The Marian Philatelist, Whole No. 41
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The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c. -
U.S. Postal Service Delivers Happy Holidays New 2018 Forever Stamps
FOR IMMEDIATE RELEASE National: Roy Betts July 24, 2018 202-268-3207 [email protected] U.S. Postal Service Delivers Happy Holidays New 2018 Forever Stamps WASHINGTON — The U.S. Postal Service today unveiled four more stamps for the upcoming holiday season, as well as new releases and re-issues from recent years. The new stamps will be dedicated at first-day-of-issue events to be announced soon. Global Poinsettia Celebrate the holidays with Poinsettia, a new Global Forever stamp. This stamp can be used to mail a 1-ounce letter to any country where First-Class Mail International service is available. As with all Global Forever stamps, this stamp will have a postage value equivalent to the price of the single-piece First- Class Mail International 1-ounce machineable letter in effect at the time of use. These stamps can also be used domestically. The stamp art features a photo of a poinsettia. Taken from above, the photo captures the beauty of the green leaves, the red bracts, and the yellow flowers in the center of the plant. Poinsettias are now as much a part of the holidays as evergreens and mistletoe; tens of millions of plants are sold during the season. The art director for this stamp was William J. Gicker. Greg Breeding designed the stamp with an existing photograph by Betsy Pettet. The new Global Forever stamps are being issued in self-adhesive panes of 10. Madonna and Child by Bachiacca Five centuries ago, Francesco d’Ubertino Verdi (1494–1557), the Italian Renaissance painter known as Bachiacca, proved himself to be a versatile and popular Florentine artist. -
The Feast of the Annunciation
1 Pope Shenouda III series 5 THE FEAST OF THE ANNUNCIATION BY HIS HOLINESS AMBA SHENOUDA III, POPE AND PATRIARCH OF ALEXANDRIA AND OF THE APOSTOLIC SEE OF ALL THE PREDICATION OF SAINT MARK Translated from the Arabic first edition of April 1997 Available from: http://www.copticchurch.net 2 All rights are reserved to the author His Holiness Pope Shenouda III Pope and Patriarch of the See of Alexandria and of all the Predication of the Evangelist St. Mark Name of the book: The Feast of the Annunciation Author: His Holiness Pope Shenouda III Editor: Orthodox Coptic Clerical College, Cairo First Edition: April 1997 Press: Amba Rueiss, (Offset) - The Cathedral - Abbassia Deposition number at "The Library": 97 / 475 977 - 5345 - 38 In the Name of the Father, the Son, and the Holy Spirit, the One God, Amen. You will read in this pamphlet about the Annunciation of the Nativity of Christ, glory be to Him, and the annunciations which preceded and succeeded it. It is the annunciation of salvation for the world. It is the first feast of the Lord. It is an annunciation of love, because the reason of the Incarnation and Redemption is the love of God for the world. The Lord Christ has offered to us rejoicing annunciations and has presented God to us as a loving Father. What shall we then announce to people? Let there be in your mouths, all of you, a rejoicing annunciation for everybody. Pope Shenouda III 3 The feast of the Annunciation comes every year on the 29th of Baramhat. -
Bureau of Engraving and Printing (BEP) Inventory Listing the Numerous BEP Historical Postage Stamp Production Folders, 2016
Description of document: Bureau of Engraving and Printing (BEP) inventory listing the numerous BEP historical postage stamp production folders, 2016 Requested date: 19-January-2016 Released date: 01-February-2016 Posted date: 28-March-2016 Source of document: Disclosure Officer Bureau of Engraving and Printing Office of the Chief Counsel - FOIA and Transparency Services 14th & C Streets, SW, Room 419A Washington, D.C. 20228-0001 Fax: (202) 874-2951 The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. DEPARTMENT OF THE TREASURY BUREAU OF ENGRAVING AND PRINTING WESTERN CURRENCY FACILITY FORT WORTH, TEXAS 76131 February 1, 2016 FOIA/PA Request No. -
ΚΝΙΞQUΑΊLΚΊΓΚΙΞ§ ΚΝ ΊΓΗΙΞ WORIΚ of IΞJL GRIΞCO and ΊΓΗΙΞΚR ΚΝΊΓΙΞRΙΡRΙΞΊΓΑΊΓΚΟΝ 175
ΚΝΙΞQUΑΊLΚΊΓΚΙΞ§ ΚΝ ΊΓΗΙΞ WORIΚ Of IΞJL GRIΞCO AND ΊΓΗΙΞΚR ΚΝΊΓΙΞRΙΡRΙΞΊΓΑΊΓΚΟΝ 175 by Nicos Hadjinicolaou In memoryof Stella Panagopoulos, whose presence at the lecture gave me great pleasure The organization of a series of lectures in honour of a distinguished l art critic could bring the invited art historians in the delicate or uncomfortable position of defining the limits proper to art criticism and art history, thus reviving a rather sterile paragon of the 20th century. If, in the debate about the primacy of sculpture or of painting, Vasari (out of conviction it seems and not for reasons of tactics) declared that the controversy was futile because both arts were equally based οη "d isegno", Ι am afraid that tod ay a similar proposition to remove the object of dissent between art criticism and art history by claiming tha.t both were equally based οη "artistic theory" would, unfortunately, be rejected as being tόta11y out of place. Reconciliation being, at least for the moment, impossible, an art historian might be allowed to stress what in his eyes is one of the advantages of art criticism over art history: that it takes a stand, that it takes risks, that it measures the relevance of a work for the present and for the immediate future. It goes without saying that an art critic also jud ges a contemporary work under the burden of his or her knowledge of the art of the past and of the literature written ab out it. Υ et, this does not change the fundamental fact that the appreciation of the work and the value judgements about its assumed "quality" or "validity as a statement" are elements insid e a perspective looking towards the future and not towards the past. -
