DOCSLIB.ORG

Song Writers & Pr Oducers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Song Writers & Pr Oducers DELETE THIS BOX AFTER MICHAEL CUSSON APPROVES PAGE Page 36 of 38 DATA FOR WEEK OF 08.21.2021 HOT 100 SONGWRITERSTM HOT 100 PRODUCERSTM #1 #1 1 20 WKS OLIVIA RODRIGO 1 21 WKS DAN NIGRO 2 DAN NIGRO 2 DR. LUKE 3 THE WEEKND 3 FINNEAS 4 DOJA CAT 4 OMER FEDI 5 LUKASZ GOTTWALD 5 KOZ TIE 6 BELLY TIE 6 MAX MARTIN TIE 6 MAX MARTIN TIE 6 OSCAR HOLTER TIE 6 OSCAR HOLTER TIE 6 THE WEEKND TIE 9 ED SHEERAN 9 TAKE A DAYTRIP TIE 9 JOHNNY MCDAID 10 YETI BEATS 11 DAVE BAYLEY 11 ROGET CHAHAYED TIE 12 BILLIE EILISH 12 ALEXANDER 23 TIE 12 FINNEAS 13 MICHAEL KNOX 14 OMER FEDI 14 BLAKE SLATKIN 15 FRED AGAIN.. TIE 15 BRUNO MARS TIE 16 DAVID BIRAL TIE 15 D’MILE TIE 16 DENZEL BAPTISTE 17 STUART PRICE TIE 16 LIL NAS X 18 DAN SMYERS 19 ASHLEY GORLEY 19 JORDAN SCHMIDT 20 THE KID LAROI 20 KANYE WEST 21 DABABY 21 TAY KEITH 22 BLAKE SLATKIN 22 SHANE MCANALLY 23 ZACH CROWELL 23 TYRON HAPI TIE 24 CLARENCE COFFEE JR. 24 DAVE BAYLEY TIE 24 DUA LIPA 25 STEPHEN KIRK TIE 24 KOZ COUNTRY SONGWRITERSTM COUNTRY PRODUCERSTM #1 #1 1 17 WKS ASHLEY GORLEY 1 1 WK JORDAN SCHMIDT 2 HUNTER PHELPS 2 DAN SMYERS 3 ZACH CROWELL 3 DANN HUFF 4 COREY CROWDER 4 SHANE MCANALLY 5 JONATHAN SINGLETON 5 JAY JOYCE 6 LUKE COMBS 6 MICHAEL CARTER 7 JOSH JENKINS 7 MICHAEL KNOX 8 HARDY 8 COREY CROWDER 9 MARTIN JOHNSON 9 CHRIS YOUNG 10 CHRIS YOUNG 10 JOEY MOI R&B/HIP-HOP SONGWRITERSTM R&B/HIP-HOP PRODUCERSTM #1 #1 1 1 WK DOJA CAT 1 2 WKS DR. LUKE TIE 2 ANDERSON .PAAK TIE 2 BRUNO MARS SONGWRITERS & PRODUCERS & SONGWRITERS TIE 2 BRUNO MARS TIE 2 D’MILE TIE 2 D’MILE 4 HIT-BOY 5 LIL BABY TIE 5 KANYE WEST TIE 6 MASKED WOLF TIE 5 TAKE A DAYTRIP TIE 6 TYRON HAPI 7 TAY KEITH 8 GIVEON 8 TYRON HAPI 9 TAY KEITH 9 D.A. GOT THAT DOPE 10 RODDY RICCH TIE 10 HARV TIE 10 SHNDO R&B SONGWRITERSTM R&B PRODUCERSTM #1 #1 AUG. 1 7 WKS DOJA CAT 1 6 WKS DR. LUKE TIE 2 ANDERSON .PAAK TIE 2 BRUNO MARS 21 TIE 2 BRUNO MARS TIE 2 D’MILE 2021 TIE 2 D’MILE TIE 4 HARV 5 GIVEON TIE 4 SHNDO TIE 6 LUKASZ GOTTWALD 6 MANEESH BIDAYE TIE 6 THE WEEKND 7 SEVN THOMAS 8 BRODY BROWN 8 NATE RHOADS 9 MANEESH BIDAYE 9 CAPELLA GREY TIE 10 SEVN THOMAS TIE 10 LEGENDURY BEATZ AIRPLAY/STREAMING & AIRPLAY/STREAMING COMPILED BY DATA SALES TIE 10 VARREN WADE TIE 10 P2J The top songwriters and producers on the Billboard Hot 100 and selective genre songs chart that utilize the Hot 100 formula (blending streaming, airplay and download sales data) for the charts dated August 21, 2021. Rankings are based on accumulated weekly points for all charted songs — on the specified chart for the week — on which a songwriter or producer is credited. If a song is written or produced by more than one person, points are divided equally among all credited parties. DELETE THIS BOX AFTER MICHAEL CUSSON APPROVES PAGE Page 37 of 38 DATA FOR WEEK OF 08.21.2021 RAP SONGWRITERSTM RAP PRODUCERSTM #1 #1 1 12 WKS LIL BABY TIE 1 1 WK KANYE WEST #1 TIE 2 MASKED WOLF TIE 1 1 WK TAKE A DAYTRIP TIE 2 TYRON HAPI 3 TAY KEITH 4 TAY KEITH 4 TYRON HAPI TIE 5 DAVID BIRAL 5 D.A. GOT THAT DOPE TIE 5 DENZEL BAPTISTE 6 OG PARKER TIE 5 JACK HARLOW 7 DJ KHALED TIE 5 LIL NAS X TIE 8 EINER BANKZ TIE 5 NICK LEE TIE 8 SYNCO 10 OG PARKER TIE 10 GYLTTRYP TIE 10 MUSTARD DANCE/ELECTRONIC SONGWRITERSTM DANCE/ELECTRONIC PRODUCERSTM #1 #1 TIE 1 59 WKS F A L L E N 1 9 WKS REGARD #1 TIE 1 59 WKS SAINT JHN 2 F A L L E N TIE 3 FREDERIK EICHEN 3 HVME TIE 3 ISAAC QUINN 4 SKRILLEX TIE 3 KODA 5 TAINY TIE 3 REGARD 6 SHOUSE TIE 3 TATE MCRAE TIE 7 GHETTO TIE 3 TOM MANN TIE 7 IAMCHINO TIE 3 TROYE SIVAN TIE 7 K4G TIE 10 ANDY BAUZA TIE 7 SHARO TOWERS TIE 10 FARRUKO TIE 7 VICTOR CARDENAS TIE 10 FRANKLIN JOVANI MARTINEZ TIE 10 GHETTO TIE 10 IAMCHINO TIE 10 JUAN MANUEL GOMEZ TIE 10 K4G TIE 10 SHARO TOWERS TIE 10 VICTOR CARDENAS LATIN SONGWRITERSTM LATIN PRODUCERSTM #1 #1 1 15 WKS TAINY 1 93 WKS TAINY 2 BAD BUNNY 2 MR. NAISGAI 3 RAUW ALEJANDRO 3 SKY ROMPIENDO 4 ERIC DUARS 4 EL ZORRO 5 MR. NAISGAI 5 MORA SONGWRITERS & PRODUCERS & SONGWRITERS 6 EDEN MUNOZ TIE 6 ALBERT HYPE 7 KEITYN TIE 6 MANUEL LARA 8 MORA 8 EDGAR BARRERA 9 JHAY CORTEZ TIE 9 CARLOS BRAULIO MERCADER 10 ORLANDO CEPEDA MATOS TIE 9 DJ MAD TIE 9 ISAIAH ENNIO PARKER TIE 9 IVAN LUIS CHEVERE ROCK & ALTERNATIVE SONGWRITERSTM ROCK & ALTERNATIVE PRODUCERSTM #1 #1 TIE 1 4 WKS BILLIE EILISH 1 21 WKS FINNEAS #1 AUG. TIE 1 9 WKS FINNEAS 2 DAVE BAYLEY 21 3 DAVE BAYLEY 3 TRAVIS BARKER 2021 4 STEVIE NICKS 4 LUCIO