DOCSLIB.ORG

July 26, 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
July 26, 2020 Good news, VBS is happening!!! This year, we will be hosting VBS virtually. We July 26, 2020 wanted to wait as long as possible before making a final decision, and want to make sure everyone knows we want to be as diligent as possible in al- lowing an event like this to still take place! We have an awesome volunteer group at DownsUMC Service Online that will be banding together to record an experi- Sunday Morning ence for your kids! Www.downsumc.org There’s still time for you and your kids to come into the church to see our VBS set up! And you will be sent home with Imagination Station trinkets and information on how and when you can view each day's VBS video online! Today from 4:00-6:00pm, you can check out the set up and pick up your trinkets. Here is a link to register for our virtual VBS this year: https://app.faithteams.com/portal/desktop/publicForm? formId=PXhbvBbk1jbeoj5EWnyCK7QUGEUabkehbrheuKG3Fii Stay tuned to this Event for links to how to watch the online version of our VBS from July 26-30! UMCOR establishes Covid-19 fund The United Methodist Committee on Relief (UMCOR) has established a COVID-19 Response Fund to "support vulnerable populations disproportionately impacted by the coronavirus in the U.S. and around the world. Grants from this fund will be disbursed quickly and efficiently, allowing Methodist partners to address health concerns, food insecurity, water and hygiene limitations and other pressing needs in their communities." Donations can be included with apportionment remittances, or separately, with checks payable to IGRC and noting the Advance #3022612, IGRC Fund #3140 on the memo 309-378-2651 line. www.downsumc.org Email Devotionals: The Pastor is writing daily email Reverend Ken Burgard devotionals during this time of isolation due to corona. [email protected] Email [email protected] to be added to the list. to July 26, 2020 We are so glad you are worshiping Welcome & Announcements with us on line! We would love to Worship Song: Now Thank We All Our God know who has joined us, so help us Scripture Reading: Psalm 23 take church attendance by sending an Worship Song: Lord You Are My Shepherd email with the subject “Present”. Even so Come Please sing along if you are familiar Pastoral Prayer with the songs. Offertory Doxology If you would like to lend your talents and voices to elements of future online worship services, Scripture Reading: Joh 13:31-35 Message by Rev Ken Bugard FAITH AT HOME PAGE: Loving Our Neighbor visit www.downsumc.org to visit the “faith at home” page and find Worship Song: Love Has Come great readable and downloadable content to aid you in growing Benediction closer to Go right at home! This page contains a wide variety of information: * Instructions on creating a worship space at home * Spiritual Discipline instructions (new ways to pray and more) * Devotions for the whole family while you’re home Downs UMC during Phase 4: How will you handle the attendance cap? Phase 4 in-person worship has begun. Each Sunday the We have elected not to have people register in advance worship will begin at 9:30 AM, with doors opening at because we feel that’s a major barrier to anyone who may be coming 9am. for the first time. Instead, we have several families who have pre- There will be no Sunday School or Fellowship meal volunteered to step away if we get too full. They can head downstairs where we plan to use the pre-recorded service in the on Sunday during Phase 4. fellowship hall, or they can head home. If you do see someone get Sanctuary hours (2-4PM) on Sunday have ended (but up to head out don’t worry, they volunteered weeks in advance to do Monday and Thursday continue). This is so we so. It’s a service to everyone else, and we’ll have different people can properly clean the building. volunteering the next week. The Online service will continue exactly like you are used to Am I expected to attend? on our website www.downsumc.org. This is because we understand many will stay home because they fall in the In person, the short answer is no. As a Christian you are only following categories. expected to worship. We very much hope that you have discovered by Anyone who is sick or has been exposed to someone now that worship can happen at home, at church, or anywhere both you who is ill and God are… which is anywhere! Anyone at high risk for Covid19 complications Please do not feel pressure like you have to be here, we Anyone who cannot wear a mask (we are asking completely understand that there are a wide variety of very good reasons everyone who comes to church on Sunday morning that people will be staying at home. For that reason we’re continuing