CHOC QUIB Town

Total Page:16

File Type:pdf, Size:1020Kb

CHOC QUIB Town LADYBRILLE THE MUSIC EDITION / THE MUSIC EDITION / MAY 2010 CHOC MAY 2010 QUIB TOWN BEST New Afro-Colombian Hip-Hop Band! #1 AFRIC A N F A SHION & ENTERT A INMENT M A G A ZINE FOR THE WEST! W A X , WWW. AFRICAN DESIGNERS, LADYBRIllE SHOPPING & MORE! MAN OF LADYBRILLE ROLAND REFLECTS ON THE MONTH OBAMA’S HISTORIC RUN FOR THE WHITE HOUSE WHO’S HOT? M A G.COM AFRICA’S INFLUENTIAL MUSIC HEADS TELL US! $3.99 WWW.LADYBRILLEMAG.COM LADYBRILLE THE MUSIC EDITION / THE MUSIC EDITION / MAY 2010 WAX, LADYBRILLE MAY 2010 MAN OF THE MONTH #1 AFRIC A N F A SHION & ENTERT CHOC A INMENT M QUIB TOWN A G A ZINE FOR THE WEST! BEST New Afro-Colombian Hip-Hop Band! WWW. AFRICAN DESIGNERS, SHOPPING & MORE! LADYBRILLE ROLAND REFLECTS ON OBAMA’S HISTORIC RUN FOR THE WHITE HOUSE M WHO’S HOT? A G.COM AFRICA’S INFLUENTIAL $3.99 MUSIC HEADSwww.ladybrillemag.com TE MLLay 2010 US 3 ! WWW.LADYBRILLEMAG.COM Advertise with Ladybrille Magazine [email protected] OGUN, the warrior god of the Afro-Brazilian mythology by Framn Rezende PHOTOGRAPHER: Famn Rezende STYLIST: Pilar Cortes MAKE-UP AND HAIRDRESSING: Susana Biedma for Mac and Tecni.Art of L’oréal Professionnel MODEL: Enma | LADYBRIllE CONTENTS MAY 40 201046 12 28 COVER LADYBRILLEMAG.COM 11 Editor’s Note 38 HOT NEWS FROM LADYBRILLEMAG.COM FEATURES POLITICS 2 Fashion Editorial OGUN by Framn Rezende 44 Roland Martin Reflects on Obama’s 12 WAX, Ladybrille Man of the Month Historic Run for the White House 40 CHOC QUIB TOWN, Best New Afro-Colombia Hip-Hop Band! LIFESTYLE 20 Who’s Hot? Africa 46 Ghana- A Visit to the Heart of Darkness 22 Who’s Hot? Nigeria 24 Who’s Hot? Uganda IN EVERY ISSUE 2 Covers In One Editor’s Note FASHION Contributors 26 African Designers, Shopping & More! Man Of The Month 28 South Africa Fashion Week 2010 African Designers, Shopping & More! Hot News From Ladybrillemag.Com Credit correction: Stephanie Matthews from the April issue was mispelled. 8 www.ladybrillemag.com May 2010 | LADYBRIllEMAG.COM MAGAZINE #1 African Fashion & Entertainment Magazine for the West! www.ladybrillemag.com ABOUT LADYBRILLE MAGAZINE Founded in 2007 by fashion model, attorney and journalist Uduak Oduok, LADYBRILLE Magazine a brand recognized for its sophistication and class ® stands as the authority on African fashion and entertainment for the globally conscious style driven American and European woman. Breaking the mold and trailblazing a path never traveled before, LADYBRILLE ® Magazine is a fusion of WWD, Vogue and ESSENCE with a very distinct African perspective. The Magazine has served as a platform for exclusive and in-depth interviews to introduce to the Western world brilliant personalities like Project Runway’s Korto Momolu (NBC granted Ladybrille the exclusive to Korto’s story), Singer Ayo (Interscope Records granted Ladybrille the Exclusive for Ayo’s debut in the USA market), Popular Nigerian Blogger Bella Naija (granted Ladybrille an exclusive interview. BN has since appeared on Oprah) and Maimah Karmo (breast cancer survivor and owner of Tiger Lily Foundation who also granted Ladybrille an exclusive and has since appeared on Oprah). Ladybrille has also profiled Derrick Ashong, who now has his own show on Oprah Radio, Supermodel Iman, Fashion Model Tomiko Fraser, Rapper Common, Mo’Nique and countless American and African personalities worldwide. Ladybrille’s recognition as a pioneer and relevant authority in its niche market is why companies like media powerhouse CNN, consulting giant McKinsey & Co., Arik Airlines, and numerous high profile personalities and businesses have sought its help on who and what is “Africhic.” For more information, visit www.ladybrillemag.com. PUBLISHER LADYBRILLE: Media Group, Inc. For advertising inquiries, please contact [email protected]. LADYBRILLE MAGAZINE 2121 Natomas Crossings Dr. #200-11 Sacramento, CA 95834 www.ladybrillemag.com MAGAZINE DESIGN Erin Burns Design / erinburnsdesign.com www.ladybrillemag.com May 2010 9 May MUSIC ISSUE CONTRIBUTORS Framn Rezende Nominating Committee, and Rotten how people gather information on each other. is a Brazilian photographer Tomatoes. In addition to a BA in Black Studies whose interest and experi- from Cornell, he has an MA in English from The Brilliant 5 at Museke.com ence spans fashion, art, Brown, an MBA from The Wharton School, music and photography. Rezende has been and a JD from Boston University. Kam lives Phelele Fakudze published in local and international maga- in Princeton, NJ with his wife and son. is an ardent lover of African zines including Vogue, GQ, Fashion, In Style, music from Swaziland. She Amica, Aviu, Cream, Vision Magazine, Sous Robert Harris attended a United World and Elegance Magazine. He has also photo- is the Chief Financial College, Wesleyan University and Johns graphed some of the most beautiful models Officer of Black Star Hopkins University where she met and in the world including top models Barbara Communications, Ltd., an befriended Africans from many countries. She Fialho, Caroline Trentini, Cintia Dicker, Internet service provider and telecommuni- works in Swaziland as a researcher with the Ana Bela Santos, Bruna Tenorio, Fabiane cations consulting company chartered in the London School of Hygiene and Nunez Gracie Winck, Aline Weber, Anna UK and registered in the Republic of Ghana. Tropical Medicine. Maria Chesa and Spanish top models Nieves Presently, the company is installing WiFi Álvarez, Judith Masco and Clara Más. Internet service in the port city of Tema in Keitumetse Diseko According to Rezende, his “career Ghana and will soon expand throughout is a young South African who is constantly evolving, fashion is an art. Ghana. Harris is also an author of a soon has worked at MTVBase It must be an instrument and vehicle to be published novel, The Unholy Holy, Africa, Big Brother Africa, for people to feel free and good about A Story of India. He is also an attorney amongst other places. She studied at the themselves.” In June 2009, launched his practicing in Sacramento, California with University of Cape Town and the University first exhibition titled “I WANT TO BE a focus on business and bankruptcy law. of the Witswatersrand. She has Africa-wide FREE” at LCREW in Madrid, Spain. He was previously General Counsel for Itex interests and has traveled to many African Four months later, he launched his second Corporation, a publicly traded international countries as part of her MTV work. exhibition, “Celebration” at the Central barter exchange company. He is married Design Di MAD to celebrate the twentieth with one child and one dog. Edward Mabonga, anniversary of the National Fashion Awards originally from Kenya, is for new designers. Peter A. Kigony an MIT educated entre- is the founder and CEO preneur, currently working Demola Ogundele of UGPulse.com. Kigonya as a software engineer in Houston, Texas. is a graduate with a BS in holds a Bsc in Computer He is extremely excited about Africa’s Computer Science who is Science from the University of contribution to contemporary/gospel currently working on his Massachusetts, Boston. Like many who music, dance and culture. MBA. He is also the founder of NotJustOk. grew up with parents working for the com. Notjustok.com, founded in 2006, is Ministry of Foreign Affairs, Kigonya has Paa Kwesi Imbeah is now the go-to website for the latest Nigerian lived an interesting and rather unique life. a strong supporter of Africa’s music videos, songs and gist. Having grown up in international schools presence on the web. He is a in a number of African countries