A Python Framework for the Simulation of Human Actors in Miarmy
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Autodesk Entertainment Creation Suite
Autodesk Entertainment Creation Suite Top Reasons to Buy and Upgrade Access the power of the industry’s top 3D modeling and animation technology in one unbeatable software suite. Autodesk® Entertainment Creation Suite Options: Autodesk® Maya® Autodesk® 3ds Max® Entertainment Creation Suite 2010 includes: Entertainment Creation Suite 2010 includes: • Autodesk® Maya® 2010 software • Autodesk® 3ds Max® 2010 • Autodesk® MotionBuilder® 2010 software • Autodesk® MotionBuilder® 2010 software • Autodesk® Mudbox™ 2010 software • Autodesk® Mudbox™ 2010 software Comprehensive Creative Toolsets The Autodesk Entertainment Creation Suite offers an expansive range of artist-driven tools designed to handle tough production challenges. With a choice of either Autodesk Maya 2010 software or Autodesk 3ds Max 2010 software, you have access to award-winning, 3D software for modeling, animation, rendering, and effects. The Suite also includes Autodesk Mudbox 2010 software, allowing you to quickly and intuitively sculpt highly detailed models; and Autodesk MotionBuilder 2010 software, to quickly and efficiently create, manipulate and process massive amounts of animation data. The complementary toolsets of the Suite help you to achieve higher quality results more efficiently and more cost-effectively. Real-Time Performance with MotionBuilder The addition of MotionBuilder to a Maya or 3ds Max pipeline helps increase production efficiency, and produce higher quality results when developing projects requiring high-volume character animation. With its real-time 3D engine and dedicated toolsets for character rigging, nonlinear animation editing, motion-capture data manipulation, and interactive dynamics, MotionBuilder is an ideal, complementary toolset to Maya or 3ds Max, forming a unified Image courtesy of Wang Xiaoyu. end-to-end animation solution. Digital Sculpting and Texture Painting with Mudbox Designed by professional artists in the film, games and design industries, Mudbox software gives 3D modelers and texture artists the freedom to create without worrying about technical details. -
Making a Game Character Move
Piia Brusi MAKING A GAME CHARACTER MOVE Animation and motion capture for video games Bachelor’s thesis Degree programme in Game Design 2021 Author (authors) Degree title Time Piia Brusi Bachelor of Culture May 2021 and Arts Thesis title 69 pages Making a game character move Animation and motion capture for video games Commissioned by South Eastern Finland University of Applied Sciences Supervisor Marko Siitonen Abstract The purpose of this thesis was to serve as an introduction and overview of video game animation; how the interactive nature of games differentiates game animation from cinematic animation, what the process of producing game animations is like, what goes into making good game animations and what animation methods and tools are available. The thesis briefly covered other game design principles most relevant to game animators: game design, character design, modelling and rigging and how they relate to game animation. The text mainly focused on animation theory and practices based on commentary and viewpoints provided by industry professionals. Additionally, the thesis described various 3D animation and motion capture systems and software in detail, including how motion capture footage is shot and processed for games. The thesis ended on a step-by-step description of the author’s motion capture cleanup project, where a jog loop was created out of raw motion capture data. As the topic of game animation is vast, the thesis could not cover topics such as facial motion capture and procedural animation in detail. Technologies such as motion matching, machine learning and range imaging were also suggested as topics worth covering in the future. -
A Procedural Interface Wrapper for Houdini Engine in Autodesk Maya
A PROCEDURAL INTERFACE WRAPPER FOR HOUDINI ENGINE IN AUTODESK MAYA A Thesis by BENJAMIN ROBERT HOUSE Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Chair of Committee, André Thomas Committee Members, John Keyser Ergun Akleman Head of Department, Tim McLaughlin May 2019 Major Subject: Visualization Copyright 2019 Benjamin Robert House ABSTRACT Game development studios are facing an ever-growing pressure to deliver quality content in greater quantities, making the automation of as many tasks as possible an important aspect of modern video game development. This has led to the growing popularity of integrating procedural workflows such as those offered by SideFX Software’s Houdini FX into the already established de- velopment pipelines. However, the current limitations of the Houdini Engine plugin for Autodesk Maya often require developers to take extra steps when creating tools to speed up development using Houdini. This hinders the workflow for developers, who have to design their Houdini Digi- tal Asset (HDA) tools around the limitations of the Houdini Engine plugin. Furthermore, because of the implementation of the HDA’s parameter display in Maya’s Attribute Editor when using the Houdini Engine Plugin, artists can easily be overloaded with too much information which can in turn hinder the workflow of any artists who are using the HDA. The limitations of an HDA used in the Houdini Engine Plugin in Maya as a tool that is intended to improve workflow can actually frustrate and confuse the user, ultimately causing more harm than good. -
