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Symphony Orchestra Inc BOSTON SYMPHONY ORCHESTRA INC. ORTY-FOURTH ^J SEASON <&$$.. J924-J925 «v#/# PRoGR2W\E Chanoler & Co. TREMONT STREET NEAR WEST Beautiful Fur Coats Note the following values: Beige Caracul Coats, Fox collar and cuffs, $495 Brown Caracul Coats, Fox collar, cuffs, border, $350 Alaskan Seal Coats, Kolinsky collar, cuffs, $695 Dark Gray Squirrel Coats, Fox trimmed, $495 Beige Caracul Coats, Extra fine skins, $985 Seal-dyed Muskrat Coats, Kolinsky collar, cuffs, $395 Beaver Coats, $495 Beaver Jackets, $375 Seal-dyed Muskrat Jackets, Squirrel trimmed, $195 Kolinsky Coats, dark skins, $750 Seal-dyed Muskrat Coat, Seal-dyed Muskrat Coats, new drape collar ofl'iatka Fitch collar, cuffs, $395 Squirrel, $493 Leopard Coats, Beaver collar and cuffs, $295 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 B®§tomi Symphony ©irdhesthra INC. SERGE KOUSSEVITZKY, Conductor FORTY-FOURTH SEASON. 1924-1925 Programme MONDAY EVENING, JANUARY 12, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1926, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager — THE INST%U<SMENT OF 'THE IMMORTALS IT IS true that Rachmaninoff, Pader- Each embodies all the Steinway ewski, Hofmann—to name but a few principles and ideals. And each waits of a long list of eminent pianists only your touch upon the ivory keys have chosen the Steinway as the one to loose its matchless singing tone, perfect instrument. It is true that in to answer in glorious voice your the homes of literally thousands of quickening commands, to echo in singers, directors and musical celebri- lingering beauty or rushing splendor ties, the Steinway is an integral part the genius of the great composers. of the household. And it is equally true that the Steinway, superlatively fine as it is, comes well within the There is a Steinway dealer in your range of the moderate income and community or near you through 'whom meets all the requirements of the you may purchase a new Steinway modest home. piano "with a small cash deposit, and This instrument of the masters has the balance will be extended over a been brought to perfection by four period of two years. * Used pianos generations of the Steinway family. accepted in partial exchange. But they have done more than this. They have consistently sold it at the Prices: $875 and up lowest possible price. And they have Plus transportation given it to the public upon terms so convenient that the Steinway is well Steinway & Sons, Steinway Hall within your reach. Numerous styles 109 East Fourteenth St., New York and sizes are made to suit your home. Forty-fourth Season, 1924-1925 SERGE KOUSSEVITZKY. Conductor The House Where Music Is FOR over a hundred years Chickering has stood supreme among fine pianos. The name has come to have even wider significance, however, for it means, also, an old Colonial building on Tremont Street, a Boston institution where one naturally goes to select a piano at whatever price one can afford to pay with a certainty of being satisfied. You are cordially invited to our store if only to listen to the tone of our several instru- ments. It will be well worth a visit to hear the Ampico re-enact the very personality of the playing of the greatest artists. If you wish to buy at this time, your present piano will be taken in exchange and con- venient terms of monthly payment may be arranged. 169-Tremont Street, Boston PIANOS OF ALL PRICES — EACH PRE-EMINENT IN ITS CLASS FORTY-FOURTH SEASON, NINETEEN HUNDRED TWENTY-FOUR & TWENTY-FIVE Seooimd PraOTamme MONDAY EVENING, JANUARY 12 AT 8.15 Haydn . Symphony in G major (Breitkopf and Hartel No. 13) I. Adagio; Allegro. II. Largo. III, Menuetto; Trio. IV. Finale: Allegro con spirito. Beethoven ..... Violin Concerto in D major, Op. 61 I. Allegro ma non troppo. II. Larghetto. III. Rondo. Wagner . Bacchanale ("The Hill of Venus") from "Tannhauser" Wagner . Funeral Music of Siegfried from "Dusk of the Gods" Wagner . Prelude to "The Mastersingers of Nuremberg" SOLOIST RICHARD BURGIN There will be an intermission of ten minutes after the concerto City of Boston, Revised Regulation of August 5, 1898,—Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not. in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN, City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music collection of the Boston Public Library one week before the concert. A CRUISE ROUND SOUTH AMERICA Only once before—and that ten years ago—has there been a Cruise to sail through the Straits of Magellan, thus circling the entire South American continent. Never has a ship so fine as the "Resolute" made this cruise. Here is a wonderful opportunity to visit—amid all the comforts of a great liner—the strenuous West Coast ports, the Inca cities of Peru, the Andes, Santiago in Chile, pleasure-loving Buenos Aires, the stupendous Iguazu Falls, glorious Rio, the vast Amazon and a number of Caribbean seaports. January 24 to March 26. 