlier street. The first two are a cavalier and a days my music never pleased me. Now my persistent youth, but since they are titles don’t either. In the end, this is all penniless, they are thrown out. The third vanity.” person to enter is an eerie Mandarin. The Philip Hale offered the best summation girl is so frightened of him that she runs Illi______

February Is the Month For Individual Giving Throughout the month of February, volunteers from the Women’s Association of the Atlanta Symphony will be seeking donations for the 1976 Individual Gifts Campaign. If they call on you, please remember just what a symphony orchestra means to a major city like Atlanta: education, culture, and excitement. Give for Greatness: A Great City Deserves A Great Symphony.

ALLIANCE THEATRE COMPANY The Miracle Worker Opening at Alliance Theatre From February 5 through February 21, the Alliance Theatre will be featuring William Gibson’s world famous work The Miaracle Worker—the story of deaf and blind Helen Keller. Miss Keller’s life story about her struggles to free herself from her dark silent world with the aid of her tutor Annie Sullivan presents some of the most turbulent and moving scenes ever seen on the stage. Through the efforts of these two dedicated women, the world has come to realize that there are intelligent human j “The Harlequin proves a delight... i < the food is superb, service faultless, { beings behind the silent facade of the mute. ambience is authentic and elegant.” :• The majority of all training and skills ;•< Barbara Thomas, Atlanta Journal [' taught and learned by blind mutes through J .1 ! out the world today can be credited to .• F them. •COMPANY* • To portray the part of young Helen I JAN 23 — FEB 29 ; Keller is a difficult undertaking •GUYS &DOLLS* f for a child—and it was extremely ; *CABARET* important to director Fred Chappell that j *SECRET SERVICE* > just the right child be found for the part. Alliance Theatre Company made a mass • 110 IN THE SHADE* i ______j search for a young girl to play this demanding role, and after hundreds of FOR TICKETS auditions, Mr. Chapppell announced that ten year old Denise Burton would portray j AND INFORMATION t Miss Keller. “She is perfect for the role,” says Fred ] >262-1552* | Chappell. “It was a hard decision because Piedmont-Peachtree Crossing Center n we saw many talented children during the two weeks of auditions,” he continued. i 3330 Piedmont Rd., N.E., i Atlanta, Georgia 30305 “Call backs were the hardest, because several girls were outstanding, but Denise PROGRAM NOTES (clarinet solo), at which the down-at-heel from his embrace. When he finally catches cavalier appears, and is finally thrown out her, the three thieves pounce upon him and by the tramps. seize his possessions. They try to kill him, III. Second Seduction Call by the girl, at first by smothering him, then by stabbing which the bashful youth appears, and is him, and finally by hanging him. No matter also thrown out. what they do, he refuses to die; his only IV. Third Seduction Call by the girl. The thought is to pursue the girl. When she cuts Mandarin appears (all fortissimo.) him down and takes him in her arms, his V. The Seduction Dance of the Girl for wounds begin to bleed, and he dies. the Mandarin. In 1928, when Bartok realized that The VI. The Mandarin catches up with the Miraculous Mandarin might never be girl after a hunt that grows wilder and staged, he prepared a concert suite in one wilder. long, continous movement, based The suite is scored for piccolo, three principally on the first half of the score. It flutes, three oboes, English horn, three was first performed by the Budapest clarinets, E-flat clarinet, bass clarinet, Philharmonic Orchestra, in October, 1928. three bassoons, contrabassoon, four In the published score of the suite is this horns, three trumpets, three trombones, outline of the music and the action it tuba, timpani, snare drum, tenor drum, covers: bass drum, suspended cymbals, triangle, I. Introductions (street noises). The tam-tam, xylophone, celesta, piano, organ orders of the tramps to the girl. (optional), harp and strings. II. First Call of Seduction by the girl (Copyrighted)

The broadcast of tonight’s concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m. on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association, and with the support of the Georgia Council for the Arts and the National Endowment for the Arts.

