bw n w bw w & & w < >w w w

bw wbw w # #w <#>w w <#>w & & w w

w ## n#w # wnw w & & w# < >w w <#>w w b bw w bw w # nw # wnw w b b bbw w w w ## #w# < >w w <#>w & & b w & & # bw w bw w b b b w w w w # nw w w &b b b bb w ## # # ##w # w nw # w & & & # w < >w w < >w b bw w bw w b bb bb bw w w n w # # # w & b & b bw w < >w # ## ## n#w # w nw w Circle& of& Fifthsw# < >w forw <# >Guitarw w The is a diagram which shows all the keys with their key signatures and how they all ∫w w∫w w relate to each other. The circle gets its name because, if you work clockwise around the circle, each note is a perfect b b b w w w n w 5th apart (7 (half a step)).w As you go from the top of the circle you will notice that a sharp is added to the &b b bb b bb bw w < >w # # # # #nw # wbwnw ww & b # # each# time&# you#w move# < >aroundwww clockwise.<#w>w If you work anti-clockwise from the top of the circle you will bw w notice& that a flat is& added to# the key signaturew each time you move. Sometimes this is known as the circle of fourths as w n w if you are working anti-clockwise you are moving down a 4th, rather than going up a 5th, but it still gives you the same & w < >w result as going down a 4th is the same as going up a 5th. For example if you start on C and go down a 4th you will get w to G, and if you go up a 5th from C youbw will alsow arrive at G. bb b b b b b∫w bw∫w w # # w # w bw w bw w & b b b&b b b bw < >w w w ## # # # ##n#w wwnw< >w w & & w w w w bw w & # #&&# #w# <#>w w <#>w w w w # w <#>w w bw w w w & w bww ww w bw nbwbw wn w & w bbwwww nbnwwww n&w && w < >wwww w &&& & www <<>w>ww < >w bw w bwbww wn w w## w wnw w# w # &#w <#>w ww <#>w b & w ww w & & # nw w & &b C bw w bw wbw ww # w <#>w # w wbwww bwwww w# # # w <#b>ww #w & w F & a min### # Gwww <#<<>##w>w>ww <#&>w & w bwww< >ww bw w nw w &&& & ww ww &# w <#>w bb w w # # w d w e min # &n#w w nww w w & b w b bbw# w w w & b# bw#w <#n>ww w <#>w # nw # w &b &bw w bw n w &b b & w < >w w ## w < >w & w w w < >w # nw w # nw w w & b g min # w # wb minww w # # w nwwnw ww bw w B & #### w##nww #n#wwwD#&w # &# #w <#>www <#>w w w b bw w b&&w& # &w www <<<>#w>>ww < >w &nw# wnwnww ww bbbb w # # b b nwbbw ww w w # # &#bww## <#>w ww <#><#w>w & #&# &w b<#>w w & b#b & #w w w # nw w bw &w bw wbwnw w w &b b nw wnw w ## # w # w bb w wwbw bwww wb b b w# # nbwww wwn w<#n>wnww nwwww w# # # #w #nwww #ww & w < >w & b bbb wb bwww ncnw wminw &n wb b &b b b w# < >ww#w##w# nwwwf## min#wwww # w # # ## w < >www<#>w &&bbbbbb&b bEwwwb <<>>ww < >w Circle&bwb b&w ofbwb wFifths#w# ##nww## www <<<>#>ww>ww <&>Aw &## nww # w b b bw w & b b &bbwbb w &&&ww<#n><&w>w &## w w < >ww &b b b w w # #&# b b &nwb b w # ## &# #nb#ww # ww nw # w bw &w # # w # w bw wbw w &bb#b & # ww ww w < >w # b w wbw bwww w w < >w w nbwww nww & b b w < >w ## # nw w b bb b w bwww nww n wbb b bbb b#w##< >wwwww # w # # # # nw wnw ww & # w <#>w & bbbb b b www<<>>wwf min<&>w b &b b # bw## ww# c<#n >wminnww nwwww w # # # # w #nwww w# w w ∫w w &&bbbbbb&b b b w & b bb& #w####w#w# # wnww #<##ww>ww&# w# &# ## w < >www <#>ww b b w w & Ab b b &bbbbbww w&&&bw# &w www <<>w>Ewww < >w&# ## w nw # w &b b bb w # #&#b b b &nwb b#bww w w w # ## &# #∫n##ww nwwnww w # ## bb / wa# min< >w ab / g# min &bb#b #b # w#w <#>ww w # w # nw w b bw & w bw wbw w & b b & w < >w w < >w ## # # w <#>w b bb w bww wwb bwb b b b# w# nbww wn w # # & # w & b bbbbbbb bwb bbwww Dnbnwwww&nb wb b&b b bebb /# dw# min< >#w#w w wB # # # ## #nw wnw ww &&&bbbbb&bbbb b b www <<>w>ww < >w& b∫bw&b w#∫#bw##w#w### #ww#w# <#n>wnnwww nwwww& w# #&# ### #w <#n>ww #w b b b ∫w w b bCb #&bbbbwb w&&&ww# &#<#n#<>nw>wC# bwww <#<>##ww>ww <#>w &#n#w# ww nwwwwww &b b b b w w # #&#b b b &nwb b bbw w www < #>ww## # &# ##w## # wwnww ##ww ∫w w# ## # w #Gw b∫wF# w w &bb#b #b # #w#∫w< >wbwww < <>w>w # b b w&∫www ∫www bww < >w w ∫n ∫www wn w w& b b b & w < >w ## # # nw w &b b bb bb bw ∫www nww bn wbb b bbb b#b#w #< >wwwww# w # # # nw nwnw ww & # # w <#>w bbbbbbbbbbbb bb b www <<>w>ww&< >w&b&b b b b# ###∫##w## #nww# nwnwww nwwww #w# ## #### ## #w <#>ww #w &&& b&bbb b bb b&∫bw w##w######<#>#ww# # www <#<<>##w>w>ww&<#>w&#&## # # nwww< >ww bbbb wb &bbwbbbb w &b&&w ∫w&### bw# w # ## # # w <#>w & bwb&n wb b bw < >w w < >w ## # # &####nw## w nww w &b w < >w & # #& #w# <#>w w <#>w w w bbInb theb outer ring of∫ thew circlebw you will findw b theb bmajorb bkeys,b b then#∫ win the ∫innerww∫w circlew youw will see the relative minor keys b w & b(theb minorbbbbbbb bkeybb whichb b wb has <∫the∫>∫w wsamew ∫ &keywbww bsignatureb bw&bb -b thisbbb isb# #veryb# wuseful# ww transposing/modulating).wnww #Running# ## around## # #nw wnw ww & the&&& outsidebbbbb&b bofbb bthebb circleb b are wtheww key>ww &w (howb b& manyb b sharps#### or##∫ #flats#w#w# are#w winw #that<#n>w nkey).w You wnww will notice#w## that## at## the### #w #nwww w# w bottom of the diagramb there arew 3 keys that haveb alternativeb names## #ie.#w F## ##major/Gbbw#w wnmajorww . #Thesewww& keysw actually&# #work# w < >www<#>w & b b b &&& # &#w####< >w# # www<#<<>#w>>ww <#>w&w## # #w w nww ww out at the same pitch, butb one of them is using wsharps and the other using flats. This wis what we call the&w w# w n w <#>w equivalent, they are the bsame pitch, butbw differentn w note names. &b b w < >w & w < >w w & b bw w w n w w w www ww &b w w R b ww wnwww wb b w w w & bb b w >ww w &&b w ww &&&b & b w MUSIC www.dsmusic.com Page 1 b©b Copyright& b2014wb DS wMusicbw w & & w w w w b w b b bw n w w bb bbbbw bwbw ww & bbbb wbbbwwbww bnwwww &w &&b w www &&&b & www >www w bb bww ww w & w w Circle of Fifths Chart

