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Schubert's Mature Operas: an Analytical Study
Durham E-Theses Schubert's mature operas: an analytical study Bruce, Richard Douglas How to cite: Bruce, Richard Douglas (2003) Schubert's mature operas: an analytical study, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4050/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Schubert's Mature Operas: An Analytical Study Richard Douglas Bruce Submitted for the Degree of PhD October 2003 University of Durham Department of Music A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. The copyright of this thesis rests with the author. No quotation from it should be published without their prior written consent and information derived from it should be acknowledged. 2 3 JUN 2004 Richard Bruce - Schubert's Mature Operas: An Analytical Study Submitted for the degree of Ph.D (2003) (Abstract) This thesis examines four of Franz Schubert's complete operas: Die Zwillingsbruder D.647, Alfonso und Estrella D.732, Die Verschworenen D.787, and Fierrabras D.796. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Flint Orchestra
Flint SymphonyOrchestra A Program of the Flint Institute of Music ENRIQUE DIEMECKE, MUSIC DIRECTOR & CONDUCTOR MAY 8, 2021 FIM SEASON SPONSOR Whiting Foundation CONCERT SPONSORS Mr. Edward Davison, Attorney at Law & Dr. Cathy O. Blight, Dr. Brenda Fortunate & C. Edward White, Mrs. Linda LeMieux, Drs. Bobby & Nita Mukkamala, Dr. Mark & Genie Plucer Flint Symphony Orchestra THEFSO.ORG 2020 – 21 Season SEASON AT A GLANCE Flint Symphony Orchestra Flint School of Performing Arts Flint Repertory Theatre STRAVINSKY & PROKOFIEV FAMILY DAY SAT, FEB 6, 2021 @ 7:30PM Cathy Prevett, narrator SAINT-SAËNS & BRAHMS SAT, MAR 6, 2021 @ 7:30PM Noelle Naito, violin 2020 William C. Byrd Winner WELCOME TO THE 2020 – 21 SEASON WITH YOUR FLINT SYMPHONY ORCHESTRA! BEETHOVEN & DVOŘÁK SAT, APR 10, 2021 @ 7:30PM he Flint Symphony Orchestra (FSO) is one of Joonghun Cho, piano the finest orchestras of its size in the nation. BRUCH & TCHAIKOVSKY TIts rich 103-year history as a cultural icon SAT, MAY 8, 2021 @ 7:30PM in the community is testament to the dedication Julian Rhee, violin of world-class performance from the musicians AN EVENING WITH and Flint and Genesee County audiences alike. DAMIEN ESCOBAR The FSO has been performing under the baton SAT, JUNE 19, 2021 @ 7:30PM of Maestro Enrique Diemecke for over 30 years Damien Escobar, violin now – one of the longest tenures for a Music Director in the country. Under the Maestro’s unwavering musical integrity and commitment to the community, the FSO has connected with audiences throughout southeast Michigan, delivering outstanding artistry and excellence. All dates are subject to change. -
Vinglas Och Timglas I Bellmans Värld
Vinglas och timglas i Bellmans värld Fehrman, Carl 1995 Document Version: Förlagets slutgiltiga version Link to publication Citation for published version (APA): Fehrman, C. (1995). Vinglas och timglas i Bellmans värld. (Absalon : skrifter / utgivna vid Litteraturvetenskapliga institutionen i Lund; Vol. 8). Litteraturvetenskapliga institutionen, Lunds universitet. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Carl Fehrman Vinglas och timglas i Bellmans värld 1 ABSALON Skrifter utgivna vid Litteraturvetenskapliga institutionen i Lund Vinglas och timglas i Bellmans värld Carl Fehrman ABSALON Skrifter utgivna vid Litteraturvetenskapliga institutionen i Lund Helgonabacken 12 223 62 LUND Carl Fehrman och Litteraturvetenskapliga institutionen i Lund 1995 Redaktion för skriftserien: Birthe Sjöberg (red), Peter Luthersson, Anders Mortensen, Anders Palm, Per Rydén, Johan Stenström, Rolf Yrlid, Jenny Westerström. -
