Bom 2020/4/8 "Cd" 在庫リスト(税抜き価格) 商品コード 商品名 売価1
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Ross Nickerson-Banjoroadshow
Pinecastle Recording Artist Ross Nickerson Ross’s current release with Pin- ecastle, Blazing the West, was named as “One of the Top Ten CD’s of 2003” by Country Music Television, True West Magazine named it, “Best Bluegrass CD of 2003” and Blazing the West was among the top 15 in ballot voting for the IBMA Instrumental CD of the Year in 2003. Ross Nickerson was selected to perform at the 4th Annual Johnny Keenan Banjo Festival in Ireland this year headlined by Bela Fleck and Earl Scruggs last year. Ross has also appeared with the New Grass Revival, Hot Rize, Riders in the Sky, Del McCoury Band, The Oak Ridge Boys, Nitty Gritty Dirt Band and has also picked and appeared with some of the best banjo players in the world including Earl Scruggs, Bela Fleck, Bill Keith, Tony Trischka, Alan Munde, Doug Dillard, Pete Seeger and Ralph Stanley. Ross is a full time musician and on the road 10 to 15 days a month doing concerts , workshops and expanding his audience. Ross has most recently toured England, Ireland, Germany, Holland, Sweden and visited 31 states and Canada in 2005. Ross is hard at work writing new material for the band and planning a new CD of straight ahead bluegrass. Ross is the author of The Banjo Encyclopedia, just published by Mel Bay Publications in October 2003 which has already sold out it’s first printing. For booking information contact: Bullet Proof Productions 1-866-322-6567 www.rossnickerson.com www.banjoteacher.com [email protected] BLAZING THE WEST ROSS NICKERSON 1. -
The Pinecone Bluegrass Show WQDR 94.7 FM, and Streaming on 947Qdr.Com Hosted by Larry Nixon July 27, 2014, 6 – 9 P.M
The PineCone Bluegrass Show WQDR 94.7 FM, and streaming on 947qdr.com Hosted by Larry Nixon July 27, 2014, 6 – 9 p.m. Celebrating our 25 th year on the air! The PineCone Bluegrass Show is a reporting station in Bluegrass Unlimited and Bluegrass Today music polls. Artist Song Title Album Title Record Label Rachel Burge & New Dawning Kentucky Mandolin Rachel Burge & New Dawning Mountain Fever Records Doc Watson Greenville Trestle High Riding the Midnight Train Sugar Hill Blue Highway The Game The Game Rounder Jason Davis Hard Rock Bottom of Your Heart Second Time Around Mountain Fever Records Doyle Lawson and Quicksilver Carolina in the Pines Once and For Always/The News Sugar Hill is Out Lorraine Jordan & Carolina Road That’s Kentucky Lorraine Jordan & Carolina Road Pinecastle Records Rhonda Vincent Busy City Only Me Upper Management Donna Hughes The Way I Am Single release off From the Heart Running Dog Records Blue Highway Talk is Cheap The Game Rounder Nu-Blu Without a Kiss Ten Rural Rhythm Records Kruger Brothers Streamlined Cannonball Remembering Doc Watson Double Time Music The Seldom Scene With Body and Soul The Best of The Seldom Scene Rebel Records Darrell Webb Band Folks Like Us Dream Big Mountain Fever Records Seldom Scene Wait a Minute (feat. John Starling) Long Time… Seldom Scene Smithsonian/Folkwa ys Becky Buller Southern Flavor ’Tween Earth & Sky Dark Shadow Recording Sideline Girl at the Crossroads Bar Session I Mountain Fever Records Dolly Parton Blue Smoke Blue Smoke Sony Masterworks The Gentlemen of Bluegrass Carolina Memories Carolina Memories Pinecastle Records Richard Bennett Wayfaring Stranger (feat. -
2014 Joe Val Bluegrass Festival Preview
2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
Shin Akimoto Alan Bibey Sharon Gilchrist
Class list is preliminary- subject to change Shin Akimoto Monroe Style (I) Rhythm Playing (AB) Bluegrass in Japan (All) Alan Bibey No, you backup (AB-I) Playing fills and how to play behind a vocalist Classic Bluegrass Mandolin breaks (I-A) Road to improv (I-A) Classic Monroe licks (AB-I) Spice Up your playing with triplets (I-A) Sharon Gilchrist Closed Position Fingering for Playing Melodies in All 12-Keys: (AB-I) Learn a couple of easy patterns on the fretboard that allow you to play melodies in all 12 keys easily. This is what a lot of mandolin players are using all the time and it's easy! Closed Position means using no open strings. Basic Double Stop Series: (AB-I) Double stops are one of the mandolin's signature sounds. In this class, we will learn a basic double stop series that moves up and down the neck for both major and minor chords. Freeing Up the Right Hand (B-I) This class is geared towards folks who have learned a number of fiddle tunes and have gotten pretty comfortable playing those melodies but are wondering how to speed them up a bit or breathe a little more life into them now. It is also for folks who might have been playing for a while but still struggle with speed and flow in performance of their tunes. Backing Up a Singer: (I-A) Using double stops and licks to create back up that allows the lead vocal to remain front and center while enhancing the story of the song. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Lison Brown Née Le 7 Août 1962 À Hartford Dans Le Connecticut, Est Une Musicienne Américaine, Spécialiste Du Banjo, Mais Aussi De La Guitare
