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The Knucklehead Gospels
The Knucklehead Gospels A Simple Faith 2021 By Arnulfo D. Ayala 1 The Knucklehead Gospels A Simple Faith 2021 Foreword I was ordained a permanent deacon in the Roman Catholic Diocese of San Angelo, Texas in 2004, but I was introduced to prison ministry in the fall of 2000, working as a volunteer at a Kairos retreat at the Lynaugh Unit in Ft Stockton, Texas. From my first visit to the prison, I knew this is where God called me to serve. Many people have no knowledge of or experience with the prison system, so they have a great misconception of the individuals who reside behind those walls. Some may think that people in prison have no value and don’t deserve a second chance. I can firmly attest that in ministering to our incarcerated brothers and sisters, I have witnessed the power of God working through many of these gifted humans. It has been transformational for me and has helped me to deepen my relationship with Christ. I am blessed to be able to call them my brothers and sisters. I first met, Arnulfo, the author of this book in 2016 while serving in prison ministry for the Archdiocese of San Antonio. He, along with a core group of devoted Catholic men, are in the maximum-security prison. They have each had a profound experience at a Kolbe Catholic retreat and decided to dedicate their lives to Christ: praying, studying, and working tirelessly to be better men and to inspire their fellow inmates to do the same. I soon realized that Arnulfo, a self-confessed Knucklehead, had the talent, the faith, the experience, and the humility to help other incarcerated men find a way to walk in God’s light in this dark place. -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects. -
2016 CCD Ourglass
Community College of Denver Student Literary & Art Magazine 2015 & 2016 Community College of Denver Student Literary & Art Magazine 2015 & 2016 Hi! Ourglass, now in its 36th year of publication, is the journal of the English, Graphic Design, and Visual Arts departments at Community College of Denver, dedicated to providing a forum for the poetry, prose, drama, design, and artwork of our students. Please consider submitting your work to Ourglass. If you are attending CCD or have attended in the past, you are eligible to submit. Submissions are accepted between September 15th and March 24th of each year. We accept submissions of poetry, fiction, non-fiction, drama, and artwork, as well as any interesting combinations thereof, exclusively through our email address: [email protected]. All work submitted must include your name, phone number and current email address. Submit one story or essay at a time; poems can be sent in groups. Send in only low-resolution copies of artwork; we will contact you for high-resolution versions at a later time. Due to the sheer volume of work we must consider, we can only notify you if your work is chosen to be published. If you don’t hear from us, please do try again next year! We love hearing from CCD students and alumni. Follow US! Facebook | Facebook.com/CCDOurglass Twitter | Twitter.com/OurglassCCD If you have any questions, please email us at [email protected]. Thanks, The Editors Poetry & Prose Harmony Sheehan Gemini 1 Harmony Sheehan What They Don’t Tell You 4 Claudia Graham Kaleidoscope Eyes 5 Amber Dorr The Problem with Soulmates 11 Kelly Kracke Muses pt. -
State College Singing Sensation 2017 Contestant Biographies
State College Singing Sensation 2017 Contestant Biographies Adam Michael My name is Adam Michael. 23 years old from Altoona PA. Currently opening up further into my music career. I’ve written 3 songs and have 1 song "Movin’ On" that will be on iTunes very soon. Country music is my passion. But I enjoy other genres as well. Allen Rearick Hi everyone, my name is Allen Rearick, I’m 28, I like to do karaoke for fun and also like to workout and hangout with friends. I’m an assistant manager at Walmart and usually when I’m not working or hanging out with friends I go shopping or just drive around to see new places. Amber Hook Amber Hook, 29 years old, is a resident of Milesburg, PA. Presently, she is a hair stylist at SmartSyle Salon in the North Atherton WalMart. Amber has been singing since the young age of 2 years old. Growing up, Amber listened to Country music, and to this day she is still a fan. Country is her karaoke “go to”. She also enjoys a wide variety of other musical genres, including rock and pop. Amber's musical inspiration doesn't come from any one artist, but it comes from within her. “My musical inspiration comes from how I feel, and if I can relate to a song and put myself in it”. Amber enjoys singing because, in her words, “Most of the time I can't tell you how I feel, but I can sing you a song. Most of the time, it hits the nail on the head!” As to what she hopes to gain from being a part of the competition, Amber hopes to grow more as an artist, how to breathe better, and how to open up more. -
Most Requested Songs of 2020
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat. -
