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Rona Pondick: the Metamorphosis of an Object at Worcester Art Museum
IMMEDIATE RELEASE MEDIA CONTACT: Allison Berkeley Manager of Marketing and Public Relations [email protected] 508.799.4406 x3073 RONA PONDICK: THE METAMORPHOSIS OF AN OBJECT AT WORCESTER ART MUSEUM Internationally renowned contemporary artist featured in solo exhibition WORCESTER, Mass. (March 12, 2009) – Rona Pondick: The Metamorphosis of an Object opens at the Worcester Art Museum on April 18, 2009 and is on view through October 11, 2009. Rona Pondick Muskrat 2005 H: 10 inches (25.40 cm) W: 12 ½ inches (31.75 cm) D: 4 5/8 inches (11.68 cm) Since achieving international prominence in the early 1990s, Rona Pondick (b. 1952) has become one of the most accomplished sculptors of her generation. Over the past decade, she has combined both ancient sculptural methods and the latest computer technologies to produce a powerful group of hybrid sculptures that fuse human and animal bodies or human and flora forms. Unlike other considerations of her sculpture, this exhibition presents Pondick’s art as the lens for looking at centuries of world sculpture from the collection of the Worcester Art Museum that she feels resonate with her own creative process. Provocative juxtapositions of Pondick’s hybrids with a personal selection of historic sculptures illustrate her connections to the past and her understanding of the effects of artistic cross-fertilization. The exhibition features 14 examples of Pondick’s sculptures from the past decade and focuses on her particular interest in three aspects of sculpture—the communicative capacity of gesture and posture, the treatment of hair, and the effects of repetition. Exhibition Catalogue A catalogue for this exhibition, written by WAM Curator of Contemporary Art, Susan A. -
Walead Beshty
[email protected] — WWW.RODOLPHEJANSSEN.COM 1/20 Walead Beshty Biography Born 1976, London, United Kingdom Lives and works in Los Angeles Education 2002 MFA, Yale University School of Art, New Haven, CT 1999 BA, Bard College, Annandale-on-Hudson, NY Solo Exhibitions 2015 - Walid AlBeshti, Regen Projects, Los Angeles, CA USA - Insitute fo Fine Arts, New York University, NY - Disponible, Travesia Cuatro, Guadalajara, Mexico 2014 - Gastarbeiten, Capitain Petzel, Berlin, Germany - A Partial Disassembling of an Invention Without a Future: Helter-Skelt er and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench, The Barbican Center, Lon don, UK - Performances Under Working Conditions, Petzel, New York, NY - Thomas Dane Gallery, London, UK - Selected Bodies of Work, Regen Projects, Los Angeles, CA 2013 - Fair Use, The Power Station, Dallas, TX - Walead Beshty, Le 8 rue Saint-Bon, Paris, France 2012 - Travel Pictures, Thomas Dane Gallery, London, UK 2011 - PROCESSCOLORFIELD, Regen Projects, Los Angeles, CA - A Diagram of Forces, Malmö Konsthall, Malmö, Sweden / Centro de Arte Dos de Mayo, Madrid, Spain - Securities and Exchanges, Ullens Center for Contemporary Art, Beijing, China - Diapositives, Galerie Rodolphe Janssen, Brussels, Belgium [email protected] — WWW.RODOLPHEJANSSEN.COM 2/20 2009 - Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Gar den, Washington, DC - Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Muse um of Art, Ann Arbor, MI (Ex. cat) -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Download Press Release
MARC STRAUS NEW YORK RONA PONDICK Opening Reception: October 24, 2018, 6:00pm – 8:00pm On View: October 24 - December 16, 2018 MARC STRAUS is pleased to present our inaugural solo exhibition of Rona Pondick, featuring a new body of work five years in the making. Pondick’s new works feature semi-transparent clear blocks encasing her head rendered in brilliant contrasting color. The heads appear in various orientations, sometimes even floating partway out of their evanescent domain. The blocks have subtle contours and worked edges, paying fealty to the sculptor’s hand. They are made from resin, acrylic and an epoxy modeling compound; new materials for Pondick who experimented endlessly to achieve a harmony of form, color, and emotional depth. One indelible quality of the new work is the use of sonorous color. Each work features a dominant hue and no more than four different colors, for which Rona Pondick, Encased Yellow, 2015-2017 the work is titled. These