to to use them) Anyone who’s just not ready yet. put our best work and creativity into the online service, and will continue We’ll be making some changes with safety in mind. that just as before all throughout phase 4. We will use masks, and keep the social distance (6 feet) guidelines Please know that God is with you, your church is praying We have been asked to discourage singing for you, and we’d love to hear from you if you would like to call We will dismiss by rows to avoid crowding. The Sanctuary will cap attendance at 50 people or send an email or letter. Let us know how you’re doing, what ministries of the church are most helpful to you, is there What’s the service going to be like? anything you’d like to see us do. May God be with you until we We’ll be using the pre-recorded online service and doing meet again. some parts of the worship service live (like the welcome/ announcements, prayer, etc). Depending on whether or not we use multiple rooms (see below) there may be live piano and/or sermon from week to week, we want everyone who comes in person to have the same experience. Now Thank We All Our God Lord, You Are My Shepherd Now thank we all our God TO GOD BE THE GLORY 11.11.11.11 with Refrain With hearts and hands and voices Lord, you are my shepherd and so I am blessed; Who wondrous things has done You make me lie down in green pastures to rest. In whom His world rejoices You lead me beside the still waters, O Lord; Who from our mother's arms In you I find peace and my soul is restored. Has blessed us on our way With countless gifts of love Refrain: And still is ours today In this world, there is much that can tempt me away, Yet in you, I'm content, as you guide me each day. O may this bounteous God O Lord, I don't need to feel lost or alone; Through all our life be near us For you are my Shepherd and I am your own. With ever joyful hearts And blessed peace to cheer us And keep us in His grace And guide us when perplexed You lead me to do what is just, in your name; And free us from all ills In this world and the next You guide me through valleys of death and deep pain. I'll fear nothing evil with you by my side; All praise and thanks to God Your rod and your staff, Lord, will comfort and guide. The Father now be given Refrain The Son and Him who reigns With them in highest heaven The one eternal God Whom earth and heaven adore You set me a table right here by my foes; For thus it was is now You bless me with joy till my cup overflows. And shall be evermore Your goodness and mercy will follow me through; I'll live in your presence, forever with you. Refrain Biblical Reference: Psalm 23 Tune: William Howard Doane, 1875 ("To God Be the Glory") (MIDI) Text: Copyright © 2012 by Carolyn Winfrey Gillette. All rights reserved. CCLI Song # 86638 Catherine Winkworth | Johann Crüger | Martin Rinkart © Words: Public Domain Music: Public Domain For use solely with the SongSelect®. Terms of Use. All rights reserved. www.ccli.com CCLI License # 1227707 Even So Come Love Has Come Bridge Even so come Lord Jesus come Glory glory hallelujah All of creation all of the Verse 1 Thank You for the cross Even so come I know this life is filled with earth Lord Jesus come Singin' glory glory hallelu- Make straight a sorrow jah And there are days highway a path for the So we wait Christ has paid the cost Lord When the pain just lasts and Glory glory hallelujah we wait for You lasts Jesus is coming soon God we wait Thank You for the cross But I know there will come a Singin' glory glory You're coming soon day Call back the sinner wake So we wait Christ has paid the cost up the saint When all my tears are we wait for You washed away Let ev'ry nation shout of God we wait Chorus 2 Your fame With a break in the clouds And ev'ry knee shall bow You're coming soon His glory coming down and Jesus is coming soon Ev'ry tongue confess God in that moment is love Like a bride waiting for her Like a bride waiting for groom Love has come for us all her groom Chorus 1 Ev'ry heart set free We'll be a Church ready for (And) Ev'ry knee shall bow We'll be a Church ready You Ev'ryone will see God is for You Ev'ry tongue confess that love Ev'ry heart longing for our God is love Ev'ry heart longing for King we sing Love has come for us all our King we sing And love has come for us all (REPEAT) Like a bride waiting for her Ev'ry heart set free Even so come groom Lord Jesus come Ev'ryone will see that God is We'll be a Church ready for love Even so come You Lord Jesus come And love has come for us all Ev'ry heart longing for our CCLI Song # 5423196 Brown Bannister | Mark Schultz | Matthew King we sing Verse 2 West | Sam Mizell There will be justice all Even so come © 2009 Simple Tense Songs (Admin.
