First International Conference and – Interdisciplinary Encounters

Preliminary Program

Faculty of Music, University of Arts in Belgrade Institute of Psychology, Faculty of , University of Belgrade Psychology of Music Section, Serbian Psychological Society

24 – 26. October 2019, Belgrade

PRE-CONFERENCE PROGRAM 21 – 23rd October 2019

The conference Psychology and Music – Interdisciplinary Encounters 2019 features a series of pre-conference lectures, workshop and concert for students and teachers.

Venues: Faculty of Music, University of Arts in Belgrade Institute of Psychology, Faculty of Philosophy, University of Belgrade Student Cultural Centre, Belgrade

When? What? Who? Where? Lecture Monday, 21.10.2019. Missing fundamentals of music theory 12.00 – 13.00 , Centre for Systematic , University of Graz Faculty of Music, Kralja Milana 50, Room 40 Lecture Investigating interaction in ensemble rehearsal and performance Tuesday, 22.10.2019. Renee Timmers, Department of Music, The University of Sheffield 14. 00 – 15.30 Faculty of Music, Kralja Milana 50, Great Hall Direct transfer to Academy of Arts, Department of Music, University of Novi Sad (LOLA Streaming) Lecture Systematic versus interdisciplinary musicology Tuesday, 22.10.2019. Richard Parncutt, Centre for , University of Graz 16.00 – 17.30 Faculty of Music, Kralja Milana 50, Great Hall Direct transfer to Academy of Arts, Department of Music, University of Novi Sad (LOLA Streaming) Concert Tuesday, 22.10.2019. Cross-modal interpretation of Scriabin 19. 00 – 20.00 Olja Radmanović, piano and photography, Faculty of Music Student Cultural Center, Kralja Milana 48, Great Hall Workshop Wednesday, 23.10.2019. Publishing a journal article 12.00 – 13.30 Jane Ginsborg, Royal Northern College of Music, Manchester Institute of Psychology, Faculty of Philosophy, Čika Ljubina 18-20 Lecture Wednesday, 23.10.2019. A psychological approach to musical expression: Analysis, cues, 16. 00 – 17.30 accents Richard Parncutt, Centre for Systematic Musicology, University of Graz Teacher Education Faculty, Kraljice Natalije 43, Room 25

CONFERENCE PROGRAM

1st International Conference Psychology and Music – Interdisciplinary Encounters 24–26th October 2019

24th October 2019 Opening at Ilija M. Kolarac Foundation, Studentski trg 5 25 – 26th October 2019 Conference program at Rectorate Building, University of Arts in Belgrade, Kosančićev Venac 29

Thursday, 24th October 2019 The Ilija M. Kolarac Foundation – Kolarac, Studentski trg 5

12.00 – 15.00 Entrance Hall, Ground floor Registration of participants and listeners

15.00 – 15.30 Small Hall, 1st Floor Opening ceremony and welcome addresses

15.30 – 17.00 Small Hall, 1st Floor Keynote Speech , Guildhall School of Music & Drama, London Contemporary audiences for classical music: what research can tell us about them and their motivations, and how professional musicians can better connect to them

17.00 – 18.00 Space before the Small Hall, 1st Floor Cocktail

18.00 – 18.30 Music Gallery, Ground floor Concert Serbian composers: Cross-modal music presentation Trio Movement – Madlen Stokić, violin; Miloš Nikolić, clarinet; Maja Mihić, piano Ansambl MultiMed 3 – Madlen Stokić, violin; Maja Mihić, video; Arpad Pečvari, piano

Friday, 25th October 2019 Rectorate Building, University of Arts, Belgrade, Kosančićev venac 29

10.00 – 11.00 Conference Hall 1 Keynote Speech Jane Ginsborg, Royal Northern College of Music, Manchester Memory for music: Research and practice for performers

11.20 – 12.20 Session 1 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic session 5 Thematic session 3 PSYCHOLOGY OF MUSIC AND PERFORMANCE 1 1

11.00 – 71_László Stachó 37_Ida Vujović 11.20 Moments of Focused The power of long notes: Immersion (MFIs) during Pedal point, drone, and music performance: A expectancy theories theoretical framework

11.20 – 74_Marija Tomić 69_Solange Glasser 11.40 Perception of the The tip of the iceberg: idiosyncratic performances Redefining of the Debussy’s Syrinx for through the lens of solo flute synaesthesia