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist Makinsey Grant . Bb Clarinet Fantasy Piece No. 1 by Robert Schumann Fantasy Piece No. 1 by Robert Schumann (1810 – 1856) was written in 1849. It is the first movement of three pieces written to promote the creative notion of the performer. It allows the performer to be unrestricted with their imagination. Fantasy Piece No. 1 is written to be “Zart und mit Ausdruck” which translates to tenderly and expressively. It begins in the key of A minor to give the audience the sense of melancholy then ends in the key of A major to give resolution and leave the audience looking forward to the next movements. (M. Grant) Tony Lozano . Guitar Tu Lo Sai by Giuseppe Torelli (1650 – 1703) Tu lo sai (You Know It) This musical piece is emotionally fueled. Told from the perspective of someone who has confessed their love for someone only to find that they no longer feel the same way. The piece also ends on a sad note, when they find that they don’t feel the same way. “How much I do love you. Ah, cruel heart how well you know.” (T. Lozano) Ruth Sorenson . Mezzo Soprano Sure on this Shining Night by Samuel Barber Samuel Barber (1910 – 1981) was an American composer known for his choral, orchestral, and opera works. He was also well known for his adaptation of poetry into choral and vocal music. Considered to be one of the composers most famous pieces, “Sure on this shining night,” became one of the most frequently programmed songs in both the United States and Europe. -
Blå Bussar Snabbas På Ny Simhall På Gång
4 MITT I HUDDINGE 2 JULI 2019 www.mitti.se/huddinge HUDDINGE HUDDINGE Mer att läsa på nätet Blå bussar snabbas på Ny simhall på gång l Stombussarna 172 och busskörfält och mer grönt l Huddingehallen är inne på långa ska bassängerna vara? 173 är arbetshästar i kollek- ljus tack vare prioritering sista rycket. Ska det finnas hoppmöjlig- tivtrafiken. Men de har ock- vid trafikljusen. Dessutom – När de nuvarande sim- heter? Hur ska det se ut med så haft stora problem med tas p-platser och lastzoner hallarna byggdes för när- kafé, relax, bastu och gym? framkomligheten. För att rå- bort på vissa håll. mare 50 år sedan hade Hud- Kommunen kommer ock- da bot på detta dras 20 håll- – Det är inte säkert att alla dinge drygt 55 000 invånare. så att prata med grannkom- platser in från och med au- resenärer får en kortare res- I dag är vi mer än dubbelt så munerna för att se om att gusti 2019. Det är positivt för tid, men vi får punktligare många, säger Bo Källström går att bygga olika typer av 97 procent av resenärerna, och pålitligare bussar och (L), ordförande i kultur- och simhallar i kommunerna. har SL uppgivit. Men det har bättre framkomlighet. Vi fritidsnämnden. ▸ Kan man tänka sig ett också lett till vilda protester prioriterar bussarna och vill Var en ny simhall ska lig- äventyrsbad? från dem som drabbas. göra bussresan mer attrak- ga är inte klart än. Det är just – Vi måste se till att sköta I sommar sätter SL in fler tiv, säger Tomas Eriksson Är det fritt fram att tända grillen i dag? det som utredningen, som simundervisningen. -
N:O 3-4 Anno 2013 Medlemsavgiften 2014!