The Marian Philatelist, Whole No. 40
University of Dayton eCommons The Marian Philatelist Marian Library Special Collections 1-1-1969 The Marian Philatelist, Whole No. 40 A. S. Horn W. J. Hoffman Follow this and additional works at: https://ecommons.udayton.edu/imri_marian_philatelist Recommended Citation Horn, A. S. and Hoffman, W. J., "The Marian Philatelist, Whole No. 40" (1969). The Marian Philatelist. 40. https://ecommons.udayton.edu/imri_marian_philatelist/40 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in The Marian Philatelist by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. fide Marian Philatelist PUBLISHED BY THE MARIAN PHILATELIC STUDY GROUP Business Address: Rev. A. S. Horn Chairman 424 West Crystal View Avenue W. J. Hoffman Editor Orange, California 92667, U.S.A. Vol. 7 No. 1 Whole No. 40 JANUARY 1, 1969 The first issue of "The Marian Philatel AUSTRIA: (Class 2). Christmas ist" for the year of 1969 offers me the oppor stamp, 2 schilling value, re tunity of sending my greetings to all our leased November 29, 1968. The readers. May the New Year bring you continued stamp also commemorates the health and happiness, and a deeper apprecia 150th anniversary of the com tion of your hobby. This also affords me an posing of "Silent Night" by occasion to congratulate our editor, Mr. Hoff Franz Gruber. Commemoration man, for his tireless zeal in producing our in wording across the top of bi-monthly paper and to thank him for all the the stamp. -
Holiday Postage Avoids Seasonal Sticking Point
Holiday postage avoids seasonal sticking point WASHINGTON – During the Christmas season, when Christmas displays and the public outcry against them get almost equal billing, the tiny postage stamp dares to push the envelope, so to speak. While some towns are battling over the use of red and green lights on city buildings, Nativity scenes in parks and what to call holiday evergreen trees, the tiny adhesive squares on billions of letters and packages this December will subtly remind postal workers and mail recipients about Christmas and other religious holidays. This year the Postal Service has issued more than 2.6 billion holiday stamps. The majority of them are called “holiday knits” featuring Christmas images that look like hand-knit evergreens, snowmen, deer and teddy bears. The rest of the seasonal stamps feature the Madonna and Child and commemorate Kwanzaa, Hanukkah and Muslim festivals. According to a 2007 press release by the Postal Service, the Madonna and Child stamp has been a U.S. tradition since 1978. What it doesn’t describe is the road it took to get there. The series actually got its start in 1966, four years after the first Christmas stamp debuted with a wreath, two candles and the words “Christmas 1962.” The first religious Christmas stamp owes its origin in part to the lobbying efforts of the late Anthony Coviello, a parishioner at Our Lady of Mount Carmel Church in Waterbury, Conn. The 1966 stamp, “Madonna and Child With Angels,” started a trend of Christmas stamps featuring Renaissance paintings. The series was interrupted in 1977 when the Christmas stamp featured a praying George Washington. -
The Chronicle– Christmas Edition
The Chronicle – Christmas Edition Compline Services will be held this week Monday, Tuesday, Wednesday and Thursday (Christmas Eve). There will be service on Christmas Day (Friday) or Saturday You can access Compline Services (at 7pm) by going online at: https://zoom.us/j/6486377573. Simply click on the link, enter this passcode: 664077 and click on “open zoom meetings” click on join computer audio and then when you’re in click on start video at the bottom of your screen on the left-hand side. For those who do not have access online, you can also “listen in” by calling this NEW YORK number (1 929 205 6099). You will be asked to enter the Meeting ID number: 648 637 7573. Skip the request for a participant ID by hitting the # sign and then you will enter the passcode which is 664077. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ On Sunday, December 27th we will NOT BE holding our normal Morning Prayer service; instead, we will be offering an “Advent Lessons and Carols” from the Diocese at 10 AM. ECCT-wide Virtual Festival of Christmas Lessons and Carols Premiering on Sunday, December 27 ECCT will be offering wide worship offerings. The first service will be hosted by our Cathedral with participation from across ECCT. It is a prerecorded Virtual Festival of Christmas Lessons and Carols with Spiritual Communion on Sunday December 27, premiering at 10 a.m. -
The Umbrian and Roman School of Art - Raphael