ARTISTS MICHAEL PALMER With tonight’s concert, 1945. He began study of the piano and Michael Palmer makes violin at an early age, but at age twelve his subscription series expressed interest in orchestral score study conducting debut in the and conducting and attracted the attention Atlanta Symphony’s of Izlar Solomon, then music director of 1975-76 Star Spangled the Indianapolis Symphony. At age Season. fourteen, he organized a youth orchestra of But Palmer has not such proficiency that it toured cities and been idle while awaiting universities throughout Indiana. his appearance tonight—as associate At Indiana University, Palmer studied conductor and Exxon/Arts Endowment conducting with Julius Herford, and conductor, his days are filled with founded the Festival Music Society of musical activity. Palmer serves as Indianapolis, a summer series of concerts, music director and conductor for the which met with great critical response. Atlanta Symphony Youth Orchestra, Palmer came to Atlanta in 1967 at the which rehearses weekly; he conducts the invitation of music director and conductor popular Young People’s Concerts for Robert Shaw. In 1974. Palmer was named elementary and high school students; and one of six outstanding young American he conducts the Atlanta Symphony on run conductors by the National Endowment out tours to Georgia cities. In addition, for the Arts and the Exxon Corporation to Palmer travels around the nation fulfilling participate in the Exxon Arts Endowment his many guest conducting committments. Conductor’s Program. Palmer was born in Indianapolis in Award winning Il______Restaurant since 1962 has just the right look and is the right size in addition to her extraordinary acting ability for one so young.” Denise is a student at Oakcliff Elementary School and lives in Doraville, Georgia. Mr. Chappell also announced that well- known Atlanta actress Dana Ivey will play the role of Helen’s tutor, Annie Sullivan. Coach 8c Six Restaurant Miss Ivey can be remembered for her 1776 Peachtree St., N.W. 872-6666 portrayals of Elizabeth Proctor in The Crucible, Sister Woman in Cat On a Hot Tin Roof and the Nurse in Romeo and Juliet. She was also the host of Atlanta Arts and other programs on WGKA. One of Canada’s most distinguished actresses, she has worked with Forrest Tucker and Betty Garrett in Plaza Suite, with Tony Randall and Jack Klugman in the Odd Southuiick Couple and has appeared with Robert Culp in the American Odyssey series. a tradition among gentlemen. Mr. Chappell has stated, “I think the combination of Dana Ivey and Denise in The Miracle Worker is going to make H. STOCKTON - ATLANTA INC. sparks on the stage that Atlanta has never 80 Fo r s y t h St r e e t , N.W. Le no x Sq ua r e seen. This is going to be a very exciting, dynamic production.” Quoted as “magnificient theatre” by many, The CHERIBACH Miracle Worker is a moving, emotion- packed experience for all who see it. Following The Miracle Worker, the Alliance Theatre will present the reknowned production about the life of Gourmet Cookware Lorraine Hansberry, author of A Raisin in the Sun, — To Be Young, Gifted and Black. The dates of this production are from PACES CROSSING February 26 to March 13. 1449 CUMBERLAND MALL ATLANTA, GEORGIA 30339 For reservations for either production, 404/436-6229 call the Alliance Theatre Box Office, 892- 2414.

HIGH MUSEUM OF ART Bauhaus Color Exhibition Now On View At The High Museum An exhibition, entitled Bauhaus Color, which shows the Bauhaus concepts of color and their application in the work of this famous school’s artists and designers, opened to the public on January 31 in the Museum’s New Galleries on the 3rd floor and will continue on view through March 14. Organized by the High Museum and VIKTOR TRETYAKOV The late David Oistrakh, the renowned Viktor Tretyakov was violinist and then chairman of the born in Siberia in 1946 international panel of judges, declared “He of a family of musi impressed everyone with the universality of cians. At an early age he his style and of his rare virtuosity. It began studies at the appears that for him there are simply no Irkutsk Conservatory. difficulties.” Later he entered the Since his victory, Tretyakov has toured Central Music School throughout Europe, Japan, South of Moscow, which is the America and several times through the preparatory subsidiary of that city’s United States. conservatory. Upon graduation with During his first tour of this country in honors, and as is the custom, he was elected 1969, Tretyakov made deep impressions as by his elders to enroll in the Conservatory soloist with the major orchestras—his U.S. for advanced studies with one of Russia’s debut was with the Philadelphia Orchestra most famous teacher, Professor under Eugene Ormandy. The music critic Yankelevitch. of the Philadelphia Inquirer wrote “By any Tretyakov’s name first came to measurement, his is a major talent. There international attention in 1966 when, at the seemed to be no limits to the agility of age of twenty, he took the First Prize in the either hand, and certainly the tone he Third International Tschaikovsky produced was one of the lovliest in recent Competition in Moscow. Competing memory. And if intensity is the heart of against hundreds, his playing created music, his music was remarkable for that tremendous excitement. quality.”