Here is a diagram of the circle of fifths complete with guitar chord diagrams and the relative minor keys.

x 1

x x 2 1 1 3 2 1 3 2 3 C x x x x 1 F a min G 1 2 d min e min 2 3 4 3

Bb g min b min D

x x x 6 1 1 2 3 c min f# min 2 3 4 Eb Circle of Fifths A

f min c# min 1 1 1 1 b 4 A E 2 3 2 bb / a# min ab / g# min 3 4 Db eb / d# min B x x C# Cb x x 4 1 Gb F# 1

2 3 4 x x 2 3 4 1 1 2 3

Key 1 Finger number & placement on string x Do not play this string Open string - play string with no fingers 1 1 1 Place finger flat across (barre) the strings

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MUSIC www.dsmusic.com Page 2 © Copyright 2014 DS Music Circle of Fifths Guitar Chord Progressions

The circle of fifths is really useful for finding the primary chords I, IV & V in a key. Working clockwise, if you pick any key and find it in the circle, this is your chord I, then the note before it is your chord IV and the note after it is chord .V This works for both major and minor keys. For example:

E major - Chord I = E, Chord IV = A, Chord V = B - Chord i = b, Chord iv = e, Chord V = F# C Using this chart choose any major key and work F G out chords I, IV and V in that key, then find the a min 3 relative minor chords and play around with e min moving between these 6 chords - they should all d min work really well together. For example in the key Bb D of C, try using , , , a minor, g min b min & . You could also use these for transposing within a composition because these would be the most popular new keys to move to and then when you are in your new key then you Eb c min Circle of Fifths f# min A will get your new set of I, IV & V.

Ab f min c# min E

bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

The circle of fifths is also very useful if you are using a lot of chord V to chord I chord progressions (or even dominant 7th chords), because if you are playing a chord I, then all you have to do to find the chord V is move forward one (clockwise) on the circle. For example if you were playing a chord I in , so a D chord, then to find your chord V, move forward one around the circle to A, this would be your chord V. This also works vice versa. If you are on a chord V and want to find chord I simply move back one on the circle, so if you were playing a B chord and this was your chord V, then to find chord I move back one in the circle to E. ii V It is also really easy to find a ii-V-I chord C progression (this is a very common chord F G progression). If you take any 3 notes next to each a min other, then take the last one and work d min e min anti-clockwise then they are the 3 chords for your I b ii-V-I progression, with the last chord (chord I) B b min D being your key. This example is the ii-V-I g min progression for Bb major:

Eb c min Circle of Fifths f# min A

Ab f min c# min E

bb / a# min ab / g# min Db B eb / d# min C# Cb

R Gb F#

MUSIC www.dsmusic.com Page 3 © Copyright 2014 DS Music Using the Circle of Fifths to find Guitar Scales

1 C 4 There are many patterns, sequences and F G relationships in the circle of fifths. Let’s take the a min major . If you are working out the d min e min major pentatonic scale from the the 2 construction is 1, 2, 3, 5, 6….so to work out Bb D C major pentatonic, we would use C major and g min b min use the construction just mentioned which gives us the scale - C, D, E, G, A - now let’s look at this on the circle: Eb c min Circle of Fifths f# min A 5

Ab f min c# min E 3 bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

C 1 Now you know the pattern you can simply F G transpose this by using the same pattern, but a min starting on the new tonic (1st) note. So let’s try d min e min using the same pattern to work out G major 4 pentatonic: Bb D g min b min

This gives us G, A, B, D, E as the scale for the G major pentatonic Eb c min Circle of Fifths f# min A 2

Ab f min c# min E 5 bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F# 3

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MUSIC www.dsmusic.com Page 4 © Copyright 2014 DS Music 2 C 5 You can use this method with any type of scale F G really, as long as you know one version of the type a min of scale and then repeat the pattern starting on the d min e min new tonic note. How about the minor pentatonic 3 scale. If you are working out the minor pentatonic Bb D scale from the major scale then the construction g min b min is 1, lowered 3, 4, 5, lowered 7 (the lowered notes are lowered by half a step/). So if you were trying to work out ‘a minor’ pentatonic you would use the scale and the construction Eb c min Circle of Fifths f# min A 1 as previous and you should get: A, C, D, E, G - if we put this pattern on to the circle the pattern would look as follows: Ab f min c# min E 4 bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

