American Square Dance Vol. 38, No. 11
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Daily U.S. Virus Cases Climb to Highest Level Since August
P2JW290000-6-A00100-17FFFF5178F ****** FRIDAY,OCTOBER 16,2020~VOL. CCLXXVI NO.91 WSJ.com HHHH $4.00 DJIA 28494.20 g 19.80 0.1% NASDAQ 11713.87 g 0.5% STOXX 600 362.91 g 2.1% 10-YR. TREAS. g 3/32 , yield 0.730% OIL $40.96 g $0.08 GOLD $1,903.20 À $1.90 EURO $1.1709 YEN 105.45 Trump and Biden Field Questions in Dueling TV Forums Jobless What’s News Claims Point to Business&Finance Slowing ew jobless-benefits ap- Nplications rose last week to the highest level sincelate Rebound August, as fresh layoffs add to other signs the economic GES recovery is losing steam IMA New applications amid the pandemic. A1 GETTY reach a recent high, Softwareexecutive Rob- SE/ adding to signs of a ert T. Brockman wascharged with hiding about $2 billion cooling recovery in income from U.S. taxau- ANCE-PRES FR thorities over 20 years. A1 BY SARAH CHANEY ENCE LVMH said strong growth AG AND GWYNN GUILFORD at itsbiggest fashion brands ON/ buoyedquarterly revenue, TS Thenumber of people in partly offsetting steep drops WA the U.S. filing newapplications in other luxurysegments. B1 JIM forunemployment benefits S; rose last week to the highest MorgaN Stanley said its PRES level sincelateAugust, as third-quarter profit rose 25%, TED fresh layoffs add to other signs another big U.S. bank to CIA SO the economic recovery is los- skateunscathed through the AS ing steam amid the pandemic. rockiest economyinyears. B1 CI/ Claims increased to Petrochemical makers VUC 898,000 last week,holding AN are pausing multibillion- EV well abovethe pre-pandemic dollar U.S. -
Preventable Tragedies
Preventable Tragedies How to Reduce Mental Health-Related Deaths in Texas Jails The University of Texas School of Law Civil Rights Clinic This report does not represent the official position of The University of Texas School of Law or of The University of Texas. The views presented here reflect only the opinions of the individual authors and of the Civil Rights Clinic. Preventable Tragedies: How to Reduce Mental-Health Related Deaths in Texas Jails © The University of Texas School of Law Civil Rights Clinic November 2016 THE UNIVERSITY OF TEXAS AT AUSTIN SCHOOL OF LAW Civil Rights Clinic 727 East Dean Keeton Street Austin, Texas 78705 TABLE OF CONTENTS EXECUTIVE SUMMARY 1 AUTHORS, METHODOLOGY AND ACKNOWLEDGMENTS 4 INTRODUCTION 5 I. PREVENTABLE TRAGEDIES: STORIES FROM FAMILIES 10 Terry Borum: Swisher County Jail, Feb. 2013 11 Gregory Cheek: Nueces County Jail, Feb. 2011 13 Amy Lynn Cowling: Gregg County Jail, Dec. 2010 15 Lacy Dawn Cuccaro: Hansford County Jail, July 2012 17 Eric Dykes: Hays County Jail, Mar. 2011 19 Victoria Gray: Brazoria County Jail, Sep. 2014 21 Jesse C. Jacobs: Galveston County Jail, Mar. 2015 23 Robert Montano: Orange County Jail, Oct. 2011 25 Robert Rowan: Smith County Jail, Nov. 2014 27 Chad Snell: Denton County Jail, Mar. 2015 29 The Tip of the Iceberg 31 Increasing Transparency After a Jail Death 32 Ensuring Independent Investigations of Deaths in Custody 32 Advocating for Inmates Across Texas: The Texas Jail Project 33 Texas Sheriffs Support Mental Health Reforms 34 Advancing Wellness: Perspective from Mental Health Advocates 35 II. PATHWAYS TO REFORM: RECOMMENDATIONS FOR POLICIES AND PRACTICE 36 No. -
Gis'death Toll Rises at the Same Time a State Department Spokesman Prod- SAIGON (AP) - the Num- U.S
gfam SEE STORY BELOW Windy Cold, windy with chance' of HOME few snow flurries today. Hed Bank, Freehold f Clearing, colder tonight and tomorrow. Long Branch J FINAL -1 (Bet Settlla Pag» 2) Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 114 RED BANK, N. J., THURSDAY, DECEMBER 5,1968 46 PAGfS TEN CENTS U.S. Presses for Mideast Peace By JOHN M. HIGHTOWER article which touches on a not had evidence of compar- dor Abdul Hamid Sharaf were cern," McCloskey said, "over Israeli and Jordanian repre- WASHINGTON (AP) - The number pf points," McClos- able Soviet exertions in the summoned separately to the the situation in the Middle sentatives in New York and to United States is trying ur- key said. "What we are look- interest of peace. State Department Wednesday East presently. Violations of take the same line with them. gently through diplomatic ing for, however, is concrete Arms to Both afternoon and told of deep the cease-fire line by either JJ.N. Special Envoy Gunner pressure to prevent further evidence that the Soviets are The United States itself is U.S. concern over events in or both sides serve only to Jarring has recently arrived ' escalation of the Israel-Arab exerting their influence to- supplying arms to both Israel the Mideast. heighten tensions in the area in Cairo on a new round of and hinder the efforts of the border • clashes which have ward peace in the Middle and Jordan, which has tradi- U.S. officials indicated the peace making activities fol- intensified the Middle East East. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
The Role Identity Plays in B-Ball Players' and Gangsta Rappers
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Playin’ tha game: the role identity plays in b-ball players’ and gangsta rappers’ public stances on black sociopolitical issues Kelsey Cox Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Cox, Kelsey, "Playin’ tha game: the role identity plays in b-ball players’ and gangsta rappers’ public stances on black sociopolitical issues" (2016). Senior Capstone Projects. 527. https://digitalwindow.vassar.edu/senior_capstone/527 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Cox playin’ tha Game: The role identity plays in b-ball players’ and gangsta rappers’ public stances on black sociopolitical issues A Senior thesis by kelsey cox Advised by bill hoynes and Justin patch Vassar College Media Studies April 22, 2016 !1 Cox acknowledgments I would first like to thank my family for helping me through this process. I know it wasn’t easy hearing me complain over school breaks about the amount of work I had to do. Mom – thank you for all of the help and guidance you have provided. There aren’t enough words to express how grateful I am to you for helping me navigate this thesis. Dad – thank you for helping me find my love of basketball, without you I would have never found my passion. Jon – although your constant reminders about my thesis over winter break were annoying you really helped me keep on track, so thank you for that. -