ATLANTA SYMPHONY ORCHESTRA LEAGUE Dr Noah Langdale. Jr Robert M Wood . OFFICERS Dr. B. Woodfin Cobbs. Edward S. Croft, Jr. John B Lawhorn David Goldwasser Bradley Currey. Jr Mrs. Nathan I. Lipson LIFE SPONSORS President Paul A Ebbs, Jr Mrs. Edwin Lochridge. Jr. Mrs. Murdock Equen J. J. Doherty, Jr. Herbert R Elsas Mrs. Mason Lowance Mrs. Lon Grove Vice President Mrs. Edward E. Elson Lawrence J. McEvoy, Jr. Mrs. Granger Hansell Robert G. Edge Richard C. Everett Tom M. McLain. Jr Byron Harris Vice President Robert P. Forrestal George K McPherson. Jr. Mrs. Julian Hightower John A. Wallace Ms. Shirley Franklin N. Barnard Murphy Mrs. Lewis Hirsch Vice President Mrs. Henry Geigerman. Ji F. W. Nichols ' Charles Jagels Mrs. William B. Wylly L L. Gellerstedt, Jr. Dr Marvin B. Perry. Jr. ’ J W Kercher Vice President Stanley K. Gumble Mrs. David A Reinach C K. Liller Washington Falk, III Mrs. John R. Guy Mrs. William E. Schatten Michael McDowell Secretary Joseph F. Haas Shouky A. Shaheen Mrs. Lawrence J McEvoy Mrs. Drew R. Fuller Mrs. John R Hall Grant G. Simmons. Jr. Mrs. Louis Moss Treasurer Dr. J Rhodes Haverty Dr Grace B Smith Mrs. Bernard Neal Mrs. J. Rhodes Haverty H. Hamilton Smith Mrs Howard R Peevy BOARD OF SPONSORS Lee H. Henkel. Jr. G. Maynard Smith Mrs. T Erwin Schneider Peter Abreu Mrs. Jesse Hill, Jr. W. Rhett Tanner Mrs. Howard C. Smith A. Leigh Baier Mrs. W. Stell Huie Mrs. Ralph K. Uhry •Charles L Towers Tom M Brumby Mrs. Maynard Jackson Mrs. Charles E. Watkins. J •Charles R. Yates Dr. Dan Burge Dr. Herbert Karp Mrs. Robert Wells Eugene Young Jack Clifford Louis Kunian L. Neil Williams Frank Ratka, General Manager • Past Presidents All season ticket holders are members of the Orchestra League

atlanta mi______guest curator Clark V. Poling of Emory University’s Department of the History of Art, the exhibition elucidates the range and variety of the Bauhaus approach to color, which was fostered by the school’s teaching program, encompassing systematic and empirical color studies, objective and intuitive, and the aesthetic and functional applications of color.

Vasily Kandinsky (Russian, 1866-1944), Orange (Composition with Chessboard), 1923, lithograph. Included in the Bauhaus Color exhibition. Courtesy, Museum of Fine Arts, Lee M. Friedman Fund. Limited to the period of the Bauhaus— 1919 to 1933—the exhibition features works by Klee, Kandinsky, Moholy-Nagy, £ Albers, Herbert Bayer, and other Bauhaus masters and students. Included are some 100 works—paintings and color studies, graphics and typography, weaving and other products of the workshops, architectural projects, theater designs and Give experimental media—on loan from major public and private collections. AMERICAN'Tx"" CANCER SOCIETY

...

Paul Klee (Swiss, 1879-1940), Polyphonic Architecture, 1930, watercolor on muslin, 165/s" x 18V4". On loan from the St. Louis Art Museum and included in the Bauhaus Color exhibition. Atlanta Symphony Orchestra

ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* Kathleen Kee Bruce Klingbeil FRENCH HORN William Steck Larry LeMaster John Henigbaum Concertmaster Nan Maddox Principal Martin Sauser Bonita Potts Brice Andrus Co-Concertmaster Donovan Schumacher Assistant Principal Robert Harrison Paul Warner Thomas Witte Associate Concertmaster Christopher Scheufler Willard Shull BASS* TRUMPET Assistant Concertmaster Dale Schmidt David Arenz Principal John Head Principal Second Violin Jane Little Principal Oscar Pereira Associate Principal Joseph Walthall Assistant Principal Ralph Jones Assistant Principal Second Violin Assistant Principal Prin. Second Trumpet Jaqueline Anderson Harvey Kaufman Larry Black Shalom Ben-Uri Michael Kenady TROMBONE Sharon Berenson Thomas Thoreson Anita Cahoon Randolph Ujcich Harry Maddox Piotr Haase Wiley Weaver Principal Martha Reaves Head Richard Hansbery Stephen Horvath FLUTE Donald Wells Ruth Little Warren Little BASS TROMBONE Karen Matthews Principal David Myford Paul Brittan Donald Wells Thomas O'Donnell Assistant Principal TUBA Alice Oglesby Prin. Second Flute Lorentz Ottzen Michael Moore Benjamin Picone OBOE TIMPANI • Susan Pitard Elaine Douvas Carol Ramirez Principal Paul Yancich Juan Ramirez Elizabeth Camus Principal Ronda Respess Assistant Principal William Wilder Richard Robinson Prin. Second Oboe Assistant Principal Patricio Salvatierra Patrick McFarland PERCUSSION Edward Scruggs ENGLISH HORN Jack Bell Ann Pinney Steck Principal Patricia Vas Dias Patrick McFarland Eugene Rehm Frank Walton CLARINET William Wilder VIOLA* Norman Baker HARP Robert Jones Acting Principal Judy Beattie Principal William Rappaport Peter Bertolino Douglas Smith KEYBOARD Ardath Cohen Alice Oglesby John Detrino BASS CLARINET Manuel Diaz Douglas Smith PERSONNEL MANAGER Enid Jones Martin Sauser Marion Kent BASSOON Haskell Marrinson Carl Nitchie PERSONNEL MGR. EMERITUS Heidi Moss Nitchie Principal Harry Robkin Robert Parcells Charles Nussbaum Assistant Principal LIBRARIAN CELLO* Prin. Second Bassoon David Hinshaw Robert Marsh Daniel Dowdakin Stephen Horvath, Ass't. Principal Edmond Basson CONTRA BASSOON STAGE MANAGER Assistant Principal Daniel Dowdakin Michael Destazio Jere Flint Patrick Noon, Ass't. Kay Gardner

'Players Listed Alphabetically

ADMINISTRATIVE STAFF FRANK RATKA. General Manager RICHARD W. THOMPSON. Assistant Manager WILLIAM W. BROWN. Director of Public Relations PETER J. STELLING. Director of Development JAMES Y BARTLETT. Asst. Dir of Public Relations MRS NANCY BURKE. Director of Season Tickets MISS PAT PERRY. Fund Raising Coordinator MISS NOLA FRINK. Choral Secretary MISS BETTY DAVENPORT. Secretary MRS JULIA CRAWFORD. Secretary STEVE CUCICH. Symphony Hall House Manager MRS KAY CROMARTIE. Receptionist ROBERT A HOLZER. Administrative Assistant MISS HILDA EVANS. Secretary. Women's Assn nn______On Sunday, February 8, Dr. Poling will 0f)a*t*eau present a lecture on the Bauhaus in the flew tie li.f Museum’s Hill Auditorium at 3 o’clock. For Lunch This event is free and open to the public. six different entrees daily The exhibition is supported in part by a Choice of salad and beverage grant from the National Endowment for $2.25 to $3.25 the Arts. An illustrated catalogue, with 2470 Cheshire Bridge Rd., N.E. • 633-2633 text by Dr. Poling, is available for Call Bob Bivens, Manager, for purchase in the Museum lobby. office and staff luncheon parties American Express and other Major Credit Cards Honored The Bicentennial Gala at The Peachtree Center Plaza Hotel on Saturday, February 28 I ravelanes, inc The spectacular Peachtree Center Plaza Dunwoody Village Hotel—at 70 stories the world’s tallest hotel—will be the scene of a gala For travel of Bicentennial benefit for the High necessity or Museum’s Art in the Park program. At the choice invitation of architect John Portman, the individually or in groups Museum’s Members Guild will coordinate the grand opening of the hotel on Saturday (404) 394-7300 evening, February 28, from 8:30 to 12 midnight. Music will be provided by the 5507 A Chamblee Dunwoody Road Dunwoody, Georgia 30338 Meyer Davis Orchestra, the Wes Baxter Band, and the Bill Odom Combo. An array of exotic hors d’oeuvres from the hotel’s coninental kitchen will be presented. THE GRASS COURT Tickets are $15 per person and may be TENNIS CENTER obtained by calling the Museum’s Guild in The Balconies office, phone 892-3600, ext. 311 or 302. Mrs. Crawford F. Barnett, Jr., is Art in the Park volunteer chairman and Gala Kathie Mohan coordinator. Sponsoring organizations of (404) 256-2399 Art in the Park include the High Museum, the City of Atlanta, the Members Guild of 290 Hilderbrand the High Museum, the Junior League of Avenue Atlanta, the Board of Sponsors of the High Museum, the National Endowment Sandy Springs, Georgia for the Arts, an anonymous foundation, the National Council of Jewish Women, and the Atlanta Bicentennial Commission.