3 5 C 1 So let’s apply this pattern to pentatonic: F G a min d min e min This gives us G, Bb, C, D, F for the g minor 2 4 pentatonic scale. Bb D g min b min

Eb c min Circle of Fifths f# min A

Ab f min c# min E

bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

Note: The minor pentatonic scale contains the same notes as it’s relative major pentatonic, but starting on the minor key note. For example:

C major pentatonic = C, D, E, G, A, then the relative minor is a, and a minor pentatonic = A, C, D, E, G. Bb major pentatonic = Bb, C, D, F, G, then the relative minor is g, and g minor pentatonic = G, Bb, C, D, F

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MUSIC www.dsmusic.com Page 5 © Copyright 2014 DS Music 8 1

4 C 5 Let’s try a major scale - we know that C major F G has no sharps or flats (refer back to the original a min diagram for key signatures) so the scale is C, D, d min e min E, F, G, A, B, C. On the circle the pattern looks 2 as follows: Bb D g min b min

Eb c min Circle of Fifths f# min A 6

Ab f min c# min E 3 bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F# 7

6

2 C 3 Now let’s use the same F G pattern, but starting on a new a min note - Eb major. If you use the 5 d min e min same pattern this gives you the 7 scale Eb, F, G, Ab, Bb, C, D, Eb Bb D which is correct for the key of g min b min Eb major.

8 1 Eb c min Circle of Fifths f# min A

Ab f min c# min E 4 bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

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MUSIC www.dsmusic.com Page 6 © Copyright 2014 DS Music 1 8 Now let’s look at the pattern for a . We will start with ‘a minor’ as we know this 4 a min 5 hasn’t got any sharps or flats (refer back to the original d min e min diagram for key signatures), but we do however raise 2 the 7th note in a harmonic minor scale. The g min b min ‘a harmonic minor’ scale is A, B, C, D, E, F, G#, A. For this one we will use the inner circle (minor chords) so that if you want to pick out chords rather than scales you can do so. 3 c min Circle of Fifths f# min

f min c# min 6 bb / a# min ab / g# min

eb / d# min 7

3 Look at this pattern on the circle and now lets use the same pattern, but starting on a new note - F# minor. If 6 a min you use the same pattern this gives you the scale F#, d min e min G#, A, B, C#, D, F (which actually should be E#), F#. 4 g min b min

1 c min Circle of Fifths f# min 8

7 f min c# min 5 bb / a# min ab / g# min

eb / d# min 2

You will notice here the 7th note is F when it should be the raised 7th E# (in scales there should be one of every letter name). E# is actually the same pitch as F, so for playing purposes will sound the same (this is an enharmonic equivalent), but for written purposes if you were writing out the scale it should be E#. You may come across this sometimes using the circle of fifths.

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MUSIC www.dsmusic.com Page 7 © Copyright 2014 DS Music Here are some blank circle of fifths charts which you can use to work out chord progressions, scales and maybe even discover other patterns:

C F G a min d min e min Bb D g min b min

Eb c min Circle of Fifths f# min A

Ab f min c# min E

bb / a# min ab / g# min C Db B eb / d# min F G C# Cb a min Gb F# d min e min Bb D g min b min

Eb c min Circle of Fifths f# min A

Ab f min c# min E

bb / a# min ab / g# min Db B C eb / d# min C# Cb F G a min Gb F# d min e min Bb D g min b min

Eb c min Circle of Fifths f# min A

Ab f min c# min E

bb / a# min ab / g# min Db B eb / d# min C# Cb Gb F#

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MUSIC www.dsmusic.com Page 8 © Copyright 2014 DS Music