including native of Takoradi, Ghana. Kam Williams, Central African Republic, Egypt, Ethiopia, Voted Most Outstanding Kenya, his home Uganda, as well as visited Ato Ulzen-Appiah Journalist of the Decade by a number of African countries, Kgonya has is a young Ghanaian entre- the Disilgold Soul Literary been exposed to much of the diversity that preneur and lover of African Review in 2008, Kam Williams is a syndi- Africa has to offer. Living in the United music. He attended Presby cated film and book critic who writes for States has further broadened his experiences Boys High School (Legon), MIT and 100+ publications around the U.S., Europe, of different cultures. What he finds amazing Stanford University. He also co-founded Asia, Africa, Canada and the Caribbean. He is how much people are all the same, and the GhanaThink Foundation and Bar is a member of the New York Film Critics what makes people different from each other Camp Ghana. He studies civil engineering, Online, the African-American Film Critics is perceptions brought on by not only how loves blogging and has also worked Association, the NAACP Image Awards much they know about each other but by with various startups. 10 www.ladybrillemag.com May 2010 | EDITOR’s LETTER appy New Month! Welcome to another inspiring edition of Ladybrille Magazine, our May Music Edition. I am in love with this issue partly because it kicks off our musical celebrations of festivals worldwide: Cinco de Mayo H(my birthday*wink wink*), Summerfest, New Orleans Jazz festivals, hip-hop s ummer jams and so much more! In this edition, we introduce you to the Afro-Colombian hip-hop band, Quib Choc Town. Quib Choc Town was nominated in 2009 at the Latin Grammy’s as the Best New Act. They also performed at the 2010 SXSW Conference and “wow!” are they good! Also providing brilliant musical sounds is Cameroon’s WAX, our Ladybrille Man of the Month. Wax, who is based in South Africa (SA), began law school at 16years old! Since moving to SA to pursue music professionally, he has successfully established himself as a media entrepreneur, social activist, humanitarian, renaissance writer and musician.
Recommended publications
  • Music of Ghana and Tanzania
    MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS Heather Bergseth A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERDecember OF 2011MUSIC Committee: David Harnish, Advisor Kara Attrep © 2011 Heather Bergseth All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis is based on my engagement and observations of various music schools in Ghana, West Africa, and Tanzania, East Africa. I spent the last three summers learning traditional dance- drumming in Ghana, West Africa. I focus primarily on two schools that I have significant recent experience with: the Dagbe Arts Centre in Kopeyia and the Dagara Music and Arts Center in Medie. While at Dagbe, I studied the music and dance of the Anlo-Ewe ethnic group, a people who live primarily in the Volta region of South-eastern Ghana, but who also inhabit neighboring countries as far as Togo and Benin. I took classes and lessons with the staff as well as with the director of Dagbe, Emmanuel Agbeli, a teacher and performer of Ewe dance-drumming. His father, Godwin Agbeli, founded the Dagbe Arts Centre in order to teach others, including foreigners, the musical styles, dances, and diverse artistic cultures of the Ewe people. The Dagara Music and Arts Center was founded by Bernard Woma, a master drummer and gyil (xylophone) player. The DMC or Dagara Music Center is situated in the town of Medie just outside of Accra. Mr. Woma hosts primarily international students at his compound, focusing on various musical styles, including his own culture, the Dagara, in addition music and dance of the Dagbamba, Ewe, and Ga ethnic groups.