FABBRI TIE 5 BLAKE SLATKIN TIE 5 BLAKE SLATKIN TIE 5 OMER FEDI TIE 5 OMER FEDI TIE 7 BOB GAUDIO 7 ADAM FRIEDMAN TIE 7 PEGGY FARINA 8 EVAN BLAIR 9 TRAVIS BARKER 9 RYAN METZGER TIE 10 10 ELLE KING JOEL LITTLE AIRPLAY/STREAMING & AIRPLAY/STREAMING COMPILED BY DATA SALES TIE 10 MARTIN JOHNSON DELETE THIS BOX AFTER MICHAEL CUSSON APPROVES PAGE Page 38 of 38 DATA FOR WEEK OF 08.21.2021 ALTERNATIVE SONGWRITERSTM ALTERNATIVE PRODUCERSTM #1 #1 TIE 1 9 WKS BILLIE EILISH 1 24 WKS FINNEAS #1 TIE 1 12 WKS FINNEAS 2 DAVE BAYLEY 3 DAVE BAYLEY 3 TRAVIS BARKER TIE 4 BLAKE SLATKIN TIE 4 BLAKE SLATKIN TIE 4 OMER FEDI TIE 4 OMER FEDI 6 TRAVIS BARKER 6 ADAM FRIEDMAN TIE 7 BILLY WALSH 7 EVAN BLAIR TIE 7 THE KID LAROI 8 RYAN METZGER 9 TYLER JOSEPH 9 DAN NIGRO TIE 10 BLACKBEAR 10 TYLER COLE TIE 10 MACHINE GUN KELLY TIE 10 NICK LONG HARD ROCK SONGWRITERSTM HARD ROCK PRODUCERSTM #1 #1 TIE 1 6 WKS DAMIANO DAVID TIE 1 6 WKS FABRIZIO FERRAGUZZO #1 #1 TIE 1 6 WKS ETHAN TORCHIO TIE 1 6 WKS MANESKIN #1 TIE 1 6 WKS THOMAS RAGGI 3 GREG KURSTIN #1 TIE 1 6 WKS VICTORIA DE ANGELIS 4 THE WIZARDZ OF OZ 5 MICHAEL POULSEN 5 FOO FIGHTERS 6 WOLFGANG VAN HALEN 6 MICHAEL BASKETTE TIE 7 BRANDON BARNES 7 SUZY SHINN TIE 7 JOE PRINCIPE TIE 8 AXEL ROSE TIE 7 TIM MCILRATH TIE 8 CARAM COSTANZO TIE 7 ZACH BLAIR TIE 10 FIVE FINGER DEATH PUNCH TIE 10 KEVIN CHURKO CHRISTIAN SONGWRITERSTM CHRISTIAN PRODUCERSTM #1 #1 1 6 WKS JEFF PARDO 1 42 WKS JONATHAN SMITH 2 MATTHEW WEST 2 PAUL MABURY TIE 3 LAUREN ASHLEY DAIGLE 3 JEFF PARDO TIE 3 PAUL MABURY 4 CHRIS BROWN 5 CHRIS BROWN 5 SEAN COOK 6 STEVEN FURTICK 6 MICAH KUIPER 7 MICAH KUIPER 7 MARK MILLER 8 BRANDON LAKE 8 JASON INGRAM SONGWRITERS & PRODUCERS & SONGWRITERS 9 PAUL DUNCAN 9 KYLE LEE 10 ANNE WILSON TIE 10 JONATHAN JAY TIE 10 TONY BROWN GOSPEL SONGWRITERSTM GOSPEL PRODUCERSTM #1 #1 1 6 WKS DANTE BOWE 1 23 WKS KYLE LEE 2 CHRIS BROWN 2 TONY BROWN AUG. 3 STEVEN FURTICK 3 JONATHAN JAY 21 4 BEN SCHOFIELD 4 BEN SCHOFIELD 2021 5 CHANDLER MOORE TIE 5 CHRIS BROWN 6 DWAN DEBERNIS HILL TIE 5 JASON INGRAM TIE 7 CECE WINANS TIE 5 STEVEN FURTICK TIE 7 KYLE LEE TIE 8 JUST BLAZE TIE 7 MITCH WONG TIE 8 KIRK FRANKLIN 10 BRANDON LAKE 10 PHILLIP BRYANT AIRPLAY/STREAMING & AIRPLAY/STREAMING COMPILED BY DATA SALES.
