2006 TRASH Regionals Round 14 Bonuses
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Mtv's News & Documentaries Department Presents True
MTV’S NEWS & DOCUMENTARIES DEPARTMENT PRESENTS TRUE LIFE: I’m in an Interfaith Relationship Relationships can be tough but, what happens when the person you love doesn’t share the same faith as you do? Can the differences ever be put aside? With over 4,000 known religions in the world, from traditional faith to new age beliefs, interfaith relationships are very common. For some people faith and religion is instilled from a very early age and usually lasts a lifetime. For others, faith is found later in life. Either way, there is not much that will make these individuals change or compromise their religion and faith…not even meeting the love of their life. Are you currently dating someone who doesn’t share the same religious background as you? Do your family and friends not understand? If you appear between the ages of 18-28 and you want to share the challenges and benefits of being in an interfaith relationship, we want to hear from you. Please email your contact info, recent pictures of you and your loved one, and explanation of your current relationship to [email protected]. True Life wants to experience your interfaith relationship from your point of view. Since 1998, True Life, an Emmy Award winning documentary series, has covered a diverse mix of stories, ranging from pop culture trends to breaking news topics. Whether documenting the lives of soldiers going to war, or people undergoing plastic surgery -- True Life tells its stories solely from the varied voices and points-of-view of its characters -- putting the series in the unique position of reflecting the state of youth culture at any given moment. -
Internship Locations by Academic Year
Internship Locations by Academic Year: Journalism, Media Studies, and Public Relations The following lists show the companies and organizations where our students completed internships for credit by academic year. Many students also do internships which are not for credit; these are not included in this listing. Academic Year 2009 – 2010 Fall 2009 Company/Organization Location Major 5W PR New York, NY PR ABC Inc. New York, NY Broadcast JRNL Bleacher Report, Inc. San Francisco, CA Broadcast JRNL CNN.Money.com New York, NY Print JRNL Cox Reps/HRP New York, NY MASS Cradle of Aviation Museum Garden City, NY PR D. Pagan Communications Melville, NY PR Dash Media PR New York, NY PR Elle.com New York, NY Print JRNL Good Housekeeping New York, NY Print JRNL Howdini New York, NY Broadcast JRNL Learn 360 Woodbury, NY PR Leukemia & Lymphoma Society New York, NY PR LICADD Williston Park, NY PR Lifestylermag.com New York, NY Print JRNL Marcomm Group Great Neck, NY PR MTV Networks New York, NY Broadcast JRNL News 12 Long Island Woodbury, NY Broadcast JRNL News 12 Long Island Woodbury, NY Broadcast JRNL News 12 Long Island Woodbury, NY Broadcast JRNL News 12 Long Island Woodbury, NY Journalism News 12 Long Island Woodbury, NY MASS News 12 Networks Woodbury, NY Broadcast JRNL NY Islanders Plainview, NY Print JRNL Planned TV Arts (Ruder Finn) New York, NY Broadcast JRNL PLUS Media New York, NY MASS Rogers & Cowan New York, NY PR Small Luxury Hotels of the World New York, NY PR Transit Transit News New York, NY Broadcast JRNL Twinkle by Wenlan New York, -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Final Report
NATIONAL YOUTH SUMMIT: ABOLITION – FINAL REPORT FINAL REPORT Program Overview “The summit seemed to make slavery past and present more real,” Participating Teacher February 11, 2013 4,200 participating students and teachers onsite and online The National Youth Summit on Abolition is the third in a series of webcasts presented by the National Museum of American History that are designed to bring middle and high school students together with scholars, teachers, policy experts, and activists in a national conversation about important events in America’s past that have relevance to the nation’s present and future. On February 11, 2013, through a webcast that included a moderated panel discussion and web chat, over 4,200 students and teachers in 33 states and the US Virgin Islands as well as Kenya, Canada, Pakistan, Malta, and Brazil reflected together on the abolition movement of the 19th century and explored its lessons for ending modern- day slavery and human trafficking. The program featured excerpts from the PBS AMERICAN EXPERIENCE documentary The Abolitionists. Two hundred and forty-four (244) students from Washington, DC’s public middle and high schools attended the event in person at the National Museum of American History. Two hundred and eleven (211) attendees pre-registered to watch alone or in a group for a total of 3,266 pre-registered viewers, a similar level of interest to the previous National Youth Summit on the Dust Bowl’s 291 pre-registered viewers. Concurrent programs took place at two Smithsonian Affiliate museums, the National Underground Railroad Freedom Center and the Heinz History Center, and at President Lincoln’s Cottage. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