66 days. 15,000 miles. 23 cities. S.S. "Resolute" (20,000 tons), swimming-pool and gymnasium. Rates $925 and up. Send for booklets and plans. Three Alluring Mediterranean Cruises February 5. S.S. "Samaria" (20,000 tons) —Carnival at Nice, Sicily, Venice, Cattaro, Egypt, Holy Land, etc. $875 & up. March 28. S.S. "Reliance" (20,000 tons)—A spring voyage to Spain, Balearic Islands, Italy, Algeria, Riviera, etc. $525 & up. June 27. S.S. "Oronsay" (20,000 tons) —A summer voyage to the "standard" ports, also Ragusa, Marseilles, etc. $675 & up. Send for booklets, information, ship-plans, etc. NEW YORK PHILA- Raymond & Whitcomb Fiasco DELPHIA LOS CHICAGO CompanyWHlLFUliy ANGELES Boston Booking Office: 165 Tremont Street Symphony in G major (B. & H. No. 13) Joseph Haydn (Born at Rohrau, Lower Austria, March 31, 1732; died at Vienna, May 31, 1809) Haydn wrote a set of six symphonies for a society in Paris known as the "Concert de la Loge Olympique." They were ordered in 1784, when Haydn was living at Esterhaz. Composed in the course of the years 1784-89, they are in C, G minor, E-flat, B-flat, D, A. No. 1, in C, has been entitled "The Bear"; No. 2, in G minor, has been entitled "The Hen"; and No. 4, in B-flat, is known as "The Queen of France." The symphony played at this concert is the first of a second set, of which five were composed in 1787, 1788, 1790. If the sixth was written, it cannot now be identified. This one in G major was written in 1787, and is "Letter V" in the catalogue of the London Philharmonic Society, No. 13 in the edition of Breitkopf & Hartel, No. 8 in that of Peters, No. 29 in that of Sieber, No. 58 in the list of copied scores of Haydn's symphonies in the library of the Paris Conservatory of Music. I. The first movement opens with a short and slow introduction, adagio, G major, 3-4, which consists for the most part of strong stac- cato chords which alternate with softer passages. The main body of the movement allegro, G major, begins with the first theme, a dainty one, announced piano by the strings without double-basses and repeated forte by the full orchestra with a new counter-figure in the bass. Pas- January Sales at Slattery's — largely attended events in whose outstanding savings we wish every Slattery -patron to share January Sale of Fine Furs January Sale of Fur-Trimmed Coats January Sale of Underwear Negligees and Infants' Clothes . C C flatter? Co. opposite Boston Common — sage-work develops into a subsidiary theme, which bears an intimate relation to the first motive. The second theme is but little more than a melodic variation of the first. So, too, the short conclusion-theme in oboes and bassoon, then in the strings—is only a variation of the first. The free fantasia is long for the period, and is contrapuntally elaborate. There is a short coda on the first theme. II. Largo, D major, 3-4. A serious melody is sung by oboe and violoncellos to an accompaniment of violas, double-basses, bassoon, and horn. The theme is repeated with a richer accompaniment, and the first violins have a counter-figure. After a transitional passage the theme is repeated by a fuller orchestra, with the melody in first violins and flute, then in the oboe and violoncello. The development is carried along on the same lines. There is a very short coda. III. The Menuetto, allegretto, G major, 3-4, with trio, is in the regular minuet form in its simplest manner. IV. The Finale, allegro con spirito, G major, 2-4, is a rondo on the theme of a peasant country-dance, and it is fully developed. Haydn in his earlier symphonies adopted for the finale the form of his first movement.
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