Load more

Recommended publications
  • Top Songwriter Chart
    TOP SONGWRITER CHART Sunday, June 7, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Craig Wiseman Chasin' You Morgan Wallen Here And Now Kenny Chesney 2 2 Shane McAnally Champagne Night Lady Antebellum Cheatin' Songs Midland Hard To Forget Sam Hunt Nobody But You Blake Shelton And Gwen Stefani One Night Standards Ashley McBryde Second Guessing Florida Georgia Line Some People Do Old Dominion The Other Girl Kelsea Ballerini x Halsey 3 3 Luke Combs Does To Me Luke Combs (feat. Eric Church) I Hope You're Happy Now Carly Pearce and Lee Brice Six Feet Apart Luke Combs 4 4 Jonathan Singleton Die From A Broken Heart Maddie & Tae I Hope You're Happy Now Carly Pearce and Lee Brice In Between Scotty McCreery 5 5 Josh Thompson Ain't Always The Cowboy Jon Pardi Be A Light Thomas Rhett Featuring Reba McEntire, Hillary Scott, Chris Tomlin & Keith Urban One Margarita Luke Bryan 6 6 Michael Hardy More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson One Big Country Song LOCASH Single Saturday Night Cole Swindell Some Girls Jameson Rodgers 7 7 Morgan Wallen Chasin' You Morgan Wallen More Than My Hometown Morgan Wallen 8 8 David Garcia Drinking Alone Carrie Underwood Here And Now Kenny Chesney 9 10 Ashley Gorley Hard To Forget Sam Hunt One Big Country Song LOCASH One Of Them Girls Lee Brice Single Saturday Night Cole Swindell 10 9 Thomas Rhett Be A Light Thomas Rhett Featuring Reba McEntire, Beer Can't Fix Hillary Scott, Chris Tomlin & Keith Urban Thomas Rhett (feat.
    [Show full text]
  • Duc 2020 Kw 16
    DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 16 [email protected] · www.trendcharts.de 09.04.2020 Approved for publication on Tuesday, 14.04.2020 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 02 05 SZA & Justin Timberlake The Other Side RCA/Sony 01 02 06 03 Tyga & Megan Thee Stallion Freak Last Kings/Columbia/Sony 02 03 03 10 Meek Mill Ft. Farruko Uptown II We The Best/Epic/Sony 01 04 32 02 > J Balvin Amarillo Universal Latin/UMI/Universal 04 05 10 02 Wiz Khalifa Ft. Tyga Contact Atlantic/WMI/Warner 05 06 08 02 Tinie Tempah Ft. Not3s Top Winners Disturbing London/Parlophone UK/WMI/Warner 06 07 18 03 Pedro Capó Buena Suerte Sony Latin/Sony 07 08 05 08 Meghan Trainor Ft. Nicki Minaj Nice To Meet Ya Epic/Sony 05 09 12 03 DJ Derezon Ft. Devonte Set It Off Set It Off/Urbanheat 09 10 07 09 Joker Bra & VIZE Baby Bra Musik/Urban/VEC/Universal 06 11 09 08 Tainy with Sean Paul & Mozart La Para Ft. Cazzu LENTO NEON16/Interscope/UMI/Universal 09 12 NEW Loredana x Zuna Ft. SRNO Du Bist Mein KMN/Groove Attack 12 13 17 07 Shakira & Anuel AA Me Gusta Ace/Sony Latin/Sony 07 14 14 06 Meek Mill Ft. Justin Timberlake Believe Maybach/Atlantic/WMI/Warner 14 15 NEW PARTYNEXTDOOR Ft. Rihanna Believe It OVO/WMI/Warner 15 16 13 08 Sean Paul x Tove Lo Calling On Me SPJ/Island/PIL/Universal 07 17 11 03 Loredana Ft.