are intimate and yet powerful works that shift with Pigmented resin and acrylic 10 1/16 x 11 3/8 x 11 1/2 in (25.6 x 28.9 x 29.2 cm) our positioning. In the floor pieces, Pondick’s head is atop a small body-like form. In Curly Grey (2016-2018) a head with texture so much like skin, rests upon a mass that looks as if it is made of jumbled packing peanuts. Below, two forms, perhaps feet, stick out cheekily as though this figure is struggling to get up. From the tilt of Sitting Yellow (2013-2018), one asks the question is the figure resting or incapacitated? The authority of these sculptures very much resides in our apprehension of their psychological dynamics ─ our own fears, hopes, and history become poignant. -
Tjaividl1i Brooklyn Academy of Music 1996 Next Wave Festival
tJAIVIDl1i Brooklyn Academy of Music 1996 Next Wave Festival Jim Dine, The Heart of BAM, 1996, Woodcut, 26-1/4" x 19-3/8" Artists in Action BAM 1996 Next Wave Festival and 135th Anniversary Season are sponsored by Philip Morris Companies Inc. The Brooklyn Snug Harbor Cultural The Brooklyn Museum Academy of Music Center Robert S. Rubin Bruce C. Ratner Ralph J. Lamberti Chairman, Chairman of the Board Chairman, Boa rd of Trustees Board of Directors Harvey Lichtenstein David E. Kleiser Roy R. Eddey President & President & CEO Acting President Executive Producer present Artists in Action BAM Visual Arts Initiative Flatland: A Romance MINE Black Fathers and of Many Dimensions Rona Pondick Sons: A US Perspective Jene Highstein and Robert Feintuch Albert Chong and Hanne Tierney with Sara Rudner with Johnny Coleman, The Hittite Empire and Quincy Troupe Snug Harbor Cultural The Brooklyn Museum BAM Majestic Theater Center November 7-9, 1996 November 13-16, November 21-23, at 8pm 1996 at 8pm 1996 at 8pm November 9 & 10 at 3pm photos, Brigitte Lacombe Special support for Artists In Action has been provided by The Pew Charitable Trusts, The Henry Luce Foundation, Inc., The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, The Cowles Charitable Trust, and The Arch W. Shaw Foundation. During their years working with artists, Brooklyn Academy of Music President and Executive Producer Harvey Lichtenstein and Producing Director Joseph VlYlelillo noticed that visual artists and performing artists do not conceptualize performance space in the same way. This difference is the inspiration behind Artists in Action. -
Walead Beshty
Walead Beshty Born in London, England, 1976 Lives and works in Los Angeles CA Education MFA, Yale University School of Art, New Haven CT, 2002 BA, Bard College, Annandale-on-Hudson NY, 1999 Professorships Art Center College of Design, Pasadena CA, 2008 Milton Avery Graduate School of the Arts, Bard College, Annandale-on-Hudson NY, 2007 Solo Exhibitions 2021 Foreign Correspondence (October 1, 2012 - January 14, 2021), Galeria Eva Presenhuber, Zurich, Switzerland 2020 Walead Beshty: Standard Deviations, Kunst Museum Winterthur, Winterthur, Switzerland Walead Beshty: Industrial Portraits, Fondazione MAST, Bologna, Italy 2019 Walead Beshty, Petzel Gallery, New York NY Walead Beshty, Rodolphe Janssen Gallery, Brussels, Belgium Walead Beshty, Musée d’art modern et contemporain, Geneva, Switzerland 2018 Aggregato, Thomas Dane Gallery, Naples, Italy Equivalents, Regen Projects, Los Angeles CA 2017 Open Source, Petzel Gallery, New York NY Transparencies, Rat Hole Gallery, Tokyo, Japan 2016 Automat, Galerie Eva Presenhuber, Zurich, Switzerland 2015 Disponibles, Travesîa Cuatro, Guadalajara, Mexico Walead Beshty, Great Hall Exhibition, Institute of Fine Arts, New York University, New York NY Walid AlBeshti, Regen Projects, Los Angeles CA 2014 Marginalia, Thomas Dane Gallery, London, England Gastarbeiten, Capitain Petzel, Berlin, Germany A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench, Curve Gallery, Barbican Centre, London, England Performances Under Working Conditions, Petzel, New York NY Selected Bodies of Work, Regen Projects, Los Angeles CA 2013 Walead Beshty, 8 rue Saint-Bon, Paris, France Fair Use, Power Station, Dallas TX 2012 Travel Pictures, Thomas Dane Gallery, London, England 2011 PROCESSCOLORFIELD, Regen Projects, Los Angeles CA A Diagram of Forces, Malmö Konsthall, Malmö, Sweden (Ex. -
Damiani Cat Fall 2018.Pdf