11.40 – 25_Matea Kramarić, Matej 92_Kenneth B. McAlpine, 12.00 Pavlić, Ana Butković Solange Glasser Creativity, personality and Synthesizing synaesthesia: creative self among Croatian Algorithmic approaches to a capella singers auditory-induced visual synaesthesia in virtual realities

12.00 – 08_Valnea Žauhar, 12.20 Aleksandra Matić, Ana Dražul, Igor Bajšanski Memorizing the contemporary piano piece of music: the effects of the formal structure, pianist’s segmentation and technical difficulties

12.20 – 12.40 Coffee break 12.40 – 14.00 Session 2

Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 9 Thematic Session 12 Thematic Session 3 MUSIC AND AFFECT MUSIC AND MEANING 1 MUSIC PERCEPTION AND REGULATION COGNITION 2

12.40 23_Gerard Breaden Madden, 39_Hilda Švan 28_Teodora Vuletić – Bryony Buck, Dorothea Understanding in Methodological difficulties 13.00 Schmitt, Hans-Christian communication chain: in conservation-type tasks Jabusch Composer, piano performer, in music Functional affect regulation audience in music practice: Musicians’ beliefs about emotion utility and emotion regulation strategies

13.00 36_Will M. Randall and Suvi 75_Neda Nikolić 82_Uroš Konstantinović, – Saarikallio Musical flow segmentation Blanka Bogunović 13.20 Emotional outcomes of and music students' Relations between personal music listening: emotional response during metacognitive strategies in Experience sampling with listening of the sight-reading and working the MuPsych app impressionistic musical piece memory updating measured by 3-back task

13.20 45_Margarida Baltazar and 91_Milica Ninković 87_Blanka Bogunović, Ida – Daniel Västfjäll Music expertise and stimuli Vujović, Ana Protulipac 13.40 Songs perceived as relaxing: complexity as factors of Sight-reading strategies in Musical features, lyrics, and aesthetic preference of music singing and playing contributing mechanisms

13.40 67_Jenny M. Groarke, 78_Milena Petrović – AnnMarie Groarke, Michael J. research in 14.00 Hogan, Laura Costello and Serbia Danielle Lynch Comparing the affect regulating effects of self- selected and researcher- selected music

14.00 – 15.00 Lunch break

15.00 – 16.00 Conference Hall 1 Keynote Speech Richard Parncutt, Centre for Systematic Musicology, University of Graz The obstetric dilemma, the mother schema, and musical-religious ritual

16.00 – 17.20 Session 3 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 4 Thematic Session 1 Thematic Session 11 MUSIC, STRESS AND MUSICAL DEVELOPMENT PERCEPTION AND PERFORMANCE ANXIETY IN PRE-SCHOOL AGE COGNITION IN A CONTEXT OF MUSIC ANALYSIS

16.00 07_Bojana Damjanović, 33_Carolina Sá, Eduarda 29_Mihailo Antović – Helena Rosandić Carvalho ’Paths’ are inferred from 16.20 Personality structure, Lullabies and pre-term sharpnesses, distances, and anxiety and perfectionism infants: A contribution for sizes alike: An experimental among professional the study of infant directed program into schematic musicians singing in the NICU primitives underlying musical concepts

16.20 02_Anna A. Nogaj, Izabela 42_Maruša Mavrič 44_Sanja Kiš Žuvela, José – Czarnecka The effects of movement and Oliveira Martins 16.40 Differences in the stress activities on the Aural perception of coping styles and social development of rhythmic bitonality compared with competences between abilities of children involved an analysis using the scalar classical and jazz musicians in the Montessori preschool dissonance model

16.40 14_Ana Butković, Nikolina 91_Neda Aleksić, Milica 73_Đorđe Stepanović – Vukojević, Sara Carević Aleksić, Katarina Matić Perception of rhythmic 17.00 Music performance anxiety Interactive concerts of patterns, meter and and perfectionism in classical music for babies and measure among music Croatian musicians children – Baby Artysh students

17.00 56_Miloš Zatkalik, 41_Marija Savić, Dubravka 26_Ana Rebrina – Aleksandar Kontić Stošić, Nikola Goljović Perception of the 17.20 Some notes on the The relation between musical macroform in the second of performance anxiety among activities, attitudes and music Babbitt's Three musicians: Psychoanalytic education of pre-school Composition for Piano perspective teachers (1947)