Howard University Digital Howard @ Howard University Manuscripts for the Grimke Book Life and Writings of the Grimke Family October 2017 The mbrU ian and Roman School of Art Follow this and additional works at: http://dh.howard.edu/ajc_grimke_manuscripts Recommended Citation "The mbrU ian and Roman School of Art" (2017). Manuscripts for the Grimke Book. 36. http://dh.howard.edu/ajc_grimke_manuscripts/36 This Book is brought to you for free and open access by the Life and Writings of the Grimke Family at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscripts for the Grimke Book by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The "mbrian c.r.d Honan School of Art RAPHAEL The Umbrian School of Art originated in Umbria, a province on the Tiber, and v;aa distinguished for the fervent religious feeling of its painters. It was in this province that St. Francis, of Assissi, the most famous saint of the middle ages, was born and lived, and it was owing to his presence and influence that the people were more deeply and strongly religious than those of the neighboring provinces. "Their painters," says a distinguished critic," strove above all things to express the mystic beauty of the Christian soul. Their art was the expression of the purest and holiest aspirations of Christian life." Kicolo Alunno, of Toligno - born in 1453, died in 1499 - is the first master in whom the distinct Umbrian' characteristics became apparent. His works have a dreamy, religious feeling; are superior in purity and brightness of color, and have much natural beauty. -
An Examination of a Seventeenth- Century Copy of Raphael’S Holy Family, C.1518
Uncovering the Original: An Examination of a Seventeenth- Century copy of Raphael’s Holy Family, c.1518. Annie Cornwell, Postgraduate in the Conservation of Easel Paintings Amalie Juel, MA Art History Uncovering the Original: An Examination of a 17th-Century copy of Raphael’s The Holy Family, c. 1518, The Prado Madrid. Introduction to The Project: This report has been written as part of the annual project Conservation and Art Historical Analysis, presented by the Sackler Research Forum at the Courtauld Institute of Art. Seeking to encourage collaboration between art historians and conservators, the scheme brings together two students - one from postgraduate art history and the other from easel paintings conservation - to complete an in-depth research project on a single piece of art. By doing so, the project allows a multifaceted approach combining historical research with technical analysis and, in this case, conservation treatment of the work in question. Focusing on the painting as a physical object with a material history, the project shows the value of combining art history with the more scientific aspects of the field of conservation. The focus of this project is a painting of the Virgin and Child with Saints Anne and John - a copy of Raphael’s Holy Family from the Prado - of unknown artist and date. It is owned by St Patrick’s Catholic Church in Wapping, where it had been recently found in a cupboard underneath the stairs. It came into the Courtauld Conservation Department to be treated by Annie Cornwell in November 2015, at which point it was in quite poor condition. -
The Holy Family with Saint Elizabeth
The Holy Family with Saint Elizabeth, the Child Saint John the Baptist and Two Angels, a copy of Raphael Technical report, restoration and new light on its history and attribution José de la Fuente Martínez José Luis Merino Gorospe Rocío Salas Almela Ana Sánchez-Lassa de los Santos This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao Photography credits © Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao: figs. 1, 2 and 5-19 © Groeningemuseum, Brugge: fig. 21 © Institut Royal du Patrimoine Artistique, Bruxelles: fig. 20 © Museo Nacional del Prado, Madrid: fig. 55 © RMN / Gérard Blot-Jean Schormans: fig. 3 © RMN / René-Gabriel Ojéda: fig. 4 Text published in: B’06 : Buletina = Boletín = Bulletin. Bilbao : Bilboko Arte Eder Museoa = Museo de Bellas Artes de Bilbao = Bilbao Fine Arts Museum, no. 2, 2007, pp. 17-64. Sponsored by: 2 fter undergoing a painstaking restoration process, which included the production of a detailed tech- nical report, the Holy Family with Saint Elizabeth, the Child Saint John the Baptist and Two Angels1 A[fig. -
Reflections on the Sistine Madonna Nancy Jewel Poer
RESEARCH Reflections on the Sistine Madonna Nancy Jewel Poer The Sistine Madonna is one of the greatest and noblest we are asked to see beyond the tantrums and ugly works of art in human evolution. behavior of young children to perceive the striving —Rudolf Steiner, The Mission of Raphael in the of their spirit, as Waldorf teachers we are also Light of Spiritual Science asked to look beyond our subjective experiences and those of some parents to serve the children Man is the sun, his senses are the planets. whose time is now. As public representatives of —Novalis Waldorf education, with our tremendous debt to Rudolf Steiner for making this education possible, The Sistine Madonna has long been a loving surely we need to earnestly engage in learning presence in Waldorf kindergartens, acting as a about the universal spirituality that is the heart of gift to the children that brings them an image of Anthroposophy. We need to understand why he an embracing archetypal heavenly mother and calls it an esoteric all-embracing Christianity. heavenly child. This work of art has profoundly With regard to the image of the Sistine Madonna lifted and transformed the souls of those beholding in our kindergartens, my response, and that of many it for over five hundred years, for it reminds us other experienced teachers, is not to remove it but of our true spiritual nature. In our classrooms rather add to it. People from all backgrounds need to around the world, it is has been there to give feel met in our schools, so we can add other warm hope, transformation, and a sense of protection to art images to the room—Madonnas of different generations of children.