The ultimate Museum to Present Award- Winning Movies During driving machine. February Two series of award-winning films will CHARLES EVANS be presented in the Museum’s Hill BMW —Volkswagen Auditorium during February and March according to the following schedule: 1-20 EAST On February 12, 13, and 14 at 8 p.m., WEST AVE. EXIT and again on February 15 at 3 p.m., the Phone 483-1171 10th Tournee of Animation—the latest in this popular series of top shorts—will be Fulton Federal people make it happen for people like you!

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STATE ZIP shown. The fifteen films in this new program range from whimsical comments on women’s lib to graphically stylized fairy tales and represent the best in animation techniques the world over. An admission fee of $1 for Museum Members, $1.50 for Students, and $2 General Admission will Harper’s Flowers be charged. 1201 West Peachtree Street. NW Beginning on Thursday, February 19, a 876-5766 top-notch series of musicals of the 40’s and 50’s will be presented in a double-feature format. Scheduled for February 19 and 20 are Meet Me in St. Louis and Singin’ in the Rain; on February 26 and 27 are An Tours and Cruises ... American in Paris and Showboat. by Air and Steamship Admission fee is $1 for Museum Members, $1.50 for Students, and $2 General Admission.

ATLANTA TRAVEL AGENCY |l" • 235 Peachtree St., N.E. — Suite 1817 Atlanta, Georgia 30303 — Alex Hitz, Jr.

The

High Museum VAGABOND MARIONETTES Vincent Anthony's Vagabond Marionettes continues its 10th season with Art Shop the famous Georgia classic Uncle Remus Tales. It plays Saturdays at 11:00, 1:00, and 3:00 in the Studio Theatre. This puppet Sales and Rental Gallery play is the perfect way to acquaint your presents children with all those Joel Chandler Juried Harris characters they’ve heard about. Original Works of Art They’ll actually meet that mischevious Brer from the Southeast Fox, crafty Brer Rabbit and many others. and Don’t miss Vagabond Marionettes’s Uncle Fine Art Books Remus Tales. Call 892-2414 for tickets and The Gifts that you buy in reservations. The Art Shop Have been Juried for Quality