    [Show full text]
  • Halifu Osumare, the Hiplife in Ghana: West Africa Indigenization of Hip-Hop, New York, NY: Palgrave Macmillan, 2012, 219 Pp., $85.00 (Hardcover)
    International Journal of Communication 7 (2013), Book Review 1501–1504 1932–8036/2013BKR0009 Halifu Osumare, The Hiplife in Ghana: West Africa Indigenization of Hip-Hop, New York, NY: Palgrave Macmillan, 2012, 219 pp., $85.00 (hardcover). Reviewed by Angela Anima-Korang Southern Illinois University Carbondale Ghana’s music industry can be described as a thriving one, much like its film industry. The West African sovereign state is well on its way to becoming a force to reckon with on the international music market. With such contemporary rap artists as Sarkodie, Fuse ODG (Azonto), Reggie Rockstone, R2Bs, and Edem in its fold, Ghana’s music is transcending borders and penetrating international markets. Historically, Ghana’s varying ethnic groups, as well as its interaction with countries on the continent, greatly influences the genres of music that the country has created over the years. Traditionally, Ghana’s music is geographically categorized by the types of musical instruments used: Music originating from the North uses stringed instruments and high-pitched voices; and music emanating from the Coast features drums and relatively low-pitched voice intermissions. Up until the 1990s, “highlife” was the most popular form of music in Ghana, borrowing from jazz, swing, rock, soukous, and mostly music to which the colonizers had listened. Highlife switched from the traditional form with drums to a music genre characterized by the electric guitar. “Burger-highlife” then erupted as a form of highlife generated by artists who had settled out of Ghana (primarily in Germany), but who still felt connected to the motherland through music, such as Ben Brako, George Darko, and Pat Thomas.
    [Show full text]
  • The State of Artistic Freedom 2021
    THE STATE OF ARTISTIC FREEDOM 2021 THE STATE OF ARTISTIC FREEDOM 2021 1 Freemuse (freemuse.org) is an independent international non-governmental organisation advocating for freedom of artistic expression and cultural diversity. Freemuse has United Nations Special Consultative Status to the Economic and Social Council (UN-ECOSOC) and Consultative Status with UNESCO. Freemuse operates within an international human rights and legal framework which upholds the principles of accountability, participation, equality, non-discrimination and cultural diversity. We document violations of artistic freedom and leverage evidence-based advocacy at international, regional and national levels for better protection of all people, including those at risk. We promote safe and enabling environments for artistic creativity and recognise the value that art and culture bring to society. Working with artists, art and cultural organisations, activists and partners in the global south and north, we campaign for and support individual artists with a focus on artists targeted for their gender, race or sexual orientation. We initiate, grow and support locally owned networks of artists and cultural workers so their voices can be heard and their capacity to monitor and defend artistic freedom is strengthened. ©2021 Freemuse. All rights reserved. Design and illustration: KOPA Graphic Design Studio Author: Freemuse Freemuse thanks those who spoke to us for this report, especially the artists who took risks to take part in this research. We also thank everyone who stands up for the human right to artistic freedom. Every effort has been made to verify the accuracy of the information contained in this report. All information was believed to be correct as of February 2021.
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Trace Mziki Celebrates African Greatest Music Talents at Afrimma Awards 2017
    PRESS RELEASE NAIROBI, SEPT. 28 2017 TRACE MZIKI CELEBRATES AFRICAN GREATEST MUSIC TALENTS AT AFRIMMA AWARDS 2017 TRACE MZIKI, the channel dedicated to Swahili, Eastern and Pan African music is supporting the 4th annual AFRIMMA Awards and Music Festival 2017 in Dallas (TX) on Sunday October 8th. Since 2014, AFRIMMA awards and celebrates new talents from Africa and the African diaspora. As the first ceremony outside Africa showcasing Afrobeats, Assiko, Bongo, Coupé Decalé, Funana, Genge, Highlife, Hiplife, Kwaito or Soukous, AFRIMMA will be co-hosted for the first time by Kenyan stand up comedian Chipukeezy, alongside Nigerian comedian Basketmouth. This year, AFRIMMA promises a bigger show. The event will offer a music festival experience with headlines such as Tanzania sensation Diamond Platnumz as well as Uganda’s Triplets Ghetto Kids who were featured in French Montana’s “Unforgettable” music video. Other headline acts confirmed to attend are Fally Ipupa, C4 Pedro, Eddy Kenzo and Tiwa Savage. This year’s events include a Pre-Show with London band The Compozers, a Pre-Party, a Pool Party, A Music Panel, Fashion Show, as well as a grand After Party after the main show to close AFRIMMA 2017. Two new categories have also been added to the 2017 edition of AFRIMMA : Best Lusophone artist and Best Francophone artist. Anderson Obiagwu, CEO of AFRIMMA/BIG A declares, “TRACE has been a proud supporter of African music and important matters and causes in Africa. AFRIMMA is delighted to partner with TRACE in a synergy of brands synonymous to African music. It’s all about Africa as Africa’s biggest music award ceremony and Africa’s biggest music TV group brings you an unforgettable AFRIMMA experience.” Launched in 2016, TRACE Mziki with its presence at AFRIMMA allows TRACE group to continue to dedicate their love and support to African artists, whether they are newcomers or internationally acclaimed.
