Technological Protection Systems for Digitized Copyrighted Works: a Report to Congress
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Practice Tips for Open Source Licensing Adam Kubelka
Santa Clara High Technology Law Journal Volume 22 | Issue 4 Article 4 2006 No Free Beer - Practice Tips for Open Source Licensing Adam Kubelka Matthew aF wcett Follow this and additional works at: http://digitalcommons.law.scu.edu/chtlj Part of the Law Commons Recommended Citation Adam Kubelka and Matthew Fawcett, No Free Beer - Practice Tips for Open Source Licensing, 22 Santa Clara High Tech. L.J. 797 (2005). Available at: http://digitalcommons.law.scu.edu/chtlj/vol22/iss4/4 This Article is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara High Technology Law Journal by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. ARTICLE NO FREE BEER - PRACTICE TIPS FOR OPEN SOURCE LICENSING Adam Kubelkat Matthew Fawcetttt I. INTRODUCTION Open source software is big business. According to research conducted by Optaros, Inc., and InformationWeek magazine, 87 percent of the 512 companies surveyed use open source software, with companies earning over $1 billion in annual revenue saving an average of $3.3 million by using open source software in 2004.1 Open source is not just staying in computer rooms either-it is increasingly grabbing intellectual property headlines and entering mainstream news on issues like the following: i. A $5 billion dollar legal dispute between SCO Group Inc. (SCO) and International Business Machines Corp. t Adam Kubelka is Corporate Counsel at JDS Uniphase Corporation, where he advises the company on matters related to the commercialization of its products. -
Challenges and Directions for Monitoring P2P File Sharing Networks
Challenges and Directions for Monitoring P2P File Sharing Networks – or – Why My Printer Received a DMCA Takedown Notice Michael Piatek∗ Tadayoshi Kohno ∗ Arvind Krishnamurthy∗ Abstract— We reverse engineer copyright enforcement The focus of this paper is to examine the tension be- in the popular BitTorrent file sharing network and find tween P2P users and enforcement agencies and the chal- that a common approach for identifying infringing users lenges raised by an escalating arms race between them. is not conclusive. We describe simple techniques for im- We ground this work in an experimental analysis of the plicating arbitrary network endpoints in illegal content methods by which copyright holders currently monitor sharing and demonstrate the effectiveness of these tech- the BitTorrent file sharing network. Our work is based on niques experimentally, attracting real DMCA complaints measurements of tens of thousands of BitTorrent objects. for nonsense devices, e.g., IP printers and a wireless ac- A unique feature of our approach is that we intentionally cess point. We then step back and evaluate the challenges try to receive DMCA takedown notices, and we use these and possible future directions for pervasive monitoring in notices to drive our analysis. P2P file sharing networks. Our experiments uncover two principal findings: 1 Introduction • Copyright holders utilize inconclusive methods for identifying infringing BitTorrent users. We were able Users exchange content via peer-to-peer (P2P) file shar- to generate hundreds of DMCA takedown notices for ing networks for many reasons, ranging from the legal machines under our control at the University of Wash- exchange of open source Linux distributions to the ille- ington that were not downloading or sharing any con- gal exchange of copyrighted songs, movies, TV shows, tent. -
An Introduction to Software Licensing
An Introduction to Software Licensing James Willenbring Software Engineering and Research Department Center for Computing Research Sandia National Laboratories David Bernholdt Oak Ridge National Laboratory Please open the Q&A Google Doc so that I can ask you Michael Heroux some questions! Sandia National Laboratories http://bit.ly/IDEAS-licensing ATPESC 2019 Q Center, St. Charles, IL (USA) (And you’re welcome to ask See slide 2 for 8 August 2019 license details me questions too) exascaleproject.org Disclaimers, license, citation, and acknowledgements Disclaimers • This is not legal advice (TINLA). Consult with true experts before making any consequential decisions • Copyright laws differ by country. Some info may be US-centric License and Citation • This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). • Requested citation: James Willenbring, David Bernholdt and Michael Heroux, An Introduction to Software Licensing, tutorial, in Argonne Training Program on Extreme-Scale Computing (ATPESC) 2019. • An earlier presentation is archived at https://ideas-productivity.org/events/hpc-best-practices-webinars/#webinar024 Acknowledgements • This work was supported by the U.S. Department of Energy Office of Science, Office of Advanced Scientific Computing Research (ASCR), and by the Exascale Computing Project (17-SC-20-SC), a collaborative effort of the U.S. Department of Energy Office of Science and the National Nuclear Security Administration. • This work was performed in part at the Oak Ridge National Laboratory, which is managed by UT-Battelle, LLC for the U.S. Department of Energy under Contract No. DE-AC05-00OR22725. • This work was performed in part at Sandia National Laboratories. -
The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars
International Journal of Communication 6 (2012), 606–625 1932–8036/20120606 The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars RAMON LOBATO1 JULIAN THOMAS Swinburne University of Technology From the perspective of copyright holders, piracy represents lost revenue. In this article we argue that piracy nevertheless has important generative features. We consider the range of commercial opportunities that piracy opens up outside of the media industries, identifying four overlapping fields of legal anti-piracy enterprise: technological prevention, revenue capture, knowledge generation, and policing/enforcement. Our analysis notes the commercialization of these activities and their close relationship with the informal media economy. A case study of recent “speculative invoicing” lawsuits demonstrates the extent of this commercialization and its detachment from the mainstream content industries. A key strategy of content industry groups during their long war on piracy has been to associate copyright infringement with lost revenue for artists, producers, and media businesses. Consumers are now familiar with the claim that piracy directly threatens the livelihoods of cultural workers and generates large profits for criminal organizations, bootleggers, and online intermediaries. Hence, the model of a zero-sum economic redistribution between two camps—producers and pirates—with the latter cannibalizing the revenues of the former. This is an ever-present theme in anti-piracy discourse, exemplified by the Motion Picture Association of America’s claim that “copyright theft means declining incomes, lost jobs and reduced health and retirement benefits” (MPAA, 2010, p. 2) and by the Australian Federation Against Copyright Theft’s warning that “film and TV piracy rips more than $230 million out of the Australian economy each year” (AFACT, 2008, p. -
** OPEN SOURCE LIBRARIES USED in Tv.Verizon.Com/Watch
** OPEN SOURCE LIBRARIES USED IN tv.verizon.com/watch ------------------------------------------------------------ 02/27/2019 tv.verizon.com/watch uses Node.js 6.4 on the server side and React.js on the client- side. Both are Javascript frameworks. Below are the licenses and a list of the JS libraries being used. ** NODE.JS 6.4 ------------------------------------------------------------ https://github.com/nodejs/node/blob/master/LICENSE Node.js is licensed for use as follows: """ Copyright Node.js contributors. All rights reserved. Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. """ This license applies to parts of Node.js originating from the https://github.com/joyent/node repository: """ Copyright Joyent, Inc. and other Node contributors. -
The P2P Threat from Your PC
The P2P Threat From Your PC November 16, 2004 Robert Steinberg Yury Kapgan* * Robert Steinberg is a partner in the corporate and litigation departments, as well as a member of both the Venture & Technology and Intellectual Property and Technology practice groups in the Los Angeles office of Latham & Watkins. Bob has a J.D. from Georgetown University and B.S. degrees in Systems Science Engineering and Economics from the University of Pennsylvania. Bob has an extensive background in business, law and engineering. His practice focuses on all aspects of negotiations, transactions and litigation and rights acquisitions concerning technology and media. He has represented start-up companies, emerging and middle market companies, major international corporations, entertainment studios, venture capitalist and investment banks, including companies such as America Online, Broadcom and Disney. Yury Kapgan is an associate in the corporate and litigation departments at Latham & Watkins in Los Angeles. He has a J.D. from the University of California, Boalt Hall School of Law and a B.A. from UCLA. Special thanks to Roxanne Christ and Dan Schecter, partners in the Los Angeles office of Latham & Watkins, for their comments on this paper. The positions and opinions taken by the authors are not necessarily representative of their employers or clients. This notice also disclaims any responsibility with regard to actions taken or results obtained on the basis of this paper. © Copyright 2004 Latham & Watkins LLP. All rights reserved. Latham & Watkins operates as a limited liability partnership worldwide, with an affiliate in the United Kingdom and Italy, where the practice is conducted through an affiliated multinational partnership. -
Open Source Software Notice
Open Source Software Notice This document describes open source software contained in LG Smart TV SDK. Introduction This chapter describes open source software contained in LG Smart TV SDK. Terms and Conditions of the Applicable Open Source Licenses Please be informed that the open source software is subject to the terms and conditions of the applicable open source licenses, which are described in this chapter. | 1 Contents Introduction............................................................................................................................................................................................. 4 Open Source Software Contained in LG Smart TV SDK ........................................................... 4 Revision History ........................................................................................................................ 5 Terms and Conditions of the Applicable Open Source Licenses..................................................................................... 6 GNU Lesser General Public License ......................................................................................... 6 GNU Lesser General Public License ....................................................................................... 11 Mozilla Public License 1.1 (MPL 1.1) ....................................................................................... 13 Common Public License Version v 1.0 .................................................................................... 18 Eclipse Public License Version -
Are Projects Hosted on Sourceforge.Net Representative of the Population of Free/Open Source Software Projects?
