Lateral Naves in the Mediterranean Space and Their Functions in Late
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Spolia's Implications in the Early Christian Church
BEYOND REUSE: SPOLIA’S IMPLICATIONS IN THE EARLY CHRISTIAN CHURCH by Larissa Grzesiak M.A., The University of British Columba, 2009 B.A. Hons., McMaster University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Art History) THE UNVERSIT Y OF BRITISH COLUMBIA (Vancouver) April 2011 © Larissa Grzesiak, 2011 Abstract When Vasari used the term spoglie to denote marbles taken from pagan monuments for Rome’s Christian churches, he related the Christians to barbarians, but noted their good taste in exotic, foreign marbles.1 Interest in spolia and colourful heterogeneity reflects a new aesthetic interest in variation that emerged in Late Antiquity, but a lack of contemporary sources make it difficult to discuss the motives behind spolia. Some scholars have attributed its use to practicality, stating that it was more expedient and economical, but this study aims to demonstrate that just as Scripture became more powerful through multiple layers of meaning, so too could spolia be understood as having many connotations for the viewer. I will focus on two major areas in which spolia could communicate meaning within the context of the Church: power dynamics, and teachings. I will first explore the clear ecumenical hierarchy and discourses of power that spolia delineated through its careful arrangement within the church, before turning to ideological implications for the Christian viewer. Focusing on the Lateran and St. Peter’s, this study examines the religious messages that can be found within the spoliated columns of early Christian churches. By examining biblical literature and patristic works, I will argue that these vast coloured columns communicated ideas surrounding Christian doctrine. -
Narthex of the Deaconesses in the Hagia Sophia by Neil K. Moran Abstract
Narthex of the Deaconesses in the Hagia Sophia by Neil K. Moran Neil K. Moran received a Dr.phil. from Universität Hamburg, Germany, in 1975, and completed a fellowship at Harvard’s Center for Byzantine Studies in 1978. He also holds a B.Mus. from the University of Alberta, Edmonton, and a M.A. from Boston University. He is the author/co-author of six books, and 37 articles and reviews that can be found on academia.edu. Abstract: An investigation of the ceiling rings in the western end of the north aisle in the Hagia Sophia revealed a rectangular space delineated by curtain rings. The SE corner of the church was assigned to forty deaconesses. An analysis of the music sources in which the texts are fully written out suggests that the deaconesses took part in the procession of the Great Entrance ceremony at the beginning of the Mass of the Faithful as well in rituals in front of the ambo. ……………………………………………………………………………………….. Since the turn of the century, a lively discussion has developed about the function and place of deaconesses in the Greek and Russian Orthodox Churches. In her 2002 dissertation on "The Liturgical Participation of Women in the Byzantine Church.”1 Valerie Karras examined the ordination rites for deaconesses preserved in eighth-century to eleventh-century euchologia. In the Novellae Constitutiones added to his code Justinian stipulated that there were to be forty deaconesses assigned to the Hagia Sophia:2 Wherefore We order that not more than sixty priests, a hundred deacons, forty deaconesses, ninety sub-deacons, a hundred and ten readers, or twenty-five choristers, shall be attached to the Most Holy Principal Church, so that the entire number of most reverend ecclesiastics belonging thereto shall not exceed four hundred and twenty in all, without including the hundred other members of the clergy who are called porters. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Rome of the Pilgrims and Pilgrimage to Rome