Mi Army Maya Download Crack
Mi Army Maya Download Crack Mi Army Maya Download Crack 1 / 2 Copy video URL Copy embed code Report issue · Powered by Streamable. Mi Army For Maya Download Crack ->>> http://urllie.com/wn9ff 42 views.. Miarmy 6.2 for Autodesk Maya | crowd-simulation plugin for Maya https://goo.gl/uWs11s More plugin .... Miarmy for maya. Bored of creating each separate models for warfield or fight. Now it's easy to create army. This plug-in is useful for creating armies reducing the .... 11.6MB Miarmy (named My Army) is a Maya plugin for crowd simulation AI behavioral animation creature physical .. KickassTorrents - Download torrent from .... free software downloadfree software download sitespc software free download full ... Miarmy (named “My Army”) is a Maya plugin for crowd simulation, AI, .... It's fast, fluid, intuitive, and designed to let you do what you want, the way you want. What you will get: Miarmy Express; Installation Guide; Free License .... Used to kill for MOD, MI ARMY, FBM, PB ADDICTS, ALL STAR KIDZ. Godonthefield is offline Miarmy pro maya 2011 torrent download, miarmy for maya .... Plugins Reviews and Download free for CG Softwares ... Basefount released Miarmy 7 with Maya 2019 Support. CGRecord ... Basefount released the new update of its crowd simulation tool for Autodesk Maya - Miarmy 7.. Plugins Reviews and Download free for CG Softwares ... [ #Autodesk #Maya #Basefount #Miarmy #Crowd #Simulation ]. Basefount has released Miarmy 6.5, the latest update to its crowd-simulation system for Maya with .... ... and Software Crack Full Version Title Download Android Games / PC Games and Software Crack Full Version: Miarmy 3.0 for Autodesk Maya Link Download. -
An Advanced Path Tracing Architecture for Movie Rendering
RenderMan: An Advanced Path Tracing Architecture for Movie Rendering PER CHRISTENSEN, JULIAN FONG, JONATHAN SHADE, WAYNE WOOTEN, BRENDEN SCHUBERT, ANDREW KENSLER, STEPHEN FRIEDMAN, CHARLIE KILPATRICK, CLIFF RAMSHAW, MARC BAN- NISTER, BRENTON RAYNER, JONATHAN BROUILLAT, and MAX LIANI, Pixar Animation Studios Fig. 1. Path-traced images rendered with RenderMan: Dory and Hank from Finding Dory (© 2016 Disney•Pixar). McQueen’s crash in Cars 3 (© 2017 Disney•Pixar). Shere Khan from Disney’s The Jungle Book (© 2016 Disney). A destroyer and the Death Star from Lucasfilm’s Rogue One: A Star Wars Story (© & ™ 2016 Lucasfilm Ltd. All rights reserved. Used under authorization.) Pixar’s RenderMan renderer is used to render all of Pixar’s films, and by many 1 INTRODUCTION film studios to render visual effects for live-action movies. RenderMan started Pixar’s movies and short films are all rendered with RenderMan. as a scanline renderer based on the Reyes algorithm, and was extended over The first computer-generated (CG) animated feature film, Toy Story, the years with ray tracing and several global illumination algorithms. was rendered with an early version of RenderMan in 1995. The most This paper describes the modern version of RenderMan, a new architec- ture for an extensible and programmable path tracer with many features recent Pixar movies – Finding Dory, Cars 3, and Coco – were rendered that are essential to handle the fiercely complex scenes in movie production. using RenderMan’s modern path tracing architecture. The two left Users can write their own materials using a bxdf interface, and their own images in Figure 1 show high-quality rendering of two challenging light transport algorithms using an integrator interface – or they can use the CG movie scenes with many bounces of specular reflections and materials and light transport algorithms provided with RenderMan. -
Spatial Reconstruction of Biological Trees from Point Cloud Jayakumaran Ravi Purdue University
Purdue University Purdue e-Pubs Open Access Theses Theses and Dissertations January 2016 Spatial Reconstruction of Biological Trees from Point Cloud Jayakumaran Ravi Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_theses Recommended Citation Ravi, Jayakumaran, "Spatial Reconstruction of Biological Trees from Point Cloud" (2016). Open Access Theses. 1190. https://docs.lib.purdue.edu/open_access_theses/1190 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. SPATIAL RECONSTRUCTION OF BIOLOGICAL TREES FROM POINT CLOUDS A Thesis Submitted to the Faculty of Purdue University by Jayakumaran Ravi In Partial Fulfillment of the Requirements for the Degree of Master of Science May 2016 Purdue University West Lafayette, Indiana ii Dedicated to my parents and my brother who always motivate me to give my best in whatever I choose to do. iii ACKNOWLEDGMENTS Firstly, I would like to thank Dr. Bedrich Benes - my advisor - for giving me the opportunity to work at the High Performance Computer Graphics (HPCG) lab. He gave me the best possible support during my stay here and was kind enough to overlook my mistakes. These past years have been one of the best learning opportunities of my life. I learnt a great deal from all my former and current lab members who are exceptionally talented and smart. I thank Dr. Peter Hirst for giving me the opportunity to work with his team and for also sending us apples from the farm during harvest season. I thank Biying Shi and Fatemeh Sheibani for going with me to the field and helping me with the tree scanning under various weather conditions. -