    [Show full text]
  • [email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October.
    [Show full text]
  • Imagination and the Practice of Rapping in Dar Es Salaam
    David Kerr THUGS AND GANGSTERS: IMAGINAtiON AND THE PRACtiCE OF RAppiNG IN DAR ES SALAAM abstract Since the arrival of hip hop in Tanzania in the 1980s, a diverse and vibrant range of musical genres has developed in Tanzania’s commercial capital, Dar es Salaam. Incorporating rapping, these new musical genres and their associated practices have produced new imaginative spaces, social practices, and identities. In this paper, I argue that rappers have appropriated signs and symbols from the transnational image of hip hop to cast themselves as ‘thugs’ or ‘gangsters’, simultaneously imbuing these symbols with distinctly Tanzanian political conceptions of hard work (kazi ya jasho), justice (haki) and self-reliance (kujitegemea). This article examines how the persona of the rapper acts as a nexus for transnational and local moral and ethical conceptions such as self-reliance, strength, and struggle. Exploring the complicated, ambiguous, and contradictory nature of cultural production in contemporary Tanzania, I argue that rappers use the practice of rapping to negotiate both the socialist past and neo-liberal present. Drawing on the work of De Certeau and Graeber, I argue that rappers use these circulating signs, symbols, and concepts both tactically and strategically to generate value, shape social reality and inscribe themselves into the social and political fabric of everyday life. Keywords: hip hop, popular music, Tanzania, Ujamaa, value INTRODUCTION as well as our individual hopes and ambitions. Octavian and Richard, who as rappers adopt It is mid-morning in June 2011 and I am sat with the names O-Key and Kizito, are both students two ‘underground’ rappers, Octavian Thomas and live close to where we meet.
    [Show full text]
  • ***Thesis Manuscript for Pr Uricchio
    A Proposal for a Code of Ethics for Collaborative Journalism in the Digital Age: The Open Park Code by Florence H. J. T. Gallez B.A. English and Russian The University of London, 1996 M.S. Journalism Boston University, 1999 Submitted to the Program in Comparative Media Studies in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology June 2012 © 2012 Florence Gallez. All rights reserved The author hereby grants to MIT permission to reproduce publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Program in Comparative Media Studies June 2012 Certified by: ________________________________________________________ David L. Chandler Science Writer MIT News Office Accepted by: ________________________________________________________ William Charles Uricchio Professor of Comparative Media Studies Director, Comparative Media Studies 1 A Proposal for a Code of Ethics for Collaborative Journalism in the Digital Age: The Open Park Code by Florence H. J. T. Gallez Submitted To The Program in Comparative Media Studies in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT As American professional journalism with its established rules and values transitions to the little-regulated, ever-evolving world of digital news, few of its practitioners, contributors
    [Show full text]
  • Digital Media in the Arab World One Year After the Revolutions
    Digital Media in the Arab World One Year After the Revolutions A Report to the Center for International Media Assistance By Jeffrey Ghannam March 28, 2012 The Center for International Media Assistance (CIMA), at the National Endowment for Democracy, works to strengthen the support, raise the visibility, and improve the effectiveness of independent media development throughout the world. The Center provides information, builds networks, conducts research, and highlights the indispensable role independent media play in the creation and development of sustainable democracies. An important aspect of CIMA’s work is to research ways to attract additional U.S. private sector interest in and support for international media development. The Center was one of the of the main nongovernmental organizers of World Press Freedom Day 2011 in Washington, DC. CIMA convenes working groups, discussions, and panels on a variety of topics in the field of media development and assistance. The center also issues reports and recommendations based on working group discussions and other investigations. These reports aim to provide policymakers, as well as donors and practitioners, with ideas for bolstering the effectiveness of media assistance. Marguerite H. Sullivan Senior Director Center for International Media Assistance National Endowment for Democracy 1025 F Street, N.W., 8th Floor Washington, DC 20004 Phone: (202) 378-9700 Fax: (202) 378-9407 Email: [email protected] URL: http://cima.ned.org About the Author Jeffrey Ghannam Jeffrey Ghannam is a lawyer, writer, and development practitioner in Washington, DC, who has contributed widely to the analysis and debate over social media in the revolutions for CIMA, the Economist magazine debates, the Washington Post, the United Nations, Chicago Public Radio, and Frost Over the World, hosted by Sir David Frost.