58 CHAPTER 2 Rome of the pilgrims and pilgrimage to Rome 2.1 Introduction As noted, the sacred topography of early Christian Rome focused on different sites: the official Constantinian foundations and the more private intra-mural churches, the tituli, often developed and enlarged under the patronage of wealthy Roman families or popes. A third, essential category is that of the extra- mural places of worship, almost always associated with catacombs or sites of martyrdom. It is these that will be examined here, with a particular attention paid to the documented interaction with Anglo-Saxon pilgrims, providing insight to their visual experience of Rome. The phenomenon of pilgrims and pilgrimage to Rome was caused and constantly influenced by the attitude of the early-Christian faithful and the Church hierarchies towards the cult of saints and martyrs. Rome became the focal point of this tendency for a number of reasons, not least of which was the actual presence of so many shrines of the Apostles and martyrs of the early Church. Also important was the architectural manipulation of these tombs, sepulchres and relics by the early popes: obviously and in the first place this was a direct consequence of the increasing number of pilgrims interested in visiting the sites, but it seems also to have been an act of intentional propaganda to focus attention on certain shrines, at least from the time of Pope Damasus (366-84).1 The topographic and architectonic centre of the mass of early Christian Rome kept shifting and moving, shaped by the needs of visitors and ‒ at the same time ‒ directing these same needs towards specific monuments; the monuments themselves were often built or renovated following a programme rich in liturgical and political sub-text. -
Holy Family Catholic Church South Pasadena, California
Presents: An 11-Day Pilgrimage through the Aegean Walking in the Footsteps of St. Paul including a 3-Night Cruise with Fr. Marlon Mateo and Cambria Tortorelli October 20 - 30, 2017 Holy Family Catholic Church South Pasadena, California Fr. Marlon Mateo Cambria Tortorelli For more Information please contact: Nancy Bevins at 626-403-6107 ([email protected]) or Faith Journeys at 1-877-732-4845 REGISTER by January 5, 2017 and SAVE $100! Following in the Footsteps of St. Paul with a 3-night Cruise 11 days / 9 nights Therefore, comfort and upbuild one another…esteem them with the greatest love…remain at peace with one another. (I Thess 5: 11, 13). On our pilgrimage through Greece, we will follow the footsteps of Paul to discover firsthand the sights, sounds, and feelings that he may have had as he established the Church in this enchanting, ancient land. As we behold the timeless holy places and contemplate the exemplary life of Paul who came not in word only, and not in affliction only, but also in power and with much assurance and great joy to admonish those he served, to join them in giving thanks to God and to remember without ceasing… great works of faith, labours of love and patience of hope in Jesus Christ (I Thess 1), we will renew our commitment to the roots of our Catholic faith. The masses and meditations we celebrate along the way will draw us together as a community, and will remind us of our blessings and the call to stewardship as followers of Jesus Christ. -
The Great Church of Constantinople: History, Architecture and Liturgical Challenges
The Great Church of Constantinople: History, Architecture and Liturgical Challenges Presentation at the New Skete Monastery, August 13, 2006 This presentation is a humble offering to the communities of New Skete and to all who have gathered here. Today 40 years of Christian witness are being remembered. The lives of both the living and departed have brought us together. Lives immersed in prayer, work and study have witnessed and now witness to the need for all to be one with God and each other. I: History The basilica of Hagia Sophia built by emperor Justinian (527-65) follows two earlier structures of the same name located more or less on the same site. The first was completed and dedicated in 360 during the reign of Constantius. This church was greatly damaged by a fire most likely caused by arsonists protesting the banishment of St. John Chrysostom in 404. The second Hagia Sophia built under emperor Theodosius II is rededicated in 415. This church building was again severely damaged by another fire during the NIKA riot of January 532.[1] Leading up to the riot were political i.e. dynastic, religious and social conflicts. During this time there were two rival factions each loyal to its own Christology. These factions also competed with each other in the events of the hippodrome and were known by their respective colors. Thus, those faithful to the Council of Chalcedon (451) were the Blues and those opposed to Chalcedon were known as the Greens. For a brief time Blues and Greens banned together forming a political bloc to oppose Justinian. -
Period of Recognition Part 1 Constantine's Basilicas