Are Projects Hosted on Sourceforge.net Representative of the Population of Free/Open Source Software Projects? Bob English February 5, 2008 Introduction We are researchers studying Free/Open Source Software (FOSS) projects . Because some of our work uses data gathered from Sourceforge.net (SF), a web site that hosts FOSS projects, we consider it important to understand how representative SF is of the entire population of FOSS projects. While SF is probably hosts the greatest number of FOSS projects, there are many other similar hosting sites. In addition, many FOSS projects maintain their own web sites and other project infrastructure on their own servers. Based on performing an Internet search and literature review (see Appendix for search procedures), it appears that no one knows how many Free/Open Source Software Projects exist in the world or how many people are working on them. Because the population of FOSS projects and developers is unknown, it is not surprising that we were not able to find any empirical analysis to assess how representative SF is of this unknown population. Although an extensive empirical analysis has not been performed, many researchers have considered the question or related questions. The next section of this paper reviews some of the FOSS literature that discusses the representativeness of SF. The third section of the paper describes some ideas for empirically exploring the representativeness of SF. The paper closes with some arguments for believing SF is the best choice for those interested in studying the population of FOSS projects. Literature Review In one of the earliest references to the representativeness of SF, Madley, Freeh and Tynan (2002) mention that they assumed that SF was representative because of its popularity and because of the number of projects hosted there, although they note that this assumption “needs to be confirmed” (p. -
Comment Submitted by Ben Jones, Torrentfreak
Comments submitted to FTC DRM Town Hall – Comment, Project No. P094502 February 2009 Page 1/5 TorrentFreak.com DRM Town Hall – Comment, Project No. P094502 Summary The intent of Digital Rights Management (or DRM) is for the originator of the work, to attempt to control the ways in which the work can be used, after sale or license. Most often, these take the form of copy restrictions, but can include restrictions in other ways. Ultimately, DRM is an all-or-none measure, that seeks to control, without reference to context. A backup copy is allowed in many jurisdictions, while copying for the purposes of copyright infringement is not. However, both will be restricted by DRM. Many audio disc copy protection systems (which are DRM) utilise bad sectors to cause faults when copying is attempted, but which can also regular playback in some devices. Other methods might include using computer autoplay systems to install software to prevent copying, but which can leave systems vulnerable to malicious code. It is thus gratifying that the Federal Trade Commission sees fit to consider the impact on consumers of DRM, and we welcome the opportunity to highlight, for the commission, our experiences of DRM, and it's impact on consumers. We have split this response by category of media, to reflect the differing methods and approaches used in each sector of industry. Films Standard DVDs contain two forms of DRM; region coding, and Content Scrambling System (CSS). The former is used to limit the geographical regions where such discs can be played, the latter attempts to prevent copying. -
Digital Hollywood Spring at Conference, and Your Registration the P2P Media for the Full DCIA Conference &
2nd Annual P2P Media Summit LA Page 1 of 10 2nd Annual P2P MEDIA SUMMIT LA DCIA Conference & Exposition June 11-14, 2007 | 8:00 AM - 7:30 PM | Santa Monica, California SPECIAL THANKS TO P2P MEDIA SUMMIT LA JAVIEN FOR HANDLING PARTNERS & ONLINE REGISTRATIONS SPONSORS PHONE REGISTRATION Plan now to attend the Distributed 410-476-7965 Computing Industry Association’s second annual Los Angeles LOCATION Conference & Exposition. Doubletree Guest Suites This seminal industry event is Santa Monica, CA scheduled for June 11th–14th at the Doubletree Guest Suites in Santa Monica, CA. Agenda The June 11th Conference will Speakers feature keynotes from top P2P and Sponsorships social networking software Event Registration distributors, panels of industry About Us leaders, valuable