17.20 – 17.40 Coffee break

17.40 – 19.00 Session 4 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 7 Thematic Session 2 THEMATIC SYMPOSIUM MUSICIANS AND HEALTH FOR CHILDREN WITH DEVELOPMENTAL DIFFICULTIES 17.40 48_ Raluca Matei, Keith 01_Nikola Roy Chaudhury, 89_SYMPOSIUM 1: – Phillips, Jane Ginsborg Ivana Ilić 18.00 Musicians’ health literacy: A The importance of early RAVEL’S ONDINE ON cross-sectional UK study music therapy intervention in THE HORIZONS OF disorder JUNG'S AND BACHELARD'S 18.00 49_Raluca Matei, Jane 64_Lucija Jelušić, Sanja Kiš THEORIES – Ginsborg Žuvela organized by Igor Radeta 18.20 Music students’ physical The role of music in the activity: Knowledge, therapy of children with 89a_Milica Lazarević behaviour, barriers, and autism spectrum disorders Dramaturgy of Ondine by training (ASD): Experiences from Ravel from the perspective Croatia of Jung's concept of Psyche

18.20 47_Keith Phillips, Raluca 62_Alja Lapuh, Katarina Habe 89b_Igor Radeta – Matei and Nuša Piber Ondine as an Anima in the 18.40 What should health Musical aptitude and musical context of a narrative education in conservatoires skills of children with autism strategies of Ravel’s consist of? Findings from a spectrum disorders Gaspard de la Nuit series of interdisciplinary workshops with experts 89c_Marija Simonović Ondine by Maurice Ravel 18.40 19_Tijana Mirović 63_Claudia Knoll from the viewpoint of – Schema therapy couching ‘Moments of being’ – music Bachelard’s essay on water 19.00 for musicians therapy with children and and dreams youth with severe disabilities

Social events (optional) 19.00 – 20.00 Guided Tour through Belgrade 20.00 Conference Dinner at Skadarlija

Saturday, 26th October 2019 Rectorate Building, University of Arts, Belgrade, Kosančićev venac 29

10.00 – 11.00 Conference Hall 1 Keynote Speech Renee Timmers, Department of Music, The University of Sheffield Expression and communication in ensemble performance

11.00 – 12.20 Session 5 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 10 THEMATIC SYMPOSIUM Thematic Session 5 MUSIC IN EVERYDAY LIFE PSYCHOLOGY OF MUSIC 1 PERFORMANCE 2

11.00 30_Zora Krnjaić, Ivana 90_SYMPOSIUM 2 66_Maria Bernardete – Stepanović Ilić, Marina Castelan Póvoas, Luís 11.20 Videnović, Ksenija Krstić REDISCOVERING MUSIC Claudio Barros Adolescents’ music UNIVERSE OF CLAUDE Principles of the preferences and activities DEBUSSY’S PRÉLUDES anticipation and movement during leisure time organized by Tijana Popović cycles applied to piano Mlađenović gestures in the repertoire for piano four hands by 90a_Tijana Popović Brazilian composers Mlađenović 11.20 22_Katharina Schäfer, Tuomas Préludes by Claude Debussy 40_Simone Maurer – Eerola, Suvi Saarikallio – the idea of the work as a Analysing body movements 11.40 Can consoling music act as an cycle and imaginary paint of solo flautists from sight- aesthetic surrogate for an art ‘exhibition’ reading to performance empathic friend? 90b_Neda Kolić 11.40 34_Johanna N. Wilson, Suvi Musical world of Claude 12_Natalija Jović – Saarikallio Debussy’s Préludes through Alexander technique: 12.00 The function of music videos the lens of synesthesia Evaluation of the effects of in everyday listening postural optimum for 90c_Ivana Petković Lozo musicians On possible immediacy of 12.00 65_Graça Boal-Palheiros, Ana Correspondence between Ear – Bertão and Eye in Claude 12.20 The role of singing in the lives Debussy’s Préludes – of adolescents: Their own empirical research perceptions

12.20 – 12.40 Coffee break

12.40 – 14.00 Session 6 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 10 Thematic Session 6 Thematic Session 12 MUSIC IN EVERYDAY LIFE PSYCHOLOGY AND MUSIC AND MEANING 2 2 1

12.40 54_ Ioanna Filippidi, Michelle 09_Kaja Korošec, Cirila 68_Sanja Srećković – Phillips Peklaj Psychological research and 13.00 Involuntary musical imagery How do the approaches and philosophical debates on in concert experiences of instrumental musical meaning music practice differ in high and low achieving music academy students