The Period of Recognition AD 313—476 Surely one of the most important events in history must be the so called Edict of Milan (313), a concordat really, between Constantine in the 2 Western half of the Empire and his co-emperor in the East, Licinius, that recognized all existing religions in the Roman Empire at the time, most especially Christianity, and extended to all of them the freedom of open, public practice. Equally important, subsequently, was Constantine’s pri- vate, yet imperial, patronage of the Christian church. Also, sixty years later, in 390, the emperor Theodosius would declare Christianity the offi- cial religion of the Roman Empire and followers of the ancient pagan rites, criminals. The pagans were soon subjected to the same repression as Christians had been, save violent widespread persecution. The perse- cuted had become the persecutors . Within another hundred years (in 476) the political Empire in the West would collapse and the Christian church would become the sole unifying cultural force among a collection of bar- barian kingdoms. Christianity would go on to dominate the society of Western Europe for the next thousand years. Thus the three sources from which modern Europe sprang were tapped: Greece, Rome, and Christian- ity. Constantine’s Christianity Constantine attributed his defeat of rival Maxentius for the emperorship of the Roman Empire in the 63 The Battle at the Milvian West to the God of the Chris- Bridge tians. He had had a dream or <www.heritage-history.com/www/ heritage.php?R_m... > vision in which his mother’s Christian God told him that he would be victorious if he marched his army under the Christian symbol of the chi rho , the monogram for the name of Jesus Christ. -
“I TRUST in YOU” VADEMECUM English
2012 ANNUS FIDEI 2013 PONTIFICIUM CONSILIUM DE NOVA EVANGELIZATIONE PROMOVENDA “I TRUST IN YOU” VADEMECUM English PILGRIMAGE TO THE TOMB OF PETER 4-7 OF SEMINARIANS, NOVICES JUL AND THOSE ON A VOCATIONAL JOURNEY Creed I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was cruci!ed under Pontius Pilate, he su"ered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glori!ed, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. -
Ad Orientem” at St
Liturgical Catechesis on “Ad Orientem” at St. John the Beloved “In Testimonium” Parish Bulletin Articles from October 2015 to May 2016 CITATIONS OF LITURGICAL DOCUMENTS IN ST. JOHN THE BELOVED PARISH BULLETIN Cardinal Sarah Speech at Sacra Liturgia USA 2015 (2015-10-18) SC 2.4 (2015-10-27) SC 7.8 (2015-11-01) SC 9 (2015-11-08) SC 11.12 (2015-11-15) Ecclesia de Eucharistia (2015-11-29) Ecclesia de Eucharistia (2015-12-06) Ecclesia de Eucharistia (2015-12-13) Sacramentum Caritatis, 20 (2016-01-31) Sacramentum Caritatis, 21 (2016-02-07) Sacramentum Caritatis, 55 (2016-02-14) Sacramentum Caritatis, 52 & 53a (2016-02-21) Sacramentum Caritatis, 53b & 38 (2016-02-28) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-06) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-13) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-20) Spirit of the Liturgy, Cardinal Ratzinger, (2016-04-10) Roman Missal (2016-04-17) IN TESTIMONIUM… 18 OCTOBER 2015 Among my more memorable experiences of the visit of the Holy Father to the United States were the rehearsals for the Mass of Canonization. At the beginning of the second rehearsal I attended one of the Assistant Papal Masters of Ceremony, Monsignor John Cihak, addressed all the servers and other volunteers. He is a priest of the Archdiocese of Portland in Oregon and also a seminary classmate of mine. Monsignor reminded all present that the primary protagonist in the Sacred Liturgy is the Holy Trinity. From that he expounded on the nature of reverence, both as a matter of interior activity and exterior stillness. -
8 Heaven on Earth
Heaven on Earth The Eastern part of the Roman empire from the mid 5 th century to the mid 15 th century is referred to as the Byzantine Empire [62] but that term 8 would not have meant anything to the people living either in the Eastern or the Western parts of the Roman Empire at the time. The residents of the East thought of them- 62 selves as “Romans” as Map of the maximum extent much as the residents of of the Byzantine Empire (edited map: xenohistorian.faithweb.com/ the West did. In fact, Con- europe/eu08.html ) stantine the Great had The Byzantine Empire expanded moved the capital of the and contracted many times from Roman Empire in 330 476, when the last emperor of the from “old” Rome in the Western Roman Empire abdi- West to what he called cated, until its demise in 1453. The “New” Rome ( Nova map gives us some idea of the core of the Byzantine Empire’s Roma ) in the East. There political and cultural influence. was already a city in the new location, Byzantion, and that is where the term Byzantine comes from. The name Constantinople was given to the new capital after the death of Constantine. Constantinople grew in power, cultural, and diplo- matic influence while old Rome was repeatedly plundered by barbarians. By the end of the 5 th century the Western Roman Empire was out of busi- ness. So it was that the citizens in the East saw themselves as simply the continuation of the Roman Empire. We call that remnant of the old em- pire in the east, Byzantium, in recognition of the changed political situa- tion centered on Constantinople between 476 and 1453. -
Russian Orthodox Cathedral of the Holy Virgin Protection, Located at 59 East 2Nd Street in Manhattan, As a New York City Landmark
October 10, 2008 Hon. Robert Tierney, Chair NYC Landmarks Preservation Commission 1 Centre Street, 9th Floor New York, NY 10007 Dear Chairman Tierney, We write to request that the New York City Landmarks Preservation Commission consider the designation of the Russian Orthodox Cathedral of the Holy Virgin Protection, located at 59 East 2nd Street in Manhattan, as a New York City Landmark. The stately Russian Orthodox Cathedral (at 74’ across, it stands the width of 3 city lots), is one of only three Russian Orthodox Cathedrals in Manhattan. The different phases in the building’s history speak to both the greater immigrant experience in New York, and more specifically to the experience of the Russian Orthodoxy in the first half of the 20th Century. The cathedral, made of rock‐cut Kentucky limestone, was designed in the gothic style by the renowned architect Josiah Cleveland Cady, who would later build such iconic New York City landmarks as the original Metropolitan Opera House, and the West 77th Street frontage and auditorium of the American Museum of Natural History, among others. The history of the cathedral dates back to 1867, when houses stood in its place. That year, the New York City Mission Society converted the house on the easternmost lot into the Olivet Chapel. The church catered to the local immigrant population, offering services in German, Hungarian, Italian, and Russian. In 1891, Cady laid the cornerstone for the current cathedral, which was originally named the Olivet Memorial Church. At this time, the Mission Society was focusing on a new institutional approach, consolidating its programming into churches which provided ample space and resources to serve needy communities. -
Middle-Byzantine Bath-Houses in Eastern Crete and Their Changing Functions
land Article From Town to Countryside: Middle-Byzantine Bath-Houses in Eastern Crete and Their Changing Functions Natalia Poulou * and Anastasios Tantsis Department of Archaeology, School of History and Archaeology, Aristotle University of Thessaloniki, Thessaloniki 54124, Greece; [email protected] * Correspondence: [email protected]; Tel.: +30-693-884-6579 Received: 26 August 2018; Accepted: 10 September 2018; Published: 12 September 2018 Abstract: The article examines the context of a recently discovered double bath-house complex in Loutres, a site near Mochlos on the north shore of eastern Crete. The excavators explore the broader questions posed by the finding, in connection to both its immediate surroundings and its wider periphery. Its relation to the site’s geography, a ravine on the shore, forms the starting point to address issues regarding its original use as well as its later transformations. The enquiry leads into considering similar structures with different fates in the area and the connotations regarding their relationship to both the landscape and the settlements to which they belonged. The article goes on to discuss the general issues of the historic context of medieval Crete concerning both the archaeology and the information from the sources. It seems that long-held concepts about the abandonment of seaside settlements due to the so-called “Arab threat” are no longer valid. On the contrary, archaeology proves the continuity of the settlements of eastern Crete, both in Loutres and elsewhere. Moreover, the later use of the bath-houses in the area provides evidence for social changes after the 13th century impacting on both the landscape and its settlements.