Shop Hours: 10 A.M. - 4 P.M. Tuesday thru Saturday 12 P.M. 5 P.M. on Sundays

The High Museum of Art 1280 Peachtree St., N.E., Atlanta, Georgia THURSDAY & FRIDAY FEBRUARY 1976 FEBRUARY 26 & 27 Atlanta Symphony Orchestra. 8:30, SH. Robert Shaw conducting, Martha Argerich, piano. Ives: Symphony No. 1. Beethoven: Piano Con certo No. 2; Janacek: Taras Bulba, Rhapsody for MEMORIAL ARTS CENTER Orchestra. __ SATURDAY, FEBRUARY 28 Atlanta Symphony Orchestra. 8:30, SH. Same program. ACA Atlanta College HMA: High Museum of Metropolitan Opera Regional Auditions,8 00 of Art Art WHA. Free. ACT Atlanta Children's MR: Member s Room Theatre PR. Paneled Room AT: Alliance Theatre RH: Rehearsal Hall ATC Alliance Theatre SH. Symphony Hall Company ST: Studio Theatre ASO Atlanta Symphony WHA: Walter Hill Exhibitions Orchestra Auditorium GAL Galleria For ticket information, call the box office at High Museum hours: 10:00 to 5:00 Mon. through 892-2414. For other information, call 892-3600. Sat., 12:00 to 5:00 Sun., closed evenings. Art Shop hours: 10:00 to 5:00 Tues, through Sat., 12:00 to 5:00 Sun., closed Mondays and evenings. THE CITY and Jr. Art Shop hours: 3:00 to 5:00 Mon. through Fri„ 12:00 to 5:00 Sat. and Sun. Donation: 254 Children, 504 Adults, Museum Members free. Concerts THE CITY is reserved at other hours during the week for scheduled school tours by prior arrangement only. ______SUNDAY, FEBRUARY 1 __ Gallery 413 hours: 11:00 to 4:00 Monday through Atlanta Symphony Youth Orchestra, 2:30, SH. Friday. This gallery is located in the Atlanta Michael Palmer conducting. College of Art, level "A.” FEBRUARY 1 THROUGH 6 THURSDAY, FRIDAY & SATURDAY FEBRUARY 5, 6, & 7 Photography, Gallery 413, level "A." Photography exhibit by George Hemphill and Ben Davis. Atlanta Symphony Orchestra, 8:30, SH Michael Palmer conducting, Viktor Tretyakov, violin. OPENING ON FEBRUARY 7 Mendelssohn: Symphony No. 4 in A Major Atlanta Public Schools Exhibition, Galleria An ‘■Italian"; Prokofiev: Concerto No. 2 in G minor for exhibition of work produced by high school Violin and Orchestra; Brahms: Tragic Overture; students and art teachers in the Atlanta Public Bartok: The Miraculous Mandarin: Suite for Schools System. Organized by the Arts and Orchestra. Humanities Center of the A.P.S. Exhibit continues Su n d ay , Febr u ar y !; through March 2. Atlanta Symphony Orchestra, 2:30, SH. Same FEBRUARY 8 THROUGH 20 program. Memphis Academy of Arts, Gallery 413, level "A.” THURSDAY & SATURDAY Exchange exhibit with faculty of the Memphis __ FEBRUARY 12 & 14 ____ _ Academy of Arts. Atlanta Symphony Orchestra, 8:30, SH Robert FEBRUARY 22 THROUGH 27 Shaw conducting, Atlanta Symphony Orchestra Student Exhibit, Gallery 413, Level "A.” Atlanta Chorus, Soloists. Beethoven: “Missa Solemnis" in College of Art Senior Student Exhibit: William D Major, Op. 123, for Orchestra, Chorus, and Four Ewing. Solo Voices.______CONTINUING THROUGH MARCH 14 FRIDAY &~SUNDAY FEBRUARY 13 & 15 ___ Bauhaus Color, HMA. New Galleries, third floor. An exhibition which shows the Bauhaus concepts Atlanta Symphony Orchestra, 8:30, SH. Robert of color and their application in the work of this Shaw conducting, Atlanta Symphony Orchestra famous school's artists and designers. Catalogue Chorus, Soloists. Beethoven: Overture to available. “Egmont"; Beethoven: Symphony No. 9 in D minor with final chorus on Schiller’s "Ode to Joy,” CONTINUING THROUGH JUNE, 1976 Op. 125.______American Paintings in the High Museum of Art, ______TUESDAY, FEBRUARY 17______HMA. Central Galleries, second floor. A selection of major American works in the Museum's The Pro-Mozart Society of Atlanta presents a permanent collection, supported by a grant from concert by a String Quartet of members of the the National Endowment for the Arts and the Mary Atlanta Symphony Orchestra. WHA. 8:30 p.m. E. Haverty Foundation. Illustrated catalogue. Admission information call 233-8791. CONTINUING EXHIBITIONS TUESDAY, WEDNESDAY, THRUSDAY, & The New Image, HMA, North Gallery, first floor. FRIDAY An exhibition presenting works by American FEBRUARY 17, 18, 19, & 20 __ artists that are representative of many of the more ASO Young People's Concerts. 10:30 a m. and difficult trends in art today. On view through June, 12:30 p.m., SH. Michael Palmer conductng. 1976. SATURDAY, FEBRUARY 21 The City, HMA, Jnior Gallery. Discover the city as a place made up of color, line, space, shapes Metropolitan Opera District Auditions, WHA. 8 p.m. Free. and texture—the elements of design. Award- The Magazine For People Who Care... About The Arts! "ATLANTA is the magazine for peo We help you enjoy Atlanta more with ple who care about the arts, to enjoy, our events calendar, travel and sports share and support. Importantly, coverage, restaurant reviews. We ATLANTA covers the arts from the keep you informed about government, viewpoints of artists and spectators education, and the city's leaders. We alike. Expressive coverage of the arts carry you inside business with exclu is only one of many reasons you'll sive features. So if you care about like ATLANTA Magazine" the arts—and Atlanta—you'll enjoy Robert Shaw, ATLANTA Magazine. Only $10.00 a Music Director and Conductor year. To subscribe, use coupon below, Atlanta Symphony Orchestra or call 522-6741.

THE MAGAZINE FOR PEOPLE WHO CARE1 ••••••••••••••••••••••••••••••••••1104 COMMERCE BUILDING •ATLANTA, GEORGIA 30303 □ 12 Months $10.40 □ 24 Months $16.64 Above prices good only in U.S.A. (APO & FPO); $12.00 per year in Canada and Mexico, $16.00 elsewhere. □ Payment Enclosed □ BankAmericard □ C&S Charge Card □ Master Charge Inter Bank #______Card Number______Expiration Date______Name______

Address______City______State______Zip______winning exhibition designed by Heery & Heery, The Tenth Tournee of Animation film series, WHA, Architects and Engineers. Admission fee to non 8:00 p.m. Same program. Members. SUNDAY, FEBRUARY 15 The William and Robert Arnett Collection of HMA, McBurney The Tenth Tournee of Animation film series, WHA, Antique Chinese Jades 3:00 p.m. Same program. Galleries, third floor. Continuing on extended loan. Winter in Mexico, 2:30, SH. Travelog series. Tour this vibrant country from the glamour and bustle Mexico City to the remote regions of Yucatan. See posh seaside resorts and sleep Mexican villages. Lectures $3.50 and $3.00 General, $2.50 Students. THURSDAY & FRIDAY __ __ FEBRUARY 19 & 20 SUNDAY, FEBRUARY 1 Musicals of the 40's and 50's, WHA, 8:00. "Meet Me Tour, 2:00, HM, third floor. Tour of the Arnett in St. Louis" with Judy Garland and Margaret Collection of Antique Chinese Jades, conducted O’Brien; “Singin' in the Rain" with Gene Kelly, by collector William Arnett. Free. _ Debbie Reynolds, and Donald O’Connor. $1 WEDNESDAY, FEBRUARY 4 Museum Members, $1.50 Students, $2 General. ~ SUNDAY, FEBRUARY 22 ~ Re-Viewing the Masters Lecture Series, 10:00a.m. and 8:00 p.m., WHA. Catherine Evans, Museum Videotape screenings. 3:00 and 4:00, HMA, North lecturer. Topic: “Bronzino and Pontormo: The Gallery. “Three Transitions" by Peter Campus; Concept of Mannerism." $1.50 Museum Members, “Selected Works, Reel 4” by William Wegman. $1.75 Students, $2 General. Free. SUNDAY, FEBRUARY 8 __ THURSDAY & FRIDAY Lecture. 3:00. WHA. Clark V. Poling of Emory __ __ FEBRUARY 26 & 27 ______University's Department of the History of Art, Musicals of the 40’s and 50's, WHA, 8:00. "An lecturer. Topic: "Bauhaus Color.” Free. American in Paris" starring Gene Kelly and Leslie WEDNESDAY, FEBRUARY 11 Caron; “Showboat” with Howard Keel, Ava Gardner, Kathryn Grayson, Joe E. Brown, and Re-Viewing the Masters Lecture Series, 10:00a.m. Agnes Moorehead, $1 Museum Members, $1.50 8:00 p.m., WHA. Catherine Evans, Museum Students, $2 General. lecturer. Topic: “Caravaggio: Light and Theatre of the 'Real' ” $1.50 Museum Members; $1.75 SUN DAY, FEBRUAR Y 29 Students, $2 General. Hawaiian Adventure, 2:30, SH. Travelog series. SUNDAY, FEBRUARY 15 The amazing story of Hawaiian history as well as in-depth look at Hawaii today—the Island Kelly’s Seed and Feed Theatre, 2:00 and 3:30, the Paradise. Most important are the people of this New Image exhibition. A program of selected Polynesian melting pot and how they live. $3.50 writings, sayings, songs, and performance pieces and $3 00 General. $2 50 Students by the makers of recent images. Free. TUESDAY, FEBRUARY 17 Visiting Artist Series. ACA, 10:30 a.m., Foundation Design Room, Level “A.” Janet Fish, lecturer, New Special Events Realist painter from New York City. SUNDAY, FEBRUARY 22 Tour of the Kress Collection, 2:00, HM, second SATURDAY, FEBRUARY 28 floor. Margaret Chambers, guest lecturer. Free. Museum Benefit, Peachtree Center Plaza Hotel, 8:30 p.m. to 12 midnight. The Bicentennial Gala Opening (for the benefit of the High Museum) of the Peachtree Center Plaza Hotel. By reservation Films only.