workshops, and much more. There will be a continental breakfast, luncheon, and networking cocktail reception Interested in with live entertainment. sponsoring, exhibiting, or hosting The June 12th-14th Exposition is being held in conjunction with the lunch or a reception Digital Hollywood Spring at Conference, and your registration the P2P Media for the full DCIA Conference & Summit? Exposition includes that event as well. Please contact Karen Kaplowitz Digital Hollywood has become the industry’s premier entertainment DCIA Member and technology conference and Services this spring’s expanded line-up promises to be very serious, very [email protected] crowded, critical to the industry, 888-890-4240 and critical to your life. ________________ DCIA Member speakers for the Press Registration P2P MEDIA SUMMIT LA are listed in the Speakers section, which is Please send e-mail below the Conference Agenda that with press immediately follows this summary. -
Open Source Acknowledgements
This document acknowledges certain third‐parties whose software is used in Esri products. GENERAL ACKNOWLEDGEMENTS Portions of this work are: Copyright ©2007‐2011 Geodata International Ltd. All rights reserved. Copyright ©1998‐2008 Leica Geospatial Imaging, LLC. All rights reserved. Copyright ©1995‐2003 LizardTech Inc. All rights reserved. MrSID is protected by the U.S. Patent No. 5,710,835. Foreign Patents Pending. Copyright ©1996‐2011 Microsoft Corporation. All rights reserved. Based in part on the work of the Independent JPEG Group. OPEN SOURCE ACKNOWLEDGEMENTS 7‐Zip 7‐Zip © 1999‐2010 Igor Pavlov. Licenses for files are: 1) 7z.dll: GNU LGPL + unRAR restriction 2) All other files: GNU LGPL The GNU LGPL + unRAR restriction means that you must follow both GNU LGPL rules and unRAR restriction rules. Note: You can use 7‐Zip on any computer, including a computer in a commercial organization. You don't need to register or pay for 7‐Zip. GNU LGPL information ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ This library is free software; you can redistribute it and/or modify it under the terms of the GNU Lesser General Public License as published by the Free Software Foundation; either version 2.1 of the License, or (at your option) any later version. This library is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General Public License for more details. You can receive a copy of the GNU Lesser General Public License from http://www.gnu.org/ See Common Open Source Licenses below for copy of LGPL 2.1 License. -
Liquid Audio, Inc. LQID 56 $ 25 -$ 48.4
Tornado Report, December 31, 2002 Patrick Lannigan - Lannigan and Associates - 905-305-8004 [email protected] Tornado Report. All prices as of market close Tuesday, December 31, 2002 Figures do not account for debt, which is usually not a concern for all but the very largest software and hardware companies (e.g. Lucent, Nortel, IBM, CA, etc.) Cash (as it is tallied here) = Cash + Securities. ( Warning: Cash + Securities data can lag earnings data - by many weeks!) MC = Market Capitalization ttm = Trailing Twelve Months Companies are in order of --> TR = Tornado Ratio = (MC - CASH) / Revenue For more information on the TR (Tornado Ratio) go to: http://www.lannigan.org/tornado_report.htm Company Symbol MC MC-Cash MC/Rev. TR Cash Rev. EPS P/E Price Shares (mill.) (mill) (ttm) (mill.) (ttm) (ttm) (mill.) Liquid Audio, Inc. LQID$ 56 -$ 25 48.4 -21.81$ 81 $ 1 -$0.75 n/a$ 2.5 22.8 Clarus CLRS$ 88 -$ 15 22.4 -3.68$ 103 $ 4 -$1.09 n/a$ 5.6 15.7 BackWeb Technologies Ltd. BWEB$ 9 -$ 19 1.0 -2.03$ 28 $ 9 -$0.73 n/a$ 0.2 39.8 Blue Martini Software BLUE$ 30 -$ 41 0.9 -1.23$ 71 $ 34 -$5.75 n/a$ 2.9 10.4 FirePond, Inc. FIRE$ 9 -$ 20 0.4 -0.93$ 29 $ 22 -$5.38 n/a$ 2.5 3.7 Keynote KEYN$ 220 -$ 19 5.8 -0.51$ 239 $ 38 -$2.23 n/a$ 7.7 28.5 Commerce One CMRC$ 80 -$ 68 0.6 -0.48$ 148 $ 142 -$17.61 n/a$ 2.8 29.2 Centra Software CTRA$ 26 -$ 14 0.7 -0.40$ 40 $ 35 -$0.64 n/a$ 1.0 26.0 Liberate Technologies LBRT$ 122 -$ 27 1.7 -0.37$ 149 $ 73 -$2.70 n/a$ 1.1 107.6 Rogue Wave Software RWAV$ 18 -$ 10 0.4 -0.23$ 28 $ 43 -$0.68 n/a$ 1.8 10.2 Pivotal Corporation PVTL$ 18 -$ 12 0.3 -0.19$ 30 $ 66 -$3.42 n/a$ 0.7 25.3 Vignette Corporation VIGN$ 306 -$ 29 1.8 -0.18$ 335 $ 167 -$4.33 n/a$ 1.2 250.6 Docent DCNT$ 41 -$ 4 1.5 -0.14$ 45 $ 28 -$2.53 n/a$ 2.9 14.3 Safeguard Scientifics SFE$ 162 -$ 164 0.1 -0.10$ 326 $ 1,650 -$1.37 n/a$ 1.4 119.4 Selectica, Inc.