Load more

Recommended publications
  • The Knucklehead Gospels
    The Knucklehead Gospels A Simple Faith 2021 By Arnulfo D. Ayala 1 The Knucklehead Gospels A Simple Faith 2021 Foreword I was ordained a permanent deacon in the Roman Catholic Diocese of San Angelo, Texas in 2004, but I was introduced to prison ministry in the fall of 2000, working as a volunteer at a Kairos retreat at the Lynaugh Unit in Ft Stockton, Texas. From my first visit to the prison, I knew this is where God called me to serve. Many people have no knowledge of or experience with the prison system, so they have a great misconception of the individuals who reside behind those walls. Some may think that people in prison have no value and don’t deserve a second chance. I can firmly attest that in ministering to our incarcerated brothers and sisters, I have witnessed the power of God working through many of these gifted humans. It has been transformational for me and has helped me to deepen my relationship with Christ. I am blessed to be able to call them my brothers and sisters. I first met, Arnulfo, the author of this book in 2016 while serving in prison ministry for the Archdiocese of San Antonio. He, along with a core group of devoted Catholic men, are in the maximum-security prison. They have each had a profound experience at a Kolbe Catholic retreat and decided to dedicate their lives to Christ: praying, studying, and working tirelessly to be better men and to inspire their fellow inmates to do the same. I soon realized that Arnulfo, a self-confessed Knucklehead, had the talent, the faith, the experience, and the humility to help other incarcerated men find a way to walk in God’s light in this dark place.
    [Show full text]
  • State College Singing Sensation 2017 Contestant Biographies
    State College Singing Sensation 2017 Contestant Biographies Adam Michael My name is Adam Michael. 23 years old from Altoona PA. Currently opening up further into my music career. I’ve written 3 songs and have 1 song "Movin’ On" that will be on iTunes very soon. Country music is my passion. But I enjoy other genres as well. Allen Rearick Hi everyone, my name is Allen Rearick, I’m 28, I like to do karaoke for fun and also like to workout and hangout with friends. I’m an assistant manager at Walmart and usually when I’m not working or hanging out with friends I go shopping or just drive around to see new places. Amber Hook Amber Hook, 29 years old, is a resident of Milesburg, PA. Presently, she is a hair stylist at SmartSyle Salon in the North Atherton WalMart. Amber has been singing since the young age of 2 years old. Growing up, Amber listened to Country music, and to this day she is still a fan. Country is her karaoke “go to”. She also enjoys a wide variety of other musical genres, including rock and pop. Amber's musical inspiration doesn't come from any one artist, but it comes from within her. “My musical inspiration comes from how I feel, and if I can relate to a song and put myself in it”. Amber enjoys singing because, in her words, “Most of the time I can't tell you how I feel, but I can sing you a song. Most of the time, it hits the nail on the head!” As to what she hopes to gain from being a part of the competition, Amber hopes to grow more as an artist, how to breathe better, and how to open up more.
    [Show full text]
  • Channing Eleton Making the Most of Every One of These Days
    August 2011 Channing Eleton Making the Most of Every One of These Days In This Edition: Diamond Awards Crawford Crossing Goff Reunion Your Path To A Brighter and More Successful Recording Future Special Introductory Offer! First FIVE Artists to book PATHWAY’S will receive a Special Introductory Rate! A 10 Song Recording Package for only $1995! Other comparable packages cost over $3000. Booking Now! Visa & MasterCard Accepted. For More Information email: [email protected] Record your next project in Music City with Pathway! thePathwayRecords.com sgnScoops | August 2011 | 3 Welcome Rob Patz Publisher’s Point Video Click to Play sgnScoops | August 2011 | 4 Letter From The Editor Rhonda Frye What did THOSE stories have to do I am grateful and so excited about with my role at SGNScoops? Every- this assignment. Rob Patz and I thing. The Holy Spirit nudged my work very well together and share a heart as the new saint hugged every- common desire to spread the gos- one. He reminded me that He used a pel using the media. We worked TEAM to bring this man to salvation. very hard on our updated mission In the circle stood those that had statement which truly reflects what been friendly, some had opened their we are all about. “SGNScoops When a life enters into the home and taught scripture, some exists to promote the gospel by world, it’s a precious sight. Just as had reached out to him during a time unveiling what is intriguing and precious and even more, is the sight of a of loss, some had ministered to him real about Southern Gospel and spiritual birth.