MTV and VH1 Pay Tribute to Michael Jackson with Live Coverage of the Superstar's Public Memorial Service
MTV and VH1 Pay Tribute to Michael Jackson with Live Coverage of the Superstar's Public Memorial Service MTV Transforms to "Michael Jackson Television" on August 1st for 24-Hour Global Celebration of Jackson's Music on the Network's 28th Birthday NEW YORK and SANTA MONICA, Calif., July 6, 2009 /PRNewswire via COMTEX/ -- MTV, MTV.com, VH1, VH1.com, VH1 Classic and VH1 Soul will continue to honor Michael Jackson's life and legacy with extended coverage of the "King of Pop's" Public Memorial service on Tuesday, July 7, 2009 beginning at 12:00 pm ET / 9:00 am PT. From 1pm-2:30 ET/10-11:30am PT, the music channels will go LIVE and commercial free for Jackson's memorial service taking place at the Staples Center in Los Angeles, where MTV News correspondent Sway Calloway will be reporting. Additionally, all day on Saturday, August 1st, MTV's 28th birthday, the "M" in MTV will stand for "Michael Jackson TV" as the network kicks off a global celebration of his music, reaching more than a half billion households in over 160 countries around the world. During the hour leading up to the live memorial service, MTV and VH1 will air an extensive selection of Jackson's greatest videos, performances and in-depth interviews from deep inside the MTV and VH1 vaults and span the various decades of Michael's music and life. In addition to Sway's reporting from the Staples Center, there will be commentary and analysis from MTV News correspondents Tim Kash, Kim Stolz and Shaheem Reid and VH1's Jim Shearer and VH1 Classic's Mark Goodman, an original MTV VJ, LIVE from the MTV studio. -
Gillian Laub CV 2021
Gillian Laub (b.1975, Chappaqua, New York) is a photographer and filmmaker based in New York. She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography, where her love of visual storytelling and family narratives began. Laub’s first monograph, Testimony (Aperture 2007), began as a response to the media coverage during the second Intifada in the Middle East, and a desire to create a dialogue between apparent enemies. This work is comprised of portraits and testimonies from Israeli Jews, Israeli Arabs, Lebanese, and Palestinians all directly and indirectly affected by the complicated geopolitical context in which they lived. Laub spent over a decade working in Georgia exploring issues of lingering racism in the American South. This work became Laub’s first feature length, directed and produced, documentary film, Southern Rites that premiered on HBO in May 2015. Her monograph, Southern Rites (Damiani, 2015) and travelling exhibition by the same title came out in conjunction with the film and are being used for an educational outreach campaign, in schools and institutions across the country. Southern Rites was named one of the best photo books of 2015 by TIME, Smithsonian, Vogue, LensCulture, and American Photo. It was also nominated for a Lucie award and Humanitas award. "Riveting...In a calm, understated tone, Southern Rites digs deep to expose the roots that have made segregated proms and other affronts possible. Southern Rites is a portrait of the inequities that lead to disaster on the streets of cities like Baltimore and Ferguson, Mo.” - The New York Times Laub has been interviewed on NPR, CNN, MSNBC, Good Morning America, Times Talks and numerous others. -
Ellen Winter Wants to Hug You but She Can't So How About
ONE NIGHT STAND ELLEN WINTER WANTS TO HUG YOU BUT SHE CAN’T SO HOW ABOUT SHE SINGS YOU SOME SONGS INSTEAD APRIL 23 @ 7PM ET Composed, Performed & Co-Produced by ELLEN WINTER Directed & Co-Produced by MACHEL ROSS ELLEN WINTER WANTS TO HUG YOU BUT SHE CAN’T SO HOW ABOUT SHE SINGS YOU SOME SONGS INSTEAD APRIL 23 @ 7PM ET THE TEAM Composed, Performed & Co-Produced by ELLEN WINTER Directed & Co-Produced by MACHEL ROSS Set Design & Camera Operation by SIMON BAN Music Produced by ELLEN WINTER, CHRIS LITTLER & CHARLES WANLESS THE ARTISTS WOULD LIKE TO THANK Frankie Oliva, Cheyenne Sykes, Kelly Tieger, Sam Monaco, Anthony P. Cerretani, A. Sarr, Sydney Shepherd, Lily Desmond, Katrina Yaukey, Chris Atkins, Eric Tait, Stephen Rhodes Chen, Matt Appleton, Madi Andrews-Moreno, Bri Clarke, Lexi Correa, Bella Exum, Samantha Hallenberg, Kate Herlihy, Leah Hohauser, Sara LiBrandi, Maya Owens, Caitlyn Primous, Virginia Richardson, Kat Rodriguez, Annie Shouse, Kristen Wisneski, Alison Grasso, Colin Miller. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. -
Sfjazz Education Become a Member Tickets About Sfjazz