    [Show full text]
  • UNITED STATES DISTRICT COURT EASTERN DISTRICT of NEW YORK ------X SETH GORDON, Civil Case No
    Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 1 of 9 PageID #: 1 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK -----------------------------------------------------------------X SETH GORDON, Civil Case No. Plaintiff, COMPLAINT FOR WILLFUL COPYRIGHT INFRINGEMENT -against- JURY TRIAL DEMANDED BRYTAVIOUS CHAMBERS; DANIEL HERNANDEZ; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS, LLC; and S.C.U.M GANG INC., Defendants. -----------------------------------------------------------------X Plaintiff, SETH GORDON (“Plaintiff”), by and through undersigned counsel and pursuant to the applicable Federal Rules of Civil Procedure and the Local Rules of this Court hereby demands a trial by jury of all claims and issues so triable, and, as for his Complaint against Defendants DANIEL HERNANDEZ; BRYTAVIOUS CHAMBERS; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS LLC; and S.C.U.M GANG INC. (collectively, “Defendants”) hereby asserts and alleges as follows: NATURE OF ACTION 1. This is a civil action seeking damages and injunctive relief under the Copyright Act, 17 U.S.C. § 101 et seq., arising out of Defendants’ extensive unauthorized for-profit use and exploitation of Plaintiff’s original musical composition, registered as the “Yung Gordon Intro” (or the “Drop”), that was created and is wholly owned by the Plaintiff. JURISDICTION AND VENUE 2. Jurisdiction for Plaintiff’s claims lie with the United States District Court for the Eastern District of New York pursuant to the Copyright Act of 1976, 17 U.S.C. § 101 et seq.; 28 U.S.C. § 1331 (conferring original jurisdiction “of all civil actions arising under the Constitution, Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 2 of 9 PageID #: 2 laws, or treatiEs of the UnitEd StatEs”) and 28 U.S.C.
    [Show full text]
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
    THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years.
    [Show full text]
  • 2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
    OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish.
    [Show full text]
  • Ascap Songwriters in the Top 50 of the Country Aircheck
    Peak Position Peak Wks. on 2020 Artist Title Label (wks. at No.1) Date Chart Rank JASON ALDEAN We Back Macon Music/Broken Bow 6 3/23/20 21 43 JASON ALDEAN Got What I Got Macon Music/Broken Bow 1(1) 10/19/20 29 33 A JIMMIE ALLEN Make Me Want To Stoney Creek 1(1) 3/2/20 18 28 s INGRID ANDRESS More Hearts Than Mine Warner/WEA 1(1) 4/27/20 26 24 of TOP 15 KELSEA BALLERINI Hole In The Bottle Black River 13 11/9/20 19 75 GABBY BARRETT I Hope Warner/WAR 1(1) 4/20/20 25 3 LEE BRICE One Of Them Girls Curb 1(2) 10/5/20 26 32 GARTH BROOKS & BLAKE SHELTON Dive Bar Pearl 5 3/2/20 17 56 B KANE BROWN Homesick RCA 1(2) 3/16/20 20 17 KANE BROWN Cool Again RCA 2 9/28/20 25 37 LUKE BRYAN What She Wants Tonight Capitol 1(1) 3/30/20 22 30 2020 LUKE BRYAN One Margarita Capitol 1(2) 7/13/20 15 22 theYEAR KENNY CHESNEY Tip Of My Tongue Blue Chair/Warner/WEA 7 11/18/19 8 74 CARLY PEARCE in MUSIC KENNY CHESNEY Here And Now Blue Chair/Warner/WEA 1(1) 6/29/20 21 36 CMA Musical Event of the Year (“I Hope You’re Happy Now”) KENNY CHESNEY Happy Does Blue Chair/Warner/WEA 11 11/9/20 16 64 ERIC CHURCH Monsters EMI Nashville 15 5/4/20 30 55 C LUKE COMBS Even Though I’m Leaving River House/Columbia 1(3) 12/2/19 9 5 LUKE COMBS f/ERIC CHURCH Does To Me River House/Columbia 1(2) 6/1/20 20 11 DAN + SHAY & JUSTIN BIEBER LUKE COMBS Lovin’ On You River House/Columbia 1(2) 9/21/20 16 38 JAMIE MOORE & CRAIG WISEMAN 3x AMA Winners LUKE COMBS Better Together River House/Columbia 15 11/9/20 5 -- Aircheck #1 Country Song of the Year Favorite Song/Collab of the Year (“10,000 Hours”)