Daniel Mccann Graphics Programmer
Daniel McCann Graphics Programmer https://github.com/mccannd EXPERIENCE SKILLS Bentley Systems, Exton PA — Software Engineering Intern CPU Languages: C++, May 2017 - August 2017 Javascript/Typescript, Transitioned to physically-based materials for an in-development rendering Python, Java engine, backwards-compatible with OpenGL ES 2.0 and the standard used by GPU API: OpenGL & Analytical Graphics, Inc.’s Cesium engine. GLSL,Vulkan, CUDA University of Pennsylvania, Philadelphia — Teaching Assistant, Multiple Classes May 2015 - PRESENT Game Engines: Unreal 4, Unity CIS 566, Procedural Graphics, current: responsible for several lectures, homework basecode creation, grading, office hours. Proprietary Graphics CIS 110, Introductory Computer Science, 5 semesters: responsible for grading, Software: Substance weekly lectures in Fall and Spring semesters, daily lectures in Summer semester, Designer, Substance office hours. Painter, ZBrush, FNAR 235, Introductory and Advanced 3D Modelling, 3 semesters: responsible for Autodesk Maya, teaching and tutoring 3D software design and artistic skills, and critique. Focus on Photoshop Autodesk Maya, ZBrush, Mental Ray and Arnold Renderers, texturing tools. Shaders, Proceduralism, Strong artistic sense EDUCATION and communication University of Pennsylvania, Philadelphia — MSE, Computer Graphics + Games Tech. skills. August 2017 - May 2018 Expected Graduation University of Pennsylvania, Philadelphia — BSE, Digital Media Design August 2013 - May 2017 Relevant Classes: UPenn’s DMD is an interdisciplinary major for programmers interested in - CIS 565 GPU animation, games, and computer graphics in general. programming & architecture PROJECTS - CIS 700 procedural graphics Project Marshmallow — Fall 2017 A Vulkan implementation of the Siggraph 2017 “Nubis” paper for rendering - CIS 560 physically atmospheric clouds in 60+FPS for games. The clouds are fully procedural, based rendering animated, photoreal, and cast shadows on objects in the scene. -
HP and Autodesk Create Stunning Digital Media and Entertainment with HP Workstations
HP and Autodesk Create stunning digital media and entertainment with HP Workstations. Does your workstation meet your digital Performance: Advanced compute and visualization power help speed your work, beat deadlines, and meet expectations. At the heart of media challenges? HP Z Workstations are the new Intel® processors with advanced processor performance technologies and NVIDIA Quadro professional It’s no secret that the media and entertainment industry is constantly graphics cards with the NVIDIA CUDA parallel processing architecture; evolving, and the push to deliver better content faster is an everyday delivering real-time previewing and editing of native, high-resolution challenge. To meet those demands, technology matters—a lot. You footage, including multiple layers of 4K video. Intel® Turbo Boost1 need innovative, high-performing, reliable hardware and software tools is designed to enhance the base operating frequency of processor tuned to your applications so your team can create captivating content, cores, providing more processing speed for single and multi-threaded meet tight production schedules, and stay on budget. HP offers an applications. The HP Z Workstation cooling design enhances this expansive portfolio of integrated workstation hardware and software performance. solutions designed to maximize the creative capabilities of Autodesk® software. Together, HP and Autodesk help you create stunning digital Reliability: HP product testing includes application performance, media. graphics and comprehensive ISV certification for maximum productivity. All HP Workstations come with a limited 3-year parts, 3-year labor and The HP Difference 3-year onsite service (3/3/3) standard warranty that is extendable up to 5 years.2 You can be confident in your HP and Autodesk solution. -
Coffee Break Film School Instructor Guide
1 Coffee Break Film School Instructor Guide Copyright ©2019 Moviola 2 ISBN: 9781521260418 Copyright ©2019 Moviola - All rights reserved 3 Contents Introduction 9 The CBFS Philosophy 10 10 What it is 10 What it’s not 11 The All-Round Filmmaker 12 A compartmentalized reference What this guide is for 13 14 The Big Picture Course 14 Project-Based Course 16 Understanding the CBFS Unit categories 17 Visual Glossary of Terms 17 Survival Guides 18 Compendium 4 Classes 19 Video resources 20 Suggested textbooks 21 Expanded Curriculum: Big Picture Course 28 28 Unit One 28 Core 32 Signature interview 32 Going deeper 33 Survival Guides 33 Complementary reading 34 Best of the Web & Film History Unit Two 35 35 Core 39 Signature interview 39 Survival Guides 40 Going deeper 40 Complementary reading: 5 41 Best of the Web & Film History Unit Three 42 42 Core 47 Signature interview: 47 