TICKETS TICKETS ON SALE 2|28 • 11AM • MEMBERS SFJAZZ Afro-Latin Jazz guest instructors OKAN 3|6 • 11AM • PUBLIC EDUCATION FREE SUMMER WORKSHOPS BART These workshops for advanced middle and high school WEB Civic Center Station GOUGH FRANKLIN VAN POLK LARKIN HYDE jazz musicians focus on theory, improvisation, audition SFJAZZ.org (SFJAZZ is only a NESS ST ST ST skills, and more. Sign-ups open May 1. 10 minute walk from ST DIGITAL LAB INTENSIVES PHONE Civic Center BART.) ST AVE • 12-4PM 7|11 THEORY & SIGHT-READING MUNI ST 8 Learn music and audio production in our state-of-the-art Public 866.920.5299 GROVE TH ST Digital Lab! We off er dynamic programs for older teens 7|19 AFRO-LATIN JAZZ W/ SPECIAL GUESTS OKAN • 1:30-4:30PM Members 415.788.7353 Metro: Van Ness or ST Civic Center Stations HAYES 9 and adults in songwriting, arranging, production, record- 7|25 IMPROVISATION W/ JEANNE GEIGER • 10AM-2PM TH Bus: 5, 5R, 6, 7X, 21, ST ing, mixing, and more. Our low student-teacher ratio and IN PERSON FELL ST 10 8|1 AUDITION SKILLS • 10AM-2PM 47, 49, 7, 7R, 90 TH the latest in gear and software make our intensives the 201 Franklin Street (at Fell), San Francisco ST OAK ST 11 summer destination for digital music. Each series contains PARKING TH 4 SFJAZZ.ORG/EDUCATION ST twenty hours of instruction Performing Arts ST Garage Members $300 | Public $360 Civic Center Garage MARKET SUMMER INTERNSHIPS California Parking ENSEMBLES & MORE Place 2 Park For detailed directions, please visit 511.org 6|23-27 INTRO TO MUSIC PRODUCTION • 1-5PM SFJAZZ’s passionate interns are indispensable to achieving Douglas Parking Auditions for the Fall 2020 Monday Night Band take our goals as an organization. -
Deltron 3030
K k NOVEMBER 2013 KWOW HALL NOTES g VOL. 25 #11 H WOWHALL.ORGk Shook Twins intertwine gor- the sentiment still stands.” geous “twin” harmonies with an eclectic and eccentric blend of folk, THE GREAT HIATUM roots, pop and fun. But don’t be Subscribing to the genre “dance fooled. The Shook Twins are not rock,” The Great Hiatum provide your average folk group. They a spectrum of sound from toe- have a few tricks up their sleeves. tapping jazzy tunes to raging punk Laurie may drop a beatbox in the jams. They have evolved a middle of a song, while Katelyn dynamic body of work drawing plays the guitar, glockenspiel, man- from each band member’s distinct dolin and sings into a telephone interests. TGH incorporates elec- and bocks like a chicken. Laurie tronic beat sampling mixed with plays wah-wah banjo and loops live drums, savage guitar licks, various melodies and beats to make high energy grooves, synth effects, it sound like more than just two and powerful female lead vocals. identical twin sisters. The Great Hiatum was birthed For the past year Shook Twins in 2010 and currently consists of have been touring throughout the Melissa Randel (lead singer), western states behind their 2011 James Aronoff (guitar), Max release, Window. They have Miller (bass), Travis Lien (drums) opened for Langhorne Slim, Blitzen and Melissa’s brother Keith Trapper, Elephant Revival, Sara Randel (lead guitar). Jarosz, David Grisman, and The Great Hiatum has been Carolina Chocolate Drops. Their recently recognized as the Best song “Rose” was featured in NPR’s Student Band by the Oregon GRRRLZ Rock Gives Thanks! Muse Mix, and an exclusive audio Daily Emerald. -
CRZR 1001 VARIOUS Brand New Wayo LP
A1. Mixed Grill - A Brand New Wayo A2. Kris Okotie - Show Me Your Backside A3. Murphy Williams - Get On Up A4. Joe Moks - Boys and Girls B1. Amas - Slow Down B2. Oby Onyioha - I Want To Feel Your Love B3. Dizzy K. Falola - Excuse Me Baby B4. Chris Mba - Funky Situation C1. Bayo Damazio - Listen to the Music C2. Martha Ulaeto - Music Alone C3. Segun Robert - Big Race C4. Amel Addmore - Jane D1. Honey Machine - Pleasure D2. The Stormmers - Love or Money D3. Emma Baloka - Letís Love Each Other With this release, Comb & Razor Sound launches its exploration of the colorful world of popular music from Nigeria, starting with the post-disco era of the late 1970s and early 80s. The years between 1979 and 1983 were Nigeria’s Second Republic, when democracy finally returned after twenty-three years of uninterrupted military dictatorship. They were also the crest of Nigeria’s oil boom, when surging oil prices made the petroleum-producing country a land of plenty, prosperity and profligacy. The influx of petrodollars meant an expansion in industry and the music industry in particu- lar. Record companies upgraded their technology and cranked out a staggering volume of output to an audience hungry for music to celebrate the country’s prospective rise as global power of the future. While it was a boom time for a wide variety of popular music styles, the predominant commercial sound was a post-afrobeat, slickly modern dance groove that retrofitted the relentless four-on-the- floor bass beat of disco to a more laidback, upbeat-and-downbeat soul shuffle, mixing in jazz-funk, synthesizer pop and afro feeling. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.