______SUNDAY, FEBRUARY 1 Videotape screening, 3:00 and 4:00, HMA, North Theatre Gallery. “Warloc(ing) by Paul Kos, “Left Side, Right Side" by Joan Jonas, “Ed Henderson Suggests Sound Tracks for Photography" by John THURSDAY, FRIDAY, & SATURDAY Baldassari, and “Boomergang" by Richard Serra. _____ FEBRUARY 5, 6, & 7______SATURDAY, FEBRUARY 7 The Miracle Worker. 8:00 p.m AT. Alliance Theatre Company. This featured work of William Atlanta Audubon Society. WHA, 8:15. Charles Gibson portrays the moving story of Helen Keller Hotchkiss with the “Land of the Rio Grande." $2 and her struggles to free herself from her dark General, $1.25 Students. silent world. Fred Chappell, director. For further THURSDAY & FRIDAY information, call 892-2414. ____ FEBRUARY 12 & 13 SUNDAY, FEBRUARY 8 The Tenth Tournee of Animation film series. WHA, 8:00 p.m. An award-winning series of fifteen top The Miracle Worker, 2:30 p.m AT short films. $1 Museum Members, $1.50 Students. TUESDAY, WEDNESDAY, THURSDAY, $2 General, FRIDAY, & SATURDAY FEBRUARY 10, 11, 12, 13, & 14 SATURDAY, FEBRUARY 14 The Miracle Worker, 8:00 pm, AT Movies for Kids Series, WHA, 10:30 and 1:30. “Born Free." 50

THURSDAY, & FRIDAY Charles L. Doughty ______FEBRUARY 9, 10, 11, 12, & 13 Director Androcles and the Lion, 10:00 and 12:00, AT. ACT. PARKING FACILITIES: Center Parking garage with Uncle Remus Tales, 10:00 and 11:30, School covered parking directly adjacent to Center, en groups, ST. Vagabond Marionettes. trances on Peachtree and Lombardy Way; also com mercial parking across from Peachtree entrance SATURDAY, FEBRUARY 14 to Center, and north of First Presbyterian Church. Androcles and the Lion, 2:30 p.m. Public BOX OFFICE: (404) 892-2414. Hours: Mon. through performance, AT. ACT. Fri. 10-6 pm (or until curtain); Sat. noon-4:U0 Uncle Remus Tales, 11:00, 1:00, and 3:00. Public (or until curtain); Sun. noon-3:00. The Memorial performance, ST. Vagabond Marionettes. Arts Center Box Office handles tickets for the Atlanta Symphony, Atlanta Children’s Theatre, Movies for Kids Seies: "Born Free." WHA. 10:30 Alliance Theatre Company, Dance Atlanta, Theatre and 1:30. 50C all children 16 and under, $1 Adult Atlanta Off Peachtree; Vagabond Marionettes; Member, $2 General. Travelogue Film Series; also on night of per formance, all tickets for any event scheduled in MONDAY, TUESDAY, & WEDNESDAY the Arts Center. FEBRUARY 16, 17, & 18 TOURS: For information on regular weekday tours Androcles and the Lion. 10:00 and 12:00, School or group tour arrangements, call (404) 892-3600. performance, AT. ACT. RESTROOMS: Located off the Galleria Balcony Uncle Remus Tales. 10:00 and 11:30, School across from both Symphony Hall and the Alliance groups, ST. Vagabond Marionettes.______Theatre. Also located adjacent to the balcony THURSDAY & FRIDAY lobbies inside Symphony Hall. FEBRUARY 19 & 20 Our Cover—Atlanta College of Art students silkscreen Uncle Remus Tales, 10:00 and 11:30, School posters for Arts Center display cases. groups, ST. Vagabond Marionettes. ~ SATURDAY, FEBRUARY 21 ATLANTA ARTS Magazine is published for the Uncle Remus Tales. 11:00, 1:00, and 3:00.Public Atlanta Memorial Arts Center, by The Conger performance. ST Vagabond Marionettes.______Printing Co., Inc. in Atlanta, Georgia. All rights IMONDAY, TUESDAY, WEDNESDAY, to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from the THURSDAY, & FRIDAY magazine in whole or in part without permission FEBRUARY 23, 24, 25, 26, & 27 is prohibited. Editorial Office, 1619 Chattahoochee Uncle Remus Tales, 10:00 and 11:30, School Ave., N.W., Atlanta 30318. Phone (404) 352-1910. groups, ST. Vagabond Marionettes.______L. W. CONGER, JR. SANDRA HAISTEN ______SATURDAY, FEBRUARY 28______Publisher Editor Uncle Remus Tales, 11:00, 1:00, and 3:00. Public COCO CONGER ERNEST DeVANE performance, ST. Vagabond Marionettes. Advertising Director Art Director Bailey Banks & Biddle introduces Lovemate® wedding sets. In units of two, three, or four bands, which mate to become one on the finger in 14 karat yellow gold. A. Wedding and engagement bands, $450 the pair. B. Solitaire engagement ring, with wedding band split into two guard rings, $700. C. Diamond wedding and engagement rings in 14 karat white gold and two guard rings in 14 karat yellow gold, $1,250.

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