    [Show full text]
  • Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
    2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive
    [Show full text]
  • Duc 2020 Kw 24
    DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 24 [email protected] · www.trendcharts.de 04.06.2020 Approved for publication on Tuesday, 09.06.2020 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 03 Apache 207 Fame TwoSides/Four Music/Sony 01 02 03 07 Black Eyed Peas Ft. Ozuna + J.Rey Soul MAMACITA BEP/Epic/Sony 01 03 04 08 Drake Toosie Slide OVO/Republic/UMI/Universal 01 04 02 05 THE SCOTTS, Travis Scott & Kid Cudi THE SCOTTS Epic/Sony 02 05 10 08 Tyga Ft. Curtis Roach Bored In The House Last Kings/Columbia/Sony 05 06 17 06 DaBaby Ft. Roddy Ricch ROCKSTAR Interscope/UMI/Universal 06 07 16 10 J Balvin Amarillo Universal Latin/UMI/Universal 04 08 06 06 French Montana That's A Fact Epic/Sony 04 09 33 03 > Brandy Ft. Chance The Rapper Baby Mama Brand Nu/eOne 09 10 NEW Bonez MC Roadrunner 187 Strassenbande/Vertigo/VEC/Universal 10 11 25 05 Megan Thee Stallion & Beyoncé Savage (Remix) 300/Atlantic/WMI/Warner 11 12 05 04 Capital Bra x Loredana Nicht Verdient Bra Muzik/Urban/VEC/Universal 05 13 12 05 Shirin David 90-60-111 Juicy Money/VEC/Universal 09 14 07 10 Wiz Khalifa Ft. Tyga Contact Atlantic/WMI/Warner 02 15 26 05 T-Pain Ft. Chris Brown Wake Up Dead Nappy Boy/Empire 14 16 08 03 6ix9ine GOOBA Scumgang/Create Music Group 05 17 09 05 Ufo361 Emotions Stay High/Groove Attack 06 18 RE 06 Pedro Capó Buena Suerte Sony Latin/Sony 07 19 14 09 PARTYNEXTDOOR Ft.
    [Show full text]
  • 2019-2020 Annual Review 2 Table of Contents
    2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year.
    [Show full text]
  • Music Review Kanye West, Jesus Is King US 2019, Def Jam Recordings
    Andre L. Price Music Review Kanye West, Jesus Is King US 2019, Def Jam Recordings As any emcee should, Kanye West has developed and matured as a produc- er and lyricist since his 2004 triple-platinum debut project, College Dropout. West’s Gospel project, Jesus Is King, is his ninth studio project and the fol- low-up to his June 2018 release, Ye. After delays, Jesus Is King was released on 25 October 2019. For West, openly talking about Jesus in his music is not new, for he rocked the mainstream hip-hop world in 2004 when he re- leased the single “Jesus Walks”, the final single to be released from College Dropout. Jesus Is King features eleven tracks totaling 27 minutes and 4 seconds, which is short for either a secular or gospel hip-hop project.1 Interestingly, significant changes were made to the track listing order on the album. Kim Kardashian-West announced the tracks and order in August 2019, but the list- ing and order released by Kanye West in October 2019 were markedly differ- ent.2 Such a change could suggest an earlier lack of clarity on what the album was going to be. West did promise that Jesus Is King would be “fully immersed in religion […] with lyrics about God, being saved, and minimal cursing”.3 Jesus Is King employs several aspects of Black Christian worship, from mass choir to melodic organ. West takes the best of the Black gospel tradition, in- fusing it with his own lyrical genius to proclaim what God has done for him, which is best expressed on the track “God Is”, a remake of the classic spiritual.
    [Show full text]
  • Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set.
    [Show full text]