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Hip-hop, Streetdance, and the Remaking of the Global Filipino Permalink https://escholarship.org/uc/item/16q5z7gp Author Perillo, Jeffrey Lorenzo Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hip-hop, Streetdance, and the Remaking of the Global Filipino A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jeffrey Lorenzo Perillo 2013 © Copyright by Jeffrey Lorenzo Perillo 2013 ! ABSTRACT OF THE DISSERTATION Hip-hop, Streetdance, and the Remaking of the Global Filipino by Jeffrey Lorenzo Perillo Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor Susan Leigh Foster, Committee Co-Chair Professor Victor Bascara, Committee Co-Chair New York-based African American, Latino, and Caribbean immigrant youth of the 1960s and early 1970s gave life to one of the world's major contemporary cultural movements: Hip-hop. Initially misunderstood as a faddish form of Black male musical expression, Hip-hop's cultural resistance practices were quickly recognized as four core elements (emceeing, turntablism, graffiti art, and b-boying/b-girling). In the global context, Hip-hop has generated scholarly discourse that points to either the cultural globalization of American Blackness or a "global village." My project interrupts this conversation and focuses on the unique, multi-site cultural history of Filipino identity as constituted through practitioners of Hip-Hop dance. My work argues that a community of Filipinos, situated in different geo-political loci—Berkeley, California, Honolulu, Hawai‘i, and Manila, Philippines—configure prevailing concepts of Hip-hop while remaking conditions of ! ii dispossession and displacement in the late twentieth and early twenty-first centuries.
    [Show full text]
  • "This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major
    [Show full text]
  • First Reconciliation
    BlessFIRST RECONCILIeAdTION BlessFIRST RECONCILIeAdTION Nobody knows exactly what they are doing, but if you act like you do people will think you do. Even the greatest leaders will tell you this is true. title of the book ii iii My name is I am blessed, and God made me wonderfully and marvelously in his own image. Jesus wants me to become the-best-version-of-myself, grow in virtue, and live a holy life. On this date Jesus is going to forgive all of my sins during my First Reconciliation. I am truly blessed. iv v Table of Contents In accord with the Code of Canon Law, Session 1: You Are Blessed! 1 I hereby grant the Imprimatur (“Permission to Publish”) for Blessed. Opening Prayer Most Reverend Dennis M. Schnurr Archbishop of Cincinnati Welcome Archdiocese of Cincinnati Cincinnati, Ohio You Are Blessed December 15, 2016 Count Your Blessings The Imprimatur (“Permission to Publish”) is a declaration that a book is considered to be free of doctrinal or moral error. It is not implied that those My Journey with God who have granted the Imprimatur agree with the contents, opinions, or statements expressed. From the Bible: Gratitude I Am Blessed. I Am Grateful. Show What You Know Journal with Jesus Closing Prayer Nobody knows exactly what they Session 2: The-Best-Version-of-Yourself 31 are doing, but if you Opening Prayer act like you do people Happiness and Free Will will think you do. Making Decisions Even the greatest The Greatest Commandment Temptation, Sin, and Grace leaders will tell you From the Bible: Adam and Eve this is true.
    [Show full text]
  • DECREES SONGS and SERVICES
    DECREES SONGS and SERVICES TO DOWNLOAD FREE E-BOOKS: www.iamfree.co.za Email [email protected] DECREES, SONGS AND SERVICES [2] CONTENTS ESSENTIAL MORNING AND EVENING APPLICATIONS ................................................... 8 SUGGESTED MORNING MEDITATION AND DECREES .................................................... 8 MEDITATION – CONTEMPLATION ............................................................................ 8 MORNING DECREES .................................................................................................. 8 DECREE FOR PROTECTION ........................................................................................ 9 DECREE FOR THE CIRCLE AND SWORD OF BLUE FLAME .......................................... 9 VIOLET FIRE DECREE ............................................................................................... 10 “I AM” STATEMENTS .............................................................................................. 11 SUGGESTED EVENING MEDITATION AND DECREES .................................................... 12 ASCENDED MASTERS’ DIVINE LOVE ....................................................................... 12 DECREE FOR THE PILLAR OF LIGHT AND PROTECTION ........................................... 12 EVENING DECREES FOR THE VIOLET FIRE ............................................................... 12 PERSONAL DECREE TO BE SAID EVERY NIGHT ........................................................ 14 DECREE FOR SERVICE RENDERED WHEN ASLEEP ..................................................