Hwad Behagas? Somnia plus vigili quam dormienti nocent Bellmanssällskapets medlemsblad N:o 3-4 Anno 2013 Medlemsavgiften 2014! Christian Wingmark. Handkolorerad litografi (efter Chiewitz) i den danska utgåvan av ”Fredmans Epistlar”, förl. George H Jæger, Köpenhamn 1844. Ordförandeord 2, Februariföreläsning 2014 3, Gun Widmark till minne 4, Namns- dagsvisa till Clara Westman 6, Thord Lindé cd 10, En bok om Fredmans tid 13, Dryckesprovning 16, Så mötte jag Bellman 20. 1 BÄSTA MEDLEMMAR! I detta år 2013 års sista nummer önskar vi er välkomna till ett Nytt År i sällskap med Carl Michael Bellman. Under det år som gått har vi fått mötas i Börshuset i februari, då vår sekreterare Jennie Nell föreläste om Bellman och Gustav den III med sångillustrationer av Carl Håkan Essmar, vid årsmötet i april på Bonniers Nedre Manilla, där vi fick en lysande presentation av porträttsamlingen av förlags- redaktören Johan Rosell, och i oktober vid en avsmakning av Bellmanska drycker i hans egen bostad i Urvädersgränd (mer därom på sidan 16). Bellmansåret 2014 inleds söndagen den 9 februari, traditionsenligt och tack vare Svenska Akademiens generositet, i den anrika Börssalen i Gamla stan. (Se inbjudan på nästa sida). Vi är stolta och glada över att kunna bifoga en liten nyårsgåva, ett särtryck av den Välkomna finlandssvenske språkforskaren och Bellmanskännaren professor Lars Huldéns blixtrande analys av Fredmans epistel 72, Glimmande Nymf. alla Bellmans vänner Bläddra gärna i den medföljande medlemsmatrikeln och fundera över om du har någon vän eller bekant som du tycker fattas där. Medlemsavgiften är förutsättning- till vår traditionella Bellmanföreläsning till Olof Byströms minne. en för vår verksamhet, medlemmarnas stöd och intresse vår livlina. -
Jubileum‐ En Verjaardagsconcert 1992‐2012 20 Jaar PHAEDRA CD | 20 Jaar in Flanders’ Fields
Jubileum‐ en Verjaardagsconcert 1992‐2012 20 jaar PHAEDRA CD | 20 jaar In Flanders’ Fields Zondag, 28 oktober 2012 om 17u de Blauwe Zaal van de Internationale Kunstcampus deSingel Desguinlei 2018 Antwerpen Liesbeth Devos, sopraan Symfonieorkest Jeugd en Muziek‐Antwerpen Dirigent: Ivo Venkov Presentatie: Katelijne Boon (Radio Klara) Programma: Delen uit het ballet ‘La Phalène’ (de Nachtvlinder) voor orkest – August de Boeck (hercreatie) De Geestelijke Bruiloft, opus 4 (1953)– liedcyclus voor sopraan en orkest op vier romantische gedichten van Pieter Geert Buckinx – Frits Celis (°1929) Cantilene voor sopraan en orkest uit de opera Francesca – August de Boeck Mignon‐Kennst du das Land voor sopraan en orkest – Lodewijk Mortelmans Pauze Beelden uit een Tentoonstelling – Modest Moessorgski/Maurice Ravel Kaarten kosten 10 (tien) euro in voorbestelling; 12 (twaalf) euro de avond zelf aan de kassa Kaarten te bestellen bij: PhaedraCD: [email protected] 0479 873 667 of 03 755 40 37 Betaling van het bedrag met vermelding van het aantal kaarten, naam en adres te gireren op het ibannummer: BE 23 6451 9727 4591 van vzw Klassieke Concerten – Phaedra CD Donkerstraat 51 B ‐ 9120 Beveren www.phaedracd.com Dit concert wordt mede mogelijk gemaakt dank zij de steun van de Internationale Kunstcampus deSingel LIESBETH DEVOS, sopraan www.liesbethdevos.com Tijdens haar opleiding debuteerde de Belgische sopraan Liesbeth Devos in De Munt (Brussel) als Despina in Così fan Tutte. Na dit eerste succes werd ze teruggevraagd voor de vertolking van Ilse in de wereldpremière Frühlingserwachen van Mernier en Papagena in Die Zauberflöte. In 2006 zong Liesbeth Second Woman in Dido and Aeneas onder leiding van Richard Egarr die haar vervolgens uitnodigde voor de Johannes‐Passion met The Academy of Ancient Music in Weimar. -