TOP SONGWRITER CHART Sunday, March 10, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, March 10, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Ashley Gorley What Makes You Country Luke Bryan Eyes On You Chase Rice Love Ain’t Eli Young Band Rumor Lee Brice I Don’t Know About You Chris Lane 2 3 Kevin Welch Millionaire Chris Stapleton 3 2 Shane McAnally Burn Out Midland Make It Sweet Old Dominion Down To The Honky Tonk Jake Owen Love Ain’t Eli Young Band Rainbow Kacey Musgraves I Don’t Remember Me (Before You) Brothers Osborne 4 4 Brett James Love Wins Carrie Underwood On My Way To You Cody Johnson 5 5 Luke Combs She Got The Best Of Me Luke Combs Beautiful Crazy Luke Combs 6 6 Ben Burgess Whiskey Glasses Morgan Wallen The Difference Tyler Rich 7 9 Ross Copperman Love Ain’t Eli Young Band Love Someone Brett Eldredge 8 11 David Garcia Meant To Be Bebe Rexha & Florida Georgia Line Women Florida Georgia Line (Featuring Jason Derulo) Love Wins Carrie Underwood 9 12 Josh Osborne Burn Out Midland One That Got Away Michael Ray 10 7 Riley Green There Was This Girl Riley Green 11 8 Erik Dylan There Was This Girl Riley Green 12 14 Robert Williford Beautiful Crazy Luke Combs 13 15 W. Durrette Beautiful Crazy Luke Combs 14 26 Jason Gantt Take It From Me Jordan Davis 15 27 Jacob Davis Take It From Me Jordan Davis 16 28 Jordan Davis Take It From Me Jordan Davis 17 30 Shay Mooney Speechless Dan + Shay Tequila Dan + Shay Back To Life Rascal Flatts All To Myself Dan + Shay 18 10 Luke Laird Down To The Honky Tonk Jake Owen Somebody’s Daughter Tenille Townes 19 16 Frank Rogers This Is It Scotty McCreery 20 17 A. -
Channing Eleton Making the Most of Every One of These Days
August 2011 Channing Eleton Making the Most of Every One of These Days In This Edition: Diamond Awards Crawford Crossing Goff Reunion Your Path To A Brighter and More Successful Recording Future Special Introductory Offer! First FIVE Artists to book PATHWAY’S will receive a Special Introductory Rate! A 10 Song Recording Package for only $1995! Other comparable packages cost over $3000. Booking Now! Visa & MasterCard Accepted. For More Information email: [email protected] Record your next project in Music City with Pathway! thePathwayRecords.com sgnScoops | August 2011 | 3 Welcome Rob Patz Publisher’s Point Video Click to Play sgnScoops | August 2011 | 4 Letter From The Editor Rhonda Frye What did THOSE stories have to do I am grateful and so excited about with my role at SGNScoops? Every- this assignment. Rob Patz and I thing. The Holy Spirit nudged my work very well together and share a heart as the new saint hugged every- common desire to spread the gos- one. He reminded me that He used a pel using the media. We worked TEAM to bring this man to salvation. very hard on our updated mission In the circle stood those that had statement which truly reflects what been friendly, some had opened their we are all about. “SGNScoops When a life enters into the home and taught scripture, some exists to promote the gospel by world, it’s a precious sight. Just as had reached out to him during a time unveiling what is intriguing and precious and even more, is the sight of a of loss, some had ministered to him real about Southern Gospel and spiritual birth. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Hip-hop, Streetdance, and the Remaking of the Global Filipino Permalink https://escholarship.org/uc/item/16q5z7gp Author Perillo, Jeffrey Lorenzo Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hip-hop, Streetdance, and the Remaking of the Global Filipino A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jeffrey Lorenzo Perillo 2013 © Copyright by Jeffrey Lorenzo Perillo 2013 ! ABSTRACT OF THE DISSERTATION Hip-hop, Streetdance, and the Remaking of the Global Filipino by Jeffrey Lorenzo Perillo Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor Susan Leigh Foster, Committee Co-Chair Professor Victor Bascara, Committee Co-Chair New York-based African American, Latino, and Caribbean immigrant youth of the 1960s and early 1970s gave life to one of the world's major contemporary cultural movements: Hip-hop. Initially misunderstood as a faddish form of Black male musical expression, Hip-hop's cultural resistance practices were quickly recognized as four core elements (emceeing, turntablism, graffiti art, and b-boying/b-girling). In the global context, Hip-hop has generated scholarly discourse that points to either the cultural globalization of American Blackness or a "global village." My project interrupts this conversation and focuses on the unique, multi-site cultural history of Filipino identity as constituted through practitioners of Hip-Hop dance. My work argues that a community of Filipinos, situated in different geo-political loci—Berkeley, California, Honolulu, Hawai‘i, and Manila, Philippines—configure prevailing concepts of Hip-hop while remaking conditions of ! ii dispossession and displacement in the late twentieth and early twenty-first centuries. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, April 18, 2019 NEWS CHART ACTION New On The Chart —Debuting This Week CRB Reveals CRS Agenda song/artist/label—Chart Position Committee Members In Between/Scotty McCreery/Triple Tigers Records — 77 Wild/Katlyn Lowe/HK and J Records — 78 I Love The Lie/Kree Harrison/Visionary Records — 79 I Can Do Hard Things/Jennifer Nettles/Big Machine — 80 Greatest Spin Increase song/artist/label—Spin Increase Knockin' Boots/Luke Bryan/Capitol — 290 God's Country/Blake Shelton/Warner Bros. — 271 Mr. Lonely/Midland/Big Machine — 210 The Country Radio Broadcasters have announced the individuals who Look What God Gave Her/Thomas Rhett/Valory — 173 will serve on the 2019-2020 CRS Agenda Committee to plan for CRS Every Little Honky Tonk Bar/George Strait/MCA Nashville — 143 2020, set for Feb. 19-21. Agenda chair Judy Lakin will return for her Some Of It/Eric Church/EMI Records Nashville — 141 second year, and will guide segment leaders to steer key areas of Raised On Country/Chris Young/RCA Nashville — 117 educational curriculum, including radio, programming, digital, tech, streaming, label promotion, sales, and marketing. Click here to see the Somebody's Daughter/Tenille Townes/Columbia — 109 list. Most Added song/artist/label—No. of Adds Brantley Gilbert Announces Mr. Lonely/Midland/Big Machine — 11 Good Vibes/Chris Janson/Warner Bros. — 9 2019 Not Like Us Tour Good Lord/Abby Anderson/Black River Entertainment — 6 Family Tree/Caylee Hammack/Capitol — 6 Knockin' Boots/Luke Bryan/Capitol — 6 Somebody's Daughter/Tenille Townes/Columbia — 6 That'll Be the Day/Lucas Hoge/Forge Entertainment — 5 On Deck—Soon To Be Charting song/artist/label—No. -
TABLE of CONTENTS Year, Song of the Year, Breakthrough Artist of the Year, Breakthrough Songwriter, and Breakthrough Artist- Category 1: Producer of the Year
PRESENTED BY: 32ND ANNUAL MusicRow Subscribed Members will vote to determine award winners. Ballots will be emailed on July 8, 2020. Ballot Voting Period: July 8, 2020 at 11:00 a.m. CST – July 17, 2020 at 5:00 p.m. CST. Winners Announced: August 18, 2020 To become a member, click here. Pictured: Alecia Davis, Kathie Lee Gifford, Sherod Robertson on stage at the 2019 MusicRow Awards. Photo: Steve Lowry By Sarah Skates MusicRow Magazine is proud to reveal the nominees for outside nominations being considered for Breakthrough the 2020 MusicRow Awards. This year’s honors will be Songwriter and Breakthrough Artist-Writer. Male and announced virtually among multiple MusicRow platforms Female Songwriter nominees are based on data from on Tuesday, August 18, 2020. MusicRow’s Top Songwriter Chart. Eligible projects were active between April 1, 2019 to May 31, 2020. Now in its 32nd year, the MusicRow Awards are Nashville’s longest-running music industry trade publication honors. In addition to established awards for Producer of the TABLE OF CONTENTS Year, Song of the Year, Breakthrough Artist of the Year, Breakthrough Songwriter, and Breakthrough Artist- Category 1: Producer of the Year .........................................................4 Writer; the MusicRow Awards expanded with the Category 2: Label of the Year ...............................................................8 additional categories Label of the Year, Talent Agency Category 3: Talent Agency of the Year ..............................................10 of the Year, Robert K. Oermann Discovery Artist of the Category 4: Breakthrough Songwriter of the Year .........................13 Year, Male and Female Songwriters of the Year, and Artist Category 5: Breakthrough Artist-Writer of the Year .......................19 of the Year in 2019. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, February 28, 2019 NEWS CHART ACTION New On The Chart —Debuting This Week MusicRow Magazine Announces 2019 song/artist/label—Chart Position Rearview Town/Jason Aldean/Broken Bow — 53 Rising Women On The Row Honorees Living/Dierks Bentley/Capitol — 62 Loving You Loving On Me/Wilson Brothers Band/Full Circle Records — 70 I'm Diggin' It/Jessie Lynn/Dirt To Diva — 75 Boy In A Band/Dallas Remington/Road Warrior Records — 77 The Beat Goes On/Adam Capps/Midwest Music & Entertainment — 78 Brand New Buzz/Big & Rich/New Revolution Entertainment — 79 American Hearts/Daniel E. Johnson/Dry County Music — 80 Greatest Spin Increase song/artist/label—Spin Increase Every Little Honky Tonk Bar/George Strait/MCA Nashville — 371 Rearview Town/Jason Aldean/Broken Bow — 237 Eyes On You/Chase Rice/Broken Bow — 234 Rainbow/Kacey Musgraves/MCA Nashville — 216 Buy My Own Drinks/Runaway June/Wheelhouse Records — 197 GIRL/Maren Morris/Columbia Nashville — 188 Talk You Out Of It/Florida Georgia Line/BMLG — 163 Most Added song/artist/label—No. of Adds Rearview Town/Jason Aldean/Broken Bow — 18 MusicRow is proud to reveal the honorees ahead of its eighth annual Rainbow/Kacey Musgraves/MCA Nashville — 15 Rising Women on the Row celebration. The breakfast event will salute Every Little Honky Tonk Bar/George Strait/MCA Nashville — 15 women in the Nashville music industry on Tuesday, March 26, at 8:30 Living/Dierks Bentley/Capitol — 13 a.m. at the Omni Nashville Hotel. Click here to read about the honorees. Bullet Proof/Dave McElroy/Free Flow Records — 10 Buy My Own Drinks/Runaway June/Wheelhouse Records — 9 Look What God Gave Her/Thomas Rhett/Valory — 8 Mentoring And Inspiring Women On Deck—Soon To Be Charting song/artist/label—No. -
"This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major