    [Show full text]
  • Visual Song Book
    House of Fellowship Song Book 1 6 I Believe God The Water Way Key of A Key of F I believe God! I believe God! Long ago the maids drew water Ask what you will and it shall be done; In the evening time, they say Trust and obey, believe Him and say: One day Isaac sent his servant I believe, I believe God. To stop Rebekah on her way "My master sent me here to tell thee; And if you want salvation now See these jewels rich and rare; And the Holy Ghost and power, Would'st thou not his lovely bride be Just trust and obey, In that country over there?" Believe Him and say: I believe, I believe God. CHORUS It shall be light in the evening time, 2 The path to glory you will surely find; Reach Out, Touch The Lord Thru the water way, It is the light today, Key of F Buried in the precious Name of Jesus. Young and old, repent of all your sin, Reach out and touch the Lord The Holy Ghost will surely enter in; As He goes by, The evening Light has come, You'll find He's not too busy, It is a fact that God and Christ are one. To hear your heart's cry; He's passing by this moment, So, God's servants come to tell you Your needs to supply, Of a Bridegroom in the sky Reach out and touch the Lord Looking for a holy people As He goes by. To be his bride soon, by and by He sends to us refreshing water 3 In this wondrous latter day Feeling So Much Better They who really will be raptured Key of F Must go thru the water way Feeling so much better Are you on your way to ruin Talking about this good old Way, Cumbered with a load of care Feeling so much better See the quick work God is doing Talking about the Lord; That so his glory you may share Let's go on, let's go on At last the faith he once delivered Talking about this good old Way, To the saints, is ours today Let's go on, let's go on To get in the church triumphant Talking about the Lord.
    [Show full text]
  • Exploring Digital Storytelling: Towards HIV and AIDS Knowledge Production in an Affluent Girls’ School
    Exploring Digital Storytelling: Towards HIV and AIDS Knowledge Production in an Affluent Girls’ School Maureen Inge St John-Ward Exploring Digital Storytelling: Towards HIV and AIDS Knowledge Production in an Affluent Girls’ School Maureen Inge St John-Ward In fulfilment of the requirements for the degree of Doctor of Philosophy University of KwaZulu-Natal, Pietermaritzburg December 2014 DECLARATION I hereby declare that this whole dissertation, unless specifically indicated to the contrary, is my original work. Maureen Inge St John-Ward 1 December, 2014 i ABSTRACT This research project is a qualitative study that explores the use of the participatory visual arts-based method of digital storytelling in the context of addressing HIV and AIDS in a secondary school classroom in an independent school in South Africa. The study is located within the research area of how HIV and AIDS are understood in an affluent school in South Africa in the context of youth-as-knowledge-producers. It is concerned with Elite Studies since affluent schools are an understudied research site in South Africa. In this media- making project I build on the key concept of convergence within a participatory cultures framework, and multimodality as conceptualised by the New London Group (Kress, 2003; 2010). My participants, 70 Grade 10 girls from an independent girl’s school in KwaZulu- Natal, produced a digital story about their understanding of HIV and AIDS. Of the 70 stories, 15 form the core study group and are analysed in depth. Analysis of the content of the digital stories takes into account the responses of the producers, the texts themselves, and the responses of the audiences who viewed them.
    [Show full text]
  • "The Cashtro Hop Project" Hip Hop Music and An
    "THE CASHTRO HOP PROJECT" HIP HOP MUSIC AND AN EXPLORATION OF THE CONSTRUCTION OF ARTISTIC SELF-IDENTITY by Christopher Joseph Cachia A Project presented to Ryerson and York Universities in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2006 © Chris Cachia 2006 DECLARATION I hereby declare that I am the sole author of this project I authorize Ryerson University to lend this project to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this project, in total or in part. at the request of other institutions or individuals for the purpose of scholarly research. II ABsTRACT While Hip Hop culture has regularly been legitimized within academia as a social phenomenon worthy of scholarly attention (witness the growing number of studies and disciplines now taking Hip Hop as object for analysis), this is the first Hip Hop-themed project being completed within the academy. Indeed, academic and critical considerations of one's own Hip Hop-based musical production is a novel venture; this project, as a fusion of theory with practice, has thus been undertaken so as to occupy that gap. The paper's specific concern is with how (independent) Hip Hop recording artists work to construct their own selves and identity (as formed primarily through lyrical content); the aim here is to explore Hip Hop music and the construction of artistic self· presentation. I therefore went about the task of creating my own album - my own Hip Hop­ themed musical product - in order to place myself in the unique position to examine it critically as cultural artifact, as well as to write commentary and (self-)analyses concerning various aspects of (my) identity formation.