La Jolla – San Diego lison Brown née le 7 Août 1962 à Hartford dans le Connecticut, est une musicienne Américaine, spécialiste du Banjo, mais aussi de la guitare. Alison est connue pour sa maitrise du Banjo, elle a A gagné et a été nommée et obtenu plusieurs Grammy Awards; elle est souvent comparée à un autre prodige du Banjo, ‘’Béla Fleck’’, pour son style de jeu unique. Elle impressionne ses parents par sa capacité à chanter et jouer des chansons qu'elle apprend entièrement à l'oreille. À 10 ans, après avoir entendu ‘’Flatt & Scruggs’’, elle décide d’apprendre à jouer du Banjo. Un an plus tard, sa famille déménage à La Jolla (un quartier de San Diego) et Alison entre dans la San Diego Bluegrass Society, dans laquelle elle donne aujourd’hui des cours de Banjo. Le père, John, la mère, Barbara et sa sœur, Meredith Brown, ont un cabinet d’avocats ‘’Brown & Brown’’, à La Jolla. Alison est le seul membre de la famille qui ne soit pas devenu avocat; elle fait des études en économie et management à UCLA (L'université de Californie à Los Angeles). A l'université d'Harvard, elle étudie l'histoire et la littérature puis obtient un MBA de l'Université de Californie. Son diplôme en économie facilite la gestion de ses affaires et Alison, cette étoile du Banjo à la voix douce, outre la musique, est mère de deux enfants, Hannah et Brendan. La famille habite à Nashville. Reconnue pour sa virtuosité au banjo, elle joue dans un style mêlant jazz, bluegrass, rock et blues. -
MON-MN22-DVD.Pdf
DVDTWO A DETAILED ANALYSIS taught by SAM BUSH 90 minutes Music and tab enclosed Sam Bush is a world-renowned This companion lesson to "The Mandolin of Bill Monroe: multi-instrumentalist whose ear One-On-One with the Master" is a hands-on teaching tool liest influence was the mandolin produced especially for the developing mandolin player playing of Bill Monroe. He first who wants to Ieam the inbicacies of BiD Monroe's powerful came to prominence with his innovative band New G rass style and technique. Veteran mandolinist Sam Bush dissects Revival. and he has since graced eighteen of the pieces as played on Bilrs grourd>reaking les countless albums and concert son, taking them apart in note-for-note detail. Split-screens stages with his powerful instru and close-ups, as well as replays of Monroe's demonstrations, mental technique. An engaging aid the teaching process and make this the method for leam and energetic adler, Sam brings ing Monroe-style bluegrass mandolin. his years of playing experience to You'D detailed for alHime favorite Bill the task of communicating musi get instruction Monroe cal ideas to the learning mand0- songs and instrumentals, including: linist As a long-time Homespun • Sweet Blue-Eyed Dar/in' - Blue Grass Breakdown instructor, his DVD, video a1d CD • Frog On A Uly Pad • Memories of mandolin lessons have been among - Dusty Miller Mother and Dad our most popular products. - Sally Goodin -Rawhide Made possible by • generous -KatyHiIf - Tennessee Blues grant to the Smithsonian I~ - Back to the Old Home tution from Kaman Music Corp. -
Coleman 1 the CROSS-GENRE BENEFITS of CLASSICAL MUSIC INSTRUCTION in THE
Coleman 1 THE CROSS-GENRE BENEFITS OF CLASSICAL MUSIC INSTRUCTION IN THE COLLEGIATE MUSIC PRODUCTION AND ENGINEERING CLASSROOM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Communication ______________________________________ by Elizabeth G. Coleman May 2020 Coleman 2 This thesis has been approved by The Honors Tutorial College and the School of Media Arts and Studies _________________________________ Josh Antonuccio Professor, Media Arts and Studies Thesis Adviser _________________________________ Beth Novak Director of Studies, Media Arts and Studies _________________________________ Dr. Donal Skinner Dean, Honors Tutorial Colleg Coleman 3 CONTENTS Introduction…………………………………………………………………….………...4 Review of Literature………………………………………………………….….………..5 A Whole New Mind and Range……………………………………………….…16 Review of Survey Results………………………………………………………….…….17 The Cross-Genre Benefits of Classical Music………………………………….……..20 Music Proficiency > Tech Proficiency…………………………….…………………….21 Learning to Listen……………………………………………………………….……….26 Exposure Reduces Fear……………………………………………………..……………30 Cross-Genre Influences in the Billboard Top 200 of 2019……………………………………..………………..31 Communication is Key…………………………………………………………………..36 Hypothetical Course Outline……………………………………….………………….38 Conclusion………………………………………………………………………………46 Works Cited…………………………………………………….……………………….49