13.00 84_Marija Stankov, Nebojša 60_Dejana Mutavdžin, Blanka 13_Aris Lanaridis, Robert – Milićević, Ana Jovančević Bogunović Davis 13.20 Effect of music on the Learning preferences of Communicating the subjective experience of musically gifted emotional narrative dance performances through music: A game of the subconscious mind

13.20 76_Radost Galonja Krtinić 79_Vesna Rokvić, Majda 05_Srđan Teparić – The emotional response of Marić, Anica Bajagić, Mirjana The sign upgrading of 13.40 different generations to mass Đukić, Blanka Bogunović, archetypes in the music of (Partisan) songs Olja Jovanović, Selena Erac, postmodernism Vera Rajović Children with additional support needs in specialist music education

13.40 80_Tijana Nikitović, Biljana 17_Nada Đukić – Stanković The motif of music in 14.00 Music from one’s own culture Vladimir Bartol’s as a symbolic resource in psychological prose student mobility

14.00 – 15.00 Lunch break

15.00 – 16.00 Poster session Space before the Conference Hall 1

16_Stanislav O. Skorik and Nickolay. A. Almayev Limitations of musicians and non-musicians in differentiating between major and minor chords

35_Marik Roos ‘Take a chance on this!’ The influences of chord progression probability on aesthetic appreciation of pop songs

70_Sanela Nikolić Model of the artistic music aesthetic experience in broadcasted on the Radio Belgrade 2 in 2017

61_Maja Derlink, Katarina Habe, Claudia Knoll, Petra Habjanič, Veronika Rogelj, Nina Stanojević, Uroš Kovačič Music listening and heart rate variability

51_Borbála Lukács, Emese Maróti, Kata Asztalos, Ferenc Honbolygó Absence of associations between musical abilities and precursors of reading in first-grade children

10_Zyxcban Wolfs, Els Boshuizen Effects of musical enculturation on the development of subskills of musical performance

21a_Denise Maria Bezerra, Francisco Antônio Pereira Fialho ‘Please, do not cut my flow!’ The counter-flow in piano teaching

86_Dorotea Vejnović Using as a tool in supporting the gifted child development in the domain of composing – the case study

81_Sofia Serra-Dawa, Pedro Dias Musicians’ background and adult attachment: An exploratory study

46_Viktoriya Solyana Psycho-technical piano method in the of modern neuroscience

52_Wiktoria Pawelec, Michal Rychlik, Jacek Jelonek, Lechoslaw B. Dworak Kinematic parameters of violinist’s bowing arm during the playing of different kinds of articulation

18_Tatjana Popović The role of the body and its movements in expressive performance

21b_Denise Maria Bezerra, Francisco Antônio Pereira Fialho ‘Transcendence’ presence in music: Journal of Psychology of Music review

16.00 – 17.20 Session 7 Conference Hall 1 Conference Hall 2 Conference Hall 3 Thematic Session 8 Thematic Session 6 FUNCTIONS OF AND AND PSYCHOLOGICAL MUSIC EDUCATION 2 WELLBEING 16.00 24_Katarina Habe, Snježana 27_Nevena Vujošević – Dobrota, Ina Reić Ercegovac The importance of visual 16.20 Functions of music and medium for the psychological well-being in improvement of the students perceptive-cognitive aspects of musical abilities in non- musician pupils

16.20 20_Friederike Koehler, 85_Nevena Jankov – Andreas Neubauer Research on motivational 16.40 From music making to well- factors of specialist music being in everyday life: The schools’ teachers in mediating role of need Belgrade satisfaction

16.40 32_Maria-Eleni Salta 57_Milica Petrović, Ivana – [The mind and the body] ‘… Perković 17.00 they are definitely The concept of vulnerability connected!’ A case study of and music practice of active music therapy towards children’s choir. Case study the treatment of chronic pain – children’s choir of the First Belgrade’s Choral Society 17.00 38_Panagiotis Pappas – Healing the trauma: Music 17.20 therapy for boosting self- esteem in refugees with psychiatric needs 17.20 – 17.30 Coffee break 17.30 – 18.30 Conference closing ESCOM Award, evaluation, discussion, RSPaM Social program (optional) Evening concert at the 35. Belgrade Jazz Festival – Jazz Celebration