    [Show full text]
  • Be Near to Me: an Articualtion of a Nearness Pedagogy
    The Pennsylvania State University The Graduate School School of Visual Arts BE NEAR TO ME: AN ARTICUALTION OF A NEARNESS PEDAGOGY A Thesis in Art Education by Jorge R. Lucero © 2008 Jorge R. Lucero Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science December 2008 The thesis of Jorge R. Lucero was reviewed and approved* by the following: Stephanie Springgay Assistant Professor of Art Education and Women’s Studies Thesis Advisor Charles R. Garoian Director of The School of Visual Arts Professor of Art Education Wanda Knight Associate Professor of Art Education, Art Education Graduate Coordinator, Post- baccalaureate Certification Officer in Art Education, Honors Adviser in Art Education, and Coordinator of Student Teaching in Art Education *Signatures are on file in the Graduate School. ii Abstract How do we learn learning? Being near one who does it the way one would like to do it. This project identifies the “learning” dis- and re-orientation that can occur for both teachers and students by examining the characteristics of a few contemporary art practices and attempting to extrapolate from those works a character or ethos that allows individuals to behave in a liberated pedagogical way. Using four related –however independent –essays, this project attempts to highlight the ethics that have become more keenly visible in contemporary art forms such as performance art, collage, photography, and new projects in both popular music and television. I’m looking at examples in these art forms for two reasons. The first is because of their still developing and –unlike something like painting-practices – under-canonized and still developing theorization which up until now has left the working definitions of these newer practices ambiguous and brimming with possibilities.
    [Show full text]
  • 1 SILLY SONGS Addams Family Theme Song Austrian Yodeling
    SONG SILLY SONGS Surfing U.S.A. Take Me Out to the Ball Game Addams Family Theme Song Tarzan Austrian Yodeling Song Teenage Mutant Ninja Turtles Baby Bumblebee Song Y-O-K-E Banana Song You Can’t Get to Heaven The Barney Song Bazooka Bubble Gum Song FAST SPIRITUAL SONGS BINGO! Boom-chic-a-boom Ain’t Nobody Coca Cola Song Be Glorified Colors of the Wind Big House Dead Skunk Blessed Be Your Name Fast Food Song Come Now is the Time to Worship Fruit of the Spirit Deep Granny’s in the Cellar Deep and Wide He’s Got the Whole World in His Hands Every Move I Make He’s My Rock Everybody Clap Home on the Range Hallelujah (Your Love is Amazing) If You’re Happy and You Know It (Yoke Style) He’s Alive Jesus is the Rock I Will Boast King Jesus is All I’ll Fly Away Kumbaya Keep on the Sunny Side Kung Fu Fighting Let Everything That Has Breath Lean on Me Lord I Lift Your Name on High Little Bunny Foo Foo Nothing But the Blood of Jesus Little Red Wagon Prince of Peace L-O-V-E Rise and Shine Mamas Don’t Let Your Babies Grow Up to Be Trading My Sorrows Cowboys Undignified Milk Song The Moose Song Slow Spiritual Songs Pharaoh, Pharaoh Praise Ye the Lord All in All River of Life Amazing Grace (Peaceful Easy Feeling) Rocky Top Amazing Love Row, Row, Row, Your Boat Give Thanks Rubber Duckie Give Us Clean Hands Sally the Camel Go Tell it on the Mountain Singing in the Rain He Paid a Debt Star-Spangled Banner Here I Am to Worship 1 SONG More Slow Spiritual Songs How Great is Our God I Could Sing of Your Love Forever I Love You Lord Jesus Paid It All Light the
    [Show full text]