April 27 - May 3
WEEKLY PLAYLIST: April 27 - May 3 PLAY DATE : Mon, 4/27/2020 6:07 AM Antonio Vivaldi Concerto for Viola d'amore, lute & orch. 6:20 AM Wolfgang Amadeus Mozart Violin Sonata 6:30 AM Johann Rosenmuller Sinfonia No. 1 6:42 AM Johann ChristophFriedrich B Sinfonia No. 1 7:07 AM Heinrich Ignaz Franz Biber Violin Sonata VI (1681) 7:20 AM Ludwig Van Beethoven Romance Cantabile for piano, flute, 7:30 AM Jan Ladislav Dussek Piano Sonata 7:49 AM Tomaso Albinoni Violin Concerto 8:07 AM Franz Joseph Haydn String Quartet 8:24 AM Jean-Marie Leclair Trio Sonata 8:37 AM Edvard Grieg Holberg Suite (aka From Holberg's Time) 9:05 AM Maurice Ravel Mother Goose Ballet (Complete) 9:34 AM Johannes Brahms Violin Sonata No. 2 9:55 AM John Philip Sousa Mother Hubbard March 10:08 AM Wolfgang Amadeus Mozart Piano Sonata 10:22 AM Wolfgang Amadeus Mozart Symphony No. 41 10:53 AM Wolfgang Amadeus Mozart Andante for Flute and Orchestra 11:01 AM Georges Bizet Symphony No. 1 11:34 AM Johann Sebastian Bach Orchestral Suite No. 2 12:01 PM Johannes Brahms Fantasias 12:25 PM William Byrd The Carman's Whistle 12:31 PM John Davison Brass Quintet No. 1 12:47 PM Richard Rodgers THE SOUND OF MUSIC: Entr'acte 1:01 PM Felix Mendelssohn Piano Concerto No. 1 1:24 PM Peter Ilyich Tchaikovsky String Quartet No. 2 2:08 PM Sigismond Thalberg Piano Concerto 2:33 PM Luigi Boccherini Quintet for guitar and strings No. 7 2:53 PM Alessandro Stradella Il Barcheggio Sinfonia 3:05 PM Johannes Brahms Clarinet Quintet 3:45 PM Jose Pons Symphony 3:56 PM Ennio Morricone Cinema Paradiso: Love Theme 4:08 PM Alexander Scriabin Piano Sonata No. -
Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino
Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino cpo 555 252–2 Booklet.indd 1 13.03.2020 10:56:27 Max Bruch, 1870 cpo 555 252–2 Booklet.indd 2 13.03.2020 10:56:27 Max Bruch (1838–1920) Complete Symphonies CD 1 Symphony No. 1 op. 28 in E flat major 38'04 1 Allegro maestoso 10'32 2 Intermezzo. Andante con moto 7'13 3 Scherzo. Presto 5'00 4 Quasi Fantasia. Grave 7'30 5 Finale. Allegro guerriero 7'49 Symphony No. 2 op. 36 in F minor 39'22 6 Allegro passionato, ma un poco maestoso 15'02 7 Adagio ma non troppo 13'32 8 Allegro molto tranquillo 10'57 T.T.: 77'30 cpo 555 252–2 Booklet.indd 3 13.03.2020 10:56:27 CD 2 1 Prelude from Hermione op. 40 8'54 (Concert ending by Wolfgang Jacob) 2 Funeral march from Hermione op. 40 6'15 3 Entr’acte from Hermione op. 40 2'35 4 Overture from Loreley op. 16 4'53 5 Prelude from Odysseus op. 41 9'54 Symphony No. 3 op. 51 in E major 38'30 6 Andante sostenuto 13'04 7 Adagio ma non troppo 12'08 8 Scherzo 6'43 9 Finale 6'35 T.T.: 71'34 Bamberger Symphoniker Robert Trevino, Conductor cpo 555 252–2 Booklet.indd 4 13.03.2020 10:56:27 Bamberger Symphoniker (© Andreas Herzau) cpo 555 252–2 Booklet.indd 5 13.03.2020 10:56:28 Auf Eselsbrücken nach Damaskus – oder: darüber, daß wir es bei dieser Krone der Schöpfung Der steinige Weg zu Bruch dem Symphoniker mit einem Kompositum zu tun haben, das sich als Geist mit mehr oder minder vorhandenem Verstand in einem In der dichtung – wie in aller kunst-betätigung – ist jeder Körper darstellt (die Bezeichnungen der Ingredienzien der noch von der sucht ergriffen ist etwas ›sagen‹ etwas ›wir- mögen wechseln, die Tatsache bleibt). -