Fall 2018 Contents New Titles 5 Collector’s Editions 49 Toiletpaper 71 Backlist 77 Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103 Spazio Damiani 104 Distributors 106 Notes 108 Contacts 110 New Titles Photography Arthur Elgort Jazz This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. -
MARC STRAUS Gallery
MARC STRAUS Rona Pondick b. 1952 in, Brooklyn, New York Lives and works in New York City EDUCATION 1977: M.F.A., Yale University School of Art 1974: B.A., Queens College SOLO EXHIBITIONS 2019 Zevitas Marcus Gallery, Los Angeles, CA, Rona Pondick: Works 2013-18 2018 Marc Straus Gallery, New York, NY, Rona Pondick: Works 2013-18 2017-18 Bates Museum of Art, Lewiston, Maine, Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying 2017 Utah Museum of Contemporary Art, Salt Lake City, Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying 2014 Krampf Gallery, Istanbul 2013 Sonnabend Gallery, New York 2012 Galerie Thaddaeus Ropac, Paris 2010 Nassau County Museum of Art, Roslyn, New York, Metamorphosis: Rona Pondick Galerie Thaddaeus Ropac, Editions Space, Salzburg, Rona Pondick: The Metamorphosis of an Object 2009 Worcester Art Museum, Worcester, Massachusetts, Rona Pondick: The Metamorphosis of an Object Howard Yezerski Gallery, Boston 2008 TR3, Ljubljana, Solvenia, Rona Pondick, Head in Tree and other works 1999-2008 Die Internationale Stiftung Mozarteum, Salzburg, Rona Pondick 2006 Galerie Thaddaeus Ropac, Salzburg Sonnabend Gallery, New York 2004 Museum of Contemporary Art Cleveland, Cleveland Akira Ikeda Gallery, Taura, Japan, Rona Pondick, 1987-2001 2003 Cranbrook Art Museum, Bloomfield Hills, Michigan, Sculpture 1992-2003 2002-03 DeCordova Sculpture Park + Museum, Lincoln, Massachusetts Groninger Museum, Groningen, Netherlands 2002 Galleria d’Arte Moderna Bologna, Bologna, -
MFA Photography, Video & Related Media
MFA Photography, Video & Related Media Reading List At the start of the program, all students should feel comfortable with the history of photography and the lens based arts, modern art, the basic thrust of postmodernist criticism and the significance of new media. Each student can adapt the following annotated list to her or his own needs. This list is by no means conclusive, but offers a place to start. REQUIRED READING The books listed below are required reading for all students entering the MFA Photography, Video & Related Media program. All students are required to read these books and will be expected to be familiar with the material. We also strongly recommend that you read as many books as possible from the additional reading list. You do not need to purchase them – most are available at better libraries or universities. Wells, Liz. Photography: A Critical Introduction. Routledge. 2015 (Fifth Edition) Cotton, Charlotte. The Photograph as Contemporary Art. Thames and Hudson. 2014. (3rd ed) Rush, Michael. New Media in Art. Thames and Hudson, 2005 Bell, Adam and Charles Traub. Vision Anew: The Lens and Screen Arts. University of California Press. 2015 **Evening, Martin. Adobe Photoshop CC for Photographers (2015 Release). Focal Press, 2015 ** Required for all photo students entering into Studio: Imaging I & II. If you are working in the moving image or video and taking the other section of Studio: Imaging – the book is not required. ADDITIONAL READING (* are placed next to recommended texts) PHOTOGRAPHY *Adams, Robert. Why People Photograph. Aperture, 2005 * Beauty in Photography. Aperture, 2005. Anselmo, Giovanni. The Last Picture Show: Artists Using Photography 1960-1982. -
MFA in Photography / GRADUATE EXHIBITION 2016 Lesley University College of Art and Design
MFA in Photography / GRADUATE EXHIBITION 2016 Lesley University College of Art and Design From the Director A sincere welcome to this modest thesis document representing the 2016 MFA in Photography 2016 graduating class of our full-residency MFA in Photography program at Lesley University’s College of Art and Design. Beginning with our program’s developmental planning in 2009, we recognized that the medium of photography had ceased KATIE DOYLE being a single identifiable medium, technology or process and that it was, like our program to be, a flexible thing to be nurtured and designed as a collaborative work in progress. We were very conscious of the fact that collectively we had an CRYSTAL FOSS extraordinary opportunity to embrace the medium’s transformation—how it is taught, integrated, practiced, and what it would ultimately