Survival Guides 47 Going deeper: 47 Complementary reading: 48 Best of the Web & Film History Unit Four 49 49 Core 53 Signature interview: 53 Going deeper 53 Complementary Reading 54 Best of the Web & Film History Unit Five 55 55 Unit Five Core 59 Signature interview: 59 Going deeper 6 60 Complementary Reading 60 Best of the Web & Film History Unit Six 61 61 Core 66 Signature Interviews 67 Survival guides 67 Going deeper 67 Complementary Reading 68 Best of the Web & Film History Expanded Curriculum: Project-Based Course 70 Unit 1 - Screenwriting 71 76 Unit 2 - Production 80 Unit 3 - Cinematography 84 Unit 4 - Lighting 88 Unit 5 - Sound 91 Unit 6 - Editing and Color Correction 95 Unit 7 - Visual Effects 7 8 9 Introduction The digital filmmaking revolution has been both a blessing and a curse. -
Washington DC USA
2015 Washington DC USA 2015 Proceedings of the Symposium on Simulation for Architecture and Urban Design Edited by Holly Samuelson, Shajay Bhooshan, and Rhys Goldstein 2015 Proceedings of the Symposium on Simulation for Architecture and Urban Design Edited by Holly Samuelson Shajay Bhooshan Rhys Goldstein Cover & Layout by John Yee 2015 Proceedings of the Symposium for Architecture and Urban Design Holly Samuelson, Shajay Bhooshan, and Rhys Goldstein, editors © 2015 SIMULATION COUNCILS, INC. Responsibility for the accuracy of all statement in each paper rests solely with the author(s). Statements are not necessarily representative of, nor endorsed by, The Society for Modeling and Simulation International. Permission is granted to photocopy portions of this publication for personal use and for the use of students provided credit is given to the conference and publication. Permission does not extend to other types of reproduction nor to copying for incorporation into commercial advertising nor for any other profit-making purpose. Other publications are encouraged to include 300- to 500-word abstracts or excerpts from any paper contained in this book, provided credits are given to the author and the conference. For permission to publish a complete paper write: The Society for Modeling and Simulation International (SCS), 2598 Fortune Way, Suite I, San Diego, CA 92081, USA. ISBN: 978-1-329-04938-3 II Contents Preface 1 Session 1: Human Behavior 5 Simulating Human Behavior in Not-Yet Built Environments by Means of Event-based Narratives 7 Davide Schumann, Yehuda E. Kalay, Seung Wan Hong, and Davide Simeone Technion - Israel Institute of Technology; Inha University; Sapienza University of Rome. -
Building and Using a Character in 3D Space Shasta Bailey
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2014 Building and Using a Character in 3D Space Shasta Bailey Follow this and additional works at: https://dc.etsu.edu/honors Part of the Game Design Commons, Interdisciplinary Arts and Media Commons, and the Other Arts and Humanities Commons Recommended Citation Bailey, Shasta, "Building and Using a Character in 3D Space" (2014). Undergraduate Honors Theses. Paper 214. https://dc.etsu.edu/ honors/214 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Contents Introduction: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ 3 The Project Outline: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ 4 The Design: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ 4 3D Modeling: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ 7 UV Mapping: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ 11 Texturing: ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ -
The Process to Create a Realistic Looking Fantasy Creature for a Modern Triple-A Game Title
The process to create a realistic looking fantasy creature for a modern Triple-A game title Historic-Philosophical faculty Department of game design Author Olov Jung Bachelor degree, 15 ECTS Credits Degree project in Game Design Game Design and Graphics 2014 Supervisor: Fia Andersson, Lina Tonegran Examiner: Masaki Hayashi September, 2014 Abstract In this project paper I have described my process to make a pipeline for production of an anatomically believable character that would fit into a pre-existing game title. To find out if the character model worked in chosen game world I did do an online Survey. For this project I did chose BioWares title Dragon Age Origins and the model I chose to produce was a dragon. The aim was to make the dragon character fit into the world of Dragon Age This project is limited to the first two phases of the pipeline: Pre-production and base model production phase. This project paper does not examine the texture, rigging and animation phases of the pipeline. Keywords: 3D game engine, 3D mesh, PC, NPC, 3D creation package, LOD, player avatar, triangles, quads Table of Contents 1 Introduction .......................................................................................................................... 1 1.1 Dragons in games .............................................................................................................. 1 1.2 3D modelling for real time 3D game engines ................................................................... 2 1.3 Questions ..........................................................................................................................