Ce Théâtre De L'opéra-Comique, Vous Savez À Quel État
REVUE DES DEUX MONDES , 15th July 1882, pp. 453-466. Ce théâtre de l’Opéra-Comique, vous savez à quel état d’abaissement nous le vîmes réduit il y a quelques années. Eh bien! allez maintenant vous y promener par un beau soir des Noces de Figaro [Le Nozze di Figaro ] ou de Joseph et vous m’en direz des nouvelles. Ce que peuvent pourtant l’initiative et la volonté d’un chef habile! Où les autres n’ont connu que la ruine il crée la vie et l’abondance, taille en plein dans le neuf et dans le vieux, évoque, suscite, se recueille et se disperse, en un mot, travaille si bien que la veine qu’on croyait perdue à jamais se retrouve. Les malveillans s’écrient : « C’est un faiseur! » Oui, faiseur de troupes, aptitude singulière d’un homme que tous s’entêtent à n’envisager que par le côté de la chance et de la fortune quand c’est, au contraire, sur sa capacité qu’il faudrait insister. A cette heure que les directions de théâtre jusqu’alors les mieux pourvues voient leurs ensembles se désagréger, il réussit, lui, à se procurer une troupe excellente ; que dis-je? une troupe, il en a deux : la troupe d’opéra comique proprement dit, M. Taskin, M. Fugère, M. Bertin, M. Nicod, Mlle Ducasse, pour jouer le répertoire courant, et la troupe lyrique pour chanter Mozart et Méhul : M. Talazac, M me Carvalho, M me Vauchelet, M lle Van Zandt, M lle Isaac, une âme et une voix, la première aujourd’hui parmi les jeunes et qui déjà serait à l’Opéra si M. -
Katelyn Neumann, Mezzo-Soprano a Senior Recital in Partial Fulfillment of the Requirements for a Bachelor of Arts in Music
Katelyn Neumann, mezzo-soprano A senior recital in partial fulfillment of the requirements for a Bachelor of Arts in Music Susan Azaret Davies, piano June 6, 2010 Sunday, 3:00 p.m. Davidson Music Center Room 218 Sponsored by the Cal Poly Music Department & College of Liberal Arts Program Senior Recital Katelyn Neumann, mezzo-soprano Susan Azaret Davies, piano Qui Sedes ad dexteram Patris .........................................................Antonio Vivaldi (1678–1741) Deh, pietoso, o Addolorata ...............................................................Giuseppe Verdi (1813–1901) L’allegro .................................................................................Marietta Brambilla (1807–1875) Set of Two French Pieces ............................................................Cécile Chaminade Chant d’amour (1857–1944) Chanson groenlandaise Arie der Fatime .................................................................. Carl Maria von Weber (1786–1826) Intermission Romanze .......................................................................................Franz Schubert (1797–1828) Blicke mir nicht in die Lieder .......................................................... Gustav Mahler (1860–1911) Must the Winter Come So Soon .........................................................Samuel Barber (1910–1981) Love Poems Set ......................................................................... Mabel Wood-Hill Ebb Tide (1870–1954) The Look Translations Qui sedes ad dexteram Patris Who sits on the right hand of the Father