represent in the universe of the arts, education, and culture. SAMUEL WEST HISER Throughout its evolution, photography has been a slowly moving glacier of adaptation and obsolescence followed closely by familial transformations KWANGTAE KIM influenced by the heat of science, technology, critical analysis, and cultural practice. I think of these influences and processes as I do the boulders in the woods near my studio in New Hampshire… evidential scat from a glacier’s melting. Each TRACI MARIE LEE overlapping layer of transformation has ushered in an ever-greater democratization of photographic image making, adoption, and adaptation and each of these cycles have been identified by the family name, photography, regardless of how odd the MAURA O’DONNELL new offspring appeared. What each new incarnation had in common was a single salient identification… that of making marks with light. -
Allison Berkeley Manager of Marketing and Public Relations @Worcesterart.Org 508.799.4406 X3073
IMMEDIATE RELEASE MEDIA CONTACT: Allison Berkeley Manager of Marketing and Public Relations @worcesterart.org 508.799.4406 x3073 THE WORCESTER ART MUSEUM ANNOUNCES FALL EXHIBITIONS & EVENTS OCTOBER, NOVEMBER, DECEMBER 2009 (WORCESTER, Mass., September 30, 2009) – The Worcester Art Museum is proud to announce our fall line-up of exciting exhibitions and events, including a celebration of the season with Holidays at WAM! Enjoy performances in the Renaissance Court, special seasonal children's programming, decorations inside and outside the Museum and expanded Shop and Café hours. While at the Museum take part in a variety of youth, teen and adult classes and workshops, dine in the newly renovated Museum Café featuring an eclectic fall menu inspired by fifty centuries of art - open Wed-Sat, 11:30am – 2pm, and browse The Museum Shop for unique mementos. FREE admission for 17 and under. Make WAM one of your stops this fall! CURRENT EXHIBITIONS Rona Pondick: The Metamorphosis of an Object Through October 11, 2009 Rona Pondick has become one of the most accomplished sculptors of her generation. She combines both ancient sculptural methods and the latest computer technologies to produce hybrid sculptures that fuse human and animal bodies or human and flora forms. Pondick selected works from the museum’s collection that she feels resonate with her own creativity and produced 14 sculptures that focus on her interest in three aspects of sculpture – gesture and posture, the treatment of hair, and the effects of repetition. A catalogue of this exhibition is available. Printmaking Methods: RELIEF Through October 18, 2009 See how printmaking has evolved from a complicated, one-person process to the streamlined methods used today. -
With Tatsiana Tkachova), Mapt, a Non- Profit Organization in Yekaterinburg, Russia
Elinor Carucci Born June 11, 1971 Jerusalem, Israel Lives and works in New York City One Person Exhibitions 2019 Midlife, Fifty One Fine Art Gallery, Antwerp, Belgium 2018 Getting Closer Becoming Mother; About Intimacy and Family 1993 -2012, Cortona on the move festival, main artist show, Cortona, Itally 2017 About Love - a two person show (with Tatsiana Tkachova), Mapt, a Non- Profit Organization in Yekaterinburg, Russia 2016 The family of (wo)man – Coming back to Musrara – Musrara art gallery, Jerusalem Israel 2015 The Effect of Motherhood, Conde Nast Gallery, New York 2014 MOTHER, Guernsey Photography Festival ` MOTHER, Edwynn Houk Gallery, New York 2012 Fotografins hus, Stockholm, Sweden 2011 BORN, Sasha wolf Gallery, New York Love, in spite...Tavi Art Gallery, Israel Insight, FoMu, Antwerp, Belgium 2010 Intimacy, James Hyman Gallery, London, UK 2009 My Children, Le Bleu du ciel, Lyon, France 2007 Biennale de la Photographie, Luik, Belgium Art Academy of Cincinnati, Convergys Gallery 2006 Edwynn Houk Gallery, New York NY 2005 Diary of a dancer, Fotografie Forum International, Frankfurt, Germany Diary of a dancer, 51 Fine Art Photography, Antwerp, Belgium It’s me, Herzlia Museum of Contemporary Art, Herzlia, Israel Diary of a dancer, Ricco/Maresca Gallery, New York, NY Photography Gallery Vilnius: Union of Lithuanian Art Photographers, Lithuania Analix Forever, Geneva, SZ Moscow House of Photography, Moscow, Russia Photographic Center Northwest, Seattle, WA 2004 Images of family and pain - Scalo Gallery, Zurich, SZ Closer, Noga Gallery,