    [Show full text]
  • First Alliance of Civilizations Forum Participant List
    United Nations First Alliance of Civilizations Forum Participant List Opening Plenary Sheikha Mozah Bint Nasser Al-Missned Chair, Qatar Foundation for Education, Jose Luis Zapatero Science & Community Development Prime Minister of Spain Qatar Recep Tayyip Erdogan Mary Robinson Prime Minister of Turkey President, Realizing Rights: Ethical Globalization Initiative Ban Ki-Moon Ireland Secretary-General of the United Nations Javier Solana Madariaga Jorge Sampaio High Representative of Secretary General of Council of the the Alliance of Civilizations European Union and the Western European Union, and High Representative for Common Foreign and PLENARY SESSION I: The Alliance Security Policy of Civilizations: Managing Diversity in the Era of Globalization Danilo Turk President of the Republic of Slovenia Moderator: Ghida Fakhry-Khane, News Anchor, Al-Jazeera International PLENARY SESSION II: Political Challenges to Building Cross-Cultural Speakers Understanding Abdullah Ahmad Badawi Moderator: Robin Nibblet Prime Minister of Malaysia Director, Chatham House - Royal Institute of International Affairs Kjell Magne Bondevik United Kingdom Director, Oslo Center for Peace and Human Rights Speakers Norway Ali Alatas Enrique Iglesias Former Minister for Foreign Affairs of Secretary-General, Ibero-American Indonesia Secretariat Uruguay Adelaziz Belkhadem Prime Minister of Algeria Koichiro Matsuura Director General of UNESCO Gabriella Battaini-Dragoni Micheline Calmy-Rey Director General of Education, Culture Minister for Foreign Affairs of and Heritage,
    [Show full text]
  • Encyclopedia of African American Music Advisory Board
    Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk.
    [Show full text]
  • BOOK REVIEW Hip-Hop in Africa: Prophets of the City and Dustyfoot
    Contemporary Journal of African Studies Vol. 5 No. 2 (2018), pp. 98-100 BOOK REVIEW Hip-hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark, Ohio University Press, 2018, xi -266 pp., $23.96, ISBN 9780896803183 (paperback) Allow me to begin my review of Msia Kibona Clark’s impressive Pan-African survey of hip-hop making, “Hip hop in Africa: Prophets of the City and Dustyfoot Philosophers,” by highlighting the often neglected book cover. The cover, designed by Beth Pratt, features an image of Xhosa-speaking hip-hop artist from South Africa, Kanyi Mavi. Her image, captured by Clark in Cape Town, foregrounds Clark’s centering of African women cultural producers and their experiences (see chapter four). For instance, in Kanyi’s song “Ingoma,” she addresses men’s violence against women, specifically emphasizing the consequences of staying in abusive relationships. Indeed, women in African hip- hop often reveal and highlight the contradictions of male dominated narratives produced and circulated in many hip-hop communities. Clark shows how women emcees use braggadocio as a way to reclaim space and demand to be heard. Their voices introduce African feminist perspectives on sexuality, African womanhood, and offer a glimpse into a world in which women thrive. In this way, these emcees embody the possibilities that hip-hop affords marginalized and underrepresented experiences. The book consists of six chapters titled after songs, a foreword by Quentin Williams and afterword by Akosua Adomako Ampofo. Interspersed within the pages of text are portraits, also shot by Clark, of the artists featured in the book.
    [Show full text]