The History of Square Dance
The History of Square Dance Swing your partner and do-si-do—November 29 is Square Dance Day in the United States. Didn’t know this folksy form of entertainment had a holiday all its own? Then it’s probably time you learned a few things about square dancing, a tradition that blossomed in the United States but has roots that stretch back to 15th-century Europe. Square dance aficionados trace the activity back to several European ancestors. In England around 1600, teams of six trained performers—all male, for propriety’s sake, and wearing bells for extra oomph—began presenting choreographed sequences known as the morris dance. This fad is thought to have inspired English country dance, in which couples lined up on village greens to practice weaving, circling and swinging moves reminiscent of modern-day square dancing. Over on the continent, meanwhile, 18th- century French couples were arranging themselves in squares for social dances such as the quadrille and the cotillion. Folk dances in Scotland, Scandinavia and Spain are also thought to have influenced square dancing. When Europeans began settling England’s 13 North American colonies, they brought both folk and popular dance traditions with them. French dancing styles in particular came into favor in the years following the American Revolution, when many former colonists snubbed all things British. A number of the terms used in modern square dancing come from France, including “promenade,” “allemande” and the indispensable “do-si-do”—a corruption of “dos-à-dos,” meaning “back-to-back.” As the United States grew and diversified, new generations stopped practicing the social dances their grandparents had enjoyed across the Atlantic. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
New Square Dance Vol. 24, No. 11
THE EDITORS' PAGE 41 A recent letter challenged us to re- quest that minority groups be sought out and especially included when pro- moting new classes. We're going to re- neg on this, and here's why — Most of us are pretty proud of our square dance reputations — the trouble free, nuisance free atmosphere of our conventions and festivals, the neatness and color or our costumes, the smooth- ness and beauty of our dances, and the phrase of the music and move rhyth- friendliness and warmth of our dan- mically to and fro where it leads us? cers. We'd just like to hope and believe Why do we shout in triumph when we that dancers everywhere would main- emerge from a series of smooth, intri- tain this pride in their dancing and ex- cate figures to catch our corners for an tend a welcome to every individual allemande? who comes tb participate in the joy Because, oh readers, we are doing and happiness of dancing. Why must our "thing", a thing that man has been we seek to involve a single ethnic or doing since he stretched skins and racial group for special attention? We made the first tomtom -- DANCING! want more people who love dancing, "A rhythmic stepping in time to the whether their eyes are slanted, their beat of the music" used by mankind skins dark, their eyes blue, their ac- as a form of self-expression. We are cents Latin, their hair white or their not usually very introspective about ages in the teens. our hobby. -
DOCUMENT RESUME ED,299 571 CS 211 538 AUTHOR Moss, Barbara Teacher Change As Experien..Td Through Implementation of a Process Wr
DOCUMENT RESUME ED,299 571 CS 211 538 AUTHOR Moss, Barbara TY.TLE Teacher Change as Experien..td through Implementation of a Process Writing Approach. PUB DATE Jul 88 NOTE 426p.; Ph.D. Dissertation, Kent State University. Outstanding Dissertation Proposal, Kent State University Department of Teacher Development and Curriculum Studies. PUB TYPE Dissertations/Theses - Doctoral Dissertations (041) -- Reports - Research/Technical (143) EDRS PRICE MF01/PC18 Plus Postage. DESCRIPTORS Case Studies; Elementary Education; Instructional Innovation; Qualitative Research; Rural Schools; Teacher Administrator Relationship; *Teacher Attitudes; Teacher Response; Teaching Methods; *Teaching Styles; Theory Practice Relationship; *Writing (Composition); *Writing Instruction; Writing Processes IDENTIFIERS Composition Theory; *Process Approach (Writing) ABSTRACT A study examined how teachers change as they implement a procesS writing approach. Four questions provided the framework for the study: (1) How do teachers' perceptions of themselves as writers influence their writing instruction? (2) How do teachers at different grade levels iniement process writing instruction? (3) What institutional and contextual factors limit and/or encourage the implementation of a process writing instruction? and (4) How do teachers change in attitude, behavior, and teaching approaches as a result of using this innovation? Subjects, four elementary grade teachers in rural northeastern Ohio schools, were chosen from participants in a summer workshop on the process approach who had-been nominated by their principals as outstanding writing teachers. Subjects were observed in their classrooms, and they completed workshop documents, questionnaires, and reflective logs during the 8-week duration of the study. Results indicated that teachers' individual ways of approaching a writing task influence how they instruct students to approach such tasks, and those aspects of the process which are easier to implement receive the most attention. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip.